@pscentral EVENT 26: MINIMALISM ANDOR (2022) - ONE WAY OUT

why did i almost start crying at the finale of Staged

the opening sequence in discomfort where alma and louis are playing pirates with stede and then it jarringly cuts to stede being actually stabbed while alma's voice says "and that's how we treat pirates"? the best transition in the history of television i fear

you’re kidding me. the show literally ends with Captain being gay about the weatherman. what a brilliant way to finish off this wonderful show. i’m gonna miss it :(

Blabla numbers blabla have to binge-watch blabla bullsh*t

"All these years, he’s been alone. You are the only friend I’ve seen him with."

Li Lianhua & Fang Duobing | Mysterious Lotus Casebook (2023)

This shot takes my breath away.

It’s… I don’t know how to explain it.

It’s the discarded sword, forgotten because there’s no longer any fight.

It’s the wound, dark and fatal, clearly visible on Arthur’s side.

It’s Merlin’s leg, pressing tightly against Arthur’s.

It’s his left hand, clinging to him desperately.

It’s his right arm wrapped protectively around him, his right hand cupping his head tenderly, his fingers tangled in his hair.

It’s the way Merlin is holding Arthur, as if trying to merge with him and become one.

Or maybe it’s just the way this image alone tells a story, or at least the end of it. The way you can tell it was a good one, epic and tragic and filled with love and loss and all those things that make a story worth telling.

Yeah, that must be it...

Love and devastation and everything in between, all condensed into this very moment and captured forever in a single frame of a TV show.

Last Twilight Ep 8; Thoughts

We're at the 2/3 mark of the show, and the episode honestly felt surreal. Last Twilight is continuing to parallel iconic moments of Bad Buddy, this time with running away and scenes on the beach. However, it never feels like it's boring or repetitive, because while the parallels are clear, the shows are also distinct. It's clear that the characters in the two shows are pushed by different things.

I was yelling at the screen when I realized Mhok and Day were going off on their own, because ditching Night = recipe for disater (he'd obviously call Day's mom!?!)

But then this happened, and I had to pause and take a moment, now that my fears had been resolved. We know so little about Night, and yet so much. Understanding his character requires a lot of reading in between the lines, and until we know what happened between the brothers, the picture won't be complete. I did, in fact, breathe a huge sigh of relief when I realized that Night was in on it, because while Mhok and Day are capable of handling themselves, if Day's mother found out, we all know that it wouldn't make for a pretty situation.

Which calls in something else I'm curious about. Is Day really naive enough to believe that they can ditch Night with no consequences? Or is there some trust left in Day, that Night will let them go. Has he figured that Night is likely in on it, and is choosing to remain quiet?

There's a number of possibilities, and I'm curious to see how it plays out. It's highly likely that his anxiousness to get away from Night, and trust in Mhok meant that the though simply hasn't crossed his mind too.

On that topic, if we rewind to the beginning of the ep

I just love how much Day trusts Mhok. It's obvious, but I felt it was worth pointing out. Mhok tells Day that there's no one there, and Day accepts. Mhok having played the caregiver role for Day for so long is definitely the main reason for this, and it's beautiful to watch.

Speaking of transparency in their relationship, can I take a moment to talk about just how much I loved this scene? Mhok was upset about the prank, and Day wasn't taking it seriously. Mhok could have clammed up, creating tension between the two. It would even be expected, given his role as Day's caretaker and the 'put Day first' mentality that we've seen so far. But he doesn't, and oh my god, this calls for aplause. He calls Day out on it, and gives Day a taste of his own medicine. And, this is something that perfectly shows that things are not the same now that they're boyfriends. Mhok gets more agency, more say, because he's one half of the relationship. I've said thia before about the subversion of faen fatale, and I'll say it again; Last Twilight has a very strong identity as a show, and a very strong grasp on what it's doing. Time and time again, it has shown us opportunities that it could have taken to create drama, and veered in the opposite direction entirely. The subversion is intentional, and clearly so.

While we're talking about characters standing up for their feelings..

I feel like someone should create a masterpost of everything we know about Night, and we can add on every bit of new info we get and compare it to the rest, because everything tells us so little yet so much. It seems that Night is still willing to push against Day's hatred. But of course, he's more willing to allow Day to live happily, as we see him letting the two go off on their own. It seems that every time Night does something for Day, he prefers to do it anonymously, such as showing up to the race. We've seen that he's accepted the villain image. Is this why he seems keen on upholding that villain image in front of Day, while helping him behind his back? P'Aof isn't one to write conflict for small or petty reason, so I'm starting to be more and more convinced that Night genuinely did something wrong to Day. He regrets it, but he also knows he can't take it back or heal their bond, so he's simply keeping the status quo, helping his brother behind his back, while only allowing himself to be selfish on occasion, like this one. I'm so intrigued by Night and his mannerisms, his actions.

Back tracking a bit again, (this is a mess)

This scene was a pivotal moment. I've previously mentioned that Day was living in a fantasy, and I've also briefly touched on Day's sence of normalcy in a post, how he was relying on things to go back to 'normal' and how he's been able to build a new normal with Mhok. He'd get the transplant eventually, and things would go back to 'normal'. Mhok helped Day redefine his 'normal', but the hope that his sight would return one day was still present. Here, it's shattered. Up till now, Day was living his life as if he were biding his time till he got his eyesight back. Now he's going to be living as if he has to wrap up a lifetime of memories in three months. He's feeling as though time is running out.

I think this is one of the first times I've seen Day talk back to his mom, which is fair, because it's ingrained in asian kids to not talk back to your elders. Day is, in the end, a rich kid. On top of that, he has a single mom. 1+1=2, Day didn't get to see much of his mom growing up. @waitmyturtles talked about this a bit in a post, mentioning how Day's mom's career always came first. She didn't have time to attend a game because she had an event, she couldn't come to school for something because she had a meeting, etc etc. (I don't know how much of an age gap there is between Day and Night, but anyone thinking that Night had to fill in on occasion..?) He's making a jab at his mom, that she's far to busy to be there with him for stuff, and she's far too overprotective to let another be there with him for it. Again, typical rich family dysfunction. Day and his mother's dynamic will be an interesting thing to watch as the episodes progress, that's for sure.

Alright, onto the last one

When I'm not sure if there's a deeper meaning behind a scene, music is always a great clue that there is something greater behind it. As episodes progress, we've seen Day slowly reassimilate himself in society. This is such an important theme, because being a part of and engaging with society is a huge part of asian culture. I view this dance as a sort of culmination of the progress that Day has made over time with Mhok. Would the Day at the beginning of the series have danced with a stranger at a party while having worse eyesight that before? No way in hell. Also, paying respect and interactling with older people is, again, a HUGE part of asian culture, so this was essentially the perfect way to depict this culmination. When the first episode had aired, @twig-tea had first introduced in a post the theme of liminality in Last Twilight. One of the definitions given was "of, relating to, or being an intermediate state, phase, or condition : IN-BETWEEN, TRANSITIONAL". Since Mhok entered Day's life, he's been in a liminal (transitional) state, as he moves closer to rejoing society. In this scene, we see what I'd like to say is the end of this liminal state. Of course, this isn't to say that Day is no longer in a state of liminality. Liminality presents itself in various ways throughout the show. This is simply a culmination of Day and Mhok's efforts to reintegrate Day into society. While the battle is far from over; disable people often find themselves outcasted and removed from society; it's a sign of hope, a sign of growth, a sign that their efforts have a result.

THE KILLING 1.01

an incomplete list of clues in the Black Door episodes pointing to the fact that something was wrong 🚩🔎🚨

Ace flatly refusing to look at or engage with Nancy

Ace not wanting to help Nancy

Ace not caring if a mystery got solved

after an argument, Nancy being the one who walks away first

Me and her and me and her and

stanning fengqing is so useless bc 100% of their interactions are them canonically trying to off one another, but the way i need to interpret them are borderline delusional. like yes, look, they briefly glanced at each other in absolute loathing and abhorrence of each other's existence, and they do indeed strike at each other's most mortifying moments with the intention to hurt deeply. BUT if you look CLOSELY at how their gazes LINGER then you can tell that they actually very slightly in a very teeny tiny way yearn for each other in a way that transcends distance and time...no no wait come back i swear it's true—

Yesterday, after I complained to a fellow student that I need to watch something british again as my english accent is turning to shit, she was like:

"Oh, there is this Sherlock show. From the BBC. It's quite short and a bit old but still good."

Me:

finished dead boy detectives! first of all, what a fun watch. I loved the entire ride, and the showrunners did a fantastic job of bringing a rich and intricate world to life.

It’s not perfect—I think it has some minor issues with pacing and a bad habit of over-explaining via dialogue, but the actors did an *incredible* job and brought so much charisma and heart to the show that it was easy to overlook. there’s a brilliant balance of humor and genuine emotion that made it so easy to fall headfirst in love with the world and all the characters in it

I would really recommend giving it a shot if you haven’t already!

hey remember how in ahsoka we had all these wild theories about marrok being literally any character that mattered in any way?

but then he was just green smoke zombie?

imma be so pissed if cx-2 is just some rando reg