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#who canonically makes no effort to better himself but also had been dealt the worst cards since childhood. hes a bastard but a tragic one
scalproie · 1 year
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my favorite thing about kazjun is how we dont know anything about it other than they banged at one point to make jin
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sixmorningsafter · 4 years
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An Apology Letter, SMA Love Letter, & Gabi Appreciation Letter
Let me begin this review by apologizing. Not just for waiting almost a year to review this insanely awesome chapter (don’t even tell me I don’t have to; I’ll drive up state just to take you by the shoulders and shake you and that silly thought out of your head; it is an honor and privilege to tell you how awesome you are!), but also for the tone of this review feeling so haggard. 2018 was, as Damon told Kai, “not a good look”, and I feel like it’s digested all the gall and sass and shit-starting energy I usually dole out for these reviews, so here I am, a regurgitation, still holding to the fact that you’re a fabulous writer who deserves all the praise I can possibly muster for your efforts. Despite having a life (or not, considering, ya know, med school), you still post on this page; you’re clearly still carrying the headcanons and the plot and the characters with you. I know the feeling of having the desire to write but feeling too tired, physically and emotionally, or disinterested or unmotivated, or whatever so I can’t even sit in your inbox like “hey love sma! You write soooo good. You’re awesome! and uh when are you gonna update?” Of course, I’d love an update, but I also know you. You want to put out your best work, what you’re at least 95% proud of, and it’s so obvious in Chapter 17.
Side note: I reread Chapter 16 and my review to give myself context and bolster some pizazz just for you.
REPLY: Let me begin my response to this review by apologizing for MY TEARS. Cass, you’re just an absolute light in this bitchy eclipse of a world and your ridiculous kindness radiates off every sassy, stubborn, talented, vulnerable, open-hearted part of you and I’m so, so happy I get to call you a friend. The fact that you took the time to write all of this despite your ridiculously busy, full, grad student, WEDDING-PLANNING (at the time) life, largely because you knew it’d put an idiotic smile on my face? You’re just a gem of a human being. I don’t know what else to say. I’m trying to keep my responses as succinct as possible because I’m so eager to post this and share your insights and writing with everyone else, partly because they always make me and my dumb writing look smarter than it actually is, but mostly because it’s a crime to keep it from the world. Anyway, onward and upward:
Bamon + Kai + the Pig Cadaver
To remind the audience, Bamon had a pretty petty and deep-cutting fight last chapter; Damon got over himself, with the help of Kai (kinda), and now Bamon are on better terms. That being said, these two dumbies are so… nerve-wrackingly good at detaching themselves from conflict. Like, I feel like Steroline would have put up walls and ruminated hard on something as harsh as Damon’s mention of Bonnie’s shitty life, but Bamon are King and Queen of sweeping the bad shit under the rug.
REPLY: I think it’s so cool that you point that out because it made me realize that’s one of my favorite things about writing Bonnie and Damon: they’re ability to both deliver and take hits. They’ve both gone through some really dark, messed up stuff - the kind of stuff people with more traditional upbringings tend to tiptoe around because they don’t know how to talk about it - so it’s almost like to be accepted in their entirety, they need to be around people who are unafraid of that stuff. Unafraid to go there. Unafraid to bring it up, unafraid to cross lines sometimes, unafraid to make jokes about messed up experiences and accept them about each other without flinching. I think they can recover quickly from those kind of blows from each other because in a weird way, at least they’re being acknowledged. At least someone’s talking about it without getting that wincing, deer-in-the-headlights look and acting like it’s a forbidden topic. Obviously in the last chapter, Damon took it too far and was trying to actively alienate her with his comments, but in general I really enjoy writing their budding sense of familiarity with each other. Anyway, good thing I’m being succinct right the review hasn’t even really started GOOD LORD.
Damon jolting Bonnie like she’s being electrocuted is so unbearably cute to me. So domestic. So friendly but also playful but also coupley… I’m dead.
“Wow, you’re really going full nerd.”/”Oh… you sweet summer child, you haven’t even begun to see full nerd.” In my previous review, I (demanded) mentioned wanting more nerd!Bonnie, and you delivered. What an honor, truly.
“It was like he’d [Kai] never left, except now he was surrounded by a bunch of wires and a mini Tesla coil.” I don’t know if I ever mentioned this, but I think it’s so funny and silly that you embedded some serious sci-fi shit in this romcom fic. Like, we’re really out here, considering is Kai an alien? Can Kai really teleport or “dissolve in and out of the time-space continuum as he pleases”? He’s not just creepy or socially inept. He’s also fucking extraterrestrial.
lmfao in chapter 16 or 15 or whichever it was where they explored Kai’s apartment while he went swan-hunting, I had to make a choice about whether to keep things semi-realistic or just go balls-to-the-wall cray re: Kai and I think we all know which route I decided to take 😂
“Still, it was a surprisingly appealing thought, the idea of having some kind of effect on him.”/ “Snagging the unsnaggable.”/ “Ruffling the unruffable.” We out here, making up words and shit; my Word doc spell-check is having a field day. But her observation about having dealt with guarded people kind of relates to what I was tryna say earlier on: both Damon and herself are very guarded, and her ability to see that nothing truly sticks to him is reflective of that same for her.
“It was like he was coated in oil, like his entire personality was adapted to glide through life without ever catching on anything around him.” / “Even the good things.” Talk about knife to the gut (why yes, this is a reference to the future Steroline conversation, which I am using to demonstrate how fucking enamored I am by this understanding of Damon’s character). I feel like Damon started as the kid thinking “if things are good, then something bad is gonna happen” to “good? bad? what are those and, more importantly, who fucking cares?”
Just another day of Cass making me feel like a far better writer than I am because she always gets exactly what I’m going for and then explains it better than I do. That’s precisely his trajectory, man. He went from a kid with no control of his own life, constantly bracing for impact, to a kid who realized nothing can control if you don’t give a fuck. If good things don’t make you happy and bad things don’t make you sad, you’re always at equilibrium. You’re always at a steady-state. And most importantly, you’re at a steady-state that no outside factor controls.
“Maybe the oil coat went more than skin-deep.” Foreshadowing! I like this conversation a lot though. Insight about Bonnie’s past (another gracious gift promised last review, thank you SMA goddess for such a blessing) and her PTSD and embarrassment about the shit show that is her parents.
Bonnie’s “I wish I could turn it off like that.” Speaking of shit shows, nice nod to canon.
😂😂😂
“Was that—vulnerability?” Yes baby, revel in it! Idk if you did this on purpose, but it’s like Damon is leaning into his previous realization of her cracking his “varnish” (just realizing his description of a glossy seal is an almost visual parallel to Bonnie’s description of him being slick with oil (I’m thinking like petroleum)… anyways). Like, “she’s already seen me lose my fucking mind in the cellar, being a little vulnerable about it won’t hurt, right?” I mean, yes, but also, Bonnie is a shit-starter too, babe.
“Were those—emotions?” / “I hate knowing you.” / “Are you okay? Do you need some water?” and later paired with “How does it feel to be a human being?” / “Stupid.” / “That means you’re doing it right.”
You know how I feel about Kai’s “Friends!” He is so weird, and I love it, but I’m also afraid that I love it. Thanks!
Yeeeesssss, I wanted to show him slowly starting to adjust to the fact that she’s seen things. Him.  And you know what, here they are anyway. The world’s still spinning. She’s still being her weirdo competitive self. So maybe it’s not the worst thing to have (albeit accidentally) let someone in a little. A big motivation for me re: Bamon in this chapter was getting them to the point where they eased into being comfortable sharing things with each other. Not everything, obviously, but way more than they share with the average person. Kind of like a ‘well we’re stuck in this ridiculous situation and we’re unexpectedly more alike than we think so maybe we just lean in a little’. So I’m really glad that’s what you got out of this, WOOT.
Kai’s everyone’s friendly neighborhood son/serial killer and I think it’s best to just let yourself adore him and hope for a minimal body count. 
The Matt Talk
I think I already told you I was so emotionally distraught this chapter. If you’re new to SMA, hi I’m Cassandra and I’m always an emotional mess when it comes to Gabi’s writing. But, this was some next level shit. You’ve said so many times you’re worried about how these emotional scenes go, but like fuck dude. You went hard, and it was so difficult for me not to be actually crying. Idk, I’ve never been in Caroline’s situation or known anyone to go through this, but the whole injustice of it, you know? The possibility that any woman could be going through this or has gone through this. I’m not belittling the men who have been abused in their relationships, of course. What I am saying is if I am taking this personally, having never experienced it, but as a female, knowing this could very well happen, that means your writing is fucking spot on.
Full-disclosure, your entire breakdown of this scene is just the most beyond fantastic thing that I don’t even want to break it up with shitty responses. I’m pretty sure reading your insights about it affected me more than the entire multi-week process of actually writing it, so idk how you did that but here we are. For the millionth time, your responses are the only reason I think maybe all my fumbling and exasperated editing is somehow producing something half-okay. I’m dying whale noises. Bye.
Setting the scene up with Steroline in the tub, for being their poetic selves tryna be symmetrical in their emotional moments and emphasizing how thick the silence around them is… oof dude. I know you have that “movie” mentality when you write, and idk how you fucking do it, but it definitely translates. Idk if you’ve ever been in a moment like this, where you need to say something of Importance to someone of Importance, but your voice has just gone on vacation for a minute, and you’re sitting there with an empty tongue, and, in my experience, the person tries to prompt you about what you’re trying to say, but I’ve been in moments like this. So, this set up was so poignant for me. Luckily, she’s talking to Stefan, the boy who listens to even Rebekah earnestly and wholeheartedly.
Caroline’s Gazania daisies metaphor: shit breaks my heart. How long did she think about this? The metaphor is like… a detachment. Like, how light bends in water. Her story is the light, the flower metaphor is the water, allowing the story to refract, to be that much more removed from the reality.
“A flicker of intimacy based not on things they’d experienced together, but rather things they’d experienced apart.” I think it loops back to Bamon too, whether neither are eloquent enough to make that seamless connection. I think that should be the tag line of each ship; these very different people are tied to one another by feeling what they’ve felt and relating it back to what the other(s) has (have) felt.
I think you’ve very skillfully woven canon and SMA for Matt’s story. TVD made him the human golden boy, and SMA has him resentful and dark… and it just goes to show how environment can really shape a character’s outcome. tvd!Matt saw the supernatural as the reason his life was so shitty and suddenly had a purpose; sma!Matt didn’t have that scapegoat, so without rhyme or reason for his shitty circumstance, he fabricated that it was somehow Caroline.
Fucker.
“Senior year was kind of a train wreck” to “We were still okay, though. Still us.” Rereading this part made me seriously think of like… a slingshot. Like, all of this is just leading up to the snap and the release of Matt’s true colors. And how devastatingly it was that Caroline didn’t know, honestly couldn’t know, that it was going to happen.
Shit like Matt being mad at Caroline for proudly blurting out she got accepted into NYU when Vicky had just OD’ed is so fucked up to me. To be actually mad about it. Bro, stay mad about it. But that’s the point, isn’t it? That this was the final straw for him, the last thing to tip him into batshit abusive fuck mode.
As a therapist, I could easily say, he is clearly shaped by his circumstances, he didn’t have enough support or self-esteem to fully develop the core values and strengths that he needed to not become this abusive piece of shit, that there might be some self-awareness by the way he tries to remedy a bad fight with a great breakfast (or a learned behavior to get approval again). Even if I do consider those things, irl and even with Matt, it’s in no way condonable, and I don’t think I could ever be able move from this point of view.
“She’d lived like that for months, a blur of turtlenecks and concealer, of overbright smiles and obsessive thoughts, of guilt and blame and normalizing the abnormal, of questioning if what she thought was happening was actually happening.” / “Could actually be happening.” Just reading this summarizes all the females who are in relationships like this, who question whether their partners’ could actually be raping them… ugh. It breaks my heart even now, writing this review.
(Honestly, I had to step away and resume the next day)
Caroline’s comeback: “He was staring at the old Caroline. The one he hadn’t broken in. The one that ran on gall and instincts, that didn’t dim herself for anyone, that’d jump in front of a bus for the people she loved… She’d grown back into her skin. Unshrunken till she was towering over him, a bright, brilliant light staring down at a meager lick of flames.” This whole bit was so good, so relieving, so satisfying. I know what Matt did still haunts her, but Caroline coming back and reclaiming who she is, even to present time, is so, so satisfying.
“Let’s be real, though, Bonnie could probably beat us both up.” / “Definitely.” – these were my thoughts when Caroline was defending her lol.
The Universe Speech: ilysm but also fuck you for being so good at this lol. I am so mad at how good you are at this, and you’re kinda like shruggy shoulders, I’m-just-trying-my-best. Get your humble ass out of here. “I think you’re a universe. I think you’re full of suns—and comets and black holes and everything in between. And when one sun burns out, you’ll just flare into a million more, unapologetic and infinite, because nothing… not pain, not heartbreak, not even the entire exec board of Emory apparently, can stop a universe from expanding.”
And Caroline immediately clicking with the metaphor? (rewriting her Gazania metaphor story I hope) And she runs with it like, “It couldn’t help but make her feel like maybe she hadn’t lost anything. /  Maybe she’d just outgrown it.” and “An infinite, chaotic expanse of dazzling light and annihilating dark… capable of anything but responsible for nothing outside of stretching out toward an invisible horizon fiercely, constantly, even in the face of billions of years of gravity pulling her back”. THIS IS MY SHIT DUDE. First off, this visual representation of a person is so beautiful and inspiring and so full of grace and forgiving, you know what I mean? It just shouts volumes to how okay it is to fail sometimes or to feel Feelings, and how it shouldn’t and couldn’t be used against her. It’s literally the expanded and improved version of “reach for the stars” – more like be the universe, among the stars, and reach for the unknown. BIG OOF.
“I can’t possibly follow that up with my dumb Elena drama” / “Hey, not a competition.” – someone recently quoted someone else to me, saying It’s not the suffering Olympics, and it’s resonated with me so hard, dude.
Steroline throwing back things the others have said, Stefan’s “Whatever nice thing you feel like you have to say, it’s okay” and Caroline’s “You can’t escape me! / I’m unapologetic and infinite!”
I don’t remember if its this chapter or last, but Stefan indulging in Caroline’s playful side, and Caroline recognizing Stefan’s sassypants is by far my favorite Steroline Thing ™ in this story. Parallelly, Bonnie’s Damon-ain’t-shit attitude, and Damon’s she’s-more-than-I-anticipated revelation is my favorite Bamon Thing ™.
I am overwhelm-sion. 
I am aegoifhjaeoeagidhy.
That scene took me weeks of editing to get in a remotely publishable place and even then I was like WELP SURE HOPE THIS ISN’T OFFENSIVE FLAMING GARBAGE LOL ONLY ONE WAY TO FIND OUT *POST* so. Needless to say. This response means el mundo. I am in full turtle.
But real quick, exiting emotional turtle stance to say that I feel like you and I have always been super in sync about liking writing that celebrates messiness and imperfections and humanity in all it’s mistake-ridden earnestness so I’m not surprised you liked the universe metaphor as much as I did. Fuck suns and their one-dimensional asses. We stan universes in this bitch. Asteroids. Supernovas. Blow some things up. Crash into some planets. Sink into some really deep darknesses. It’s okay. There will always be bright, brilliant stars all around you, too. 
Bamon, Kai, Bonnie’s Feral Sweet Tooth, and The Food Fight
Speak of the devil: “She shook her head, lips curling into a droll ‘get over yourself’ of a smile, and for some reason, something about the look stuck out to him a bit.” AND, MY FAV: “For some reason, he liked it.” YES YES YES YES.
He’s hopeless.
The “Love It” arc (why yes I did use that word very specifically to refer to the sassy snap). On a tangent, Kai on Twitter, Kai on Pinterest… for an alien, he’s very adaptive.
He’s got his entire home planet hooked on snapchat. 
Oh, here it is again: “Now that he knew what a genuine fucking weirdo she was, he was a little curious about what she’d actually been thinking.” I know fluffy moments such as Never Have I Ever (before shit hit the fan) are most likely over, but if they were to return, I suggest Truth or Dare, and Damon asks Bonnie what she thought of him when he’d met Caroline (and her) at that club. Listen, both Damon and I want to know. I’m not saying make it happen, but I am.
There’s another dinner coming for their last snowed in night because I’m nothing if not repetitive and I think Truth or Dare is a trope I can definitely work in. I mean, I wouldn’t want it to feel left out given that I’ve used every other fanfic trope known to mankind.
“Wow!” Bonnie exclaimed, leaning forward to peer at the uncanny cake topper with a bewildered look. He even got her one earring right. – I’m cryinggg
He’s special.
“Can we just… go through what all of these heavenly things are, because I may look calm, but I’m actually losing my mind.”
“Absofruitely!” This is a mine of just so many fucking gems.
Kai Knowing: I feel like he’s just a mind-reader, because he already stated he can’t read people very well. But I absolutely love how both Bonnie and Damon are like, oh yeah totally super in love you betcha bud, and Kai’s like, I see it for realsies this time. Bamon 4 Eva bb. Love at first bicker, honestly.
lolololol I just loved the idea that their growing connection was so goddamn obvious that even the self-declared Worst Person Reader Ever was like ‘wowza so this is love huh?’
The Food Fight. I love the “She was glaring at him, eyelashes coated in frosting” line so much. It’s both cute and endearing, and the fact that Damon is paying that close attention.
“Cupcake Quidditch seems kind of fun.”
“It’s stupid dangerous, not to mention a giant waste of food.” Lol Bonnie.
Bonnie being on the shooting team—and Damon also being good at shooting. AU of an AU where SMA Bamon are spies or assassins (Mr. & Mrs. Smith). But only sma bamon. Fuck canon.
We don’t know her.
But also yes to this AU. @coraxes​ once wrote this awesome drabble where Bonnie and Damon met as teenagers and because of it I’ve always wanted to do some alternate timeline where they grew up in the same city, weaving in and out of the same seedy social circle as teens, flickering in and out of the periphery of each other’s lives, but always having this strange tension whenever their paths happened to cross, you know? Just these rare, vaguely loaded interactions where they both saw glimpses of the fact that the other was smarter than this, better than this, you know? That they both were. The point of this all being that I could imagine them both showing off whatever it is they know about guns, lololol. 
“It’s not very captain-y to bathe in the blood of my enemies either but hell if that’s going to stop me.”
She’s also special.
“Temporary timeout” leading to the “Truce” leading to “she suddenly hit him with the look, like Bambi and Tiny Tim and sixteen puppies and every Pixar character ever created had been thrown into one of those face-combining apps” which ultimately leads to Damon’s “fine” and his absolute bewilderment “He just blinked in confusion, unsure of what the hell had just happened.”
From “he held out his [launcher] and she stared at it for a beat before grudgingly taking it” to “in the split-second before she spoke, he suddenly knew exactly what was about to happen” STRAIGHT UP, UNFILTERED GOLD. Like, there’s no other explanation, really. You’re the Midas of Belvafore. I’m calling it, it has been declared, no take backsies or arguments from you, young lady.
I AM NO SUCH THING BUT I WILL TAKE IT ANYWAY.
The Elena Talk
Stefan’s safe space being Bonnie’s room – my heart. There are a lot of things I don’t like about canon, you know, but it would have made so much sense to have a stefonnie friendship (more than bamon, honestly). I didn’t know I needed it until SMA lol.
Listen, I was never into it until I wrote this. I don’t even know where it came from - I legit think the clips for the first trailer I made just worked out that way so I rolled with it, but once I started writing it it felt so natural? They just bounce off each other so easily, it’s one of my fave dynamics to write in a fic full of dynamics I love to write.
The glow-in-the-dark stars: I can totally imagine Stefan helping Bonnie move into every new place, and once all the boxes are in, he’s like, all right now for the real reason I helped you move in, and he rearranges the constellations by memory.
LMAO YES.
The fire escape call backs lol. I feel like every single person in this universe is a shit-starter—it just comes easier to Daroline lol.
The segue from the glow-in-the-dark stickers to “Bright things fade” in reference to the bright, warm, gooey-ness that was Stelena. You already know, I am impressed times a thousand, as always. I also think using this space theme between them is interesting and something to be explored. (I feel like an English teacher, and like maybe it was intentional, maybe it wasn’t. Either way, there is something there, and honestly, as the writer, it was your gut feeling to go with this theme, so maybe it was a subconscious effort, if not fully intentional). (Fight me).
We can go with me having complicated, writery instincts with layers and intricacies that are all very intentional or we can go with me not being creative enough to come up with another metaphor. 
The Meet-Cute has a quality that makes it perfect for Stelena. Yes, you are the author, and yes, you created what is ‘perfect’ for them, and yet? It could have easily been a different meet-cute, not Stefan’s speechlessness or her instant smitten-ness. God, he is such a Ted Mosby. But, at least, he’s learning from his Elena experience, that love may not exactly work like that. Maybe love-at-first-sight is a thing (hard maybe), but like Caroline soon alludes to, it’s more devastatingly impactful if love is grown as between two friends or even two people who don’t even like each other (both ships, honestly).
THE TED MOSBIEST. I honestly had trouble writing some of that scene because I was trying to walk the fine line between ‘this guy is sappy and unrealistic but ultimately earnest’ and ‘this guy has imposed wildly unrealistic ideals onto the world around him and it comes from a place of entitlement and privilege and neither the narrative nor the characters condone it’. I’m a big hater of the Ted Mosby’s of the world because I feel like they go through the motions of ‘growing’ but actually just keep doing the exact same thing and falling head over heels for girls that ‘disappoint them’ without ever seriously looking at themselves, so what I tried to do in the scene was show the side of Stefan that’s kind of messed up AND the side of him that realizes he’s kind of messed up. I wanted Caroline’s original dislike of him to make a little more sense, but also wanted to show you why he’s different from the prototypical Nice Guy. He knows that he was unrealistic. He knows that he purposefully turned a blind eye to red flags. He knows that he was putting too much weight on something that had a flimsy foundation at best. But he’s still human and admits that he’s never felt something that electric before, despite all that knowledge, and that’s why he hasn’t been able to shake this for two years. SO yeah, he’s an interesting one to pin down.
Sidenote about the Salvatores: I think it’s interesting that the first person Rebekah calls is Stefan, Stefan calls Lexi. Does that mean Lexi calls Freya? Freya probably doesn’t call a damn one of them lol. It’d be interesting if Lexi or Freya called Rebekah, for non-logical thinking, you know what I mean? I feel like Freya (even though it should be impossible to feel anything about her, considering she’s just a thought at this point) is very well-grounded, and she has a harder time thinking with her heart—and that’s why she might call someone like Rebekah. Omg, could you imagine that they all want to call Stefan, but if he’s busy, they call one another like, “Okay what would Stefan say? What would Stefan do?” Lol, headcanon.
Honestly this is perfect. And you’ve got Freya down to a T so idk how that happened. One of my fave things is getting headcanons about the Salvatores because they’ve basically had like one scene (two for Rebekah) on the phone and yet everyone just gets them. Every headcanon I get is spot-on. It’s delightful.
“Sounds like you and me”… “You said scowls and blizzards and vomit-inducing disdain, right?” lol oh Caroline. Allergic to a sincere moment, either reacting very, very violently or with a joke to help alleviate his discomfort.
She’s a syrupy little thing.
“Nothing could diminish the drug-rush feeling that’d flooded his veins”. I think it’s interesting that his reaction is “Nothing could ever make him forget that he was capable of feeling that much” and not that he wanted to feel that feeling again. It seems like him staying with Elena was him resupplying that feeling, but irl, it seems like people are more likely to relationship-hop, thinking that the relationship/the significant other was at fault, that love in its full drug-like capacity is worth it and they need, need, need it. It’s interesting that he turned inward and actively avoids feeling that way. He later says “It’s so hard not to want to feel it again” but what keeps him from feeling that way again? Is it Caroline’s fear of a person’s potential to ruin? Or maybe it’s just that he hadn’t found someone who is like that? Does Stefan even date around? I’m curious about your insight.
This actually took me a while to pin down in the story because canon was so all over the place with Stefan’s love life - I feel like he had a new love-of-his-life-from-the-past every season and if it wasn’t this random guest star, it was the other one, you know? He was kind of a serial monogamist in canon and yet still managed to have this distinct air of believing in a singular soulmate/’Elena’ lowkey being the be all, end all, you know? So I basically ignored that confusing shit and conceptualized him as a very picky person when it came to love. He doesn’t fall easily - or before Elena, ever. He mentions dating Valerie in high school and I’m sure he went on a few dates here and there in early college, but Elena was a punch in the face for him. He didn’t know what it was about her. He’d never felt that way about anyone before, not even close. Love wasn’t even really the drug-rush, it was her, specifically. That’s why he hasn’t felt it again, that’s why he’s scared he never will - it was entirely tied to Elena. If we wanted to analyze the ‘why’ of it all - why her, why would someone so picky just see someone and feel something they’d never felt before - I would probably say that Stefan grew up with a very specific picture of what he wanted in life, and for whatever reason, she looked exactly like what he’d imagined. The dark hair. The soft features. The romantic eyes. I think it also ties into canon a little, too, since in TVD he was immediately drawn to Elena because she looked exactly like Katherine. Immediate, visual enrapture. So yeah, long story short, I don’t see him as a guy who dates around a lot. I see him as a guy who, pre-Elena, thought he knew exactly what he wanted and never really compromised until he (thought) he found it. And now I see him as a guy who realizes that was an incredibly stupid way to think about love but worries it’s the only approach he’s capable of/that’ll make him feel that incredible feeling.
“But I’m scared I will anyways… And you’re scared you won’t.” Oof. Biggest oof.
I like how Stefan says he doesn’t want to sound like a cliché, but he’s a Disney prince. It only makes sense that he would feel that way, you know? It only makes sense that his life would play out that way. Who are this boys’ parents? How did they indoctrinate him? Or, rather, what thing made him this way?
He’s a mess. This is what happens when you’re the lone golden boy in a family of six and everyone indulges your unrealistic bullshit as cute/funny.
Your writing, for this movie montage of their love, is so perfect. Rude. The imagery! The word-choice! The whole thing reminds me of a caramel-candy commercial, where everything is warm and gooey and slow-motion. Clearly I’m not as cultured to compare to a Sundance film lol, but nonetheless, you did an excellent job describing that warm-toned, rose-colored-glasses kind of love.
Wow, I just realized how much Stefan sounds like the stereotypical ‘male author’. Except he has some decency not to describe the weight of her breasts or her aura during sex (eyeroll). Even his “and he was happy to be her anchor to that for the rest of their lives if she needed him to be”. Idr when, but Stefan shakes off some fairytale notion, saying ‘life doesn’t work that way’ or something – that is character development that we didn’t know we needed!
CAN YOU IMAGINE STEFAN DESCRIBING THE WEIGHT OF ELENA’S BREASTS now I need it
Yeah, honestly, I already said it but I’ll say it again - half the battle of writing that scene was giving Stefan just enough Ted Mosby/Male Author vibes to make him realistically flawed but not going too far as to making him someone you’re actively not rooting for anymore. I think you make a great point, though - he’s growing out of it and recognizing the role he played in his relationship failures and I think that’ll hopefully be what sets him apart.
Also, kudos for the Colorado trip call back. I think it’s very telling how invested and how thought out your process is for these characters by how you using some passing details like, Steroline skirting around their Matt and Elena stories, and then actually using them in their ‘origin’ stories… like, again, you didn’t have to, but you! went! there! and you did a phenomenal job, dude. Again, just a testament to how invested you are. Sure, you could say you wrote it out of order or something brush-off-y, but  to even consider, oh hey continuity is a thing, is great. We stan an Awesome Writer!
lmao I’m so happy you get as much enjoyment as I do from little details like that - I’m usually pretty terrible at it because updating within a normal time frame? Don’t know her. But anytime I see a chance to make a random detail I threw in years ago feel remotely deliberate, I’m all over that shit.
“He felt the barest flicker of defensiveness shoot through him… instead he thought back to the trip”. Hopefully, before I submit this, I would have submitted a list of headcanons I have. One of them is that Stefan’s so well-adjusted via his introspection, that I think one of this parents are a therapist of sorts. I’m just calling it.
oooo, I LIKE that. Largely because Therapist Parents would annoy the everloving hell out of Lexi, lmao - I feel like she’s the prototypical daughter of therapists who goes out of her way to be unpredictable just so her parents can’t psychoanalyze her/figure her out.
I wonder if Stefan still thinks he and Elena could have OTP. Like, he says “or, at least, as much sense as the idea of her and a guy like Liam will ever make to me”. Because if Liam is like canon Liam… she and Liam made total sense (aside from her still being a vampire). Oh but wait… Elena is an artist, not pre-med. Because Elena x Liam made sense in TVD, being pre-med kids, flirty and competitive and ambitious. If she’d never known about the supernatural world, it would make sense for her to be with a Liam, and not a Damon, because Liam is the human version of intense/consuming… Sorry about that canon tangent. Canon, I don’t know her?
Who is she? I think I went to high school with her but we weren’t friends. 
What’s SMA Liam like? Or is Stefan’s bitterness getting in the way of seeing, maybe, that Liam did make sense for Elena?
Re: Liam - it’s basically what you said above. Very different from canon Liam. Definitely played more of the canon Damon role re: this cocky, morally ambiguous bad boy that appealed to the darker/superficial/more selfish parts of Elena (that she felt she had to hide from Stefan). I think at the start of the story, there’s still a part of Stefan that thinks Stelena was OTP but the further it goes and the deeper he falls into this thing with Caroline, the more that part disappears. I think it’s really easy to idolize something when you have nothing to compare it to, and even more so when you have no closure so you stay stuck on it and time keeps passing it and making it more and more immortalized.  With Caroline in the picture now, though, I think it’s shifting his relationship with Elena into a different, more exposing light and revealing some of the insubstantiality of it all. 
Elena’s “it’s was like all those awful parts of me were allowed to exist again” speech is so heartbreaking. I know we’re here to cheer for Stefan, be on his ‘side’, and in no way am I saying cheating is condonable, but it’s another great example of how a writer can make you root for both sides of a broken-up couple. A mentor of mine once told me the sign of a good therapist is for each person in a couple to think you’re on their side. And I’m applying this to writing now. Not, in anyway, can I apply this to Matt (fuck that guy), but I get it for Elena. And it totally makes sense that Stefan was like that, or has a potential to be that way.
This was exactly what I was going for so I’m so happy that’s what your fancy talented therapist brain got out of it. 
I love how Caroline’s conversation of ‘you can be this way and the situation was not your fault’. Basically, to say to Stefan ‘you don’t know if you could have loved the real Elena’ and ‘you didn’t deserve what Elena did’ is such a good conversation to have. Because knowing this Soft Boy and knowing how most people feel when their partners cheat, it would make sense for him to blame himself. It seems he does that by the way he holds himself back from doing that to Caroline.
Wow, he even comes to this realization, “he hadn’t been able to reconcile the idea of both of them being a little right”. Don’t I look dumb lol… time to retreat….
NO because as I was writing that dialogue I kept getting it wrong and either making it sound like Caroline was blaming him completely or too much on his side and I was struggle-bussing to strike the exact balance you’re describing so NOT DUMB AT ALL. Exactly what I was flailingly going for.
Caroline’s “Okay, now, you’re just indulging.” Another headcanon, Steroline have made a rule to say, “do you need a moment” for any self-indulgent emotion in a conversation. But they only allow a moment. That’s it. ~feel and let go~
Wow, Caroline a combination of all the Salvatore Sisters? Works like a Freya, thinks like a Bekah, talks like a Lexi.
😂this just got vaguely Freudian but also, yes.
“I don’t want to be the guy who makes people feel like they have to pretend around him. That guy sucks.”/ “That guy does kind of suck” BUT ALSO “You may have a certain gooey idealism about you that makes people want to, I don’t know, believe in good things.” My fairly-new/just-for-SMA Steroline heart!
There’s hope for them yet.
The Knife Speech: yes. Wouldn’t it have been kinda funny if, instead of pretending to stab herself in the stomach, she pretended to stab him, a perfect foreshadowing. Also her “I’d imagine that’s when you’re really fucked, so… best is yet to come for you, Salvatore.” BUT WAIT. Perhaps the knife stabbing of oneself is the imagery of allowing one’s self to be stabbed, to be gutted, to be vulnerable enough to be in love. (Here goes English-teacher Cassandra again, please forgive her, she’s eager and truly a huge fan).
This is a perfect example of you making me sound like a hundred times better of a writer than I actually am because I legitimately do not remember who she pretended to stab in the gut and I also thought you were going to say ‘wouldn’t it have been kinda funny if she actually stabbed him and he died gurgling in shock’ and was ready to enthusiastically agree.
On a different note: “Wouldn’t you like to know.” / He’d very much like to know. How does one create such sexual tension in one small exchange? Big oof again.
Honestly this makes my life because I always feel like I’m SO BAD at getting these mood whiplash lines to pack enough punch. Like they always do in my head when I can see the delivery and the camera shot and whatnot, but when I write it I’m always like ‘eh. I mean. I guess’. TRUST YOURSELVES FRIENDS.
Bamon in the Bathroom
First off: “In my defense, you goaded me into playing” / “Yeah, well in my defense, I didn’t know I was releasing the fucking Kraken”. L O L
Bonnie’s winning – “But hey, a win was a win, right?” – I love it. Never underestimate Bonnie Cutthroat-Competition Bennett!
“You’re kind of a maniac, you know that?” paired so deliciously with “Didn’t say I wasn’t a maniac, too.” AHHHHHHHHHHHHHHHH. I think I forgot how much I loved bamon and all their goodness? Especially your version. Ahhhh!
“You know, for a doctor, you’re really bad for my health.” Bad for your heart! ‘Cause she’s got it racing! Oooo, burn!
That’s such a Kai line I’m dying.
Bonnie getting all defensive and going off about how she doesn’t mind “being the person that someone needs at the end of the day” (serious Stefan vibes, doesn’t he say this at one point also?), and Damon being all, like, heart-eyes and shit, calling her ‘surprising’ and stuff. Good content, yes, yes, please continue.
Ooo, didn’t even make that parallel between Stefan and Bonnie (because I am, in fact, a garbage author) but it’s so cool that you bring that up because on Stefan, that line can easily sound a little self-aggrandizing - it’s coming from (again) a place of privilege, of playing the hero because he’s had this charmed life and it’s the right thing to do, but from Bonnie, it’s almost the exact opposite. She didn’t have that growing up. She was the person without anyone in her corner. So with her, it’s not a hero complex, it’s a victim-turned-survivor motivation. I feel like I’m being really mean to Stefan in these responses lmao I gotta back off, I adore that kid. Just keepin’ it real. 
“Maybe I’ve handled enough” in a playfully dramatic way, and yet, Bonnie’s full realization that (the man of her dreams) Damon probably has been through enough, and she knew what that was like. Sad boy hours.
Sad boy days.
Bonnie avoiding tension by returning to tending to his wound, Damon avoiding tension by returning to his sexy-mysterious-guy vibes. I almost titled this “SMA and the Many, Many Ship Parallels”.
The whole scene that I shall call “I go by daddy, actually” which is just vague enough to make me laugh wildly in this library full of undergrads studying for finals—and because the scene is so ridiculous and hilarious and so, so Bamon, I will die cackling.
I’m brainstorming ways to bring more ‘daddy’ energy into chapter 18.
Belavafore
“Why are you like this?” / “We’re embracing the great outdoors!” Use what he loves against him, honey, you’re doing great.
“Okay, you’re right, I’m sorry.” / “No, you’re not.” / “No, I’m not.” / “Would it help if I said I’m proud of you? … I really am.”
I love how much lighter Steroline has become. Like Caroline just casually throwing the responsibility of “Go for it” / “Forgive yourself for something” to Stefan is so… unlike her. I feel like she’s the type that shows people up whenever they’re afraid to do something, like tell their waitress this is not what they ordered. Because that’s exactly it. This whole forgiving themselves thing was not what Caroline ordered- just a side of cheesy jokes on Stefan.
GIRL YOU AND ME BOTH, I was so tired of writing their tension oh my Gooooooodsicles. I basically spent sixteen chapters trying to earn the ability to write them this light and this comfortable and this open with each other so I SAW MY CHANCE AND TOOK IT.  
“I can’t believe we’re listening to happy4eva dot com.” / “We’re not, we’re listening to me” / “Is that any better?” I agree with Caroline and am fully happy to admit I am in love with Stefan’s sass.
“Some of us are capable of taking this seriously” / “What makes you think I wasn’t serious about the printer ink?”
Leash him.
Caroline’s “Here was all she needed to be” realization and acceptance is giving me so much life, I’m teeming with so much love and pride and straight up inspiration, dude, bless.
Caroline’s cathartic sobbing, and Stefan’s, “I think you might be forgiving yourself.” My whole heart is just FULL and maybe I TOO started crying, YOU CANNOT PROVE ANYTHING.
Filed under: scenes I wrote horribly the first few times and still was not convinced I got right by the time I finally posted it so thank God it made someone feel something because ya girl was skressed.
Bonnie going onto the fire escape without coat or shoes, despite hating the cold, just to be there for Caroline, to hug her and be happy for her forgiveness journey is the most Bonnie thing, and I am living for it.
Tag-line for Damon: “She could always count on Damon to be a shithead”.
Bonne saying her date was horrible, Damon mentioned Kai still being present – so mom and dad of them! Did I mention this in a previous review? Maybe. Ugh, I love them so much, I don’t mind if I ramble the same few things about it and your incredible writing of them.
Baroline deciding for the boys ‘this is something we are doing’. *arc snap* love it!
<3
“You jump, I jump, Jack.” I’ll be honest with ya, when I first read this, I was like, dude I love you madly but it feels a little too late to bring this friendship quirk up in here, but then I was like, who the fuck says? You did a great job explaining the context of it, and I love it! Please bring it back! You know, when you write more…
LMFAO no girl I thought the exact same thing, so much so that I went back and edited it into the chapter where Bonnie apologizes to Caroline after her bender. It was totally too late to introduce but I was like ‘I don’t really know what else to put here so we’re gonna pretend this has always been a thing, join me friends in this who cares revisionist approach to writing’.
Steroline being protective of Bonnie’s feelings paralleling with Damon’s protectiveness of Bonnie’s physical wellbeing. It’s just much like, ‘I’m not good at the emotions thing, may I offer you a blanket and some boots instead?” Very in-character of him, this is good, good stuff.
YES, exactly what I was going for! I feel like my entire reaction to your review is either going to be YES EXACTLY YOU WORDSMITH or ACTUALLY I AM FAR TOO DUMB TO HAVE DONE THAT ON PURPOSE BUT I LOVE IT LET’S GO WITH IT.
Bonnie using the ‘you were mean to me’ to get Damon to participate!!!
Caroline’s only known Damon for a month?????? This would make sense, a little, but also it feels like so much longer. (this isn’t me side-eyeing the author, she’s busy and doing important things, but also…)
😂😂😂😂
Bonnie’s prompting of Damon, “And?” felt very much like when you’re at the doctor’s office, and they’re listening to your heart, and they’re prompting you to take a deep breath “again” and quiet and waiting. Was this on purpose? Even his “how many do I have to do?” and her “Just one more.” Feels very much like when they’re in the bathroom, and he’s being a literal child under her medical care.
This definitely falls under the ‘not smart enough to have done that on purpose but I love it so let’s go with it’ category.
“Fuck you world, I’m perfect!” inspired by our resident sociopath (who has no regrets, naturally lol). LOVE. It really aligns with Caroline’s “here” realization, and later, Damon’s “okay, noted” response. It’s kinda messy of them, considering they’re clearly not, but the acceptance and willingness to say, fuck you world, I don’t need to conform to whatever, is so nice. So, so good. So much growth. And the title name-drop! And all of them cheering one another on (especially Stefan)!
“…Damon sasses, making Bonnie’s bright laugh even louder, and in that exact moment, with Damon’s hand caught in some kind of Z-snap and Bonnie gasping for air and Stefan’s eyes crinkled from the size of his grin, she felt something shift for her… And looking at the laughing faces surrounding her, their movements arrested in some kind of vibrant slow-motion, the glint of the flurrying snow around them like magic, she couldn’t help but think that it had to be something good.” (okay maybe now I will admit to more crying).
Kai vs the Neighbor and Caroline’s realization of ‘this guy is crazy I like him’. She doesn’t like a cat, but Kai, she’s here for. “That was amazing!” / “Thanks! I still don’t understand you.” love it!
I think I’ve edited this scene (what don’t I edit) since you read it but I think all the parts that stood out to you were ones I mostly kept the same, so that makes me really happy. I had a blast writing it, particularly Kai vs. The Neighbor and everyone just giving in to hedonistic self-acceptance for that one, sparkling minute. It felt needed and I’m so glad it seemed to trigger all the right emotions. 
Scrabble, Backstories, THE Kiss
I know this is not what I was supposed to take away from this, but I like Bonnie’s dark moments, lol. Like her joke about her mom not being around. Like, it makes her more real. Like Stefan’s sass makes him more real. No one is just the One Trait that ‘defines’ them, whatever the fuck that means.
I love writing those moments. I talked about this a few paragraphs up, but a big part of why I love writing Bonnie and Damon is exactly those moments - the ones where she can make a joke about her absentee mom and Damon can laugh at the idea of Kai assassinating them. They need that. They need to be able to do that. It doesn’t feel real to me otherwise. It doesn’t feel special, you know? Why are they so drawn to each other if not for precisely that? Their ability to be every part of themselves around each other - the hopeful parts, the selfish parts, the angry parts, the vulnerable parts - is what makes them tick the most, so I’m excited I’ve gotten to the point in their development where they can do that. There’s a scene pretty early in chapter 18 where they have another one of those moments, where Bonnie lets Damon get this sort of ugly/twisted glimpse at her that she’s hiding from everyone else, and she does it with this casualness that I really enjoyed writing. She’s not afraid of judgement. She’s not afraid of what he’s going to think. She knows he gets it, and he does, and it’s simple but I think it means so much more than grand gestures or big sex scenes do for them (but those are fun too lol).
Aw Damon wanting to know more about Bonnie. We see a lot of Bonnie’s curiosity about Mr. Enigma, but he’s embarking on this conversation without really knowing where it’d go or what he wants from it.
That’s a big shift that’s carrying into 18 - Damon’s officially starting to get hooked. It’s been so fun writing him in this shifting context of developing confusing feelings because he’s kind of a disaster about it - especially because Bonnie’s distracted by all the Steroline drama so she’s not even full cognizant of it. 
Wow, why am I just noticing this: “He thought about the fire escape, about the things she’d claimed to forgive herself for, and dwelled in the awareness that they’d all been just as performative as his” !!!! excuse me! NOT OKAY. I guess they haven’t had the chance to talk it out like Steroline did, and maybe that’s part of the reason it was more difficult to jump onto the forgiveness train right away.
Yeah, they still have a long way to go. Honestly, I don’t even know if forgiveness really fits what they need. Bamon strikes me more as just needing to accept themselves, and I think being able to accept each other so casually and completely will play a big role in that. 
“He wasn’t sure when she’d started taking up actual real estate in his thoughts, but it was kind of a disorienting realization.” !!!
“He used to let himself feel every last lick of it [his anger], blistering and white-hot… it’d bite and fester at the inside of his skin till it wore itself out slowly bled out of his pores” that’s good stuff there, dude, great description.
“That was all before he’d met Katherine, though. Before she’d shown him how to turn it all of instead.” Nice nod to that dumpster fire of canon. Datherine was such an interesting thing that could have been cool. The debauchery, honestly, instead of Damon desiring to be ‘good’ or some shit.
I honestly don’t even remember their canon dynamic and I think it’s probably better that way.
“She’d moved on from the question. He’d had an out. But for some reason, he had this weird, anxious feeling, like an opportunity was flashing past him and he didn’t want to just let it. So he kept going.” We stan character development and growth. You go, baby!
I wonder what it was like for Damon, to re-testify. Was he all shelled-up, the Damon who jokes his way through, who doesn’t give a single fuck about anything, or was he Lily’s scared son, traumatized and hurt, unable to make eye-contact or even lift his head during his testimony?
I think he was forcibly numb to the whole thing until he saw her. Probably being sarcastic under oath, acting like this was a waste of his time, but distinctly edgier than usual. I don’t think he was planning on seeing her and I don’t think he was even supposed to, given the whole witness protection thing, but knowing Lily, she probably dreamed up a way to make sure she was being transported at the exact moment she knew he’d be there, and seeing her and how entirely unchanged, unrepentant, undulled she was after seventeen years, daring to look at him like a project she was coolly proud of, just flipped him out a little. 
“She looked protective./ He wasn’t sure anyone had ever looked protective of him before.” AHHHHHHH.
Once you have a Gryffinpuff in your corner there’s no shaking them.
Damon’s “Here” paralleling to Caroline’s “Here”. Two sides of the same coin, though. Caroline’s “here” was liberating and existing meant so much for her, but Damon’s “here” is just existing, not feeling or holding on to anything.
Okay, I will admit this one I did on purpose.
“Kai could probably kill them both if we asked.” Dark!Bonnie, yas queen, slay!
“They didn’t just ‘happen’ / “I did them. I actively ruined those people’s lives.” I know it seems like I’m grasping here, but this just really seems to echo Caroline’s speech to Stefan, that Elena made choices. Bonnie made choices too. Does this mean Elena is just as redeemable as Bonnie is? Stay tuned to probably never find out.
Elena Redemption Arc 2029
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Damon: “In fact, it’s [accepting the ‘bad’ parts of her] not going to change you at all—they’re already part of you, they’ve always been part of you. I’m not saying they’re shiny or pretty but honestly, fuck shiny and pretty.” Stefan’s rejection of Elena’s ‘darkness’, Damon’s acceptance of Bonnie’s ‘non-shiny, non-pretty’ elements. I’m just saying dude, conscious or subconscious—your Inner Writer is doing amazing, sweetie, please keep it up forever, thanks.
“Goodness wasn’t default coded into you but having some perfect life that never tempted you to be anything else.” / “To me, that’s a hell of a lot prettier and shinier than someone who never had ugly as an option.” *sings quietly* Tell me how I’m supposed to breathe with no air? 
lmfaoooo why do your expressions always murder me
‘I’m too tired to be funny’ fuck you this entire review is either poignant af or hilarious I was ill-prepared I was MISLED
“Your desperation to paint me out as some kind of reluctant hero is your real flaw—in fact, that should be the part of yourself you’re ashamed of.” OKAY THEN STOP BEING ONE
He’s so dumb. And we haven’t even gone into the Tyler arc. 
Baroline quoting Defan to throw their own words back at them like ninja stars, pinning them to their words’ truths.
We love a good Pin The Truth Bomb on the Idiot game.
 “I’m just saying there’s a chance you aren’t a complete supervillain.” / “I’d be a great supervillain.”
(I just had an overwhelming sense of maybe, someone in this very library, could be a SMA fan also. How wild would that be???)
I wrote this HP fanfic a long time ago that got weirdly popular and someone once left a review saying they saw someone else reading the new update at the airport and they ended up talking about it together for a little while and it was the greatest moment of my entire life
“He wasn’t sure what made him do it. Wasn’t sure if it was a pride thing, a contrarian thing, or a product of whatever weird mindfuck of a thing had been brewing between them over the course of the night, but before he even knew what was happening, he slid his hands up her face and caught her mouth in a swift, deliberate counterargument.” !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Damon’s analysis of Bonnie: more exclamation marks
“And that even without the varnish, even with all bitterness and fear and anxiety bursting through his cracks like light, he was worth seeing.” Actual tears in my actual eyes. I am not a crier, Gabi, what have you done
He’s a love-starved stray, LOVE HIM. PET HIM. 
Bonnie being all weirded out by the intimacy of the kiss, Damon apologizing about it, “He felt a flicker of resentment over the charm of her awkwardness.”
“If he didn’t know any better, he’d think it was the beginnings of another panic attack.” It’s the knife! (you know the Vine where the kid is running alongside a pool, and the woman behind the camera says, “what’cha got there?” and the kid is like “a knife!” and she’s like “no!” that’s this.)
I’M DEAD.
INEVITABLE. BOOM.
LOOK AT ALL THOSE CHICKENS
Steroline and the Case of the Heart-Eyes
“Laughing on that fire escape was the happiest he thought he’d ever seen her.”
Stefan being unable to deal with Caroline’s weirdo silence. Being nervous and worried about it, being super boyfriendy without actually noticing it. Him finally, full out, asking her what’s her deal.
“I’m out of reasons.” It’s so simple, yet so awwwww inducing.
Stefan going into straight up panic mode is so hilarious to me, even though it’s supposed to be more on the serious side lol. Like, I can just imagine Paul Wesley’s scrunched face, pushing away, avoiding any sort of physical interaction—and I’m cackling.
oh my God now I’m cackling
why is he like that
lmao I just see eyebrows I can’t
“I’m not that guy.” / “I’m the guy who can barely breathe right now because of the smell of your shampoo / who literally can’t open his eyes because if I look at you right now, I’m going to kiss you / who’s a few involuntary stares away from having the exact pattern of your freckles memorized—in fact, I honestly might already. Six on the right, six of the left, rebel freckle.” My heart. Gabi, stoppppp! I didn’t even ship this ship before SMA!
He writes his Boy Scout-ass self blame him.
“I’m pretty sure what makes me happy is you.” I cry so many tears. “I think I might finally be at the point where I’m more scared of missing out on that than I am of what letting it in might do.”
“His heart began humming in his throat at the way she was looking at him.”
“The hope in her eyes grabbed his stupid heart but its stupid heart throat and why the hell did he even pretend he had any actual choice in any of this?” There you go, buddy, finally getting with the program. A parallel to Bamon, and Damon’s wtf is happening to me caring about this cupcake of a person?
“No banning of the full spectrum of human emotion.” / “Do your worst, Disney prince.” / “Don’t know if you can handle that.”
Another artful sex scene. I know they’re not your Fav to write, but you do a real good job. Especially for these two and this moment of it being Real.
Bless, I just never know how they’re going to come across. So easy for them to feel cheesy. Glad this one didn’t tip too far into that territory. 
Caroline’s “No” and Stefan’s “a soundless projection of determination so palpable it bent the air into a word.”
“Her eyes were mosaics, art made out of jagged pieces – chipped trust and cracked pride glued together into something flawed and lovely.” Stefan has ruined every romantic thing for me. Thanks, bud.
He sucks.
Caroline’s ‘shift’ (which I am now just realizing she refers to as ‘a lock snapping undone’; giiiiiiiirl) and Stefan’s “and he felt the knife go straight through his gut.”
I can’t read that metaphor now without thinking about her legit stabbing him like a black widow and just completely 180ing this into a slasher fic.
Bonnie and the Contract
Short scene, yes. Bonnie’s absentmindedness, not just because of Damon, but because she doesn’t have eyes for this lol. It’s so casual how you described it too, “just some clothes, abandoned mugs, scatter of papers”, the usual, ya know, nothing to see here lol. Damon’s attempt to keep her from looking at the contract. Like, he was all mischief and trickery a few days ago, waiting for this very moment, and now, he’s all ‘oh uh you may wanna….’ tongue-tied. Short scene, yes. Great cliff-hanger, absolutely. Awesome way to close off what felt like whole movie worth of content? A million percent yes, sign me up for more!
Writing it def felt like a whole movie’s worth of content lmao so getting to that short, final, zippy cliffhanger scene was glorious. Felt like delivering a placenta. Like I’d already birthed the thankless succubus of a baby and all I needed now was the placenta I barely had to push to get out, you know? This metaphor got lowkey gross but fun fact one of the women whose placenta I delivered in OB wanted to keep it so her and her husband could eat it and I was like coolcoolcoolcoolcoolcool.
Okay, so this is a monster of a review for a masterpiece of a chapter (100+ pages, right?). Coupling happy and silly scenes with these intense confessions was amazing, and your fear of the emotional scenes not clicking is unwarranted! You’re truly a phenomenal writer, and I know I tell you all the time, but you need to hear it always and forever! I was recently telling my sister writing is my actual passion, and by the way in which you write, it seems like it’s, at least, one of your passions too. Like yeah, medicine is gonna be great, you’re gonna be awesome, and maybe I too will be successful as a therapist, but your passion and talent shines through your writing. YOU! ARE! GREAT! TRULY!
I will not apologize for such a long review, like I always do (13 pages babyyy), but I will apologize for basically rewriting the chapter in this review. I tried my best to simplify and summarize, but bro, so! many! good morsels of gorgeous similes and metaphors and descriptions and dialogue, and did I mention I am in love with your characters? your writing? your goddamn brain? Lol.
(Okay, I think I’m done. This took me almost three weeks to write.)
I truly hope you’re doing well, and if you’re writing, YAS, but if you’re not, you know what? You do you, girl, slay in whatever you’re doing. I am your support! I am your cheerleader! I’m here to bolster any sort of feeling you need! Love ya, toodles ;)
(If you’re new here and you got to the end of this review, hey I’m Cassandra, and you’ve made the best decision to read this fic. Gabi, look away, you’re not supposed to see my gushing about your story yet again. You, Reader, good on ya!)
Girl, I don’t even know what to say at this point. Your reviews are always just so lovely, so funny, so thoughtful, so insightful, so goddamn smart - I’m honored to have you as a reader, dude. Truly. Knowing you’re going to be reading challenges me to write better (and that’s actually true of a lot of you, if you’re reading this!). I adore having your therapist brain reading this, too, because it’s such a character-driven story and I’m writing about a lot of things I’ve never actually been through but have done my best to inhabit, and having your perspective is so wonderful. You find the motivations and you see the dimensionality and half the time your reviews actually give me ideas because you see things I don’t. So basically, all of this to say thank you. I adore you. You’re wonderful. And the one good thing about having taken so friggin’ long to post this response that I AM ACTUALLY WRITING lmao, and despite your busy life of saving people’s sanity and BEING FRIGGIN’ MARRIED, I hope you are, too! Love ya, babe. This was so kind. You’re a universe. 
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hollenka99 · 5 years
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Peer Pressure
Summary: Jack had pushed and pushed. He'd chipped at Sean's mind until he cracked.
Warnings: Like with The Friend, there’s a whole bunch of unhealthy/toxic friendship and resentment. Plus Chase’s suicide is referenced.
Sean's problems begin when Angus gets worse. Jack's always had a big mouth. He tends to speak before he truly thinks things through. Sean's technically to blame for that. However, it hasn't been much of an issue until now. The first time Jack brings it up, he hates to reject him. The painfully dejected look in his best friend's eyes breaks his heart. He wants to help, he really does. He just can't. Not long after, he spends an hour or two looking for a game with an open world. Perhaps he could put on an Australian accent for the anniversary of the character's first appearance. Nothing comes up. Life gets in the way. Sean forgets about the search for a while. Jack never allows him to forget for too long. What starts as "I'm worried about Angus" soon morphs into "Angus only called me Jake once today". The longer it goes on, the more desperate Jack gets. And angrier. Sean has never seen such frustrated fury in his friend. He wishes he never had to. He's not sure when exactly their friendship takes a turn for the worst. It happens after he dyes his hair green, that's all he knows. Sean is excited to dress up as a superhero and Jack is just as pleased to make a new friend. Jackie as a character is expected. His age though? Not so much. Sean never intended for him to be sixteen years old. It causes conversations about school and whether the boy would need an education in the first place. Sean doesn't necessarily see the point. Jackie was currently the only minor in their world. Even if he created a character with children at a later date, the kids would probably be the wrong age group to attend school with Jackie. If it was that important to Jack to see the young superhero have an education, he would have to do it himself. Being home-schooled would also allow Jackie to do his job. 'His name is Marvin.' Jack says a couple days after the magic set video. Sean can't say he was expecting this. Although, he probably should have. It had just been a dumb video. The mask was cheap, something to use once and forget about until you throw it away in a big spring clean. The magic set was the same, only with extra smaller parts. Nothing was meant to come from it. He hadn't even given himself a name. It was just 'Jack the Magnificent'. Where the hell did 'Marvin' come from? "This better not happen again." Jack demands. "I don't want another Angus. God knows you're not going to help." Oh please, would he shut up about Angus already. How many times did he have to tell Jack it wasn't possible before that information got through his thick skull? He's tried. Slightly out of spite, Sean prints out all records he's kept of his research efforts and hand delivers them to the egos' home. Whoop-de-do, it triggers another argument. The Skype call to Signe is long. He thinks he can move on. Oops, haha, I didn't mean to create you but I still want to be on good terms with you. No, of course he can't get on with his life. Jackie has to get himself gravely injured. The demands come from two this time. For once, he's happy to co-operate. The doctor character is fun to play. Screw Jack with his questions about the accent and backstory. It's his channel anyway. If he wants to play a character a certain way, he will do just that. In the case of Dr Schneeplestein, he is an eccentric doctor who probably should have his license checked on and a father whose children were the reward in marital blackmail. The best part is that there are a surplus of games revolving around hospital procedures. See, he could think things through. So there. Not fully satisfied, Jack begins to bargain for a tweaked home life on Schneeplestein's behalf. The doctor suddenly has trust issues regarding his wife instead of her being a cheating, manipulative woman. In the compromise, Sean is also made to increase Schneeplestein's medical competence. When Sean points out the whole joke was that the doctor has dubious qualifications, Jack reminds him he isn't the doctor they'd requested. He guesses that's true. He doesn't want all this to become truly canon yet. That's why he is pleasantly surprised to find videos that are uploaded privately still work to develop an ego. Perfect. Until it isn't. Jack comes complaining about the confliction in 'Henrik' caused by the subscribers still believing the old characterisation. He asks if the egos were a joke to Sean. If anything is a joke, it's their relationship half the time. There are times where he can't think straight thanks to the stress Jack dumps on him. He wishes the guy would shut up for once. Yet, somehow, Sean can't bring himself to change his character. He could, theoretically it would be so easy, but he can't. For the hell of it, he throws in a little extra. They can't die. Or, to be more specific, they can't die for long. Jackie gets stabbed and bleeds out? Easy, just deal with the wound and he should wake up after a while. What this means for Peter, who knows? Sean is thankful when the accountant isn't granted life. That's one less person to keep happy. Like seemingly everything ego-related he does, it backfires. Within a year, this fail safe will have caused more suffering than hope. Sean isn't to know. However, he convinces himself he's done the right thing for once. He sure as hell knows how much trouble it's going to cause him if they don't believe that too. He makes an irreversible mistake in the October of 2016. He gets so caught up in the teasing and build up that he doesn't contemplate how this will affect everyone. Sure, to him it's a bit of red paint. But to Jack? He doesn't want to imagine the scene Jackie discovers. God, he can't believe he's been so thoughtless. Resurrecting the dead is exhausting, he finds. He postpones visiting Jack for a day before realising his avoidance is likely making matters worse. The dread cumulates to the point he swears he will be sick if he doesn't actively focus on his breathing. The loophole he made in September might have ensured nobody died permanently but it never mentioned scars. It's not visible behind the bandages but he knows it's there. Jack is pissed off. Rightfully so. Matters worsen even more after Jackie vanishes while attempting to get away from their fighting. It's just another thing that's ruined the egos' perception of him. If he thought the hill Jack was ready to die on was Angus, he's got another thing coming. There's only so much he can take before he has to force apathy for the sake of his sanity. He understands he can't control Antisepticeye. Once this situation is dealt with, he vows, the demon will never be used on his channel again. The subscribers' love for the character will have to ignored. It's too risky to play Anti again. He puts the red suit on again. In the short video, only a minute or so in length, Jackie sprints through poorly lit corridors to the exit. Sean acts scared and looks behind him frequently as he runs. It is uploaded privately. His community didn't need to know anything about this. He hopes with everything he's got that it works. Nothing. For days, for weeks, for months. Sean doesn't bother letting the egos know what he'd tried to do. It's guaranteed Jack and Marvin would tell him to try harder. He has no idea what that means in this context. Their lack of respect causes him to give up all efforts to have a good relationship with them. Jack still comes over every now and again. Their birthday goes far better than he'd hoped. Plus, Marvin appears to be coming into his own magic-wise. Sean doesn't like what Jack is implying when he mentions he's stopped learning German. At least he appreciates the video he made before Christmas with Henrik.   In an emotional slump, he buys a bunch of Lyons boxes and mini chocolate eggs. It's just a parody of Dude Perfect from someone with zero accuracy. Then he does the stupid thing and creates life again. Fuck it, his wife hates him and he may never see his kids again. Chase Brody's depression causes him to pretend to shoot himself before the end card plays. When Jack calls him and demands to know what the hell he was thinking, Sean has no answer. Afterwards, the ego doesn't provide his creator with any updates. Insisting he has the right to talk to Chase only makes him more hated. Despite having never met before, Chase already resents him. The next time an ego is intentionally created, Sean's going to be there to intercept them. They're not going to enter that home and have their opinion of him influenced by people who wished he wasn't in their lives. The next new guy would be given a fair chance to see Sean for what he was. A massive screw up when it came to the ability he's unsure how to master. In no way is he some villain. August is around the corner when Jack asks to visit. The two of them seem to be on the same page that day. Sean is more than happy to hang out and cheer him up. Believing Jack would be empathetic, he begins a conversation about how the YouTube algorithm was bothering him. Over three years of working as a duo on the Jacksepticeye channel meant Jack should understand where he was coming from. But, of course, his friend makes it all about himself and his own problems. Why wouldn't he? It's what he usually does. They argue because apparently that's the only way they communicate with each other nowadays. Jack sure knows how to pack a punch. Being friends with him shouldn't be such a struggle. Sean snaps. The emotional fatigue of trying to keep up with the algorithm and all this fighting causes him to make one of the worst decisions he'd ever go through with. If Jack wants him to be the bad guy, fine. Sean would be the bad guy. Just this once, he'd actually be the asshole. "You want to sleep, I'll let you sleep." He threatens when Jack begins walking off mid-argument. "Bring back Jackie. He's been missing for months. Do something!" Jack flings viciously back seconds before he marches out the door. He can tell Signe regrets asking him how the gaming session went. He dresses as Schneeplestein as soon as he finalises his plan, pretending he aims to save a version of himself in Bio Inc Redemption. He loses. Oops. He acts as he feels the real Schneeplestein would, desperate not to watch another patient die. He sends the video to Robin for editing. The final uploaded product is nowhere near what he'd recorded. His audience are all talking about Anti. They were praising him for his acting and Robin for his editing. But... he never included Anti. Any recollection of filming the final scene was non-existent. And the parts with Henrik getting possessed weren't him either. The more he thinks about it, the further the terror sets in. Jack had pushed and pushed. He'd chipped at Sean's mind until he cracked. It had only meant to end with Jack slipping into a coma. Just a chance for Sean to focus on his own problems for once. He would have gotten Henrik to wake his patient up when Sean was ready. God, he just wanted peace for a change. It was never meant to happen like this. Marvin is deaf in his rage. Chase is equally distraught. They forbid Sean from entering their home. Henrik is missing and Jack is unresponsive. What had he done?
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