We’re all going to die

There is no one flying this plane.

im fuckin cryin, I'm watching catfish and nev just got a text from the catfish that said "dont knock on the door, come over behind the barn" lIKE NEV THATS WHAT SERIAL K*LLERS SAY FJWJFJJSNDDN

Me: Time to move all of my notes I've made on this one story over the last five years into a new folder because they're now completely useless to me. :D

*starts selecting the documents and folders of more documents for this single story of a trilogy*

*click, click, click, click, click—*

52 items selected

Me: ಥㅎಥ It's okay, babies. I still love you. *sets them gently into a folder I know I'll barely ever open again*

LESBIANS IN MY SHONEN??????????

Finished Dual Destinies!! Simon Blackquill and some other stuff

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

wait james somerton sounds a lot like some people on tumblr when they start spouting off about queer history or supposed controversies within it. is that where you guys are getting your stuff? is it james somerton brain poisoning?

Next up: BIBLIOMANIA

Story by Obaru Art by Macchiro

Big thanks to @burnt-tomato-slush for recommending this to me

“Transsexual faggot” you would be stoned to death on video by Hamas if you entered Gaza.

fantasising about my death. okay. get well soon!

I need a completely rewritten teen wolf series with Derek Hale as the main character. I think it would heal me.

Man it is a bold choice for the second game to just pepper in little asides that oh yeah btw Edgeworth's fucking dead. Yeah no he died off screen between games. No, you don't get to know how. Phoenix is too fucked up about it to tell you anything

whats so funny is that you guys have no idea that in a week or two its quite likely ill drop off the face of the earth again. maybe even delete my whole blog. like all the great klance artists.

i had arin for two days and i'm deeply endeared. i miss him. i miss arin, tails.

how do you know the difference between a huge anxiety attack and a panic attack?

like seriously whatever you do dont think about the captain and that story about someone calling into gay bars and not saying anything, just listening to queer people living and laughing and having fun. definitely don't think about the captain doing that. haha.

i never noticed until now but in httyd 1, the scene where we hear hiccup address the other kids by their name for the first time (specifically snotlout and fishlegs) he yells, ‘lout, legs, hang in its blind spot!’ and i just think it’s so interesting that it’s the only time we’ve ever heard hiccup call them that