#yes it's nice with a ''everyone is queer'' kind of show | Explore Tumblr Posts and Blogs

gottagobackintime · 1 year

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I find it fascinating to witness the straight audience of any media not being able to pick up what the makers of the movie/show puts down.

It’s like when people reacted to the “You wear fine things well” scene in Our Flag Means Death with “aw, they’re such good friends” whereas the queer audience went “omg, this is happening”. We all had access to the same scene, we’d all watched the build up to that scene but the straight audience wrongly read it as friends/straight whereas the queer audience had suspected they were building up to a romance but this was the confirmation. Even the creator of the show was baffled that people were surprised that Ed and Stede fell in love. Because he thought they had made it obvious.

And as I said, we, the queer audience picked up on it. And I feel like the same thing is happening with Ted Lasso. Do I know that Ted and Trent will get together? No, I am unfortunately not a writer on Ted Lasso. But you can’t deny that there are clues pointing to it. But the straight audience barely pick up the fact that Ted and Trent like each other, be that in a platonic way or romantic way. I’ve seen several reactions to the last episode of season 2 and ONE of them included the scene where Ted reacts to Trent not being in the press room. All of them severely cut down the scene in the parking lot. One of the scenes most of us Ted/Trent truthers point to as a huge piece of evidence for it going canon. The parallel of them meeting in an empty parking lot, just like Ted and his ex-wife and Roy and Keeley. But because Ted and Trent are both men it couldn’t possibly mean anything. And Ted has an ex-wife and a kid so he can’t possibly be into men, as if there is no such thing as being bisexual. “But I’m pretty sure Trent has a family, he has a kid right?” So? He could be divorced, we also have no idea if his daughter has another dad or a mum. And the same thing applies to him, it doesn’t mean he can’t be into men (take also into account all of James Lance’s interviews, and his choice of shirt in one of them, friend of Dorothy anyone? He's the captain of this ship, we're just along for the ride tbh.)

Then we have the wonderful “I’m so not homophobic, in fact, you are homophobic because you think Ted is gay just because he likes musicals and has ‘feminine’ traits” um no… it’s the fact that he kind of acts in a way that an ally wouldn't. Yeah, he called himself an ally in that one episode. But every single person who is now out as queer who at one point considered themselves an ally because "I’m not one of them but I sure think they're neat" raise a hand 🖐️ (been there, done that. Was very into queer things before I realised I myself am one of them). What it always comes down to is "it's pandering", "it's tokenism" (having the main character on the show be queer wouldn't be fucking tokenism), "not everything has to be gay", "why can't men just be friends, there is a severe lack of male friendships on tv". And like the last one makes me go??? There are a MILLION friendships between men on TV. There are even multiple friendships between men in Ted Lasso. Beard and Ted, Ted and Higgins, Ted and Roy, the himbos and so on. Having Ted and Trent become a couple wouldn't really change anything because there are still friendships between men. They also claim that Ted is needed as the "straight without toxic masculinity" representation. As if Beard isn't right there. The man who has no problem going to an immersive show about the menstrual cycle. Has no problem with shrieking when he's surprised and so on.

I also like that if we'd get Ted and Trent together, we'd get two middle aged queer dads. Which isn't that common. It's not even super common to see people realising they're queer late in life on TV, and yet it happens every day. Because let's face it, most queer men on TV kind of look like Colin, and I don't mean that as a bad thing. And I'm looking forward to his storyline. But it's also nice seeing middle aged or old people finding themselves and being allowed to be who they are (see Ed and Stede from OFMD). Also would enjoy seeing people lose their minds when they realise they've been fooled this entire time. It'll be like Black Sails all over again.

I do not have any doubts about the fact that, had Trent or Ted been a woman and they saw Trent give up his career because of Ted's influence, they sure as hell wouldn't protest people thinking they'd become a couple. But because it's two men it's just delusional for some reason (homophobia).

What I'm saying is, it's clear that the straight audience has a hard time picking up subtext and clues that the makers are planting. Because they've never had to do that. Because they are always clearly represented. They don't have to look for minor side characters and hope that they might be queer. Because the main character is straight and most of the supporting cast too. When you've grown up with a lack of representation or with representation that is meant to be subtext, you'll learn to pick up on it. And you do look at media differently. I just wish that the straight audience could listen to us for once, without getting defensive and dancing around the fact that they are uncomfortable relating to a character that turned out to be queer.

#tedependent #ted lasso #trent crimm #there are so many times where I'm watching something and I go... hold on that is... is that a queer character... yes it must be #and then they do something small that confirms it and I'm like I fucking knew it!#I have 0 gaydar in real life but when it comes to media I tend to pick up on it #I wish that all straight people would learn about the way queer people have been represented throughout history #so that they might be able to understand why we have to look for subtext even today #hell we got ''representation'' in star wars and beauty and the beast and it was blink and you'll miss it #and they wonder why we have to make everything gay??#because we want to be represented in a show that isn't strictly about being queer #yes it's nice with a ''everyone is queer'' kind of show #but it's also nice to be seen in a mainstream show that is loved by not just a queer audience but also a straight audience #nicole watches stuff

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lyxchen · 1 month

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Fucking hate that I can't even talk about a guy that I think is cool without somebody thinking I have a crush on that guy :|

#like i was out at our local bookstore with my friend and there's this guy who works there who is definetly some kind of queer (i'm pretty #sure he's trans)#and he's so cool!!!#like i once asked him if they had any neil gaiman books and he was really happy to show me and was like 'have you read good omens already?'#and then he showed me all the books they had and i just really like him because he's cool #and after my friend and i were out of the bookstore again i told her about that guy just because i wanted to but then she was like making #suggestive comments and idk i just don't like it #and then i have to defend myself but that just makes it sound even more like i have a crush when i Don't #hhhhhhh #like also when talking about male celebrities that i think are pretty or cool #i always try to tone it don't because i'm afraid people think i have a crush #and like not everyone knows that i'm a lesbian #but also why is that always the first thing people assume??#can't i just say this man is cool??#it's the amatonormativity #anyways #idk where i'm going with this post all i'm saying is #if i ever call a man on here pretty or say things similar to that then i am saying that from the comfort of my own room and i would never #ever want to be in a relationship with him #same goes for famous people in general #like no matter the gender #like i don't get that that's apparently a real thing #that people actually want to be with a celebrity or kiss them or have sex with them #like noooo please no #looking at them very cool very nice yes i love doing that #but ever actually doing anything in the romantic direction with a person you literally do not know?#why would you do that?#like yes i say that i'm in love with charlize theron but only as an actress #never in real life #lea's random thoughts

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unproduciblesmackdown · 9 months

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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portraitofadyke · 4 months

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I think Our Flag Means Death is a very unique show in a way that they don't care to cater to mainstream media. And yes, by mainstream media I mean the general straight people.

I think it's very important that we have feel-good shows like Heartstopper. A few years back, a tv show about two queer boys in high school would be unthinkable. But its plot generally revolves around explaining queerness. Sure, it's nice. It's definitely the show I would watch with my family if I were a teenager and wanted to come out again (I had to watch glee with my mom to do that. not optimal). It's the show where teenagers find love and themselves, but sexuality is constantly discussed, explained, sanitized. It's the show straight people will watch. And that's good. We do need shows like that.

But Our Flag Means Death doesn't even bother trying. It's a show about mostly middle aged people, most of them not white, most of them queer in one way or the other. It's really a game of spot the hetero, like someone said. And the characters are not sublte about it. They have sex for fun, something most characters don't have in tv shows, definitely not queer characters. They make dick jokes. They are not all conventionally attractive and they know it, and the writing doesn't care. They are all people before they are queer representation.

Stede's storyline in s1 is in a part about discovering himself and his sexuality, but it's not obnoxiously repeated. Instead, it's played in a natural way. Stede's storyline is ALL about finding himself, yet it's not just about that. Just like Ed's storyline, it's about toxic masculinity and allowing himself to have fine things and self-hatred and finding his place in a world, something most of us can relate to. Hell, none of us were even sure the main characters were going to kiss and end up together, we were all so sure it's a queerbait. But this show doesn't bait its audience. It's not afraid of weirdness. It embraces it instead. There is a nonbinary character. No, they are not a mermaid. Call them jim. That's it. Yes, Lucius and Pete got engaged. Everyone there knows what mateolage is, congrats. Olu and Jim never break up and then Archie shows up, then Zheng, and we all know. We all know.

Two men nearing fifty have a deep, romantic moment where one of them appears as a mermaid, and it's treated as the profound scene it is without ridiculing it. This would never fly in a 'mainstream' media. It would have to be downplayed. Here, it saves Ed's life.

The show tells you racists suck, but it doesn't tell you in a condescending, finger-waving way catered to the white people. Instead, it sets your ship aflame and burns you alive, runs a knife through your hand, puts poison in your drink and kills you.

This is a show for adults, for queer people of all kinds, and it does not give a fuck if anyone else gets it. It's so rare to find a tv show that caters to us, yet alone a tv show that's genuinely good and caring and so well loved.

This is a show that basically straightbaited its audience in the first season, that's how much they don't care.

Idk, I just feel that it will take ages for another show like OFMD to exist in a world full of MCU and media that tries so hard to be liked by everyone it loses its personality and charm. Rant over

#ofmd #yes i am rewatching for the millionth time #just felt like talking about ofmd and how important it is for the milkiont time #it's not perfect but it is to me

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absolutebl · 23 days

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This Week in BL - Taiwan has one show, but that's all they need

Organized, in each category, with ones I'm enjoying most at the top.

April 2024 Wk 1

Ongoing Series - Thai

Two Worlds (Thurs IQIYI) ep 4 of 10 - I don’t say this often but I LOVE this love triangle. The longing gazes = chef's kiss. I like that we are finally getting flashbacks to Tai’s side of the love affaire. This show remains highly engaging. So pleased for MaxNat.

Deep Night (Thurs iQiyi) ep 5 of 8 - More lesbians! Yay! Meanwhile, when our leads make up they make out! (Yes I’m proud of myself.) I think this might be BLs first rooftop sex scene. We’ve reached new heights, BLabies. (Yes I’m proud of that too.) Anygay, basically a soap opera at this point, I'm not thrilled but I don’t mind.

"Do you apologize for being straight?"

City of Stars (Fri iQIYI) ep 10 of 12 - It was lovely. Very well done celebrity leaving the closet ep. Nice ensemble work too. Next week is doom! As expected.

Only Boo! (Sun YouTube) ep 1 of 12 - New main couple for GMMTV in an idol romance about a boy who dances good and a food stand vendor. It’s fine but overly very pulp feeling for something from GMMTV. I'm a little concerned.

1000 Years Old (Thurs iQIYI) ep 8 of 12 - meh.

To Be Continued (Sat C3 Thailand grey) ep 7 of 8 - Never turned up on my usual sites. So will have to wait until next week.

Ongoing Series - Not Thai

Unknown (Taiwan Tues YouTube & Viki) ep 7 of 11 - Qian was, indeed, the one who couldn’t let go. This show is fucking fantastic. It's the best thing I'm watching right now by a mile.

Jazz for Two (Korea Gaga/grey) eps 3-8fin - The bully and the blue-haired drummer side pairing were great. I hated the father. Hated him so much. Our main tsundere seme was a bit too tsundere for me. I was v annoyed by the time he finally softened. I'm amused by all the ways they finagled boys kissin-but-not-kissing in the first half of this show. 2024's "pan around the back of the head" has now become a "dipping of the brolly." We did, however, eventually get an okay kiss.

Honestly?

This was basically what I wanted from Given and didn’t get. So I’m pleased. The music still wasn't great, but you can skip those bits. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases. 8/10 RECOMMENDED trigger for suicide

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Weds Gaga) ep 5 of 6 - We got the past betrayal in detail and it was decently bad. Bitterness understood. Too soon to live together! The BL U-Haul strikes again. I do like their weird curry passive aggressive argument. This is an interesting show. Do I LOVE it? No. But I think I like it.

On a not-really-related note: adoption, including adult adoption, is actually pretty common in Japan (comparatively). It's often tied to business scionism.

My Strawberry Film (Japan Thurs Gaga) ep 8fin - It all turned out to be a tragic GL in the end. Not BL = not my problem. No rating. I will forget its existence right about… now.

Love is like a Cat (Korea Mon Viki) eps 1-2 of 12 - Okay, weirdly kinky with the head scratching. Not much has happened and I’m not wild about what has.

It's done, ready to binge, but I suck

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps

It's airing but...

We Are (Weds GMMTV iQIYI) ep 1 of 16 - University ensemble BL featuring PondPhuwin, WinnySatang, AouBoom, MarcPawinPoon - basically the good kind of messy gay friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is queer. I'm IN but I need my other computer and I'm traveling as usual. So I'll get caught up next week and probably won't regularly be able to watch this one.

Graduation Countdown (Taiwan YouTube) - It's too much for me to keep up with 2 minute verticals, I don't have that kind of TikTok endurance training.

A Secretly Love (Thai Sat WeTV grey) 10 eps - Completed. Worth watching?

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

Kiseki Chapter 2 (Sun iQIYI) 6 eps - It’s so boring DNFed at 2.

Close Friend Season 3: Soju Bomb! (Weds iQIYI) 6 - The problem with situational comedy BL is it must be situational, comedic and a BL. This show gets 1 of 3 claims correct. 33% is not a passing grade. Dropped at 3.

In the news

Takumi-kun Series 6: Nagai Nagai Monogatari is getting the undeserved honor of Furritsubs. Follow them for details. Tip 'em if you like 'em. (Will I watch it? Oh, probably. Damn it.)

Then Next Prince turned out to be a trailer only. Word on the webs is we will be lucky if we get it this year. It’s BL Princess Diaries. Jimmy has a new pairing (that boy from Night Dream) which is... interesting. All in all, this show does not look good. Pretty but not good.

Next Week Looks Like This:

4/11 Gray Shelter AKA Gray Currents (Korea ????) 4 eps - SooHyuk is only just surviving and reunites with YoonDae, an old friend. They end up living together. One of the leads is played by Choco of Choco Milk Shake.

4/12 Living With Him AKA Kare no Iru Seikatsu (Japan Gaga) 10 eps - Kindly Ryota goes off to uni only to find his new roommate is his childhood bestie, Kazuhito. Kazuhito doesn’t have a girlfriend and Ryota tries to help him figure out why, they fall in love along the way. Same director as Old Fashion Cupcake.

Still to Come in April

4/18 At 25:00, in Alaska AKA 25 Ji, Akasaka de (Japan Gaga) 10 eps - Yuki lands his first starring role in a BL drama alongside superstar Asami (previously his senior at uni). Said superstar suggests they form a sham relationship until filming concludes. As they actually begin to fall in love, the spotlight begins to burn. I think I've seen this before (joke) and also the trailer doesn't inspire confidence.

4/26 My Stand-In (Thai iQIYI) 12 eps - adaptation of Chinese novel "Professional Body Double" by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KP (not a recommendation IMHO - my biggest criticism of that show was the clashing directing styles). This one looks well complicated, lemme try: Joe is a stuntman for famous actor Tong. Joe falls in love with Ming but Ming sees Joe as nothing more than a Tong-replacement. After learning this horrible truth, Joe dies. Joe then wakes up in the body of another man also named Joe. He manages to rebuild the same life as before—with the same people eventually re-meeting Ming. Ming wants Joe back but Joe doesn't understand why. But Ming seems to know what's going on and wants to give him some kind of explanation.

I'm exhausted just trying to describe the plot.

Knock-Knock Boys (Thai WeTV) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous partner) and Best, news here.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

NOTE: It looks like one of my personal favorites of last year Unintentional Love Story is getting a spin off!

THIS WEEK’S BEST MOMENTS

See City of Stars & Unknown.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are too much work.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

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bkatlips · 6 months

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Ranking and explaining my rankings of Mike Flanagan’s shows and how they make me feel in honor of spooky season and just finishing Usher!! Why not!! Everyone else is doing it!! I’m also going to give it a gay score based on how gay they are (which also includes how big of a role gay characters played).

Disclaimer: Every one of these shows is well-made in one way or another and deserves to be watched based on whether someone else finds the premise interesting and not whether I liked the show. Too often I see “that show was bad to me therefore you shouldn’t watch it” and I disagree with that line of thinking.

1. The Haunting of Bly Manor-I can already hear people screaming “Hill House is better!” In some ways, yes! In some very important ways, however, I disagree. The biggest being Bly Manor emotionally resonated with me a lot more. The themes, the found family (as someone who is an only child), and of course, the lesbianism. Dani’s story of compulsory heterosexuality may be one of if not the best in media and her love story with Jamie ended up being one of the best media has to offer, too. And really using a horror story and turning it into a love story is kind of brilliant (and annoying for the people who were just there for the jumpscares I guess). Don’t get me wrong the show has flaws (why the FUCK do Peter and Rebecca have so much screentime? was that eight episode really the best placement?) but the stuff that lands, really really lands. I’m still thinking about Dani and Jamie 3 years later. Hannah’s episode was very well done. The kid actors little Amelie and Ben were phenomenal. Upon rewatch you notice most decisions and dialogue in the show were made with some purpose and it usually relates to something thematic. Some people may say it doesn’t really have one defining central thesis therefore making it messy, but to me the fact it has many themes actually makes it more fun to think about. Gay score: 100000/10

2. The Haunting of Hill House-A horror classic that got me into Flanagan! This is Flanagan’s best series as far as making you pee your pants. That hat man is just scary! The character work is nice. Those first 6 episodes are incredible. Perfect. The thing that brings it under Bly Manor for me is honestly the ending. It left something to be desired for me. I can’t pinpoint exactly what it is, but it just did not conclude in such an emotionally resonant way as Bly Manor to me. Shout out to the Newton Bros because the music on this damn show (and Bly too but that’s basically Hill House music continued) is so so good. Also the character work is masterful because Shirley Crain is kind of a bitch but you do come to love her. In fact, there wasn’t a Crain I didn’t feel for. They’re deeply fucked up, sympathetic people. It’s a great show with some great thematic work but it just doesn’t speak to me quite as much as Bly, that’s it. I know that’s unpopular but it is what it is. A great good show nonetheless. Gay score: 8/10

3. The Fall of the House of Usher-This show is wild and honestly I couldn’t decide between ranking this one or Midnight Club third. I went with this one because the acting and technical stuff was so phenomenal. I’m not really into gore horror so this wasn’t like my thing on the surface but I do appreciate what a homage to Poe it is in the very limited knowledge of Poe’s work that I have. It was fun to see all the cast from previous shows back again especially T’nia. One of the downsides to this show is it doesn’t really make you feel a lot and so compared to the Haunting shows for me that makes it inferior for sure. But it’s a fun watch and honestly I need to rewatch the final episode because I had a hard time paying attention for that one. Gay score: really fucking queer/10

4. The Midnight Club-Ah Flanagan’s little dud. This one is really not very loved compared to the others, seems to be just about nobody’s favorite, however personally I liked it. I think people are a little unfair to it and while it may not be Flanagan’s best, I don’t think it’s awful. It doesn’t really tackle anything new when it comes to themes. There’s some death, grief, stages of acceptance, and cult stuff. I think the way it has these kids telling stories to deal with their reality was really brilliant in a way. There was one episode (six I think) that dealt with depression and suicide that made me sob and I thought was super well done. That one stuck with me.I think it would have benefited from a more likeable main character and also from the second season that was planned! Gay score: 6/10

5. Midnight Mass-To be honest, I probably could have gone without watching this show. It just didn’t really resonate with me and didn’t really entertain me save like the very last two episodes. It’s technically well-made and I appreciate what Flanagan was trying to do and convey with the danger of cults and religion. It was obviously a very personal project and was him working through his own experiences but it wasn’t for me. It had a few too many monologues and I don’t think monologues make an interesting character piece. However, it’s a critically acclaimed work so I recommend anyone who wants to check out Flanagan’s work still check it out! Especially if you like weird vampire stuff I guess. Also the acting especially from the priest was phenomenal. So there’s definitely pros to this show, but it didn’t add anything to my life for me! Gay score: 3/10 :/

Also, shout out to Mike because every single one of these shows is queer to one degree or another. He loves the gays! Ally! Bisexual wife probably helps too!

#the haunting of bly manor #the haunting of hill house #mike flanagan #the midnight club #midnight mass #the fall of the house of usher #bly manor #hill house #thobm #jamie and dani

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redbreastedbird · 1 month

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hello oh my goodness you're on tumblr 😭😭😭I don't really know how to convey how HAPPY your books make me feel. I re-read mmu books one through five for christmas and I intend to re-read the rest before mua three is out!

arkjdmsb I don't even know what to say except a huge big massive THANK YOU for creating this amazing universe where anyone and everyone can be gay and solve crimes. nuala holds a special place in my heart as we're both bespectacled autisic irish people. every time she speaks irish I gain like three years of life expectancy. I love hazel to pieces as well. when I was younger, she felt like a friend to me, like I had just accidentally picked up her casebooks and solving crimes alongside her and daisy (and of course the junior pinkertons!)

I will never forget reading the last chapter of the body in the blitz and coming to the realisation that like. almost everyone in this room is queer. and this is a kids book in an era of draconian book-banning legislation, and there are just queer characters right there. just being people, really really good people, existing almost a hundred years ago. neurodivergent, poc, disabled, queer and trans characters. yes!

I am just rambling oh my god 🤦love you lots and keep up the incredible, ground-breaking, joyous work <3

This is so nice?! Thank you so so much. And yes, this is everything I wanted to do with my books.

Sarah Waters has a line about how she writes historical novels about queer women because she wants to show her readers that queer women have always existed, and I really internalised that. It matters so much to be able to show that none of this is new - that humans have always been every identity they are today, it’s just that mainstream culture never wanted to admit it. I’m trying to put the reality back into history - honestly, I’ve probably underestimated the diversity, if anything.

I know I have said this a lot, but I grew up under section 28 in the UK, in a time when you basically could not show queer characters in a children’s book (the only queer characters I remember seeing were the angels in His Dark Materials), and so it took me a long time to really trust that I was allowed to put queer characters in my own books. Making Daisy on the page queer was one of the scariest things I had ever done, and I still sort of cannot believe I did it. But it means so much to me to just be able to put on the page now that oh, George has a boyfriend now, and for it to be a basically unremarkable thing. And also to create a trans character with Anna, who transitioned before the novel and is now just living her life!

I really hope that there’s a generation of authors coming up now who have grown up with books like mine and who will do this kind of thing even more readily than I have been able to. The world is such a scary place for people who don’t fit into the norm, but there are so many of us, just out there living our lives, and books help us see that.

Long story short: be gay solve crimes. ❤️

#murder most unladylike #ministry of unladylike activity #the body in the blitz #Sarah waters #section 28

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frooogscream · 6 months

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In regards to the whole “was it bury your gays?” discussion, there is one very important thing I need everyone discussing this to understand first:

Not necessarily every single queer character has to die in a show, for the storyline of one specific character to fulfil the criteria of the trope. In my opinion there are three main reasons it feels like it and one that actually makes it “bury your gays”.

-Izzy is the ONLY outsider among the crew and the ONLY character with a coming out arc(accepting the crew as his found family, wearing makeup for the first time, performing for the crew in drag, literally confessing his love for another man), these are things a lot of queer people can relate too and feel represented by. To kill off THIS ONE of all characters, when his storyline was so specifically queer this season is upsetting. It’s made worse because literally the last thing he does before getting shot, the thing we will remember about the character, is giving the “it’s not about glory” speech, about found family and what that means to him. We get shown that this character has really accepted this beautiful idea of found family and queerness, in extend he has accepted himself as a queer person… and then is immediately killed. This feels like bury your gays (and fulfills significant criteria of the trope!)

-Izzy (in s1 the classically queer coded antagonist) is one of the character archetypes that we have lost to the Hays Code and it’s media echo till today, time and time again. Sure in OFMD he doesn’t seam particularly gay in comparison, but in every other show this would have been the character that queer people saw their only representation in. I mourned for so may characters like him, when I was a child. It would have been nice to see a character like this get a Happy End, just this one single time. This feels like bury your gays.

-DJ literally used the same reasoning to kill Izzy that is the baseline of “bury your gays”: he said he put Izzy through enough & this was a“kind” end, that his character arc was done and there was nothing more for him, called this the ONLY fitting end to Izzy’s arc. This is the same reasoning the classic “bury your gays” has: there is a certain type of character that just can never get a Happy End, their death is inevitable and because of who they are it is even “morally correct” to give them death. Yes, I admit DJ did not say this is true for Izzy because he is queer, but because of “what he went thru” a.i. queer person who is just starting to find their community, surviving an abusive relationship, being disabled, surviving a suicide attempt. -I’m not gonna go into how problematic it is to imply, that the best for a person who went through these things, is to die here.- However this in my opinion shows, that he doesn’t have an understanding of what “bury your gays”actually means and why it is so problematic (spoiler: it’s not because a gay character dies but of the moral implications that are made about the death of the character as deserved or a coup de grâce), otherwise he wouldn’t have used the same reasoning to kill of a character. This feels like bury your gays. -And lastly: he does realise that “out of the closet and into the fire” is a variation of “bury your gays” right? (Out of the closet and into the fire=a character comes out/is revealed as being queer/accepts their queerness -f.ex. a character could find their community, confess his love to someone of the same sex, wear makeup for the first time, sing in drag, give a speech about how important found family is in a world where you don’t fit in- and is immediately punished, humiliated and ultimately killed). This -if you like it or not, by cold hard definition- IS bury your gays.

I am a simple light/video technician not a director and I work in theater not in film, if even I am aware of the implications Izzy’s death has in regards to how queer characters are historically represented in film and how it has many of the same implications and the same arc like every other gay ever buried, it just feels like David was to lazy to do even a medium amount of homework

#ofmd #ofmd season 2 #ofmd izzy #ofmd spoilers #ofmd s2 #ofmd 2 #ofmd s2 spoilers #our flag means death spoilers #ofmd meta #ofmd thoughts #izzy hands #our flag means death #queer media #bury your gays #izzy deserved better #izzy death

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whomst-art-thou-whomst-whomst · 1 year

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Oh No! Here Comes Trouble Character Meta: Guangyan

Your Honor, I have no excuse for any of this. I live by the meta and die by the meta, and the storytelling in this show is so phenomenal…the thing is, there is sooo much to look at in this drama. I’d like to thank @avenuex123 for her video talking about it, because it sold me on trying the show for the first time (she does amazing drama reviews if you haven’t watched her on YouTube yet). I wanted to start out with these characters by exploring Guangyan—to be completely frank, my favorite character—because I think that in a way he experiences the most development in the series; his whole life and worldview change, and he goes from prioritizing his identity as a standoffish and praise-seeking overachiever to being a loyal and empathetic friend to Chuying and soulmate to Yiyong.

(tbh the resemblance between Yiyong and Guangyan and Elphaba and Galinda in Wicked CANNOT be overstated, look at the lyrics from “What is this Feeling?” and “For Good” and tell me that’s not their arc right there)

Ahem.

Let’s explore Guangyan through his various identities in this show.

I want to be clear at the start that although the show is not explicitly written as a BL, I do see queer undertones in his relationship with Yiyong, and that does inform my meta. Regardless of any kinds of undertones, this relationship right here is the best development of the entire series.

The Medical Student

I start here because this is one of the first things that Guangyan introduced himself with, something that he initially thinks makes him better than Yiyong, and in the last scene where he and Guangyan actually talk, it’s the thing that he wants Yiyong’s advice on pursuing. You know how you consult your calligraphy friends for pre-med advice?

Confession: I get Guangyan’s whole attitude at the start of the show. I hate it but I get it. Because I’ve been that overachiever kid (right down to the clothes, swear to god) and it’s really tempting, especially if you are younger, insecure, and/or starting out somewhere, to define yourself by and remind everyone about your most successful identity, regardless of whether it’s something you care about. Anyone who’s worn a mask of their own accomplishments knows that it’s a double edged sword—it traps you in an image, a state of being, in the minds of others.

And that is why I LOVE Guangyan’s developing interest in Forensic Medicine near the end of the show— because this is something he didn’t just choose to look good or respectable or worthy of praise, this is a really long road (just looking at the years of school required in my country), this is something he’s choosing because it can help make a difference, it can help with investigations Yiyong and Chuying work on.

The Boy Next Door

Yes, this is where my queer meta begins and doesn’t end. Apologies to Chuying, she doesn’t get much mention in this post but she will get her own whole post soon.

So.

Guangyan’s relationship with Yiyong literally changes the course of his life. He is such a different person by the end of the series—granted, he’s still fussy and the pastel tsundere of the pre-meds, but he has actual friends, he is honest about what he’s feeling, he has dreams for the future, and he’s kinder, rather than just nice. I need season 2 for many reasons, one of which is that I need Guangyan trying to become a supernatural CSI.

But this “bully” turned neighbor turned friend had that effect on him. Yiyong never told him to change, but Guangyan changed himself through his interactions with Yiyong. He’s becoming someone who wants to help people in a career that won’t be as automatically praised as a doctor. Find yourself someone who challenges your ideas and makes you reevaluate your ego while still believing you’re smart and good at things.

Ah yes, the Simping for A Hooligan Smile.

But importantly, this very quick bit right near the end of the show, when Guangyan pays his respects to Yiyong’s father and grandfather and shows them one of Yiyong’s comics he has saved on his phone, which even Yiyong’s mother giggles over as looking stupid…and there’s the drawing he snuck away that Yiyong did earlier in the series, as his phone cover…and with that bit there’s this:

Give me one heterosexual explanation for that. ONE.

But like I said, in the bigger picture it’s about the growth that is really key to seeing what Yiyong and Guangyan have changed about each other.

The reluctant frenemy ally…

becomes this:

I love the idea that Guangyan is around Yiyong’s house so much now that he is this comfortable just chilling, and I love that he’s mirroring Yiyong completely here—he could be in a chair, he could be sitting propped against the wall, but he’s chosen to lie down next to Yiyong like they’re still sharing a bed.

The Denial Expert

The show handles it sooo well—it never outright says, “Guangyan has so bought into this serious student-image that he refuses to let himself have things he really wants,” but we see evidence of it in every single episode. Actions: he won’t get a taxi when he needs one, he won’t admit to Yiyong that he’s a fan, he refuses the big bedroom bc he claims his father needs it for remote work. Possessions: he loves the amusement park toy that Yiyong won for him and attaches it to his bag, he thinks the doll is cute, he even hides his sneakily acquired Yiyong comics. Taste: he is the only one to love the cupcake made by the evil baker, and it’s only when he’s supposedly “following the kidnapping suspect” during the amusement park date with Yiyong that he eagerly order a parfait for himself and debates getting himself ice cream. You know, to blend in.

Local Housecat Wastes Time and Money in Company of Exasperated Puppy

It’s the little things—getting a bandana hand-made for him, tagging along with Yiyong to the cemetery (he so didn’t need the walking stick, you just know it was for the adventurous aesthetic), even him slowly taking more of the blanket to share as he grows more comfortable with Yiyong sharing his bed—all these things that show his growth in these episodes.

Pu Yiyong’s Comics Fan

GOSH ITS ALMOST LIKE COMICS ARE A METAPHOR OR SOMETHING

(Sorry)

Anyway. It’s just so important that Guangyan is the only person to really see Yiyong as an artist. Like most things Yiyong cares about, he doesn’t talk much about this passion of his; in the scene where they are writing their career plans in school, we see Yiyong is hesitant to write “cartoonist.” But he loves it, it’s something he’s put time and effort into building. And Guangyan is quite literally the only person who likes—loves—his art. Even his friends only support his website to be supportive. Anyway, I’m hoping in season 2 (which has to happen please please please) Yiyong finally finds out about his fan.

#whomst #oh no! here comes trouble #yiyong x guangyan

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starshipqstar · 2 months

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On a supportive queer fandom, community, and making our first ever animation

Making the Starship Q Star animation has largely been wonderful - we got to make a show we love and learnt a LOT. As two writers new to producing the format (Lauren had only written for kids animation) - it was a huge learning curve. A learning cliff if you will. Whilst we had to cut a lot out for time and budget, we're really proud of how they turned out within the constraints. And by the end? Lauren and I coloured most of the final episode and I did all the compositing and VFX myself (all in Toon Boom Harmony - a program neither of us had used a few months before).

Animation is also still a bit of a boys club - so we committed to finding a design and animation team that was diverse as possible, and reflected what the project was about. I'm proud to say that we managed that (out of our cast & crew of 24, only 3 were cis-men - and most were queer). We also gave opportunities to diverse creatives who hadn't had jobs in the industry before - and have since seen some of them use the experience to get more paid work. You simply love to see it! All of the cast and crew are incredibly special and brought amazing things to the show - an absolute dream team.

It hasn't been easy at all - animation is a LOT of work, and the budget didn't allow for all the support we probably needed, so it was months of unpaid work for the two if us, and a number of weeks working 15-20 hour days to get it done. But we bloody well did it!

But since the show has been out, it's been a bit of a... reality check? Having been immersed in the audio drama community with Starship thus far - we perhaps got a little too used to how incredible supportive (and perhaps queer?) everyone is.

Another animation project is part of the same initiative as we are, and it was one of the first projects released. The creator is a really lovely and talented guy who has made a special show we really enjoyed. His show went kind of viral - which is AWESOME! It's great! However due to his experience on certain other projects... some of the fans of his show... aren't necessarily our audience? And the nature of the initiative means only some projects get chosen to make more.

The first comment on YouTube a few minutes after the Ep 1 of Starship Q Star was published was "make more [the other show]". Then our socials started getting homophobic and really negative comments (and trust me I have spent a long time curating that tiktok algorithm lol). At first I thought it was weird or maybe it was just because we were being shared by a third party so the wrong audience were finding us - but then they also included comments like "[the other show] is better".

I honestly find it odd that some fans take it upon themselves to do stuff like this. Making art is hard! And liking one thing better than something else doesn't mean you have to actively hate that something else! There's room for us all to succeed (well, once we take care of that pesky thing called capitalism). And maybe remember that when it's an indie project the people who made the thing are usually the ones running the socials lol.

We are so grateful to have had so many incredible people love and champion the show in both audio and animated format. And we feel so lucky to be a part of both the queer and audio drama community (yes I know that venn diagram is a circle) - it truly is such a special supportive environment that lifts one other up.

Anyway, I'll probably delete this (way too earnest - eww) but thanks to all the lovely ones out there. We really love and appreciate all of you and all the nice comments and messages and shares. Means the world!

#audio drama #fiction podcast #lgbtqia+#animation #queer #queer community #lgbtq community #audio fiction

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gramarye · 3 months

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really really long post where i just talk about johan from yugioh gx thank you

im thinking about johan tonight bc i was drawing him and i wanna talk abt him. bear with me. I REALLY LIKE JOHAN . TO START THIS OFF WITH i have an official licensed johan "WHERE AM I" shirt and i adore it its really funny also i used to have like a johan pin i bought from a german anime store and it was like 8 euros but i shipped it off to my friend who is really really crazy about johan

^johan where am i shirt

anyway johan. jessejohan. i like johan so much believe me he is my nordic scandinavian brethen i just think his writing has issues mainly that he has like no real relationships outside judai and like. i know as a gay person -- i am literally a lesbian In A Lesbian Relationship In Real Life -- that characters will become more likeable when they're queer coded bcuz its Different and its relatable. however i think his writing is kind of really weak and i quote this thing my friend said in 2022 like a lot

HARD TRUTHS TO SWALLOW jesse is a beautiful damsel in distress and his personality outside jaden and crystal beasts is kind of nothing. i love him tho

but the most offensive thing abt it writing wise is like in season 4 when they duel against trueman sorry it was fujiwara. okay i was rewatching gx ages ago and my ex was watching it with me and it was her first time seeing it and shes a literature major and when the whole. "what is the darkness in johan's heart" scene, AFTER IT WAS ESTABLISHED EVERYONE, EVERY STUDENT INCLUDING MANJOUME SHO ASUKA O'BRIEN ETCETC has darkness in their hearts,

my ex goes "if they reveal that he has no darkness in his heart because hes such a special boy im going to be so fucking mad because hes already a mary sue" (HER WORDS NOT MINE she was so mad about johan its funny.) AND THEN THAT IS EXACTLY WHAT THEY DO

like he is literally too perfect. his only flaw is his one (1) time thing about getting lost which is never really brought up again (also its more of an endearing haha funny thing and yes i like it i have a shirt referencing that scene.) and the fact that.. he gets taken over i guess.

i do think the switch around where they bamboozle fujiwara is really funny. it is a funny scene i just wish they literally didn't do it at the cost of "johan is a perfect person without any mental weaknesses when literally every single other character has some flaws" I DONT GET IT!!!

maybe he can just photosynthesize his worries into strength i dont know. does anyone remember that meme

but really like WHAT IS JOHAN WITHOUT JUDAI!!!! why is he literally perfect and above other characters also. why could they not give him any darkness like What possible reason does that serve except me think he is BORING!!!! i do like johan btw as i said i really do. i just think his writing kinda sucks and people are way too nice on johan because he is queer coded but the fact is his writing is really weak. this isnt exclusive to johan ok i also dislike some aspects of jadens writing and asukas and so forth (naming characters i really like to prove my point) I AM CRITICAL this is just. about johan. ok.

and this brings me to the weirdo youtube essayists who only care about s3 and think its the peak of gx and yugioh in general and also. ONE SUCH YOUTUBER. WHO SAID IT IS "HOMOPHOBIC" THAT JESSE IS SOUTHERN IN THE DUB WHICH. WHAT?

you think all southern people all homophobic??? im sorry but i know so many goddamn queer people in thhe south. are you out of your mind. please blow up. LET HIM BE A GAY TEXAN you are just showing your own prejudice literally why did so many gx fans eat up "umm it was homophobic of 4kids to make him southern" they give like everyone accents. he has cowboy boots in his design. its not homophobia hes just southern and southern gay people exist. watch brokeback mountain or something

anway

i think johan is a much more interesting character if you incorporate his manga counterpart into it. like combine him with his anime self and it'd be really fun. his bug enthusiasm in the manga is fun like he has an actual hobby and personality. ADHD bug king

also i think personally they should lean into him being scandinavian more. ITS FUNNY. i think he should try to feed manjoume blodplättar because he looks anemic. he should open a can of surströmming around asuka (canonically very much hates food with strong smells) and she gets so upset she has to like leave the building entirely. she should get into a cultural dispute with o'brien because he thinks carola's swedish cover of mickey is better than toni basil's original

youtube

i think this and like. septembers mikrofonkåt is what he should listen to. swedish pop baby

anyway. i like johan i just think Some of his fans are insane and thats why i need to take him down a peg every now and then . in a loving bully way. also hes very gender to me dont worry about it. also TWO different people have said some variation of the "fuck danganronpa and its fans i hope komaeda marries a woman" post about him to me in different years which is so funny.

anyway yes i love jessejohan. send post

#everyone quoted in this post has been censored for WITNESS PROTECTION #i think i she/herd johan at least once in this post by accident well freudian slip?#anyway come listen to carola's cover of mickey with me right now. ÅH MICKEY ATT DU INTE FATTAR VAD DU FÅR JAG VILL AT DU SKA STANNA VARENDA #tess talks

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mrdarcygenderenvy · 3 months

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Recent Austen adaptations yelling

Ok I DID make this blog to review historical-set Pride & Prejudice adaptations (with an exception made for iconic B&P). But for everyone who was DEFINITELY WONDERING, yes I have also been storing away a lot of opinions about other recent Austen adaptations that I Must Tell Someone.

Fire island (2022)

A modern gay party cheesy rom-com P&P that genuinely made me laugh. Having seen some other (whiter) cheesy gay romcoms that were extreeeemely PG & playing it safe, I was pleasantly surprised.

Also Bowen Yang and his story just came across really earnest in a way I was into - would watch this man cry again, 10/10.

Personally as an extremely disabled british nerd (now tragically unable to travel and/or go to the club...) this gay scene is a long way from my queer scene. But I still had emotions, you know?

Kinda wanted more of the Mary analogue and generally just normal looking people (almost everyone is so ripped) but I appreciate that's how beautiful smooth people often look in mainstream american films, we can't have everything.

DARCY WATCH: I do not want to dress like this adaptation's chinos Mr Darcy. But Conrad Ricamora was generally great and very hot and awkward and understood the assignment. Good ice cream throw.

Emma (2020)

I know I know, it's pretty... but I don't think that's enough!!!!!

Lovely production, beautiful costumes, a candy wes-anderson cinematography that really suits the story, and it's fun to notice references to actual outfits and prints from the time but lads. LADS. UNPOPULAR OPINION TIME: Where is the chemistry???

You can’t make Mr Knightley a nice sweet boy (so funny to have cast a posh folksy singing man) and leave the plot the same and expect it to work!! Also I was personally pissed off that a lot of the promo/ ads for this made it look like ~forbidden love~ when it's the 2 richest white people in town getting together?? ? There's actually not even a class difference in this one, guys.

Basically this romance was nothing to me!!! I felt nothing!!!!!!!! WHERE'S THE DEPTH

I did like the bit where he lies down though. Relatable.

Also why are you drawing so much attention to the servants when you don’t seem to have anything to say about class...? 'Wow look how many servants they had! Anyway, they don't get any speaking lines'... it's 2020 guys!!! like what are we saying here. 'isn't it cool to think about how people were rich'??

kind of the point of Emma (character) is she's pretty superficial, but the story does not, in fact, have to be

Persuasion (2022)

Weeping softly into a pillow........ did you know this version meant a version with Sarah Snook and Joel Fry got cancelled?? we could have had it all

(standing on a table yelling) THE MODERNISATION WAS NOT THE PROBLEM WITH THIS FILM!!!

Honestly I actively liked all the entire secondary cast in this. Louisa and Mary were extremely charming fun takes to watch. ('I'm an empath' IS right for the character if you're doing modern jokes!!!) And nobody can deny this was a correct and powerful use of Richard E Grant.

Henry Golding was naturally great. Apparently he got offered the lead and took the villain instead, which DOES mean the villain is super charming and fun to watch which is... hard to match and.... kind of shows up.... the main man.

It's been said before but the main two were WOEFUL imo. I have no beef with the actors I just question the DIRECTION and whether anyone making this knew (or cared) why people... enjoy things.

Book Anne is the quietest gentlest loser and I LOVE HER and so does basically every Austen nerd. Making her a quirky wine-bath girl who's honestly just cruel sometimes fully stops the main romance chemistry and plot from working.

And it means the main boy is still like 'god I'm so horny for how KIND AND CAPABLE YOU ARE' which is just 100% no longer true. You can't transplant a personality in a romance but leave the plot the exact same and expect it to work. The chemistry IS the plot in a romance..........

you can't act morally superior to your siblings and still rate people out of ten.... also so funny to me that everyone else gets period outfits and hair whereas this protagonist looks like she just glanced at a picture of any time in the past and grabbed a couple shirts from primark. it doen't even look good or build character!!!!!

Anyway, not to be an elderly man like 'ohhh why does nobody care about character these days' but the reason something like Clueless works is because it has the heart of the story right, instead of just copying the surface level stuff.

#making all of these a single post which probably means nobody will reblog it ever. OH WELL #emma 2020 #persuasion 2022 #fire island #austen adaptations #full disclosure yes I was midway through making a queer regency romance GN whose plot is partly based on emma and p&p when i saw 2020 emma #so YES.......... i have strong opinions... possibly UNPOPULAR ONES..........#anyway if you enjoy the things i'm complaining about more power to you. I'M TOO BORING tO ENJOY THEM UNFORTUNATELY

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vole-mon-amour · 1 year

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3x10, a mix of everything, part 1

didn't expect it to happen that fast but HELL YEAH. there's nothing for Nathan to do next to Rupert. Rupert keeps switching his lovers like socks while his wife is still at home with their daughter. come on!! villain arc for Bex and Rebecca when? when is Rupert gonna get killed die and leave Bex all the money??? and then Bex and Rebecca become best friends and raise a daughter together?

Trent being the heart of the team? do you remember how it all started and how wary everyone was of him? do you? it warms my heart, but it warms it twice bc of the clear bond we see between Colin and Trent. like, older queer with younger queer, helping each other out and bonding. their friendship does things to me tbh. it's so very important and intimate and—

in other words, representation matters.

yaaay! also, Trent <3333 again, this warms my heart.

sometimes I really have no idea what this season is doing. i miss them being a dramedy, not a full on sitcom. i'm enjoying this season, but sometimes it's borderline too much. it's out of nowhere and it's not necessary at all.

besties unlocked <3 Trent is such a sunshine, I love him. the way he and Ted share a raised eyebrows look. there is something so wonderful happening between Ted and Trent from the moment they met. it's like they're connected and are being drawn to each other.

girl talk, especially when it involves middle aged men <3 Rebecca as their leader is really something. i love it.

I think Rebecca is being mean to the actual devil. also, why do iphone users love their matte screen cover? why not the regular one?

Trent is so in love with Ted, my goodness. that cute smile. Ted is so freaking oblivious, I need the show to do something about it. i need Ted to learn Trent is in love with him.

this is such a nice shot. something something, the idea of press taking pics of Nate's gf leaving. which at first I thought was kind of nice, but then she leaves with a suitcase and it looks like a breakup of some sort, so not that nice. hm. still, the shot is pretty.

this is such a nice look & I like her hair a lot, but my GOD, how do people wear those minies? it's beyond good and evil for me. shorts i can kinda understand, but skirts? that's... yeah, no.

there you go Jack's "me and Keeley are dating" without asking Keeley first if she wants to announce it and then Jack totally ghosting Keeley. *frustrated high pitched growl* I hate that plotline. if it's their way to push Keeley back towards Roy bc she will no longer be that busy so Roy can't come up with that excuse again, that's a very shitty thing to do. so far I don't see the bigger picture of this. they've been messing up Keeley's storyline this season just like that.

"the board" oh, fuck you, Jack. (in Grace Le Domas' voice) fucking rich people.

Dani crushing Van Damme's chips is such a dick move, ESPECIALLY since you're trashing the airplane!! you're not the one who's gonna have to clean it up, you asshole.

can somebody connect this parallel for me pls? it's just within my reach but it slips away.

sooo, Beard isn't getting out of a toxic relationship? gotta say, this plotline concerns me. idk where they're going with it and WHY in the first place. Beard deserves better & Jane needs some serious therapy.

#fired immediately

I'm here for Rebecca standing up for herself against Rupert. I hate that asshole so much.

I don't remember, have we seen Roy's sister before? it's so rare.

go fuck yourself. yes, i'm quick to jump to conclusions and violence.

Leslie is NOT having a good tea time this season. let him enjoy his tea 2k23! however, the fact that he knows every friend Rebecca has. some friendship between him and Rebecca developed along the way since s1.

#natiswatching #ted lasso #colin hughes #trent crimm #rebecca welton #jamie tartt #ted x trent #nate x jade #keeley x jack #coach beard #roy x keeley #roy kent

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nearmidnightannex · 5 days

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Ncuti Gatwa's Attitude

Doctor Who’s Ncuti Gatwa on embracing his identity to find pride and joy By Cliff Joannou Attitude magazine, issue 358

[...] the title role [of the Doctor in Doctor Who] is being played by one of the most exciting British actors of his generation, a Black and queer man from Rwanda, making this incarnation of the Doctor — the 15th — a casting that is more reflective of the world around it. And it’s needed because, to quote two-time Doctor David Tennant, the world absolutely needs more kindness than ever before. “The Doctor is constantly fighting for every life, even his villains,” says Gatwa when we meet for his interview in a posh London hotel. “He shows mercy and compassion to all because he understands that there’s a need for everything, and that we need each other. It’s really nice to have a show like Doctor Who running after all these years in this era that we are in now.”

[...]

Did you read social media reactions when they announced you were cast, or that the Doctor would be a Black man?

No, no, no, no. I got a brief glimpse of it in initial casting, but it’s not something I’ll avidly keep up on. The hate? It is kind of fascinating to me because there’s so much energy they’re putting into it. You are so angry over something so inconsequential that you can’t be an interesting person. You can’t have much in your life. I don’t have the time to do that. And so, I think they need to go find a hobby is one thing. But another thing is that we do see a shift happening in casting, in positions of power and in the status quo. I mean, not a fast shift, things could tip over the other way a little bit quicker, but you see people kind of malfunctioning because things are changing.

Does the issue of race appear in storylines when they’re going to Earth’s past?

Race does make appearances, yes. It is quite different for the Doctor. It’s not the first time. Jo Martin is the first Doctor that is Black [she played the time-travelling Fugitive Doctor in 2020], but it is the first time the Doctor’s been Black for this long. And so, we have to address those elements of the character now, because Earth unfortunately is still quite a funny little place. And so, yeah, we will be addressing those things. Russell has such a knack of being able to bring in these elements of our humanity through this sci-fi lens in a really interesting way.

[...]

There’s such a pushback against individuality, against gender diversity, against trans identities. How do you feel about the current state of the UK at the moment?

Everything trickles down from the top, and when you see politicians openly attacking marginalised communities, when you see our politicians openly attacking trans people, it makes it OK for everyone else. And it is scary to see that we’ve got to a point where it is fine to attack vulnerable people because that’s essentially what’s happening. People who are the most vulnerable, the most disenfranchised, most disconnected from everyone else are being told that they are the threats. It’s sick because it’s a hiding away of your own ineptitude. You’re going to put the blame on immigrants, Black and Brown people, trans people, queer people, to hide the fact that you are not doing anything for people? It’s easier to just create discord amongst people. It’s divide and conquer, isn’t it?

[...]

It doesn’t take much to take us back to the frightened person we were.

No, not at all. Not at all. Which is why we’ve got to keep pushing for more. Lots and lots and lots and lots more diversity, lots more inclusion on our screen. Lots and lots and lots of it for all you male gamons out there! [Laughs] I did an episode the other day where it was five men in a small space, and I realised how desperate I was for female company by the end of the week. When I saw my friend again, I was like, ‘Oh my God, I feel like I can breathe.’ And I was like, ‘That’s so interesting.’ For the past week I felt like I couldn’t, that I was slightly in defence mode. They were all lovely, lovely men, but there was still something in me that was like, ‘Keep a little bit of your guard up. Don’t let them get hold of you.’ As soon as I saw my friend again, I was like, ‘Oh my God.’ [Breathes a sigh of relief.] Women have just always been my safe space. I think [that’s true] for many a queer boy. I feel safe when I’m around women. I dunno whether that’s a really gendered thing to say, but my nervous system seems to be a lot calmer when I’m around women than it is when I’m around men. Will that ever go? I don’t know. [...]

#doctor who #ncuti gatwa #attitude magazine

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bengiyo · 10 months

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Be My Favorite Ep 5 Stray Thoughts

Last week, Kawi went on the class trip that he missed in the past and encountered incredibly frustrating hazing rituals. His affection for Pear was used against him, and he ended up mildly embarrassed when Pear turned him down as gently as she could. Pisaeng, after being chided by Kawi, also directly turned Pear down. Max was glorious and unbothered. Not and the seniors suck. Pear is absolutely someone worth admiring, and I get why people like her. I’m currently impressed by how well this show is enabling everyone to grow by having one person start down a path of becoming more emotionally honest and forthright.

Curious that the show went out of the way to make sure we know that Not gets no bitches.

I like that Pisaeng is tippy-toeing to confessing to Kawi. He told him he made things clear with Pear because he cares how Kawi sees him and he needed to know if he was still going to pursue Pear on his own. He doesn’t want Kawi to know that he and others heard him being rejected.

Oh, it’s cool that Kawi is having a hard time taking advantage of the lottery.

Kawi building an interactive friendship with Pear is also a huge relief.

Big fan of the way the time travel rules have been established, because we have a reason to stick around here.

Kawi, please don’t knock yourself for being a subtitler. They are the most important people for the international audience.

I feel like Pisaeng is properly dealing with his own queerness for the first time, and I really hope he goes back to the gay club later.

Not is really making himself appealing to the girls by being condescending and an asshole.

Big fan of Max. Don’t be moody about your problems if you don’t want to tell me the tea. Also, it’s your issue not your potential suitor.

He went back to the club! This is definitely his first time being in a queer space.

Nooo! Don’t run away from Max!

I feel sad for Kawi that Not and co. took his joy for songwriting.

Oh, yes, Max. READ HIS ASS.

I need to learn the name of Pear’s friend because she just delivered a WORD. Being kind and offering encouragement costs so little! Stop being so mean!

I am in love with Max. He was a bit harsh with Pisaeng, but baby gays need to get over themselves a little bit sometimes.

Look at that. Just a little bit of encouragement and Kawi’s already doing better.

This show just said we have a duty to be kind to each other and ourselves, because the world is just a place. Oh my goodness.

This the third time we’ve seen someone get rejected kindly on this show. In each case, it has seemingly made things better between the pair. I feel like we will be writing about this more later.

This show just said “changes are more important than miracles.” What the absolute fuck? I am kinda losing my mind over a Jittirain show once again.

Gawin is so fucking good at playing a gay man learning to love himself. This is the third time!

I love that someone else saw potential in Kawi after he put himself out there. It wasn’t the chance he wanted, but it’s the one he found. This is actually really nice.

Curious whose perspective they want us to read this final montage from. Both? Neither?

Gawin played freshman Pisaeng differently. That was so well done. He’s talented.

Wow. I think I actually really like this show. It feels like it’s trying to gently deprogram the audience. It’s like it knew a lot of us were bringing a lot of hostile energy to the viewing and said, “Would you mind being just a little bit kinder?” and you know what, maybe I will be. This has been really lovely so far, and I think I need to soften my stance with it. There are some incredible ideas here about the important of community and treated each other with just a little bit more kindness and respect. I also like that the show said plainly that it hurts us all to withhold our feelings from each other, because even if we can’t reciprocate them we can still build something good for everyone out of it. I will be seated for the rest of this ride.

#be my favorite #be my favorite meta #thai bl #bl series #Ben watches

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