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So we all know that Tumblr is US-centric. But to what degree? (and can we skew the results of this poll by posting it at a time where they should be asleep?)
Reblog to increase sample size!
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Just came out from watching the Spy X Family movie. Shout out to Yor for just taking without question that Loid knows how to operate an old military radio system and fly a plane. Is this what they teach in psychology school? Who the fuck knows but she'll stay in her lane.
#you know how to pilot a WAR BLIMP?#uhhh yeah? i worked on one???#before i became a psychiatrist#before i visited hugaria?#and met my “first wife”#spy x family spoilers#spy family#spy family code white#yor#yor forger#loid#loid forger#anya#anya forger
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The film was great! Classic Spy x family shenanigans.
SLIGHT SPOILERS.
Yor thinking Loid is going to leave her
Loid and Anya trying to get another Stella through slightly underhanded methods
Another Ooting
BOND COMES ALONG THIS TIME!!
A lot of poop jokes about an hour in
Watching spy x family in cinema today. So far it's been 40 minutes of advertising.
#spy x family#anya#spy family code white#loid#loid forger#anya forger#yor forger#spy family#spy x family spoilers#code white spoilers#Spoilers
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Watching spy x family in cinema today. So far it's been 40 minutes of advertising.
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Torbek doodles in class. My favorite stinky bug bear.
#once upon a witchlight#legends of avantris#torbek#the skrunkly#doodles#never met a wetter cat of a man#dnd#dnd art
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I feel like everyone playing stardew shares a few feelings and thoughts
-can I marry Robin?
-i love linus
Marnie, I hate you and your stupid shop hours. Why are you staring at a microwave for 3 hours?!
-why the fuck is marnie and lewis secret?
- 'you can call me granny' YOU ALWAYS WERE MY GRANDMOTHER I LOVE YOU EVELYN. HAVE SOME FLOWERS, HAVE A PRISMATIC SHARD! HAVE THIS DIAMOND! I WOULD GIVE YOU MY SOUL IF I COULD.
Of fucking course I want your cookie recipe
sobbing, crying, bawling, etc
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I loved how the Remlit became friendly at night after Batreaux becomes human. I love carrying them around at night time, showing them around.
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“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”
“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”
“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”
“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”
“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”
“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”
A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.
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My brother told me to if I want to keep my sleeping pattern in order I need to 'try harder.
Bro...
Autistic people produce irregular melatonin and have difficulty winding down.
You know how you manage your ADHD? MAKE A FUCKING LIST
#autism#telling me to try harder is bullshit#telling anyone with disabilities they can overcome it if they just 'TRY HARDER' is fucking stupid#adhd#audhd#actually autistic#tw ablism
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This post may get taken down by a report but I have been informed that there's people going around mass reporting gimmick blogs.
We would really fucking appreciate if you didn't. If you've got a problem with us, just block and ignore.
Don't go around mass reporting people and getting blogs taken down. It's not fun for anyone at all.
We're just trying to have fun on this website. Thank you for reading.
Those of you who see this, please reblog it so the word gets around.
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Gender Nonconforming Jesus: A look at art history. CW: religion, transphobia, artistic nudity, depictions of open wounds (Long post)
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honestly love that in the sdv community there will be judgement on who you marry except if you ‘marry’ Krobus
You marry Haley? Humiliation fetish
Alex? He’s sexist
Krobus? He’s a shadow man who lives in sewer and will give you hugs why wouldn’t you be roommates with him
#according to some in the sdv community liking penny is a mommy fetish thing?#ok?? she uses all of her time to better the community AND the lives of the children by providing an education#that probably left her and the other younger villagers at a disadvantage when it came to their own education#i was told to marry penny the first playthrough and i dont regret it at all#but i love sebastian#he loves frogs and i sort of cannon him as Ace which fits me and most of the farmers i play#also his room fits the most with the general decor of my house#while krobus is a good option. asthetics matter for me in the house#i dont vibe with a sewer attached to my bedroom#everyone can date whomever they want. or roomies with whomever
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Hello tumblr, I've just recieved news from a friend about their termination and the reason why. And due to links to a post going around, I wanna talk about it
Skelly's "this is probably a PSA"
So. As previously stated, my friend got terminated. The reason given was "concern for your safety".
People must've been reporting their mental health posts if any, possibly hoping that tumblr staff would reach out to help
That did not happen
There is a post circulating, encouraging people to report posts about people's mental health (more specifically suicides), because of the "concerned for safety" report option.
If this is intended to be malicious, then it is misinformation and should be called out.
If it's intended to be nice, then it's wrong and should be politely corrected, which I intend to do with this post. As I predicted, reporting does what it always does: raise a tally for potential termination.
Don't report people who are having a hard time with their mental health. Reach out, see if they're ok.
If you don't wanna do that, reach out to someone who could help. Or just scroll on. Don't report it, it isn't helpful and may lead to account termination which could make it worse.
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will never stop thinking about viren calling callum "an impudent little mongrel who was spoiled and given everything." especially when the 14 year old (who might i add has been half-orphaned 2 [essentially 3] times now and who is evidently maladapted and ridiculed for the position he never asked to be in yuh uh) rose to the exact same position as him with monumentally less shortcuts and significantly higher morals within the span of like a month
#lets not forget Callum achieved way more magically than viren did.#one month is all it took callum to learn how to do magic#AND dark magic#and then the sky primal
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It's a 2-man Con
Listen, I think I know a thing.
When Aziraphale comes back from talking to the Metatron and is telling Crowley about being an angel, we've all heard the theory that he's speaking code, trying to ask for help. The more I look at that scene, the more that theory tracks.
Maybe less well-known is the theory that Crowley didn't miss a damn thing, he's answering in his own code. And again, the more I look at that scene, the more this also tracks.
(When my husband, annoyingly observant beloved partner that he is, saw the second season for the first time, he said, "That whole thing was a show for the Metatron. They have a plan. Crowley slipped something to Aziraphale when he kissed him." And I said, "Nah." But now I think he's right, and damn if he isn't smug.)
I'm gonna try to break down what I think they're saying here, because it takes just a hot minute to piece it together. I've been thinking this over for a couple of months now. I think I have most of it. I just don't know when Crowley puts whatever he's handing to Aziraphale in his own mouth. I need more eagle-y eyes, it seems.
First, Aziraphale comes back from his talk. He's pensive as he crosses the road, and anxious when he starts talking, and mouths "I need help!" as he's talking. He's acting like he does when he lies to the other angels, and once it's seen "I need help!" is pretty clear.
He does the whole thing about telling Crowley he could appoint him as an angel, like old times, but even nicer. It's all very uptight and not positive at all. My interpretation? "The Metatron is here, I think he knows we're up to something, we have to go to Heaven right now and put things right before he really does something awful to one or both of us. The time to spring the plan is NOW."
Crowley stares at him. At first it seems like he's staring in disbelief, but if you really look at his face, he's listening, hard, and interpreting as fast as he can:
He asks Aziraphale if he told the Metatron where he could stick it, then. My interpretation? "The plan has changed. I can't go with you to Heaven. You'll have to go alone."
Then Crowley starts his confession -- "We've spent our existence pretending we aren't."
Aziraphale looks at him -- not with shock, or surprise, or love, or hope, but with a "Why are you doing this now?" face. Not "Why did you wait til now to tell me, you love me, oh, I love you too!" But "Why are you telling me SOMETHING I ALREADY KNOW while our ENEMY IS LISTENING??" :
He's confused, but also listening and interpreting. What I'm hearing/seeing: I don't think this is a love confession from our demon. I think they are both well aware they love one another. They can't say it in so many words, and it's a secret from Heaven and Hell, but it's not a secret between them. I'm hearing Crowley set the scene. "The Metatron either wants us together in Heaven under control, or separated. I have things I have to do here or the plan won't work, so we'll have to separate. We need to make it look good. I do love you."
I don't think Aziraphale likes this change of plan. And Crowley can't detail why the plan has changed, not with the Metatron listening. So Aziraphale insists, come with me. The plan we had will work. Do it my way. Crowley says, "You can't leave this book shop." It's easy to interpret that as "You can't leave me," but I don't think it's that. He's saying something about the book shop being safe, or even that he can't leave without whatever they've hidden in the book shop. (I THINK THEY HID SOMETHING IN THE BOOK SHOP!) Aziraphale says, "Nothing lasts forever." I hear him saying the book shop is no longer safe, and they have to move/take whatever they've hidden and they can't speak freely there anymore.
Crowley replies, "No I suppose it doesn't. Good luck." He's gotten that much, but he is still set on his "We need to fake a break up because I can't go with you."
Aziraphale still doesn't like that. "Come back! I need you!" He's scared. Whatever he has to do in Heaven is big, and scary, and he needs and wants Crowley with him. He does not want to go into the mouth of danger alone.
This is when we get, "No nightingales." What I'm hearing? ESPECIALLY since if you listen, you can hear a LARK sing as Crowley goes out the door? It's the line from Romeo and Juliet, by Shakespeare, whose plays they both enjoy, though Crowley prefers the funny ones. "It's too late, that's a lark singing the dawn, not a nightingale singing to the night, we have to part. Our happy ending isn't yet."
Then the kiss. I do not believe this is their first kiss. I don't believe they've allowed themselves many, maybe not even more than one, but I do think they've kissed before. I'm not sure when, but I suspect 1941. (Season 3, come ON!!)
And when they part, Aziraphale stops himself from saying "I love you," and instead says, "I forgive you." I'm hearing so many things in that "I forgive you." I forgive you for leaving me on my own, I forgive you for hurting my feelings like this, I forgive you for changing the plan without telling me, I forgive you because you are forgivable whatever anyone else says, I forgive you because that's what I said when we split up at the bandstand and everything was okay in the end and I hope hope hope that everything will be okay in the end this time too.
Crowley says, "Don't bother." I'm hearing, "yeah, I hope it's all okay, too. Wish me fuckin luck. My part will be hard, too."
And as Crowley leaves, Aziraphale mouths, "No." And we hear a lark sing. A lark, singing to the dawn, and so fair Romeo must away.
Just because the break up is a ruse, doesn't mean it doesn't hurt and isn't hard. It has to look real, and so it's going to feel real, too. Ouch. :'(
And then Aziraphale touches his lips. Not once, but twice. My bad, he only touches his lips once. The first long second is pure emotion. "Why now, I hate this, I want that so badly and I can't have it."
After that, though --
After he pulls himself together a bit, he has a bulge in his cheek. He shifts his jaw to move whatever he has in his mouth to his lips, and then his first two fingers go stiff for a moment as he palms something right before he takes his hand away.
And then, this.
Edit to add: someone on Facebook asked me why a kiss to pass whatever Crowley gave to Aziraphale, why not palm it or drop it in his pocket?
My answers: 1. The kiss is a message. "We're still good, I still love you, I still want this." 2. The item is too important to be dropped in a pocket and hopefully found later. 3. The Metatron is paying WAY too close attention, and will definitely see them touch hands. Seeing a kiss and the angel rejecting the demon, though? Well, the demon forced that kiss on him, the angel didn't want it. Clearly the demon thinks this relationship is different than it is. It's a bigger gesture that sells the ruse. 4. Houdini's wife used to pass him the keys to his cuffs with a kiss before the show. This is a message that magic-loving Aziraphale WILL understand: here are the keys to your cuffs, sneaked to you by your beloved in plain sight.
That's it. That's what I got so far. I still have questions.
What did Crowley pass to Aziraphale? What's the plan? Why did it change? What does Crowley need to do that he can't go to Heaven again?
#good omens#good omens 2#good omens meta#I think it could have been their first kiss because I don't think they necessarily feel the need to be physically demonstrative in that way#as fun as it is to write them as basically human they are not- and may not view sex stuff as important or even interesting enough to do#interesting theory#i hope its true
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