Florence + the Machine heritage post. Literally like this should be required reading for all of their fans it's so iconic

Okay, so here are our options:

1. David Tennant is the Fourteenth Doctor because the Jodie Whittaker's Doctor regenerated into him.

2. Ncuti Gatwa is the Fourteenth Doctor because Ten3 does not count.

3. Sacha Dhawan is the Fourteenth Doctor because Jodie Whittaker's doctor regenerated into him.

4. Jodie Whittaker is the Fourteenth Doctor due to the existence of the War Doctor.

5. Peter Capaldi is the Fourteenth Doctor due to the existence of the War Doctor and the time David Tennant regenerated into himself.

6. Matt Smith is the Fourteenth Doctor due to the existence of the War Doctor, and the time David Tennant regenerated into himself, and Jo Martin’s Doctor.

7. David Tennant is the Fourteenth Doctor due to the existence of the War Doctor, and the fact that he regenerated into himself, and Jo Martin's Doctor, and the existence of TenToo.

8. TenToo is the Fourteenth Doctor for the above reasons.

9. Donna Noble is the Fourteenth Doctor for the above above reasons.

10. Both David Tennant and Ncuti Gatwa's Doctors' true numbers are unknowable due to the existence of The Timeless Child.

11. Both David Tennant and Ncuti Gatwa's Doctors' true numbers are unknowable due to the existence of The Timeless Child, and the uncountable amount of times The Twelfth Doctor died and was reborn in Heaven Sent.

12. Both David Tennant and Ncuti Gatwa's Doctors' true numbers are unknowable due to the existence of The Timeless Child, and the uncountable amount of times The Twelfth Doctor died and was reborn in Heaven Sent, and all Doctors seen in noncanon materials are actually canon (Peter Cushing films, Scream of the Shalka, Curse of the Fatal Death, etc...)

13. Both David Tennant and Ncuti Gatwa's Doctors' true numbers are unknowable for all of the above reasons and also because pseudo-Doctors such as The Valeyard and The Dream Lord are also The Doctor.

14. The above is true, but The Doctor is simply a title, and anyone who claims to be The Doctor is also The Doctor. Jackson Lake is The Doctor. Clara is The Doctor. Missy is The Doctor. Graham is The Doctor. Every actor who has played The Doctor are also The Doctor.

15. The above is true, but due to The Egg Theory everyone else is also The Doctor. We are all The Doctor.

16. None of the above is true because no Doctor after the Revival is canon.

17. None of the above is true because no Doctor after the First Doctor is canon.

18. None of the above is true because there is no Fourteenth Doctor. The number was skipped for some reason.

19. The numbering system is flawed and useless to current canon, and we should switch to identifying Doctors by their actors, as we do with The Master. (Example: Hartnell!Doctor)

20. The above is not true because we would still need to find a way to differentiate the 3 - 4 Doctors played by David Tennant.

21. All of the above is technically true, and Russell T Davies should put it up to a poll and see who wins, and we must all commit to the democratic vote.

"ace attorney's representation of the law/lawyers is dumb because it's inaccurate" becomes less interesting of a take every time i hear it. oh yeah this series where ghosts and parrots go on the stand is totally trying to be the most well-researched 100% accurate legal drama ever, instead of simplifying or glazing over things for the sake of pacing and fun

honestly though casually choking onesself with a mic cord to self-sooth and then making a bunch of jokes about it onstage was so fucking funny and real. i love my chemical romance

everyone praises american vandal for hilariously and incisively satirizing the True Crime Netflix Doc formula, but i still think what made it most impressive was the way it thoroughly subverted the Teen Movie genre by simply not being set in a highly stylized borderline-fantastical world of its own rules that overlap extremely little with the actual high school experience. american vandal is the only piece of fiction ive ever seen about high school that truly reflects what high school kids are actually like, and there is something so unique and refreshing about that unflinching realism in a genre that seems to demand absurdism. idk

Andrew Minyard puts on his black combat boots and black armbands. He wears his black hoodie because Andrew is not like other boys. His newest teammate Neil Josten has an aura of danger that Andrew knows he is better off not getting close. But Andrew cannot help it. He is like a moth drawn to a flame. Neil’s untamed auburn hair that is never styled yet it is messy in an effortless way and his big blue orbs that must have a lot of hidden secrets. Andrew knows he should not play with fire but with that toned body Andrew minyard can not stay away.

Whatever, not like Neil josten would notice him anyways. He is the outcast in his teams and no one likes him. Neil josten would not care about him.

Imagine Andrew’s surprise when Neil josten joins him on the roof and shares his secrets. Andrew is right, Neil has a very dark past that is even darker than Andrew’s. Neil is involved in the mafia! But because Andrew is not like other boys he does not care and promise to protect Neil even though Andrew probably cannot do anything if anything happens. Neil probably has to be the one to save Andrew.

Neil also turns out to be loaded and he buys Andrew a car when his was destroyed and Andrew cannot say no to a Maserati.

Everyone else on the team is so shock when super attractive good looking Neil josten will choose to be with someone like Andrew minyard but Neil does not care and growls at anyone that says anything bad about Andrew.

"you have a voluptuous rump" Franklin Oreo growled in Gerb gay's ear

On the first day of Woman Month I need to do a short essay explaining how Aiura and Teruhashi can represent opposite ends of the victims of purity culture, and how the Kokomins represent those who subscribe to the notions of what makes a woman have worth

the thrilling sequel to gale killing himself is right ending actually: why doesn't wyll enjoy being treated like a dog by a sexy demon lady

something about laios' first death being at the hands of living armor and him wanting to eat it

something about him wanting to eat living armor so badly, showing more interest than he did the other creatures, even though the rest of the party emphatically declares it impossible

something about trying to understand that which scares you through the lens of what you love

something about eating your fears

something about consuming and knowing

something about what you eat becoming you

something about your fear becoming you

and you becoming your fear

does anyone know any fun quirky ways to sabotage a car for revenge? asking for a friend 🤗

it's so cool how not a single human being on earth is exempt from experiencing transmisogyny. in fact, i think we should turn our focus away from how trans women and transfems are affected and focus on the ways it affects everyone else.

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo

My Experience With Sapnap (satire) (this is a JOKE)

On September 16, 2023, Sapnap hosted a Rockstar Raidz Minecraft event which I was picked to participate in.

I was very nervous and anxious all day leading up to the event, and when the time came for it to start I got in a call with my friends and joined the server.

I did pretty bad the first few games due to my extreme nervousness. Having such a big creator watching as I played really made me uncomfortable.

During the PVP game, where we had to basically get our own materials to craft our weapons and fight everyone else, I started doing really well, getting a decent amount of kills. However, when I started fighting one opponent, who had no armor or anything (I had an iron sword, shield, and chestplate), I screwed up a little and missed a few of my hits, because I got nervous because my friends said that he was watching me. That's when he said this:

I've never felt more invalidated in my life. In front of thousands of viewers, he said this? And then AFTER that, the person I was attacking turned out to be "lagging" (or hacking), because after I had hit them way too many times for them to still be alive, they all of a sudden had full iron and a diamond sword. Obviously, I was confused, and then immediately invalidated when I questioned this.

This experience left me with irreparable emotional damage. Someone I had looked up to, trusted, loved parasocially, said this rude things to me and dismissed my feelings? Not to mention this was for money, whivh I really could have used, but this interaction rattled me so much that I could not focus foe the entirety of the event.

Tired of staying silent. The world needed to know. Someone who was so excited for rhis event at the beginning, having her feelings comepletely invalidated by the very man she was excited to see.

ngl smile for the paparazzi is a genius song and I'm tired of pretending that cobra starship wasn't a genius band at times

I've seen a few people talking about how Barry and Wally's parent/child relationship now that they're both adults is unhealthily codependent and that Barry's the cause of Wally's daddy issues and need for therapy, and Wally being better than him now gave Barry an inferiority complex and suicidal tendencies. Can we get some panels showing this side of their relationship?

No? Because the panels don't exist.

There isn't anything 'unhealthily codependent' about their relationship? Codependency is when people in a relationship are so dependent that they struggle to make decisions without input, don't consider their own wants or needs, and try to control the other person's life. Codependency usually involves living together/near constant contact and communication.

And none of that is even remotely applicable to Barry and Wally. At any point in their lives.

Let's be real here, Barry gave Wally more freedom as a child than literally any other mentor. Barry's whole mentor philosophy was letting Wally forge his own path and giving advice when Wally asked for it. Wally did his own nightly patrol. Wally did his own missions. Wally fought his own battles.

And when he asked for help? Barry was there in a heartbeat.

What that does is foster independent thinking and self-sufficiency. Wally was allowed to become his own hero in a controlled environment. If things ever got really bad then Barry would be there, but for the most part Barry was just moral support.

And Barry died when Wally was 19. Wally did the majority of his Flash career without Barry. Honestly, if Barry hadn't given Wally the tools and opportunities to build such a strong foundation as a kid, then I don't think Wally would have survived long as the Flash. It's a testament to Barry's mentorship that a 19 year old kid could step into the shoes of an experienced hero and uphold that legacy without stumbling.

And even in current comics, with Barry and Wally both back and interacting, there isn't any codependency. Like. At all. They both have their own separate lives. Being family and doing family bonding activities and meeting up on the job isn't codependency, that's kinda just how healthy relationships work? You spend time together.

Also not really sure why it'd be fine when Wally was a kid but weird now that he's an adult? People don't just cut contact with their parents and older relatives when they hit 18. That's... not a thing. "Sorry, mom and dad. I love you but I'm an adult now so I can never see you again or it'd be weird. Goodbye forever."

As for Wally's daddy issues, why the fuck would anyone but Rudy be to blame for that? The man abused his son, tried to murder his mother, tried to sell him to a cult, hired assassins to beat and kidnap him, started a child labor camp with landmines, ect, ect. Barry actually being a father figure in his life helped fix the issues that Rudy created.

Also also. Barry is nothing but thrilled about what Wally has accomplished in life. Because he's a proud father.

There was a brief period of time where Eobard Thawne brainwashed Barry and Wally to make them fight all the time. People sometimes point to that and say that their relationship has issues. But they were actively brainwashed?? And not in their right state of mind because Thawne wanted them at each other's throats. And they immediately apologized to each other when they broke free. So. Not really a great argument tbh.

But yeah, TLDR: Wally does need therapy but not because of Barry and Barry does have suicidal tendencies but not because of Wally. Their relationship is only 'unhealthily codependent' if you don't know what those two words mean and made up new definitions for them. They are probably the most normal, healthy and successful mentor/mentee relationship in all of comics.