Prompt 291
You know what? I’m feelin’ a Prompt with the whole halfa family, all the clones and everything.
See, Danny? He’s grown up, he’s moved out, started looking at colleges himself after spending a few years travelling and learning about himself without the threat of a ghost attack.
He’s kept in touch with his friends, both living and dead, and ignores Vlad for the most part now that they’ve reached a truce of sorts, and honestly? He’s just living his life.
But see, it’s kind of hard to figure out what college to pick, with his admittedly not-great choices. Look, he might have a new-ish ID but he’s still visibly not exactly human (though thankfully doesn’t have to worry about the GIW after a… summer activity that ended with several missing buildings)
And most people he goes to? Finds him ‘too unsettling’ which excuse him?? How is he unsettling? He’s a twenty-five year old with six kids ranging from one to six! How is that “scary” huh? Ancients, and all this is making him use the cash he’s saved up over time.
And then- as though all of this isn’t stressful enough and he’s not genuinely worried that he won’t have enough money to feed the kids if he goes to school- a hero nearly trips over Jordan and starts freaking out. He is so fucking done.
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7x04 being from Buck's perspective broke my brain because of the way we saw Eddie through Buck's eyes. Then I realized that Suspicion, where Eddie was shot, was from Eddie's perspective, and all of Surviviors was from Buck's perspective and I want to jump into the ocean.
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This is an on the string propaganda post
Brought to you, by me (with love)
It's time for machine comforts. Comforts we can't understand, or experience. Let them be happy, let them be at peace with their body.
Does a breath of cool water feel nice on their systems? When it's quiet do they listen to their own heart and feel the electricity pulsing? Does it remind them that they are alive and a part of this world? Do they have dreams? Hopes and projects they wish to work on, hobbies?
Why get off the string into the harsh and deadly world, fighting for survival and losing everything they've ever known to love about themselves?
What about the safety of their bodies? How scary would it be for a machine with thousands, maybe millions of throughs to suddenly have just a handful. The horror of everything going silent.
They have hundreds of eyes to see the world for all its beauty, they capture moments that would otherwise go unseen. Why blind themselves of such things?
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Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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I was just rewatching camp cretaceous and thinking about the writing and storyboarding process for a show that does silent/physical comedy so well and then I discovered your tumblr! amazing work!
Aw thank you so much!! We were a script driven show so some of it was thanks to our writers coming up with funny material to work with, and then a lot of the physical/visual comedy in Camp Cretaceous and Chaos Theory was thanks to the direction of one of our showrunners, Aaron Hammersley-- he comes from a storyboarding and directing background himself, and he often did passes on the animatics to punch up the acting and comedy even more. I got to work directly with him when I started out as a revisionist on Camp Cretaceous, and I tried to learn from and emulate his comedic sensibilities (in addition to learning from and emulating all my other incredibly talented coworkers haha).
You can particularly tell whenever Aaron touched a scene though-- like, you can almost see his drawings and recognize his timing even when it's translated to 3D. The shot of Ben falling over and screaming for sliiightly too long from the clip that was released today is one of his revisions that wasn't originally scripted, for example. I think probably the BEST example of his is the scene from Camp Cretaceous when Ben is staring at Bumpy and slowly shaking his head with those haunted eyes as she plops down in his sleeping spot-- that was pretty much exactly how Aaron drew it and timed it haha.
A lot of it comes down to thinking about the character's personality and what they'd do, picking strong expressions, limiting the movement of everything around that expression, and being allowed to let the timing breathe. It's really interesting-- a scene from a script can be made into something completely different depending on who's boarding it/who's directing it/how the interpretation of the script is approached.
Even though we were on script driven shows, part of the process of being a storyboard artist was working with our episodic directors to translate the script visually before it was animated, and troubleshooting any problems that arose while visually translating it. If we were able to pitch ideas that supported what was written in the script but took things further/we came up with good solutions to problems that also elevated the storytelling, we were given a lot of support from leadership in return-- particularly on Chaos Theory!
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I do not think evangelizing on the double standard of women being expected to wear makeup everyday to grown women is actually productive or respectful (provided they are not judging me for not wearing makeup), we can all make our own decisions on how to walk through this world, however, it is true that whenever a woman in my daily life equates making themselves decent and presentable with having a coat of natural makeup on, I do have to viscerally repress the urge to shake them by the shoulders and scream that they've been had.
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[PUT INTO PLACE, TIED DOWN AND ARRANGED,
AND IS NEVER THE SAME, AGAIN.]<-listen to my favorite songs.
VAMPIRES ARE WONDERFUL ARENT THEY. THE FLESH IS SO MUCH MORE DURABLE. SO MUCH STRETCHIER THAN HUMANS. THE STRESS DOESNT KILL A VAMPIRE THE SAME WAY IT DOES A HUMAN. YOU CAN TAKE THEM APART THREAD BY THREAD AND LEAVE THEM WIDE AWAKE WITHOUT WORRY OF THE BRAINMATTER SPOILING UNDER VINEGARY AGONY.
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There's too many things to look at in just one gif...
Giant biceps?Tattoos?Chest hair?
Low hanging trunks? The volume of the front of those wet low hanging trunks? The volume of the behind of those wet low hanging trunks?
The V-line and Abs?The Happy trail?(Even the armpits, if it floats your boat)
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anyways, still deeply invested into my read of Ganondorf being an immense bully to children partially because, in a way, he rationalizes that putting children through the grinder is baaaasically kind of helping them to grow up faster, in a throwing you into the river to teach you how to swim kind of way, and if they can't handle the grinder, they were weak and it's on them and they can either suck it up and try harder, or get wrecked and die
and obviously that says absolutely nothing about how his own upbringing may have been handled, right twinrova, nor anything about how he may have buried a profound bitterness about the fact he was never really allowed a childhood of his own, and it's not fair others, especially hylians, get to spend their own carefree.
of course not.
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We need more men like Polnareff in the world
I'd be a better place.
Even if it weren't at least they'd make it easier to get through life with their weird humor. They'd also make us stop hating France
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Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship
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been really into dead games lately
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