"I am so excited and overjoyed to say these words to you tonight: Singapore, welcome to the Eras Tour! So I’m looking out at this crowd, 63,000 gorgeous people, people who have taken the time, the effort, and the preparation, and the planning, and they needed travel, in order to make sure that you could hang out with us here on a Saturday night. This is our very last show in Singapore. It’s actually our last show of the Eras Tour for awhile. This is the end of a leg of the tour. It has been absolutely fantastic being in Singapore alone, I just got told over the last six shows, we’ve played for over 368,000 people in Singapore. You make me feel like the luckiest girl in the world. And you know what? You’re not the only one making me feel really lucky, because we have an opening act on this tour who is so phenomenal. This is actually her last night on the Eras Tour, so I want you to be as loud as possible when I say, will you give it up again for the incredible Sabrina Carpenter? We’re about to go on a little adventure together, you and I, and that adventure is going to span the last 18 years of music, and we’re going to be doing this one era at a time. How does that sound to you, Singapore? So I’ve got this little goal in my head for tonight. Let me tell you what it is. These are songs I might have written about my life, or my feelings, or a story I invented in my head, and maybe that’s what you think about when you hear them out in the world. But after tonight, I hope you think about us, and the memories that we’re going to make tonight on this Saturday night here in Singapore. I’ll be your host this evening! My name is Taylor."

— Taylor before playing Lover in Singapore on March 9th

The Mine/Starlight medley was a brilliant pairing because combined it tells the story of a guarded person who’s been hurt in the past putting her trust and faith in a compassionate, supportive and ambitious partner who steadfastly stands by her and counters her anxiety about the things she can’t control with a love for living in the present and unwaveringly encouraging her to embrace her dreams for the future 🙃

finally made another garcy edit, this time it parallels with benvi from manifest🥲

There's a word in Korean: 인연 [in yun] ⁠— it means "providence" or "fate". If two strangers walk by each other in the street, and their clothes accidentally brush, that means there have been eight thousand layers of 인연 between them.

PAST LIVES (2023) dir. Celine Song

Past Lives (2023)

ZEKE & MICHAELA | Manifest 4.18 “Lift/Drag”

Emma, I can tell that your heart is uneasy, and it’s my job - well, I hope it’s my job - to protect your heart, even when no one is physically trying to steal it.

had to edit them after that heartbreaking finale… prepare your tissues 🥲

another manifest edit 🥹 part 1 out of 2!

finally finished editing this and now I am a wreck… hopefully I can edit one with a happier ending when part 2 rolls around, but until then, enjoy 🥹🫶🏻

finally got around to watching heartstopper, and of course I had to edit them together!! the cutest, sweetest pair 🥰🫶🏻

finally got around to watching heartstopper, and of course I had to edit them together!! the cutest, sweetest pair 🥰🫶🏻

𝐒𝐭𝐮𝐝𝐢𝐨 𝐆𝐡𝐢𝐛𝐥𝐢 | 𝘔𝘺 𝘕𝘦𝘪𝘨𝘩𝘣𝘰𝘳 𝘛𝘰𝘵𝘰𝘳𝘰 (1988)

the first edit of many for my favorite show of all time -- ATLA ❤️‍🔥 

sincerely, taylor swift — an acoustic anthology of poems and lyrics written exclusively during the sudden glow of inspiration. now accompanied by guitar and recorded in raw, one-take fashion, Taylor bids us a glance into the mind and heart of a sincere songwriter.

inspired by “on the way home I wrote a poem. you say ‘what a mind.’ this happens all the time”

Brooklyn Nine Nine (2013-2021) Chasing Amy (S04E18)

something people don’t appreciate enough is the fact that different songs on midnights explore the same topics in numerous, sometimes contradictory ways. on snow on the beach, she’s scared that a new relationship might not work out; on labyrinth, she’s terrified that it might. snow on the beach also talks about the celestial forces that bring two people together; mastermind confesses that she was the force in question all along. bejeweled describes the confidence and freedom of bending the rules of a relationship; high infidelity is filled with guilt and terror for simply dancing with another guy. she takes the money on you’re on your own, kid, but she feels stifled by it on anti-hero. she ends you’re on your own, kid with inspiring words; on dear reader, she warns the audience not to listen to her advice. she burns in hell on anti-hero, but karma is her god on karma. she can face any struggle fame throws at her on you’re on your own, kid, but she’s too soft for all of it on sweet nothing. she’s a diamond and a monster on the hill at the same time. it’s almost like each story is told from multiple perspectives like the love triangle on folklore, but instead of several fictional characters, the narrators all exist in different corners of taylor’s mind.