House spread

tumblr live things

I assume you can't stream from a sideblog, which is unfortunate if your main is follow-only or whatever

streaming tumblr live from desktop web using OBS does work; landscape 1080p30 video is allowed (not sure if portrait works too)

there's a wrench icon -> "my details" section in the iOS app (and I assume android app as well) to set your bio that is currently missing on web

apparently there's a "guest" feature that lets a stream become effectively a group video call that is also a stream; each guest's stream is actually a separate video (they're composed responsively in the web interface when you view a group stream).

now wait a second. that's. legitimately cool? I'm sure there are other streaming platforms that can do this but I don't know of any?

I need to go make yet another full tumblr account to see if you can compose streams out of multiple people on desktop web, but if you can, that's got to be their killer app, right? like, right now you can stream on twitch with your friends (sound only) by being in a discord call, of course, and you can add their video streams by putting a discord video call on another monitor and doing a lot of manual composing work in OBS or using VDO.ninja or whatever, but this lowers the barrier of entry by a mile.

if they add/have the ability to have guests mic-only, add the ability to manually focus one user (for game streaming), and redo the entire UI to actually have labels and tooltips on the buttons, and make the discoverability aspect not suck, and tone down the monetization push, and maybe a couple of other things...

...then I can see the vision, tbh. the moment you get more than one person interacting on a stream, at least IMO, the listenability goes way up, because humans are naturally good at conversing with each other rather than speaking directly to camera (doing the latter well is a rare skill, I think).

and lowering the barrier of entry to guesting on a friend's stream down to "have phone or pc and press button," and lowering the barrier of entry to having a stream that's actually fun to listen to is "any two people doing that and talking about a fandom they share," is actually an interesting vision, if that's the vision?

because, I mean, who doesn't have at least one friend who you get talking to and go, "hah, I bet someone would actually enjoy listening to this?"

great, now I sound like I'm simping for Meet Group. to be clear, I think the current implementation of Live with absolutely no modifications, just simply the collision of cultures and codebases, is... look, see, I don't want to disparage anyone's development work, okay?

but, you know, anyway. the place I'm actually coming at this from is "I have always been interested in streaming but only if it's multiple-people-interacting," and it never occurred to me that one of those flashy mobile-first platforms would probably do that because I always figured complex setups are better on desktop. but, hey, like, I just tuned into a random stream with 4 people who seem to know each other just hanging out and, well, I do get the pitch. I'm sorry, every part of your UI around the streaming window (when placed in a tumblr context) is garbage and I get the impression that a lot of your analytics stuff is pretty questionable. but I do get the pitch.

half a week ago I said:

if I were a product manager, my giant whiteboard would have "click the square with the person's face and see ways to tip them" on the left, and "you'll make friends / you'll fall in love / you'll make enemies / you'll become unrecognizable to your friends and family" on the right, and a whole bunch of arrows and question marks in the middle.

well, one of those arrows is apparently "one-button live podcast with your friends" and that was already built-in. fair enough. one down, many to go, I guess.

Saw u were asking for asks so i was wondering what was the process in designing Tys character :)

Tagging @fox-faced as they had sent a fairly similar ask to @swindle-comic and I felt it would be more effective to kill two birds with one stone.

I am honestly so sorry for taking so long to answer this. This is going to be a fairly long post!

So, as far as designing Ty goes, it was mostly a process of learning how to draw bears. Specifically Disney bears.

When it came time to design Ty, I was definitely not practiced in the art of drawing cartoon bears. In fact, I was mostly doing Moomin fanart at this point, and was still trying to figure out how I wanted to draw DT17 characters in a way that wasn't just the style of the show. Ty's design hasn't changed much, conceptually, but instead has been heavily tweaked and refined as I simply got better and more used to drawing bears.

As Ty was, at the time of his creation, so derivative of Kit, my plan of attack was pretty much just "figure out how to draw a bear cub in the DT17 style" using Kit's design as a reference for drawing a Disney bear cub to begin with. Lolly had been the one to choose which species of bear Ty was, so I was trying to focus instead on his general aesthetic while translating the proper features over. Once again, I used Kit as a reference - or rather, his athleticism - and pushed it to the point where Ty looked very jock-ish (though you can blame my love for letterman jackets on that).

You can tell in a lot of my older drawings of Ty that I really hadn't actually gotten used to or properly figured this bear thing out, yet. His face, especially, looks extra blocky and awkward. However, these early drawings were where I quickly decided to make Ty fairly large and thick as a teenager. This was before I had really considered the idea that he grew up underfed, it was more just "I want to play around with this body-type".

Among these earliest drawings was also one of Ty and Louie as adults, where, again, you can tell that I hadn't quite gotten the hang of drawing bears, but you can see that from the very beginning I had wanted him to be a more top-heavy adult (mostly just to allow for some variety between him, Kit, and Baloo. As much as I do love Kit's adult design, Disney has a bad habit of copypasting character designs from parents to their children, and I really wasn't interested on continuing that trend).

I wasn't super confident on how I was going to properly refine this design, so his adult design ended up taking a back-seat for a while as I instead focused on getting better at drawing his teen design.

This was pretty much accomplished simply by drawing him more, and lord knows I was hyperfixated as FUCK on this funky little bear cub, so drawing him a ton was not hard to do. I think what really helped me figure him out were these drawings, here, where I had to really think about what angles I had him posed at, and how his features would properly look in a more 3D or dynamic space. This was also where I started looking at any details I wanted to add to his design (the stripes on his collar were introduced to his design at this point, for instance).

At a point, I felt as though I had gotten good enough to at least create some proper "stock" images of the boy to properly solidify his desgin and all the little tweaks I made. I think the differences between this and his very first drawings are more subtle, but you can DEFINITELY tell the difference between these drawings and my other early Ty drawings.

And interesting fact was that I hadn't been drawing early Llewerius art with the idea that Ty had gone through a growth spurt before they started dating, so you end up with sketches like this:

PART 1 OF 2 BECAUSE TUMBLR SUCKS AND WON'T LET ME UPLOAD MORE THAT 10 PICTURES EVEN THOUGH THIS TECHNICALLY QUALIFIES AS A TEXT POST (as it, for whatever reason, decided to switch to mobile mode even though I'm literally on a desktop computer, I hate this broken-ass website)

tonight on spontaneous media thoughts with a-flyleaf, some rambles on Paranoia Agent because yours truly just went and binged another old anime maybe two people and a paperclip have ever heard of!

so a few weeks ago I somehow got into the mini habit of watching videos on the side while drawing, splitting my desktop between art on one half and youtube on the other. somehow the videos of choice ended up being anime reviews, because I... I don’t know, really. :V I’ve watched like 5 anime now, this one included, and wasn’t particularly planning on adding any more to that little lineup. (keep meaning to check out cowboy beepboop but EH.) the lack of investment helps with the “wait did I just miss something” multitasking mood I guess...?

anyway it was a short-lived habit if only because I ran out of stuff that needed drawing aka Image Comic Process but I digress. Paranoia Agent first came to my attention indirectly through... something completely different! \o/

in entirely unrelated circumstances, stumbled upon this article a few days ago and the “realistic portrayal” example caught my attention. a brief comment dig later and the name was identified, and it... features a weird cartoon dog? the wikipedia premise intrigued me but it ended up on my hypothetical neverending list of stuff to check out.

I mention the review thing because, while procrastinating on everything earlier today, I found this video and it immediately caught my attention. and hey, looks like the whole dub is up on youtube, only 13 episodes so might as well!

...not that I’d. necessarily recommend the youtube dub upload. it lacks subtitles for the writing which is actually pretty damn essential.

go watch that review if you haven’t already, because it sums up the show better than I ever could and talks about what hooked me: a basis in psychology and experimental art.

AND NOW FOR MY ACTUAL THOUGHTS ᕕ( ᐛ )ᕗ (to be formatted in bullet points later probably, again tfw mobile) edit 11/21: done, plus some additional thoughts after reading a few reviews/analyses around the web

it practically starts with a bang via baseball bat, and imo the first four episodes are the strongest of the series. in addition to the clever toying with art style as the video describes, we’re introduced to an ensemble cast of not necessarily likable but no less complex characters, and I always appreciate it when media doesn’t seem to be hitting you over the head (harhar) with LIKE THIS PERSON DAMMIT.

while I don’t have dissociative identity disorder and thus can’t speak to accuracy in its portrayal or weirdness in the subplot’s resolution, episode four three* also had one of the first examples I’ve seen of a character with “multiple personalities” that didn’t lean on the tired but one of them... is a MURDERER schtick.

*I initially got the numbering messed up here; the episode with the character who has DID is third, not fourth.

the entire series explores the idea of fiction and reality - no, this is neither the time nor place for the Shipping Debacle(TM), moreso in how fiction is a form of escapism both destructive yet necessary in just about everyone’s lives. the experimental elements play with this well, forcing the viewer to think about why the art is changing the way it does.

until around the end of episode 4*, it’s relatively clear when we’re getting a glimpse into a character’s psyche vs seeing what’s actually going on. and then the next installment hits, and it honestly wouldn’t surprise me if a lot of people bail at this point. it’s not bad necessarily, but the line between fantasy and reality isn’t just blurred - save for a few quick cuts, said line is utterly trampled. symbolism runs rampant and it can be tricky to figure out exactly what’s Actually going on, if anything at all - more on this later.

*e: this time I actually do mean the fourth episode.

on the topic of symbolism, there’s definitely something symbolic going on with the crows/ravens (death?) and to some extent color (namely gold/yellow, green, and red) but I haven’t quite put my finger on it.

you know that thing the video says about Lil Slugger being a manifestation of mass hysteria and destructive escapism? (if you don’t, what are you waiting for >:V it’s about 10 minutes long if you skip the spoilery part.) turns out, he really truly is, and it’s not just metaphors.

spoilers ahead; I’d recommend going in blind but use your best judgment, I know I might not have been so intrigued if not for reading the entire wikipedia plot synopsis in advance. why do I keep getting into media by knowing the Big Reveals first.

on one hand, I really like Lil Slugger being both symbolic and a literal supernatural threat. what I’m much less sold on, however, is how the less explained aspects are incorporated, namely towards the end. (big spoiler warning again, last chance!)

so what exactly DID happen to Harumi with the weird clownish smile makeup? what’s all this prophetic babbling from an old dude who really likes chalk (and whose ramblings admittedly might’ve made more sense if I could actually read his stuff), and how does he know it? what’s the deal with the otaku dude and his magical talking figurines? who knows! who cares, I guess. it’s all in the name of thematic significance - or to put it ironically, ~it’s media~

I can respect that as an artistic direction but it can feel a bit stranger than necessary, and I wasn’t a huge fan of the ending. so, what, suddenly chief’s 2d dream world is an actual real place he goes to? the “darkness closing in” is an actual black blob? holy shit, I really must emphasize the otaku dude’s weird voodoo sculptures and bascially everything else about him. th... the ex-“good cop” is now a wannabe superhero?? you do have to read between the lines to an extent to really Get the characters at times, which I actually like, but imo this was pushing it.

actually even before the climactic sequence I was... less than thrilled with the wife’s monologue. for the most part the show is good about not talking down to the viewer, obligatory exposition sprinkles aside, but just in case you weren’t sure what the themes were yet, here they are ft. odd visual echoing that doesn’t seem particularly relevant to the speaker’s state of mind!

there’s a bit more thematic narm towards the finale, especially from local sidekick-turned-video game hero, but at that point I was too busy wondering what the hell was going on to be too bothered.

e: several analyses and a rewatch later, the end of Harumi’s episode seems less nonsensical. it still doesn’t quite explain when she found the time to throw on all that makeup, but as with many other aspects of the series I was left baffled by at first (up to and including weird old math man), it makes much more sense thematically. Paranoia Agent is not a show meant to be taken at face value and trying to understand it all literally is an exercise in futility - not for everyone, but if you are willing to reconsider how you’re parsing it, it’s worthwhile. ...I’m still confused by otaku dude’s figurines, though >:V

/endspoilers (for now)

DESPITE the spoiler-loaded nitpicking above, overall I found it a solid watch - and the irony of bingeing it to procrastinate on school isn’t lost on me, especially after an all-too-relatable vignette featuring a student in the throes of quadratic equations.

while it definitely includes some darker themes, up to and including an episode about three internet friends meeting up to carry out a sort of suicide pact (which again probably would’ve been clearer if the version I watched had subtitles for text), the tone never feels particularly hopeless. it deals with the self-detrimental effects of overindulging in escapism, sure, but isn’t exactly MEDIA IS BAD TECHNOLOGY IS SCARY THE NEW GENERATION SUCKS. (one character has a similar attitude but it’s based more in nostalgia than hatred of the modern.)

reality sucks but you gotta face it and own up to your fuckups, pal, sorry! but rest and respite are important, too, lest you end up like the animation monkey whose very animation becomes rougher as the sleep deprivation really kicks in.

yes, monkey. not literally but definitely in design (no sameface \o/) and arguably behavior. there were a few comedic moments throughout the show, albeit often dark and/or satirically based so YMMV on how much they actually lighten the mood. for what it’s worth, the episode with the aforementioned suicide pact was probably the overall funniest.

overall I would recommend it as a good thought-provoking series, although if you’re having trouble at the fifth episode I won’t blame you for not sticking it to the end. personally, I kept watching because A) I wanted to see just how the murderous baseball kid mystery turned out & B) the art and symbolism shenanigans up to that point, definitely including the intro, had already given me a few Ideas(TM) and I wanted to see what else was in store. worth it? sure, but don’t expect too many explanations on the supernatural parts.

okay one more spoilery detour - and it’s a VERY BIG spoiler that I am actually going to encourage you not to read if you plan on watching. seriously. (e: format isn’t a mistake, I think it works better connected in paragraphs.)

sooo after skimming the plot synopsis and watching that entire review video, I already knew the thing about Maromi being based on a dead dog and Lil Slugger being the mystery assailant. what I did not expect was even that being a lie, in a way that I won’t specify because I’ve said too much already. and while I question the use of what I’m guessing was pms of all things, I actually really liked that twist.

HOWEVER. given that it all comes back to Tsukiko, she was fucking robbed in the character arc department. I get that she’s quiet and secretive so we don’t get any real details on her past until last second, which imo was a really forced reveal (seriously what is WITH those anime girls and their magic prophetic video game), and again I do like how she pretty much has a victim complex and that basically causes everything.

what I don’t like is that we needed cop superhero dude to lay it all out for her in terms of Big Realization Moments. everything only really gets “resolved” because she finally comes to terms with & takes responsibility for her mistake, but what leads her to this action? guys yell at her for fucking up and everyone gets consumed by inexplicable black ooze? EHHHHHHH I don’t buy it.

the chief’s mini-arc with his wife, which unfortunately was more told than shown (sensibly, so we could get Slugger’s reactions to the story, but it doesn’t mean I’m happy with it), was predictable but IMO believable. I definitely don’t think every story has to have clearly-defined protagonist/antagonist characters, especially with the “antagonist” here being a man vs society type of setup, but the end sequence seemed confused on who the real “hero” was supposed to be.

Ikari got the Big Moments of realizing he couldn’t live a lie forever, of smashing his dream world. Tsukiko... gets to go back in time and hug her dog, I guess? where was her moment, however subtle, of realizing she actually doesn’t NEED this little pink dog to save and protect her from reality. if that was supposed to be conveyed when her younger self started making stuff up it... lost me, unfortunately. as far as I registered it went straight for the dog and apology.

e: and you know, after all the aforementioned reading, I’m still inclined to agree with my initial thoughts - HOWEVER. this is a show that lives, breathes, thrives on thematic significance. character development and miniature arcs happen, absolutely, but they’re not the focal point. I can appreciate the ending’s direction much more if I kick conventional thoughts on character progression to the curb.

oh, and the intro? with everyone laughing with chaotic and/or destructive backgrounds while the random mysterious old people get a fancy restaurant and the goddamn moon? guessing the latter is because ~universal themes~ or something but the formal setting after a series of Heck is a moment of fridge logic - the woman’s homeless. she’s probably no stranger to more ravaged settings.

e: oh yeah, and something else I noticed about the intro - everyone is laughing, yes, but Tsukiko’s doesn’t seem... real. everyone else (minus Lil Slugger I guess but his eyes aren’t shown) has the characteristic squint of a genuine smile, but she’s wide-eyed as ever. maybe foreshadowing how she’s the one behind all this...? hrmm.

alrighty no more spoilers For Real This Time, just some miscellaneous notes that didn’t really fit elsewhere

one side character has the same voice as my favorite character from Urasawa’s Monster so that was neat. turns out detective #2 also shares actors with Monster’s protagonist, which took me longer to catch onto but was VERY amusing once noticed.

there’s no overt fanservice, minus like one or two questionable angles that aren’t even in the spotlight. a couple episodes have some Unfortunate Closeups but they’re entirely in service of the story; you’re definitely not supposed to be comfortable with it.

WHERE ARE THE OFF CROSSOVERS.

e: actually, for various spoilery reasons, I would not be the least bit surprised if this influenced OFF to some extent. but that’s another ramble for another time.

I saw there was a post on this recently, and after reading the comments saw there was some good advice, and some bad. In today’s world online and social media marketing are becoming not only important, but actual tools to increase revenue and profit. There’s a bunch of ways to grow an IG account, and a bunch of ways to tank one. This will be a long post, so I’ll try and break into bits. Apologies for mobileSorry guys, I know I'm super late on this, I've just been really busy the past couple months. Here you go, and please don't hesitate to reach out for specific help or advice. Also I'm sure I missed some points, so feel free to add your experience. Just be very careful about using suggestions. Saw some advice in the comments on my last post that was good, and some that was bad. Do your research, and be careful. Have at it​UNDERSTANDING THE AUDIENCE​It really doesn't matter all that much what you're using your IG account for, whether it's to sell a product, to increase brand awareness, to create connections, or just to generate hype, if you don't understand your audience. Know the consumers you're trying to target and what kind of things they like and follow. Do your research, google searches, ask random people on the street, ask friends and family what they think and how would they feel. As with all things marketing, the most important step is to put yourself into their shoes and think strategically the best way to engage with themTHE IMPORTANT THING IS TO COME AT IT WITH A STRATEGY. Each post is an opportunity to gain followers. Your waves of followers will come from quality posts, so make sure you attack each post with a strategy and a hungry mentality. If you're on this sub, y'all are fucking sharks. Be a shark.​THE ALGORITHM​In all honesty, we don’t really know what the algorithm is, but understanding how it works is far more important. Basically, like Facebook, Instagram has a formula that ranks its content (posts) in the feed and in the explore page (more on the explore page later). It has variables such as time of post, total likes and comments, hashtags, location, details on the account that posted, and even includes software to recognize what is in each post, and boost or demote it that way. Therefore, if you tend to only like pictures that have luxury cars in them, IG will boost those pictures in your feed. If you only pics of food or dogs, IG will boost pics of food or dogs in your feed and explore page. Each account has a slightly different algorithm in this regard.This is why it’s important first of all to understand your target audience, and get in their shoes, not yours. So if your product is a technology that primarily benefits middle aged woman, but you only post pictures of the technology, you won’t do as well as if you posted pictures that were applicable and likeable by middle aged woman. Like and comments are your direct assessment of your post. If your audience like it, they’ll engage with you. If not, they won’t.Also the algorithm changes every few months, so what worked last year or even last quarter, probably won't work the exact same way now.​POST FREQUENCY​Some of the comments on the previous post touched on this, but gave some poor advice. Do NOT listen to anyone who tells you you have to post as frequently as you can or post twice a day no exceptions. This is shit advice. Anyone who makes a sweeping rule is clearly not a real entrepreneur, or at least not a very good one. Theres more than way to skin a cat.In general, posting twice a day is a safe option. Once a day, isn't bad either, 3x a day can work. I've had success with even posting 3x a week. I would say somewhere between 3-20x a week. But make sure you aren't oversaturating your feed. You can easily bother your followers by making too many low quality posts. Quality over quantity every time. I know this probably sounds vague, but the important thing to remember is each account is different and unique. Please feel free to ask questions specific to you in the comments and I bet as a community we can really give some good advice.​TIME OF POST​Pretty simple here. 12-9pm EST tends to be best. 12, 3, and 9 specifically. This is when most people tend to be on IG. Sorry if you're international, but I would suggest a quick google search looking for best times to post on IG. Generally speaking, Sunday tends to be the least engaging day of the week, but I've still found plenty of success these days.​CONTENT​Quality content is so important to have. There are three types of posts you can make on Instagram. Just a regular picture, a video, or a gallery post, meaning multiple selections where the user has to swipe in order to see the full post. Generally speaking, videos that are 10-30 second long will perform best, but this is absolutely not a rule of thumb. All posts that have a clear resolution, aren't cropped weird, and are professional are capable of performing well. People are forgoing their websites to only use an Instagram page for their business. Therefore, you have to use professional and quality content on your page. I've only had one post that was blurry that performed well, and it was in the middle of a good week (all other posts were getting thousands, and some tens of thousands of likes and engagements). IG boosts accounts that show consistent positive results.I know that it can be hard to find quality content to post, so if you have questions in this regard specific to your account or business, let me know in the comments.Otherwise, there are a couple apps that let you pull down other profile's posts off the app. I like Grab the best, but it is a bit clunky to use. Buffer lets you do reposts, but I've had a lot of bad experience with Buffer, but one of my mentors has really loved it, so you can try it out and decide for yourself.Always tag people in your posts as well. Instagram lets you tag up to 20 accounts in one post, and you can now tag in videos too! this is awesome. So find influencers in your niche and tag them. Find big accounts related to your niche, and tag them. Find pages your audience follows, and tag them.We also need to discuss the concept of a powerlike. A powerlike is when someone with a big following likes your picture and engages with you. Your post is then much more likely to be displayed in their followers feeds and explore pages. Certain accounts likes have more value than others, so use this to your advantage.​EXPLORE PAGE​Your ultimate goal through organic growth is to consistently get on the explore page and get promoted this way. The explore page is the page you access through the little magnifying glass at the bottom of the mobile app, or the compass when using desktop (don't use desktop, IG's desktop sucks). It shows suggestions to you based on your previous likes and comments and who you follow. This is a great way to utilize OUTSIDE ENGAGEMENT, which I'll get to later.​HASHTAGS​Probably the best improvement you can make on your content is the correct use of hashtags. Each post can have up to 30, so use 30. I also suggest “hiding” them in the comments section by posting them as a comment, but there’s no evidence to support that this truly makes a difference. Use hashtags relevant to your niche. If you’re niche is in to cars, but your using hashtags like #hairstylistlove or #cutedogsoninstagram, IG will actually tank you for incorrectly “gaming” the algorithm.There’s a couple of strategies you can use. 10/10/10 is a good start. Basically, there are big hashtags (over 500,000 posts), medium hashtags (50k-500k posts), and small hashtags (under 50k). You’ll see these ranges vary depending on who you ask, but for 10/10/10, I like these ranges. 10/10/10 basically means to use 10 big hashtags, 10 small, and 10 medium sized ones to properly market your post. Pretty simple. There’s also 25/5, and all smalls. In this case I’d use 25 hashtags under 100,000 and 5 over, or all hashtags under 100,000.The important thing with hashtags is to keep experimenting and find what works. Not all posts are going to do well in a good set of hashtags, and not all good posts require a good set of hashtags to do well. Ik that sounds confusing and tricky, but if you take the time, and put effort into making quality content, Instagram will reward you. They want people to USE the app, to SPEND TIME using their product. The more you use it the more you’ll gain.Geotagging is using a hashtag specifically related to your area. So for example #beverlyhills90210 or #minneapolisweather. These can be great if you're specifically trying to grow your brand in an area.Tagstealing is a term I use, but basically, it means going into the explore page and searching a hashtag relevant to your niche. Find a post that performs well compared to that profile's usual posts. So if someone posts a picture and it gets 500 likes when all their other posts get 50, use the hashtags that they did. They already gamed the algorithm and did the hard part for you.​SHADOWBANNING​This is a widely misunderstood concept and its important that we cover it in its own section. Shadowbanning is where Instagram bans certain hashtags from showing your posts in the explore page. usually these hashtags are porn related or can be porn related. So for example, #petite is banned and won't show results when searched. You can just Google banned hashtags checker and find free online tools that determine whether or not something is banned.​Shadowbanning is NOT however, Instagram demoting your posts for whatever reason. it is strictly related to hashtags​CAPTIONS​Captions are the voice of your posts. It gives you an opportunity to share your opinion, connect with your audience, drive engagement, or really determine the direction of your post. I almost always recommend having a call to action ("let me know what you think in the comments below") to help drive engagement on your posts. Encourage people to want to interact with you, but don't be desperate. That shit turns people off. Some people have long winded, winding stories as captions, while others have maybe a sentence at most. It really depends on you and who you are. Be genuine and real with your audience, and they'll respond to that. Never try to do something just for the likes, always attack IG with the mindset of being yourself and putting your best content and effort into the page.You can use hashtags here, or you can post them in the comments section. I like utilizing the comments method because it "tricks" the algorithm by showing your post as having an extra comment right away.​LOCATION​This is a tricky one but can greatly be used to your benefit. This mainly affects the explore page. Basically, you want to use a location that garners a lot of activity, and more importantly, people on their phones. Stadiums, famous malls, public monuments, or popular Instagram spots are good locations to use. I’ve had mixed results when using restaurants. If you’re trying to grow in a specific city this is wonderful. But make sure you get a little more specific, if you’re just going to do a certain city. Use a neighborhood instead, i.e. Brooklyn not New York, Beverly Hill not Los Angeles.​OTHER TOOLS BESIDES POSTS​This is going to be things like Stories, Live, IGTV. Instagram wants you to use the app, so that they can make more money off of ads. Therefore, they're going to boost you for using the other aspects of the app. Post stories once a day or 5x a week, as a general rule of thumb. An easy strategy with stories is to just do reposts on similar accounts and encourage them to engage with you. Minimal effort for decent reward. also turning the camera around and showing you, talking into the camera, showing your workspace, or you in the field is great as well. More effort, but also probably more reward. Live feed maybe once or twice a week, or more, if you have the content/activity. Things like talks, lectures, videos, lessons etc. Sometimes you can do giveaways exclusive for your live viewers. This encourages viewers to come back consistently and engage in your live stream. IGTV is the newest tool here, but I've best seen it used and used it in the form of interviews, similar to a podcast, or in lectures or announcements. Amanda Bucci has a really great use of stories, live, and IGTV, so check her out for inspiration. These are now so much more important for gaining followers. Make sure you're using hashtags and tagging people in your stories etc as well.​OUTSIDE ENGAGEMENT​This is where you'll really separate your account and make huge strides in growth. I grew an account from 3k followers to 10k in 3 months throug this. You should be spending 30 mins to an hour a day, going out and liking and commenting on other people's posts, to help drive engagement to your page. If you haven't noticed by now, the key word in IG is engagement, and you have to give if you wanna get. You can open a post in the explore page, like it, leave a comment that opens/starts a conversation, and move on in literally less than 10 seconds. Great, swipe right, and do it again. and again. and again and again and again for 10 minutes before and 10 minutes after each post. I've seen this strategy work, but also doing this multiple times throughout the day. Experiment and find what works for you. Each account is different and unique. Each method is going to be different and unique. More than one way to skin a cat.Also make sure that youre replying to all your comments on your posts. This will not only increase loyalty and motivation among your followers, but also trick the algorithm. if you get three comments on a post, and reply to all of them, you now have 6 instead of 3. Always be engaging and active with your followers, and try to reach out to other accounts in your niche and bring them in.I saw a question about bots and stuff, there are plenty of bots on instagram. If they leave a comment, then leave a generous reply, and ignore, unless they respond and seem to be more than just automated. Bots are another follow, but having a group of loyal active followers will grow your account much faster than a bunch of bots who don't engage.​DONTs​Don't buy followers. Most of them tend to be bots, or the wrong type of followers, and won't engage with you at all. Instagram tries to ban these accounts, which could negatively affect yours. Organic growth is infinitely more valuable than buying followers.Don't forget about it or give up. Stay consistent. IG rewards consistency. If you keep at it, you'll eventually break through. Ik trust me, it is very tough and difficult, but can be very rewarding as well.Don't post just to post. Make sure each post has care and effort. Think of it like a new baby each time. You are shaping and raising your baby to give it the best possible opportunity to succeed. If you have a kid just to have a kid and don't put care into, it's going to turn out like shit. Be diligent​DOS​Consider paying to boost your posts. Get a couple of posts to perform really well, and consider spending 10 or 15 bucks on each post. This can easily bring you a thousand or more followers, depending on your account and history.Do consider reaching out to influencers, asking for help, or a shoutout. This is a livelihood for a lot of people, and they will want to gain off your following as well. Most of the time, it's win win.Engage engage engage. If you come away with one thing from this, it's that engagement is key in Instagram, and you need to find ways to drive engagement on your page. Experiment, try new things, have multiple accounts and cross promote.​That sums up the generals guys, but I know that I missed plenty. Please please don't hesitate to bring up any issue or question you have, through either comments or PM. Im super busy right now, but will try to get to all of them. I've worked with single person accounts in past and helped people grow over 100k followers. Currently, I'm working as CMO at a startup, and have experience in all things marketing and sales. I'm looking to get into coaching/consulting, and would love to use you as a guinea pig.​Take care, and best wishes