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lisablack000 · 2 days
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Government Vibes
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lisablack000 · 3 days
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lisablack000 · 5 days
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The projection of the personal shadow generally falls on persons of the same sex.
On a collective level, it gives rise to war, scapegoating and confrontations between political parties.
Remote Projection is Infantile. The projection carrier (victim) is not there to provide any response.
Passive & Active Projection.
Passive projection is completely automatic and unintentional, like falling in love. The less we know about another person, the easier it is to passively project unconscious aspects of ourselves onto them.
Active projection is better known as empathy – we feel ourselves into the other’s shoes. Empathy that extends to the point where we lose our own standpoint becomes identification.
#CarlJung #Jung #Jungian #Projection #Shadow #Ego #RemoteProjection #CollectiveProjection #ActiveProjection #PassiveProjection #Empathy #Unconscious #Psychoanalysis
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lisablack000 · 5 days
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Alexandria, Sydney Australia.
I lived here a few decades ago when these houses were first built. There were no gardens or trees, just bricks and carports.
I removed bricks and created gardens.
This is the front yard - the back yard was done like rice paddy steps. It looks like a tiny forest now.
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lisablack000 · 5 days
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Silly Symphony - The Goddess of Spring (1934)
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lisablack000 · 6 days
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lisablack000 · 6 days
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Star Wolf and Bunny Girl
Chiara Bautista ❤️
🌜🐺⭐🐰🌛
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lisablack000 · 6 days
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lisablack000 · 6 days
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Swallows and Butterflies 1913
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Swallows and Butterflies 1913 by Blue Ruin 1
Geigi (geisha) Teruha of the Shinbashi geisha district in Tokyo, wearing a kimono with a Late Spring (April) motif of swallows and large (silver?) butterflies. Swallows represent meekness, gentleness, sweetness and grace, while butterflies represent innocence and beauty.
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lisablack000 · 6 days
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“Isn’t it strange that we talk least about the things we think about most?”
— Charles Lindbergh
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lisablack000 · 7 days
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Is This Living? Meka Tome
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lisablack000 · 7 days
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Tankard with man drinking from jug. ca. 1885. Credit line: Robert A. Ellison Jr. Collection, Purchase, Acquisitions Fund; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest; and 2011 Benefit Fund, 2013 https://www.metmuseum.org/art/collection/search/239510
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