#yuka ishida
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Ryosangata Riko (S2E7)
#ryosangata riko#量産型リコ -もう1人のプラモ女子の人生組み立て記#Mou Hitori no Puramo Joshi no Jinsei Kumitate ki#yuki yoda#maeda oshiro#yuka ishida#tanaka yoji#mobile suit gundam#anime#gunpla#mecha anime#japan#japanese drama#j drama#dorama#jdrama#asian drama#gundam aerial#gundam the witch from mercury
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14 year old nick was sick when he looked in the mirror and saw his mothers face.
#i love my plain queen#my favorite oc who'd win a battle royal cause yall got her fucked up#yuka ishida#ts4#simblr#my sims
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Jack Jeanne Complete Collection - Interview with Terasaki Yuka (Kisa’s Voice Actor) Translation
This short cast interview is from the Jack Jeanne Complete Collection art book!
Ishida: What were your impressions when you first saw the setting of Jack Jeanne?
Terasaki: It’s a story about teenagers putting on plays together that’s drawn by the creator of Tokyo Ghoul, Ishida Sui-sensei. That information alone was all it took for me to be interested. I’m sure a lot of other people thought the same.
Since it’s a story that takes place in a theatre school, I found the way it's like a game meets theatre to be unique. I also found the aspect that the shows are put on by an all male cast to be really intriguing.
—
Ishida: When you were voicing Tachibana Kisa, were there any aspects of your performance that you had to be careful about?
Terasaki: Kisa is a character herself, but she is also the stand in for everyone that’s playing the game. That’s why I stuck to the initial impression of the script as much as possible without adding too much of my own flair. I wanted her to be ‘transparent’ like Quartz.
In the romantic scenes especially, I want the player to have their heart racing over what Kisa’s love interest is saying and focus on them. So during those scenes I made sure to act out Kisa’s emotions more subtly. I’d like for those playing to be able to decide their own colours for Kisa, so I left some of her canvas blank. I remember I would go into the recording sessions keeping that in mind.
—
Ishida: Were there any particular challenges you faced while working on Jack Jeanne?
Terasaki: The singing. When I first listened to the songs with the temporary vocals I was like ‘I’m going to be singing this!?’ and my anxiety quickly turned into terror! I had to reconstruct the way I’d been singing up until then from scratch. It was very difficult and I was unsure about a lot of things, but now thanks to Jack Jeanne I love singing even more than I did before.
—
Ishida: Other than Kisa, are there any other characters that are your favourite or that you took a liking to?
Terasaki: Tachibana Tsuki… He’s Kisa’s older brother, but there’s still a lot of unsolved mysteries surrounding him. I can’t help but be curious about him. I’d love to read a novel or something about Tsuki-nii when he was a student at Univeil. I’d like to see Fumi-san and the other third years when they weren’t upperclassmen too.
—
Ishida: Quartz, Onyx, Rhodonite, Amber. If you were to enrol at Univeil, which class would you like to be assigned to?
Terasaki: The relationships between the seniors and juniors are wonderful in every class, however I think I’d have to pick Quartz. Since I don’t think you can join the other three unless you’re already particularly skilled at singing, dancing or acting. So I’d like to find my own way to express my individuality in Quartz!
—
Ishida: You have some experience with stage acting, so were there any scenes or moments in the game that you could relate to?
Terasaki: Jack Jeanne has a lot of different choices and branches in the story. You can choose different lines to say during the plays too, but no matter which one you choose the show will still reach its conclusion. If another actor changes something then you have to change with them, and if you change something, then they have to change with you. Even though every performance of a show is supposed to have the same programme and script and movements, you go into it with a fresh mind each day and there are slight differences between the shows.
There are things you sometimes only realise on opening day when you see the audience walking in, so I could relate to the sense of tension actually putting on a show brings. I’d love for the players to see how each character's dialogue changes with each option, so please play through the shows multiple times!
—
Ishida: Every show in the game is quite different thematically, which one (setting, musical composition, etc) did you like best? Also, were there any shows that you’d like to try starring in in real life?
Terasaki: All of the shows are very different and I love all of them, but the one that I felt the most accomplished and happily tired after was the autumn performance. During auditions, the selection of lines from it were full of passion and tension, so I remember being excited to record for the autumn performance.
As for which one I’d like to try in real life, it would be Sissia of the Central Nation. When I recorded my lines for the whole show in one session, I started arranging how the stage set would look like in my mind. I’d think ‘this line would definitely be delivered from the top of the set, and this line would be said from the audience to the stage’. I’d read the lines whilst imagining what the show would look like and the performance that I could picture the clearest was Sissia of the Central Nation. So I ended up really wishing I could see it in person.
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「BOMB!(ボム!) 2023年12月号」 石田千穂・甲斐心愛・沖侑果・高雄さやか
https://www.amazon.co.jp/dp/B0CK9MBPJ7/
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Today is the 4th anniversary of the Kyoto Animation Arson Attack, which killed 36 people and injured 33. Please spare a moment to think about the victims today.
Yasuhiro Takemoto, 47 (director of Lucky Star, Miss Kobayashi’s Dragon Maid, The Disappearance of Haruhi Suzumiya, Hyouka)
Futoshi Nishiya, 37 (character designer and chief animation director on the Free! franchise, A Silent Voice, Liz and the Blue Bird; animation director on The Melancholy of Haruhi Suzumiya (2009), Kanon)
Yoshiji Kigami, 61 (mentor of Kyoto Animation; worked as a storyboard artist, unit director and animator on most Kyoto Animation works; key animator on Akira, Grave of the Fireflies, Space Adventure Cobra)
Junichi Uda, 34 (key animator on Hyouka and Nichijou — My Ordinary Life)
Sachie Tsuda, 41 (finish animation on Free! — Iwatobi Swim Club, Pokémon 3: The Movie: Entei — Spell of the Unown, Hyouka)
Mikiko Watanabe, 35 (art director on Amagi Brilliant Park, Beyond the Boundary; background artist on many Kyoto Animation productions)
Yuki Omura, 23 (new hire at the studio, no credits yet)
Yuka Kasama, 22 (new hire at the studio, no credits yet)
Ami Kuriki, 30 (key animator on Liz and the Blue Bird, Violet Evergarden, Myriad Colors Phantom World)
Keisuke Yokota, 34 (production manager over many Kyoto Animation works)
Nami Iwasaki, 31 (key animator on many of KyoAni's works such as K-On, Suzumiya Haruhi)
Atsushi Ishida, 31 (in-between animation on many KyoAni's works)
Norie Oto, 26 (Finish Animation)
Megumu Ono, 21 (new hire, no credits)
Yumi Kaneo, 22 (new hire, no credits)
Seiya Kawaguchi, 27 (in-between animation for Violet Evergarden the Movie and Sound! Euphonium the Movie)
Sumire Kusano, 32 (key animation for Liz and the Blue Bird, etc)
Aya Sato, 43 (in-between animation for many KyoAni works)
Kota Sato, 28 (animator on Free S2, Sound! Euphonium, Violet Evergarden)
Sana Suzuki, 30 (key animator for many of KyoAni's works)
Hiroyuki Takahashi, 48
Miho Takechi, 25
Tomoka Tokimori, 22
Maiko Nishikawa, 29
Takahisa Fujita, 27
Kana Matsuura, 24
Tatsunari Maruko, 31
Atsushi Miyaji, 32
Yuko Myoken, 29
Shiho Morisaki, 27
Sayaka Watanabe, 27
Chitose Murayama, 49
Kojiro Matsumoto, 25
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Ishura #1 - Soujiro the Willow-Sword
Screenplay: Kenta Ihara
Storyboard: Takeo Takahashi
Episode Direction: Takuya Asaoka
Chief Animation Direction: Yuka Takashina
Animation Direction: Jun Yoshida, Shintarou Matsushima, Osamu Sakata, Norikatsu Nakano, Genichirou Kondou, Minami Sakura, Tatsuya Fukushima (Assistant AD: Keiichi Ishida, Eiji Shirai, Yuuki Ogawa)
Key Animation: Hiroshi Yoneda, Tatsuya Takahashi, Hiroya Iijima, Jun Yoshida, Tsutomu Shibuya, Seiji Handa, Norikatsu Nakano, Yousuke Murata, Tatsuya Fukushima, Shintarou Matsushima, Osamu Sakata, Yasutoshi Iwasaki (Eyecatch F島)
Ishura was going to be a bit of a challenging anime to get right. Its well-woven and descriptive action in the novel would be difficult for a rough production to cover. The constant shift of perspectives and the slow pace at the beginning would likely make it hard to adapt. Now, we'll have to wait to see the latter part, but as for the action? I think they did a pretty damn good job.
I'm literally in school for computer animation, so I have nothing against CG, but in anime, they tend to be admittedly hit or miss. Even from the trailer, especially in specific cases like Shalk (skeleton bro), I could tell it was going to be pretty good. However, a lot of the shots of the golem in the PVs, I wasn't an extremely huge fan of, but they really do blend in a lot better than I expected in the actual episode.
I think it's mostly because of the way they did it; our 2D characters kinda look shiny themselves, they sorta have a 3D shading look to them. While opinions on this will be mixed, I think it was smart to seemingly work the other way around—getting the characters to blend in with the 3D models. It really does allow the show to have a more cohesive look, and I believe the 3D models/animation will save them from production issues later on.
I actually enjoyed this premiere significantly more than its light novel counterpart. I feel like it gave me a better liking to Sojirou, who, in my opinion, had the weakest introduction chapter by far. Seeing his excellent voice acting by Yuuki Kaji and all the mannerisms executed so well really sell his 'I don't really give a shit' attitude that greatly infuriates Yuno. I'm very excited to see more.
It would be very curious to see if the action can keep up. The episode was directly boarded by the chief director, Takeo Takahashi who did an amazing job here, but I'm doubtful that he will return just because he has Spice and Wolf to manage April of this year. So we'll have to see how the action flow without him. I'm eager to know the episode count because there's no way they can keep up with this one-episode-per-introduction pace unless it's a 2-cour series. Either way, I enjoyed the debut episode a lot as a light novel reader, and I'll be here next week for more.
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Yuna Goha dressed as... well... a goha.
Basically wanted to do her actually dressed like a goha, since she doesn't wear the goha outfit in go rush.I based it off of Yuka Goha's outfit, as she was the only female refrence available.
I'm very excited to see what Yuna will do in the future ngl. After all, something must have happened for the city to be named Goha city instead of Mutsuba town, right?
Also the go rush season 1 finale is tonight! I'm definitely hyped for that! I wonder what will happen (other than the obvious "Yudias will win against Zwijo"). Will Damamu's physical form survive? (Probably yes) Will the☆Providence, Yukio, Mokeida, Ishida, The dragonbuster, Nishaw, Netsuzo, and Kaizo appear? Will Yuga summon the rest of his friends aces? What plot twist will the creators add?
Either way, I'm watching tonight!
#yugioh go rush#yugioh sevens#yuna goha#yugioh#fanart#yugioh fanart#yugioh go rush fanart#yuna goha fanart
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First, Focaccia
Evening
Finally, I tried baking my own focaccia but,
By the way,
My mom baked focaccia before 🥯
→Instagram
Uwa, so good......
I continued with, next time I'll make it myself--,
I bought flour and yeast,
and I left it in the kitchen for the time being,
and then a month passed 🤪⚠️
Saying, I'll do it when I have time,
is really unreliable!!! lol
So today,
I prepared the dough last night,
and I let time pass for the gluten to ferment,
It was my first time baking bread properly by myself but,
Since the dough was growing wonderfully,
I was thinking, uwa~ I'm a genius~ 😎❤️🔥
and I baked it properly this morning but,
The finished product was not that of a genius,
...... eh 😕 lolol
Nah! its not like it failed,
I baked it but,
Since I usually see my moms bread,
I'm concerned about uneven baking or an irregular shape 😕
Its delicious but, well 😕
That's how it is when I bake it myself for the first time 😕
Since I used good flour,
Its springy,
Since I used good salt,
the salt flavor is really delicious! lol
I made focaccia for the first time by myself, recorded ✍️
Hello! Project 25th Anniversary" New Member Audition!
Deadline: August 14th (Mon) 10:00AM
Girls who like singing and dancing, we're waiting for you to challenge it
VoCE
please read......
VOCExHello Pro Interview
Morning Musume '23 Revealing Whats In My Pouch 4 "Fukmura Mizuki, Ikuta Erina, Ishida Ayumi"
Live 🎫
"Morning Musume '23 25th ANNIVERSARY CONCERT TOUR ~glad quarter-century encore~"
7/15 Kitakyushuu afternoon
7/23 Osaka evening
7/29 Hokkaido evening
8/5 Miyagi afternoon
8/11 Hiroshima evening
(8/13 is Rockin~~~)
8/20 Aichi evening
8/26 Tachikawa afternoon
9/5 Tachikawa evening
🎈 Lawson Tickets
🎈 TicketPia
🎈 e+
Each playguide has tickets on sale!
"ROCK IN JAPAN FESTIVAL 2023"
August 13th Morning Musume is performing
Hello! Project 25th ANNIVERSARY CONCERT"
September 9th, 10th, at Yoyogi National Stadium First Gymnasium
Its not just Hello! Project members,
Yasuda Kei/Yaguchi Mari/Ichii Sayaka/Ishikawa Rika/Takahashi Ai/Konno Asami/Michishige Sayumi/Tanaka Reina/Miyoshi Erika
Sudou Maasa/Natsuyaki Miyabi/Kumai Yurina/Yajima Maimi/Suzuki Airi/Sato Masaki/Takeuchi Akari/Katsuta Rina/Miyazaki Yuka/Miyamoto Karin/Inaba Manaka/Ozeki Mai/Ogata Risa/Asakura Kiki
OG-san's are appearing~~~~~!
"Inazuma Rock Fest 2023"
October 9th (Mon Holiday) Morning Musume '23 First Performance 🔥
Lets do our best~~ I'm looking forward~~
Updated Every Wednesday, Tokyo Sportes series
#115 Reading Tsunku-san's notes, Things I Thought Were Interesting
see you ayumin <3
https://ameblo.jp/morningmusume-10ki/entry-12811666754.html
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Ryosangata Riko (S2E5)
#ryosangata riko#量産型リコ -もう1人のプラモ女子の人生組み立て記#Mou Hitori no Puramo Joshi no Jinsei Kumitate ki#yuki yoda#mochizuki ayumu#maeda oshiro#yuka ishida#tanaka yoji#mobile suit gundam#principality of zeon#anime#gunpla#mecha anime#japan#japanese drama#j drama#dorama#jdrama#asian drama
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🚬Yuka Ishida circa 2038
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9/19/23 Yuka Ishida Instagram Story Update
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Rezonance
Haptic Designerとして携わりました
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EnhanceとFlowplateauxによるSynesthesia Lab が開発したインタラクティブな共感覚インスタレーション『Rezonance（レゾナンス）』。ビデオゲーム作品「Rez」をモチーフにし、最大4人の体験者が自身が手にする球（スフィア）を空間の中で自在に動かし、脈打つビートと、ビジュアルとハプティック（触覚）を共鳴させあいながら、共同で演奏するようにシナスタジア（共感覚）体験を味わうこを可能にする。
■プロフィール Synesthesia Lab （シナスタジアラボ） アメリカ・カリフォルニア州を拠点にVR・AR・MRを始め、XR（拡張現実）の技術とともに、共感覚的な新たな体験（エクスペリエンス）を生み出していくEnhanceと、Flowplateauxが中心となって取り組むラボラトリー。 共感覚や感覚複合体験の実験、研究、アーキテクチャーを追求するために設立されたアライアンス型ラボ。企業、研究者、サイエンティスト、アーティストをはじめ、さまざまなパートナーの方々と研究プロジェクトを行う。
■「Virtual Realms: Videogames Transforme」展 本作は、イギリス・ロンドンのヨーロッパ最大複合文化施設のアート部門Barbican International Enterprisesが企画・運営する「Virtual Realms: Videogames Transformed」展（キュレーション：水口哲也）の参加作品です。ビデオゲームという体験のエッセンスを抽出し、メディアアートとして再構築する、多感覚、共感覚的な本展覧会は世界各国のミュージアムを巡回します。
展示 2021年6月12日〜2022年1月9日 ArtScience Museum（シンガポール） 2022年3月26日〜5月22日 WA Museum Boola Bardip（オーストラリア）_
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Credit
Synesthesia Lab (Enhance × Rhizomatiks)
CREATIVE SUPERVISOR AND PRODUCER: TETSUYA MIZUGUCHI (ENHANCE) CREATIVE DIRECTOR AND PRODUCER: AYAHIKO SATO (FLOWPLATEAUX) CREATIVE DIRECTOR: HIDETO YAMADA (ENHANCE) PRODUCER: KYOKO YAMASHITA (ENHANCE) HAPTIC DESIGNER: NOBUHISA HANAMITSU (ENHANCE) DEVICE ENGINEER AND LIGHTING DESIGNER: TATSUYA MOTOKI (RHIZOMATIKS) SOUND DESIGNER AND MUSIC COMPOSER: NOBORU MUTOH / HYDELIC (ENHANCE) VISUAL PROGRAMMERS: MINORU OGAWA, SHIGEKAZU ITO, YASUNORI HIRATA (ENHANCE) VISUAL ARTISTS: NOYURI SAEKI, RYUICHIROU SAEKI, TSUYOSHI HIROOKA (ENHANCE)
SYSTEM AND DEVICE ENGINEER: HIDEAKI TAI (RHIZOMATIKS) PRODUCT AND SPATIAL DESIGNER: TAKAHITO HOSONO (RHIZOMATIKS) SOUND DESIGNER: TAKAKO ISHIDA / HYDELIC (ENHANCE) CONCEPT ARTIST: TAKASHI ISHIHARA (ENHANCE) HAPTIC DEVICE DESIGNER: YOUICHI KAMIYAMA (CIDRE INTERACTION DESIGN)
SPECIAL THANKS: SEIICHI SAITO (PANORAMATIKS); MARK MACDONALD (ENHANCE); HIROFUMI TSUKAMOTO (FLOWPLATEAUX); YUTO NAKAMURA (MARUKAJIRI); JAMES WRAGG; TOMOYA KISHIMOTO; CLAMP; SOUND DESIGN.; PROPELLER; SPICE; FIELD CLUB; YUKA SATO. COMMISSIONED BY BARBICAN INTERNATIONAL ENTERPRISES AND MADE POSSIBLE THANKS TO THE SUPPORT OF TECHNOLOGY SUPPORTER, HEWLETT PACKARD
These pictures were tumbled from https://synesthesialab.com/rezonance/
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Campus Concert 2023
Dates: Friday, November 17 & Tuesday, November 21, 2023 14:00 -
Venue: Sogakudo Concert Hall
Admission is limited to university personnel (*1) and those invited by the Composition Department (*2).
*1 University personnel must also apply for admission in advance.
*2 Those who have been admitted by the Composition Department with prior application.
Program:
Friday, November 17 − Day 1 −
1. Rikuto Fujimoto: Neue Harmonie - Based on Paul Klee / Neue Harmonie (1936) -
Cond. Neo Fukudome A.Sax. Mikiya Hojo Vib. Ryo Saito Cb. Miku Nagasaka Pf. Sakura Watanabe Dr. Maki Koyama
2. Yudai Shigemori: TRIO for flute, oboe and piano
Fl. Yuri Kamakura Ob. Gentaroh Sakai Pf. Mami Takeuchi
3. Chiharu Suzuki: Sonatine for clarinet and piano
Cl. Rio Ishida Pf. Yui Amano
4. Kana Asanuma: daydream
Fl./A.Fl. Yuri Kamakura Vn. Reika Shimizu Vc. Rei Takatsuki Hp. Sonoka Shida
5. Koga Yano: 3 Phonetic Compositions for 8 players
Cond. Koga Yano Sop. 1st Mayu Sangu 2nd Rina Terasaki Alto 1st Ayumi Ishiyama 2nd Chika Ishiyama Ten. 1st Shunsuke Itaya 2nd Yuga Handa Bass 1st Shinji Tsukada 2nd Kakeru Sugita
6. Asuka Yokogawa: The Wind Forest
Cond. Asuka Yokogawa Fl. Kaisei Oshima Cl. Rio Ishida Perc. 1st Mei Murase 2nd Kotaro Kikuchi Va. Himari Yui
7. Miumi Watanabe: Sextet pour les vacances d’été
Cond. Shinnosuke Ito Fl. Chihiro Ruike Ob. Gentaroh Sakai Cl. Takuma Sato Hr. Shiori Tajima Bsn. Miki Yamashita Pf. Chitose Ishida
8. Motoki Masuda: Time Scale for piano
Pf. Riito Shimata
9. Yumi Ozaki: Petites Pièces pour piano
Pf. Yui Amano
Tuesday, November 21 − Day 2 −
1. Shunsuke Tabata: Through
Cond. Shinnosuke Ito Fl. Kaisei Oshima Vn. Kaoruko Yoshida Vc. Rei Takatsuki Pf. Kazuma Maki Perc. Yuya Homma
2. Moeki Omura: Candlelight for 8 players
Cond. Hiroyuki Nishimura Cl. Rio Ishida B.Cl. Yuna Suzuki Vn. 1st Reika Shimizu 2nd Aiki Takahashi Va. 1st Riko Eto 2nd Moeko Kikuta Vc. Shiho Takada Pf. Hayato Tomizawa
3. Eijun Tsutsumi: “How about you?”
Vn. 1st Shiyu Taniyama 2nd Kanako Azuma Va. Tamaki Asano Vc. Mone Tanikawa Pf. Rin Aoyagi
4. Ikuro Ono: Unubore (Vanity)
Tuba. Ikuro Ono Pf. Rin Aoyagi
5. Yuka Miyake: Breath, Movement, Space for percussion solo
Perc. Yujin Honda
6. Kazuma Maki: Wasurenagusa
Vn. Yota Nakamura
7. Ryosuke Kikuchi: TRANSITUS, PROGRESSUS, COMMENTUM
Cond. Hiroyuki Nishimura Trp. Shunsuke Imada Cort. Miwa Sekine Trb. 1st Ken Aoyagi 2nd Nao Kaneko 3rd Riho Wakui B.Trb. Rikuto Ishii Org. Masaki Shiozawa
8. Saki Takaba: The Victor
Cond. Hiroyuki Nishimura Bar. Kaito Fujita Ob. Gentaroh Sakai Cl. Karen Nobe Trp. Shunsuke Imada Perc. Tatsuya Homma Cb. Ikumi Maruchi
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