xtremely-uncanny - Tumblr blog

xtremely-uncanny · 11 hours

Photo

150K notes · View notes

xtremely-uncanny · 14 hours

Text

poor guy

2K notes · View notes

xtremely-uncanny · 16 hours

Text

37K notes · View notes

xtremely-uncanny · 1 day

Text

On this day in 1993, X-Men Unlimited #1 hit the stands, featuring a tale of survival starring Cyclops, Storm and Professor X -- as well as some beautiful artwork by Chris Bachalo.

#x-men unlimited #x-men #Scott summers is the best #cyclops was right

13 notes · View notes

xtremely-uncanny · 2 days

Text

Check my Patreon out if you’d like to support the comic, even a little bit helps. Or just to check out the reward tiers, there’s some neat bonus stuff and I tried to make them fun: https://www.patreon.com/waitingforthet

156 notes · View notes

xtremely-uncanny · 2 days

Text

A big stretch will fix me. I know it!

Relevant as ever

7K notes · View notes

xtremely-uncanny · 2 days

Text

313 notes · View notes

xtremely-uncanny · 3 days

Text

Let's talk about vintage lenses.

Here is your cool samurai show with modern lenses.

Here is your cool samurai show with vintage lenses.

Hollywood is no stranger to fads.

We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."

This is Zack Snyder with a Red Monstro 8K camera.

He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.

This old lens is put inside a fancy new body that can fit onto modern cameras.

Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."

But it is a funny juxtaposition.

The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.

[ Peter Thoeny ]

It has vignetting and distortion and a very strange swirly background blur.

[ Gabriel Binder ]

Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.

"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"

And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.

[ Peter Theony ]

Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.

That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.

Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.

I mean, Zack Snyder overdoing something? I can't even imagine it.

Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.

The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.

[ Peter Thoeny ]

Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.

There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.

Here is a blueprint that you can't really see.

Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.

Looks like Zack nailed the area just above the eyebrow here.

Let's try to find the point of focus in this one.

Ummmm... she is just... blurry. Missed focus completely.

But Zack isn't the only one going vintage. I've been seeing this a lot recently.

Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.

Vingetting is a darkening of the corners of the frame.

Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.

Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.

It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.

And then you have distortion.

In this case, barrel distortion.

This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.