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#'so john took paul in'
muzaktomyears · 3 months
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messages from Paul McCartney and Yoko Ono on the 40th anniversary in 1997 of the Woolton church fête where John and Paul first met
John, Paul & Me Before the Beatles: The True Story of the Very Early Days, Len Garry (2014)
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A MESSAGE TO WOOLTON FROM PAUL MCCARTNEY
Ah yes, I remember it well.
I do, actually. My memory of meeting John for the first time is very clear. My mate Ivan Vaughn took me along to Woolton here and there were The Quarry Men, playing on a little platform.
I can still see John now - checked shirt and slightly curly hair, singing Come Go With Me by The Del Vikings. He didn't know all the words, so he was putting in stuff about penitentiaries - and making a good job of it.
I remember thinking 'He looks good - I wouldn't mind being in a group with him'.
A bit later on we met up; I played him Twenty Flight Rock and he seemed pretty impressed - maybe because I did know all the words.
Then, as you know, he asked me to join the group, and so began our trip together. We wrote our first songs together, we grew up together and we lived our lives together.
And when we'd do it together, something special would happen. There'd be that little magic spark.
I still remember his beery old breath when I met him here that day. But I soon came to love that beery old breath. And I loved John. I always was and still am a great fan of John's. We had a lot of fun together and I treasure all those beautiful memories.
So I sent you all in Woolton and Liddipool my best wishes today.
And thanks for remembering - there's no way that when we met here we had any idea of what we'd be starting. But I'm very proud of what we did. And I'm very glad that I did it with John.
I hope you all have a wonderful day and God bless all who sail in you.
PAUL MCCARTNEY
MESSAGE FROM YOKO ONO
What a sweet celebration!
Yes, the meeting of John and Paul was an important event not only for those of us who loved their songs, but for the whole world which went through a social change for the better as a result of their words and music.
John's first thought as Paul showed him what he could do was: "Okay - this guy is good and already the girls are flocking around him - not around me! So if I let him in, he'd going to be a tough one to handle - but I'll have a strong band."
So John took Paul in. I think this story is important in that it shows as a creator and a leader of the band, John went for getting a strong band rather than having an easy time. And John was only a teenager. What a brain! What a guy!
By the way, it's interesting that the meeting took place at a church. Also, the main bulk of their songs were recorded in Abbey Road Studios, in London. Am I the only one who thinks of these coincidences as interesting?
John and Paul were traveling minstrels, who spread the word of love throughout the world. Through their songs, they brought the energy of love to the then gray world, which was still coping with the aftermath of the second world war.
With their words and music, John and Paul showed the world that law and order was not necessarily the most important force in the world. Love was the power and the energy that could change the world. And it did.
But it all started at the Woolton Fete forty years ago. As you celebrate this day, the world joins you in your celebration. Those who cannot come physically to Liverpool join you in spirit. It's a nice day to celebrate and I thank you for doing it. Peace.
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good-to-drive · 8 months
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SO I managed to get the iconic millennial PC game The Oregon Trail 5 (a la “you have died of dysentery”) working on my laptop, and for obvious reasons* I'm fascinated by both The Beatles and the Donner Party so naturally I've decided to take The Beatles on the Donner Party route. *I'm a big fan of suffering.
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They're leaving Independence, Missouri in June 1846 just like the Donner-Reed Party, and are headed for what is now California. John is in charge (I imagine he wouldn't go otherwise) so if/when he dies it's game over.
(btw I don't want to clog up anyone's dashboard so you might want to block the tag 'the beatles oregon trail 5' bc I'll tag everything with that.)
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beatleswings · 3 months
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THE BEATLES performing "I Want to Hold Your Hand" on THE ED SULLIVAN SHOW. February 9, 1964.
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elvispresley · 10 months
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The Beatles singing Ticket To Ride in the movie Help! (1965)
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javelinbk · 6 months
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The Beatles interviewed by Stuart Hutchison for 'Move Over, Dad' in Plymouth, 13th November 1963 - part 1 (part 2, part 3, part 4) (x)
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pennielane · 9 months
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Baby's In Black THE BEATLES in MUNICH, GERMANY — June 24, 1966
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reflectismo · 1 year
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“I heard a lot of that stuff [‘I’ll Build a Stairway to Paradise’, Paul Whiteman Orchestra, ‘Chicago’] and I think that filled my computer with data. So that when I came to print out later, it was all in there. One of the great things about me and John was we both had that. We talked about some of the songs we liked, and he liked ‘Little White Lies’ … The night that you told me! Those little white lies! I knew that, so it gave us little bonds. That was his print-out. So when we came to write together we had similar print-outs, similar data from our upbringing. People tended to think of John as just a rebel or something; there was this whole other side to him that I liked, and that allowed me to get on better with him than if he’d just been a rebel.”
— Paul McCartney, interviewed in 2019.
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m1ssunderstanding · 3 months
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On the John/Paul opposite roles thing, Paul said himself a couple of years back: "[John] could be quite caustic and witty, but once you got to know him he had this lovely warm character. I was more the opposite: pretty easygoing and friendly, but I could be tough when needed." That kind of thing can be easily oversimplified but I do think in broad strokes it's true. I guess that's another way they worked well together: they both had their soft and hard sides but proportioned in such a way that they balanced out well and made up for where the other lacked when working towards the same goal.
I do think their "armours" for the world served their purposes well too. The image the press takes is always going to be crude caricature of whatever you show regardless, I just wish more of the people doing the deeper dives would recognise how misleading extrapolating purely from their public faces can be. But I guess many of them just don't want to let go of their tough-John soft-Paul images for various reasons. The general reaction to Get Back was somewhat encouraging along those lines though, quite a few journos made note of how Paul drove forward and John supported the band in ways that go against those preconceived images.
Thanks for finding that quote anon. Every once in a while Paul is able to articulate a coherent introspective thought and this is one of them. And you sum it up so well. They could both be both but in exactly the ways and amounts and times that the other lacked.
And yes. They did too good a job with their suits of armor. Not only are they extremely difficult to penetrate, but they are so attractive that no one wants to open them for fear of damaging the pleasing exterior. You're right. Even supposed experts "don't want to let go of their tough-John, soft-Paul images". It's a very marketable story they created. The trouble is, it's not the truth. Luckily the trend seems to be with younger, non-casual fans, and with a select few creators of docs, pods, books, and articles, that we actually are interested in the more complex humans who created and wore the armor, why and how they created it, etc.
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nilla-bear · 4 months
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silverfoxstole · 7 months
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Paul as Mark North in Luther, Series Five Episodes Three and Four.
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grxtsch · 1 year
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happy birthday geo <333
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muzaktomyears · 2 months
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When we met the Beatles they were undressed and dripping with sweat
That day the Beatles were playing, all kitted out in black ties, white shirts and black trousers. It was so hot and crowded in the Cavern that, as usual, sweat was dripping off the ceiling, but we didn’t mind. The Beatles’ rhythm and harmonies were so tight and focused that we couldn’t stop dancing. They played covers of Barrett Strong originals, like Some Other Guy and Money. They did a raucous version of Twist and Shout, and wild rock’n’roll songs like Chuck Berry’s Roll over Beethoven and Little Richard’s saucy Long Tall Sally. More than ever, we wanted to be up on stage like them, playing our guitars and making the crowd rock.
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After the set Wooler [Bob Wooler, the Cavern’s compere and DJ] said, “Come on, I’ll take you to meet the lads.” It was so exciting. He grabbed us and we threaded through the audience backstage where George Harrison was standing in the corridor talking to a very good-looking blonde girl. He was wearing a fantastic black leather coat, and later walked out of the Cavern with her, already like a rock star.
In the dressing room John Lennon and Paul McCartney were in their undies, getting changed. They were drying themselves with towels because they had just come off stage and were dripping with sweat. They were very handsome. Apart from our brothers, we’d never seen men in underpants before, so us four teenage girls just stood there staring at them. They were very down to earth, and Paul was particularly kind.
“Hiya girls, y’all right?” he said, while John sat there looking at us in a way that was direct and penetrating.
Bob Wooler told them, “This is the Liverbirds, they’re gonna be the first all-girl group.”
“What a great idea,” said Paul, but Lennon was sarcastic. “Girls don’t play guitars,” he said.
After we left the dressing room we huffed, “The cheek of it! We’re going to prove him wrong.” Years later we found out more about Lennon, that although he often made sardonic comments he was also sensitive and intelligent, an artist who regretted his disdainful treatment of women in his early career. “We can’t have a revolution that doesn’t involve and liberate women. It’s so subtle the way you’re taught male superiority,” he said in 1971, in an interview with Tariq Ali and Robin Blackburn for the underground paper Red Mole. It’s clear his feelings about women evolved, but we also wonder if what he said that day in the Cavern dressing room was meant to test us, provoke us into making a success of the band. If so, it certainly worked.
from The Liverbirds: Our Life in Britain’s First Female Rock’n’roll Band by Mary McGlory and Sylvia Saunders (source)
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good-to-drive · 8 days
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My favorite comments on How Do You Sleep
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deranged-italian · 3 months
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rubber soul logo I embroidered on my pants a few months ago
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sastrugie · 2 years
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Jimmy doing these weird little dance sessions during "The Ocean" at MSQ 1973
↣ for my beloved friend @rebel-without-a-zeppelin <3
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todayesterday · 2 years
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Lennon Remembers, 1971
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