A/N: Hello! This is my first foray into bionicle fic, where I wanted to explore a possible line of reasoning that Roodaka might have used to turn Vakama against the Rahaga specifically... and then this became a Roodaka-POV fic because villainous POVs are so muxh fun to write (plus it makes it distinct from the book version).
Please forgive any glaring inaccuracies; until a week ago, I'd only ever seen the films and am still familiarising myself with the lore/other content!
x
Roodaka almost doesn't recognise the creature her Visorak bring to her.
Almost.
There is more the monster than the Matoran, more the Rahi than the Toa, about the once-warrior now, and the two sides war in odd ways across the ensuing form. The limbs are elongated, but erratically; one side might almost be called Toa-like if one was feeling generous, while the other ends in a wicked-looking blazer claw. The mask bears the least resemblance to its former shape, a mockery of the Great Kanohi it had once been.
"Alone, you say?" she asks the Visorak.
It bows its head in the best approximation its spidery form can muster, and chitters in its gnashing tongue a tale of a single Toa Hordika wandering far from its pack. Then, after a dubious pause, it asks if it should send word to the King.
"No."
More chittering, nervous now.
Roodaka snaps her head away from the unconscious Toa. "Do you doubt me?" she hisses.
The Visorak shakes, as if knowing all too well that any alternative answer will lead to a rapid drop in its quality of life, followed by the abrupt cessation of it. It instinctively lowers itself to the ground, reassuring her it knows exactly how far down it hangs in the pecking order.
Roodaka is mollified enough to let the infraction pass. "Why bring Sidorak back for one captured Toa when he is still in pursuit of the other five?" she croons. Fear works wonders, but a pinch of reason never does any harm. "Better to let him focus on the task at hand, and have this as a pleasant surprise upon his return."
The Visorak doesn't respond immediately. Then, in as careful tones as its speech will allow, asks what is to be done with the Toa.
What to be done, indeed?
A more cautious Vortixx than she might harvest the elemental power now – one fewer strand in her web to tie up later – but, then again... he is only one Toa, and she needs all six for her scheme to succeed.
"Keep him somewhere he won't cause trouble," she orders. And then, "No cocoons. I want him to be able to wake eventually."
After all, live bait is always a better lure.
x
The Toa returns to consciousness the same way he left it: alone.
So much for their precious unity, Roodaka scorns. The reports from the Visorak tell of the other Toa moving across Ga-Metru, with apparently no looking back for their missing companion. Is it confidence in his capabilities that leaves them unaffected, or something more... fractured?
Either way, she is left with a Toa on her hands, alive and kicking and doing precious little to serve as the bait he should have been.
That's fine. She can work with this.
Awake, the Toa's reaction to the Hordika venom is ever more marked; his movements are capricious, tarnished with that feral fear of a caged Rahi, and there is little left of the tactician leader the Toa had once been.
So she leaves him to it. Sidorak is not due back yet – not unless he captures the other Toa, and the whispers that reach Roodaka tell of a merry chase – so she has time. Let the Toa wallow in his fear and his desperation for a little while longer. Let him descend further into his rage.
She can wait.
x
It is only once the howls begin that Roodaka makes her approach.
She has heard the like before, when an ash bear had fallen into a freshly-made crevice, courtesy of the quakes, and broken a limb. It had howled all through the night, calling for its kin and only summoning the Visorak instead.
The howls hadn't lasted long after that.
The howls of the Toa are similarly primal, gutteral with a wordless rage that sends him reeling in its wake. Only when she hears his horrified, "What is happening to me?" that she realises she is surprised to hear speech still remains. If the venom keeps up its course, it may not be long before even that is gone.
An idea takes root, insidious and brutal if she can pull it off. After all even a beast, if it retains some semblence of language, can be reasoned with.
Or manipulated.
He was found alone, her Visorak had told her. And alone he still was. A strange state of affairs for a Toa... but perhaps not so much for a Hordika.
"You are becoming," she rattles.
The Toa scoffs, ire curdling the sound. "Yeah, but what?"
She steps into the light. The Toa keeps his gaze averted as she nears, evidence enough that the Hordika in him knows not to challenge with a stare. She crouches before him, one claw catching the base of his mask and tilting his eyes to meet hers. The eyes, she sees, still carry a Toa spark. The rest is Hordika. "A friend," she offers.
He snarls and tears his gaze away.
"Or a foe," she adds. She rises back to her full height. "That's for you to decide, and why I invited you here."
"Some invitation."
She surveys her captive. Hordika venom is such a messy process, Roodaka can't help but judge. It lacks the finesse, the cruel creativity of her own power, changing at random what would be better done with intent.
Still, she cannot fault its effectiveness. It might be a sledgehammer to her chisel, but in a matter of days it has reduced the Toa responsible for trapping the Makuta into something belonging to a Matoran's nightmare.
"Then perhaps this one will be more to your liking," she says. "I have a... proposal for you."
"And if I don't want to hear it?"
Roodaka smiles, and approaches the Toa once more. From this proximity, she can appreciate the subtler touches of the Hordika venom – the joints that fit at odd angles, the crude connection between the Rhotuka spinner and armour – and as she brings his gaze to meet hers once more, she sees rust-flecked spots across his mask. A side effect of the mask losing its powers? Or a consequence alone of the Hordika venom?
"Be reasonable, Vakama," she croons.
"How do you know my name?"
Her hand dips from the mask and lingers before his heartlight. It's green, she notes; a far cry from the burnished red that had once matched his eyes. A sign, perhaps, that her plan has merit. After all, if the venom has already taken root there, it's only a matter of time before it spreads further.
"I know a great deal about you," she says, and cleaves a claw through the webbing that binds him. "What harm could come from listening?"
And when she tips his gaze again, he does not look away.
x
While fools might prattle on about the power of love or loyalty as a driving force, Roodaka knows power itself is the strongest motivator of all. And so she speaks to the fragmented Toa of strength and fear and authority; things she knows the once-leader has fought with himself. As a show of her own confidence, she allows him to trail behind, and only once does she hear the whirr of his spinner warming up.
("I wouldn't do that, if I were you, Vakama," she had warned without even glancing to him.)
("Then perhaps you should know better than to turn your back on someone," he had replied. "What's to stop me blasting you off the face of Metru Nui?")
(She had gestured almost lazily to the Visorak guard trailing them. "You can try, if you so wish. But how far do you think you'll get before you're trapped in another web?" She had waited for this thought to sink in before adding, "Who knows what another round of Hordika venom would do the second time? That is, assuming you ever wake.")
The Rhotuka spinner quietened after that, and Roodaka hasn't heard it since. Just enough sense left in him, then, to listen to reason. And listen he does, albeit not without complaint.
She wasn't lying when she said she knew about him – from the whispers of Makuta, from the reports of the Visorak, she knows enough to know where the Toa's insecurities lie. She brings him to a balcony that overlooks his old home.
Ta-Metru still glows with the light of fires and molten protodermis, but rather than forges and foundries hard at work, it is the result of cracked furnaces and flooded lava that raises such smoke. Still, there is enough to leave the Toa scrambling to the edge to catch just a glimpse of his metru.
In better times, it would have been his to protect, the same way the Toa of Fire before had, but now it is only a place to be fled. So she offers him the chance to change that, talks of leading the Visorak to rule rather than ruin.
And when she orders her own guard plummeting over the edge and they follow – not because they trust her, not because they think she has a plan, but purely because not following is a worse fate than an almost-certain death – she knows she has his attention. "Obediance," she proclaims. "This is but the first of many lessons I can teach you."
The Toa hesitates. But not as much as he ought to. "And this is something your king would allow?"
"There is a way," she purrs. "Six ways."
She senses something shift then, the balance of the conversation tipping in her favour as a wall, somewhere, comes tumbling down.
And when Vakama looks to her, it isn't the gaze of a Toa, but of a Hordika.
"I'm listening."
"Good." Roodaka starts towards the main body of the tower, and only hears the slightest falter before Vakama follows after her. His shambling gait is still the noisy thing it was before, but now there is a pattern to it. A natural rhythm.
"If you wish to gain Sidorak's trust, you must prove yourself," she says. "The Rahaga have been a thorn in Sidorak's side for too long; deliver them, and he will surely see your worth."
The Toa stills. "The... Rahaga?" There is hesitation in his voice, as if even he is surprised that his response is not the outright refusal it once would have been. "What have they done?"
"They are meddlesome creatures, as I'm sure you've discovered, too fond of interfering where they don't belong."
"Like saving your captives from certain death?" he asks.
Roodaka smiles, and ignores the bite in the question. "Do you think they rescued you for anything but their own purposes?" she returns. "Or are you blind enough to think it was purely an act of selfless generosity?"
A growl rises through the Toa, and she hears him continue behind her. "What are you saying?"
"Only that if they were rescuing you solely from an untainted sense of duty, then where are they now?" Roodaka glances back and reads the defensive hitch of the Toa's shoulders. "Where are any of your friends, Vakama?"
"Like I would tell you–"
"You don't need to. I know where they are. The question is: Do you?"
Vakama doesn't meet her gaze. "If you're thinking that I'm expecting any sort of great rescue–"
"I never said anything of the sort," Roodaka croons. She doesn't need to. By the sound of things, his mind is already doing it for her, wondering when the other Toa will realise he's not coming back. Wondering if they will even care. "Only, how sure are you that they will follow their duty without you to guide them?"
"Toa are bound to their duty," Vakama begins.
"Of course. As they are to their unity." Roodaka gives this a moment to sink in to the lone Hordika Toa. "And their destiny."
The once-Toa of Fire has no reply to that, and that is all Roodaka needs to know the truth of their origins have come to light. She steps out onto a neighbouring balcony, but Vakama lingers in the archway.
She motions to him. "Come along."
He begrudgingly does so, and his gaze finds little of interest in the waterway metru below. "Why have you brought me here?"
"Because this is where your friends are."
Vakama takes a second look at Ga-Metru, overrun with webs but presumably still recognisable from its better days. His head tilts, his eyes narrow. "Ga-Metru? Why...?"
"My Visorak say the Rahaga are leading them to the Great Temple," Roodaka relays, and this indeed is true enough. "They say the Rahaga are seeking an ancient Rahi, the next steps of which they hope to find within the temple."
"Keetongu," Vakama mutters.
"Yes."
Vakama wars with this knowledge, the conflict clear in his silence and his mask. Then, in a halting, hating tone, "The Matoran–"
"Are not the Rahaga's priority," Roodaka finishes. "Don't you see that, now? Why else would they turn the other Toa away from their duty the moment you weren't there to remind them? All they want is to chase after a Rahi myth, and with the help of Toa, they finally have the strength to do so." She sets a clawed hand upon his shoulder, anchoring him. "The Rahaga are not all they appear, Vakama."
A scoff rises through the Toa. "They are old and weak."
"They were not always so," she says. "Once, they were Toa like you, until their meddling left them as the malformed creatures they are now. That is why they truly seek Keetongu; they believe he has the power to undo their change."
It is a half truth, but one supported by enough that the Toa has no reason to doubt her. He has no way to know Roodaka's powers were the catalyst of the Rahaga's transformation, nor that nothing – no mythical Rahi, no Kanohi power – can unravel their altered forms.
Her hand tightens. "Or perhaps you've already begun to suspect the truth?"
A tremor in his breathing betrays that questions of the Rahagas' origins have crossed his mind before, but only now is he realising the possible ramifications of it. "They want to find Keetongu for themselves," he snarls.
"And they need the support of the other Toa to do it," Roodaka says. "Now do you understand? They are not your allies, Vakama; they are parasites. And you know what should be done with parasites."
"Yes," he growls. "I do."
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thinking abt bellum v hard. (fyi there are 1658 words under this cut)
there's not a lot of concrete stuff to think abt but there ideas. he's kind of already won by the time link shows up on the scene. he's not really actively antagonizing the world of the ocean king, he mostly just has the ghost ship to go around collecting prey for him while he has the yook and anouki turned against each other and seems to have infested the different temples and whatever with monsters to delay any opposition. is he the one who destroyed the cobble kingdom? they're meant to be supporters of the ocean king so i think we can guess that bellum is the one who tried to eradicate them.
maybe he was the one who... mind controlled? or otherwise meddled with the yook to keep them from checking out the ice temple and keeping the anouki occupied with dealing with them. (tbh theres some untapped potential in the relationship between the yook and anouki) he doesn't really do anything to the gorons but maybe he doesn't see them as a worthwhile threat since they see the crimsonine as more of an artifact and not something they should really do anything with, and link has to pass a test to even be allowed to go to the temple. the cobble kingdom is already destroyed, and it can be assumed that he mightve mimicked their engineering based on eox being the hostile boss of the last temple and turning into sand, suggesting a relationship to bellum, and maybe that he's trying to hide the fact that he's the one fucking with everyone. i'm not even sure if characters (besides the main group) even know that bellum exists until link's quest is more known.
taking a note from the manga, where bellum says something along the lines of feelings of love and friendship creating more worthwhile life force for him, so taking that into account with stuff in the game suggests that he maybe doesnt make his presence well-known to avoid something like a mass panic or a persistent fear in people, which could downplay positive emotions that makes their life forces more worth taking to him along with other worthwhile forces maybe being ones connected to divine power (like his taking of tetra and seeming desperation to keep her specifically, since she's most likely a descendant of hylia's mortal form), so he likely is very hands-off with how he's affected the world in order to preserve the value of his prey, somehow. idk why he turns people into statues maybe its a preservation method. maybe hes saving tetra for some reason or maybe trying to bait link in as well. maybe he wants to grab link, too, but failed to catch him the first time and resorted to allowing him to go down the path of dismantling bellum's work all so that bellum can try and capture him himself.
the spirits he does manage to capture and left alive and instead just sealed away within their temples, which i believe is because spirits and gods and whatever in loz can't really die unless they explicitly permanently become mortal (hylia) and can only really be sealed away temporarily in some form, mostly due to a lot of them being a sort of representation of some part of the world (i like to imagine that demise is the god or whatever who created monsters, he's the father of monsters and opposes hylia due to the way her favored creatures [hylians ig] attack and kill monsters and he wants the world to be habitable and safe only for his creations)
it's probably safe to say that the ghost ship (like. the whole thing) was created by bellum, and in some form is perhaps some kind of living being, hence why bellum is capable of effectively possessing it the way he does, since it's an extension of himself like the boss monsters, it just maybe takes parts from some existing ships, or maybe it's not alive and bellum is capable of creating large structures like that he is compatible with.
bellum himself turns to sand when he is defeated, as well as most of the other boss monsters, but the cubus sisters (who certainly have a relationship with bellum due to having the same eyes and being connected to the ghost ship) do not turn into sand, which makes me think that bellum didn't actually create them; maybe they're corpses or something being remotely puppeted by bellum.
bellum is clearly made up of the sand of hours, a crystallization of life force, and oshus is said to have used those sands to create the phantom hourglass, and the sands are also mentioned to have been created from the force gems connected back to oshus himself, so bellum was probably created from those force gems and therefore those sands of hours at some point somehow (i enjoy the idea that oshus was the one who created bellum; with oshus being our main source of info on bellum, i think it'd be interesting if he was the one who originally made bellum but obscures this fact by just talking about how he 'appeared' and whatnot).
bellum seems to have a weird sort of... inverted? perverted? ability to create life (perhaps a sort of parallel to the one we can assume the ocean king has if we assume that he created the three spirits as well as bellum maybe) but only in a hivemind or derivative sort of way, only able to create things that follow simple commands and when he possesses something else he takes it over. (i like to take him in a more biological or physiological way rather than magical, when he is removed so is the control, but there might be little remnants, but his influence is gone. i take bellumbeck aftereffects to be terrible sickness rather than others going with the idea of taking on some bellum-like traits or residual controls. the things bellum creates can only follow simple rules unless he is directly in control therefore he can use it as he wishes, but if he takes control of something he did not create, it's a bit more of a battle, he has to contend with that other being's subconscious or whatnot and has no effect unless he is physically connected. his control is more limited and ends up incorporating some of the hosts' subconscious desires with some guiding from bellum himself to achieve a favorable outcome.)
with the world of the ocean king being a sort of parallel/separate world to link n tetra's great sea, it's interesting that the ghost ship can be physically present outside the world in which it was created. definitely there can be contact between different worlds in loz (like hyrule and the dark world/lorule in alttp/albw and a little bit with termina if you take that as a literal place and a little bit with koholint and then the twili realm and whatever i'm missing) but it's interesting to see bellum as a villain capable of (in some way) contact and interact within other worlds and drag inhabitants of those other worlds into his own (oshus can send people out of his world, so i assume he can also bring them in, maybe that's how link gets in despite falling off of the ghost ship, unless somehow the ghost ship is still within the world of the ocean king but is also present in the great sea but the area around it is a fragment of whatever part of the world of the ocean king its in superimposed over the great sea... idk) so it's interesting that bellum could bc considered a villain able to tamper with or at least interact with world boundaries to let things in and out, maybe it's something that he is only capable of with whatever power he's attained by the start of the game.
whatever relationship he may have to oshus and the other spirits is not at all a part of the game, but at the same time we don't learn a whole lot about them anyways. there's also stuff with the chief of the golden frogs as another ally of oshus, but i imagine bellum didn't bother with him because he has no relation to the spirits' locations and the pure metals, and zuaz was left alone perhaps because his location is secret, while astrid and kayo were maybe found due to living on a more populated island (more prey for bellum to go after, more people to know about astrid and kayo). a lot of the monsters in the dungeons were probably already there, while the bosses were specifically made to protect what was hidden there, or maybe the bosses came first and their presences attracted other monsters.
i think bellum created the two monsters you fight overseas on the spot; they existed specifically to try and kill link because at those two times (link going to get the final spirit and link going to get the first pure metal) bellum suddenly panics and decides to try and eliminate link at the cost of the loss of a possible worthwhile piece of prey. bellum was probably also the one to begin the rumor of the ghost ship; i imagine he can take a sort of human form the same way oshus can, and spent a bit of time after defeating oshus and creating the ghost ship integrating him within some pirate crew and using them to grow and spread the rumor of the ghost ship, eventaully leading them towards it and taking them has his first victims (and along the way taking the time to foster good relationships with them in the hopes that their positive emotions and feelings would make them more worthwhile prey, back to the manga snippet idea of feelings of friendship and love [and probably positive emotions in general] being another form of better life force).
bellum's cool
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