HEARTBREAKING: character actually mildly interesting to think about but I Dont like their fans
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Rewatching Truman Show for the first time in a long time, and the detail that’s stuck with me this time is the set design.
The characters drive modern cars and hock modern products, but it’s all presented with a veneer of 1950s wholesome applecheeked Americana. Truman’s life is presented as an escape for the audience from the drudgery of the modern day, and the aesthetic they’ve chosen for this is the post-war economic boom. This is the simple time, the movie says. This is the good time. Doesn’t the modern day suck? Let’s go back and see our friends from the days when life was good.
And it’s a lie. Truman’s life is a lie, and the image of white picket fenced suburbia they’ve presented is a lie. It’s an elaborate construction to recreate a false memory that’s comfortable for advertisers. The movie is a satire, but it’s also a very blatant statement against the nostalgia for a golden age which never existed. It’s a lie. It doesn’t exist.
I don’t know. I’m spitballing. I’m biased because I despise mid-20th century Americana and I naturally treat it with hostility, but it’s very gratifying to see a movie kind of agree with me.
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The thing that is striking me the most about this album is just how messy and human it is. She’s not holding anything back or trying to appear one way or another. She’s just letting it all out regardless of what anyone might say. She found that trying to be polished and keep all the ugly, imperfect, human stuff in to be stifling and just said fuck it I need to do this for me. This album was an exorcism for her.
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leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.
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as a chronically ill person my favorite activity is being not taken seriously by doctors
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