if i just told you i love you would this world change

I just think that............. *gestures wildly to how Harrow experiences attraction* you know??????

The Khans - My Introspective

I don't like the Military and I don't support a lot of the actions the NCR does to the Mojave in New Vegas but in terms of the Khans I feel like the fandom infantilizes or diminishes the fact that they are or at least one of the most violent raider groups in the Mojave.

What happened at Bitter Springs was a tragedy, innocent lives were lost and the fact that the NCR swept it under the rug and continued to hunt down Khans that are truly trying to back down and resettle is horrendous, but there is a history to the NCR's aggression towards them.

The Khans first appear in Fallout 1, the main faction of raiders in the game besides the mentioned Vipers (who don't actually appear if I remember correctly). They came from Vault 15 along with the members that would form rival groups; The Vipers, The Jackals, and Shady Sands. They are a very large and foreboding raiding party, known for burning towns and encampments they attack and taking survivors as their slaves or slaves to sell. They are a big reason why the Jackals and Vipers are actually so small in New Vegas, they wiped them out.

Their main targets where Shady Sands and Junker town, the former of the two would be what became The New California Republic. This explains a big part of their animosity towards the Khans, only furthered by the fact the Khans kidnapped Tandi as a young girl, the girl that would go to offically found the NCR out of Shady Sands. When the dweller saved her and killed much of the Khans, this allowed the NCR to develop into what it currently is as they no longer needed to focus on fighting off constant raids.

When the Khans became the New Khans in Fallout 2, they barely resembled the Khans as they were led by Darion, Garl Death-Hand's son (former leader of the Khans). They were smaller and refortified vault 15, still planning to take down the NCR (at this time nowhere near as imperialist as they are in FNV) as mostly a revenge/power ploy. They manipulate The Squat, a group of y'know squatters, that lived in the upper levels, promising and lying about repairing the vault and offering them ransacked caravan resources if they kept the NCR away. Being their only life line The Squat had no choice. Still the chosen one got rid of them and they left New California for the untapped Mojave.

The Great Khans, the most current iteration, continued in the path as the original Khans, regrouping and gaining information from the Followers who hoped they'd use their new medical knowledge to heal themselves. They gained more members and a substantial part of Vegas territory before they were run out by the three families. They were pushed to Bitter Springs where they first and foremost continued to pick off and attack NCR settlements, most of which consisted of caravans, towns, and camps as they saw them as easy like in their old days. It was the killing of four influential Republic members (non-military) that brought on Bitter Springs.

Bitter Springs was the result of years of hatred and animosity and likely the goal to send a final message to the Khans. It does not excuse the fact that innocent men, women, and children were slaughtered with few survivors. It does not excuse the fact that the NCR has yet to make amends for this and continues to try and persecute the Khans even in moments of surrender.

This post is not to defend what happened but to give a quick rundown of the Khan's history and their history with the NCR. It's to remind people that the NCR is not just their military power but an actual group/settlement of people that were also attacked indiscriminately by the Khans. It's to point out that the Khans were not a band of indigenous people (no matter the comparisons) driven from their homes but raiders who fed into the brutal cultures of the west coast wasteland and were in turn treated to the same things.

My frustration comes from the fact that FNV has so many comparisons to indigenous struggles but the groups it chooses are not comparable at all. Their oppression hinges on not being familiar with their past, which explains why they have the reputation they do in canon. The "tribes" are often not even groups of minorities or have goals/desires out of acquisitions of power and I feel like it is important to both acknowledge that this is bad indigenous rep because it is not supposed to be. It is supposed to be a comparison of the in-game groups and how they all do the same things and justify it in their own fucked up ways, some better at it than others.

FNV of all the Fallout games (in light of it being heavily Western based) distastefully uses indigenous imagery and theming for groups that are sad mimicries of American indigenous cultures at best and outright offensive at worst.

each of the thieves’ perfect/alternate… third semester realities are so interesting. like… what it suggests about them that that is what they wanted and consider a perfect (or happier) reality. and then the question of how they feel living in that reality after remembering the truth and until they dismantle it. like… half of the cast (makoto, haru, futaba) is living with dead relatives. ryuji is back in the club that he (kinda not really) ruined and was practically ostracized from. ann has her best friend back, both of them completely clean of the trauma inflicted by kamoshida. yusuke- fucking yusuke’s third semester reality is the most fascinating to me- his perfect reality is one where is mother is still dead and he’s still student under a much… generally better version of madarame- holy SHIT theres so much to unpack about yusuke’s reality

Hi I’m also an avid httyd 3 hater I think this video was a pretty good summarization of most of the things that were wrong with it if you wanna check it out

https://youtube.com/watch?v=bcFMEs177i0&feature=shared

"The director wanted an end from a different story". SO FUCKING TRUE. SO REAL.

From the httyd3 art book (which I'm so happy the video references):

"In general, it's more difficult to create a female character than it is to draw a male. For a female, any incorrect line and the shape can go wrong very quickly. We had to control all the shapes while keeping her both powerful and graceful so that she didn't fall to much into the reptilian category, like a lot of dragons. We wanted to explore how the Light Fury would walk and how to make her feel like a female, so we referenced lionesses and big cats."

What misogynistic bullshit am I right.

I'm going to go ahead and also show off the hearts on the light fury's forehead because it's just abysmal (this is a normal picture of the light fury with the saturation increased):

Thanks for sending this video my way anon!

I remember someone saying "there's no such thing as a good racism allegory" and it's been bouncing around in my head for a while. I'm someone who typically thinks anything can work if given the right circumstances, but then I really started thinking about it and I believe they're right

Because if you want to talk about racism, you should just talk about racism

(This is unpolished and ramble-y, so strap yourselves in)

Racism is deeply ingrained into our society, no matter where you live. Imperialism and colonialism has ensured that no corner of Earth has been left untouched. Choices from hundreds of years ago are still being felt today. There's practically no end to the discussion of its effects on the world and its people

So, why should anyone feel the need to dress it up in cat ears?

I've consumed a lot of media where writers have consciously echoed in part some aspect of racism in their fantasy story: Bright 2017, Dragon Age, RWBY, the MCU, Harry Potter, Detroit: Become Human, etc. The biggest thing they have in common is that the narrative is told to side with the victims, but it somehow always ends up against them

It always sides with the status quo

It's confusing, maddening even, because the narrative oft goes out of its way to show how horrible the system is and how these folk don't deserve their treatment, so why are we going back to normal as if it's a good thing? Why are the people actively working to improve the system decried as annoying at best and monstrous at worst?

Then you look at the people who write these storylines. The beliefs they hold, the people they vote for, which charities and organizations they give to, and it all makes sense. Centrists (at best) trying to look progressive are the ones who need to dress racism up in cat ears and rainbow freckles. They set aside the long, brutal histories and crushing systemic realities to play pretend that racism is Not That Bad and is only done by Those Bad Individuals

That's why Velvet's ears are tugged instead of culled. That's why the Mantle drunkards say mean things to Blake instead of attempting to assault her. That's why everything surrounding the SDC's labor practices is so vague as to be useless while the biggest evidence of their malice is hand-waved away by a writer who says the victim "had it coming" as if someone can deserve being branded by being too much of a brat

These stories aren't meant to make the audience question why our society works off the bloodied backs of the exploited or demands we take good, hard looks at ourselves and how we've been duped into believing so much garbage about entire swathes of people. They're meant to satisfy the people who only feel bad that these things are happening because they (white folk) look like the bad guys. It's a self-congratulatory wank about how "I'm not like THOSE guys, therefore I'm a good person!"

And then there's the characters meant to convey this story in the first place: always inoffensive, mostly aimless, "not like the other girl" types that pander to that delicate palate. Blake - a conventionally attractive, pale skinned girl in fashionable clothes - used to be passionate about equality but only in the right way, and demonizes anyone who does not conform to this mindset despite having no reasoning to back it up while never once demanding better of the privileged people around her even when they do racially insensitive things

The biggest downfall of these racial allegories, be they about cat girls or orcs or elves or robots, is that they do something that marginalized folk have been forced to endure since the dawn of time: literal dehumanization. There are tangible differences between humans and whatever the allegory is, which undermines the very fundamental fact that black/asian/queer/neurodivergent/disabled/whatever folk are unapologetically, undeniably, exceedingly human. By dressing up their plights in cat ears or spottled blue skin, you're creating theater not for the people who actually live through these struggles as a means of connecting with them and providing them a safe outlet for their feelings, but giving the people who benefit from passively allowing the system to enforce said struggles a pat on the head for not being the grand wizard

I don't really know where I'm going or how to end this, so I'll just sign off with if you're going to talk about racism, just talk about racism

watching jjk and man they yap a lot

weird question but it came up in conversation recently and now i’m curious: if you had repressed memories, what was it like to have them resurface?

personally, i don’t think my life was better living in “ignorant bliss,” but i can’t rly say i’m glad i remembered either. i wonder how other ppl feel abt this kind of thing. i’ve been living w the UNrepressed memories for the amount of time i had forgotten now, so ig i’m just thinking abt it more w my bday coming up. wow that’s crazy, i’ll have remembered for longer than i forgot

i don’t think i’ve ever felt this lost in my life. tbh

why should it just be steve who has all the torturous purgatory realm fun?

OOF the girl asked the question OUT LOUD with a microphone in her hand

damn that's bold.

HOLY FUCKING SHIT WHAT EVEN WAS THAT ENTIRE FIRST HOUR OF CALAMITY EPISODE 4

it's rlly fun how my parents just straight up. do not care. about the disordered eating. we had all this talk back when i went through a big suicidal crisis a couple months ago, i explained what was really difficult for me, eating socially, restaurants, not choosing my food, etc, and now it's like. okay it didn't exist actually.

mother i am not going to order you around, either you accept that i'm gonna have difficulty dealing with "normal people behavior" or whatnot and you stop looking at me like :/ anytime i am anything but ecstatic at the idea of eating anything anytime anyhow, or you adapt your behavior to avoid the results you don't like to see. i'm only doing my best to handle things from my side, and i am certainly not going to try measuring for you how important family social eating occurences are to you.

All the art of Cheng Qian that I’ve seen before reading the novel:

How he actually is:

The expressions of his inner thoughts are taken from this amazing meme by deeppink-man (with permission)