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The Legend of Shen Li 与凤行 2024 — dir. Deng Ke
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zecchou ¡ 6 hours
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the Rainbow Factory
lol this is probably one of the most excessive sheep farms around 🌈🐑
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more under the cut!
this is the most fun i've had on a build in a while. granted i keep having more fun with every build i do, so that may continue to be the case
watch the process
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this took a bit of time to make, but the results are well worth the effort in my opinion
the drawings and references used:
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zecchou ¡ 6 hours
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We sometimes treat avoiding Annoying Queer People as if it’s essential to the LGBTQ community’s self-preservation. We agonize over event descriptions and identity-based admittance policies, wondering how to discourage all the Annoying (and often, it’s implied, fake) Queers from attending without restricting any actual queers. (This always fails, because it turns out that actual queer people are humans, and therefore pretty annoying. And being annoying, by the way, is not a crime.) In order to fortify ourselves against Annoying Queers, we mock all their signifiers and regard them as massive social red flags: straight husbands, bolo ties, sexual inexperience, ukuleles, rainbow pins from Target, misconceptions about what hormones do, and Picrew avatars all somehow get treated with equal venom, no matter where they are coming from and why. The problem is, none of these traits tell us anything about how safe a person actually is to be around. Only observing their patterns of behavior can do that. By demonizing “cringey” and irritating attributes as the signs of a deep character flaw, we ignore the fact they tend to cluster among the closeted, questioning, or newly-out for a reason. When a socially isolated queer person in the suburbs feels that nobody sees them as they are, they might cover themselves in rainbow swag from the local big-box store to an ‘annoying’ degree. When a closeted lesbian teen hasn’t had the chance to form genuine relationships with LGBTQ people, all her reference points might come from shows like Our Flag Means Death and Heartstopper which yeah, might seem fangirlish and irritating to a more seasoned adult. When a profoundly repressed trans divorcee still believes the misinformation about hormones they’ve been fed by the press, they might repeat some downright offensive myths about pelvic floor damage or body hair being disgusting. This too, is incredibly exhausting to help someone process again and again. I don’t think any of us literally believe that the more irritating a person is, the more of a pressing political threat they are. But we behave as if we do. We devote huge amounts of time to complaining about the types of queer people that irritate us, and develop complex taxonomies for describing why they are so annoying and why defeating that annoyingness matters. This person is a tenderqueer, that one is a tucute, and in their style of dress and annoying mannerisms we can tell that they represent all that we hate most about ourselves and how we are seen. It’s easy for us to wind up directing more attention toward the queer people that annoy us than we do to our shared enemies. It’s not a good use of our time. It’s not good for our shared futures. And it’s all rooted in internalized shame.
I wrote about biphobia, acephobia, transphobia, and the troubling respectability politics of hating the "Annoying Queer Person." The full essay is free to read (or have narrated to you!) on my Substack.
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Internet Safety
#r
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Due to personal reasons I will be court martialed and shot at dawn by an unfair military show trial
#r
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Using Red Thread, Rima Day Intertwines History, Nature, and Human Experience in Striking Embroideries.
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So you might be saying: Lion why a guide on drawing black people? Well young blood it’s because a lot of people cant…seem…to draw…black people..Amazing I know. 
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Racist (caricatures) portrayals of black people have been around forever, and to this day people can’t seem to draw black people like they are human. If your artwork resembles any of the above even remotely your artwork is racist and offensive. If you try to excuse that as a stylistic choice you’re not only a terrible artist, but racist too!!! Congrats.
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Whitewashing is also a problem. A lot of people refuse to draw black features on canonly black characters. While this example isn’t colored, lightening the skin-tone of a character is also considered whitewashing. So lets start with features!
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Now all black people have different noses thats a no-brainer, but black noses tend to have flatter bridges, and wider nostrils. Please stay from triangular anime noses and small button noses. Your drawings should not depict black people with abnormally large noses. (Especially if you do not draw other characters this way)
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If you feel like the way you draw lips on black characters is offensive or resembles a caricature,it probably does and you should change it. ABSOLUTELY AVOID PLACING LIPS AT THE BOTTOM OF THE FACE. 
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Hair is so diverse! Please get used to drawing braids, locs,kinks and coils! If you can learn to draw ringlets and long waves you can learn how to draw black hairstyles.
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Add clips! Learn how to draw baby-hairs and never be afraid to add color Pinterest and Google are free my dudes! Also try using square brushes for blocking in coils.
OK THAT’S ALL YOU GUYS
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RAGE ON
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angy grape Johnson :3
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Aoba Ichiko: ーマホロボシヤ (2016)
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#r
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Dark Suit, Shinjuku 新宿
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#r
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vampirism poses the question "what if there was a fundamental, horrible, unending well of want in your soul that, if truly satisfied, would lead to great pain for all those you hold closest and, in turn, their absolute and total revilement of you?" and naturally as a person with no problems I don't relate to this in any way at all.
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Nirvana and Samsara
Thank you Houseki no Kuni, for changing my life. ❤️
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