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#wayv album
yujaemna · 7 months
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ncityprincess · 1 year
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if we don’t get that wayv album soon i will have no choice but to do something drastic
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2meowmeow · 1 year
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wayv - awaken the world
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wayvs · 4 months
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TEN - The 1st Mini Album (2024)
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herewegobebe · 3 months
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TEN 텐 'Nightwalker' Performance CO-merawork
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weishenkun · 7 months
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poppin' love dance practice : kun
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loveme4eva · 5 months
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FROM WHERE IS THIS PHOTOCARD FROM GUYS PKEASE PLEADE TELL ME
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weishenvicons · 19 days
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WayV The 5th Mini Album ‘Give Me That’
【Give Me That - The 5th Mini Album】
➫ 2024.06.03 (CST/KST)
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retroneo · 3 months
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WAYV [假日] PHOTOBOOK Winwin ver. © winkpuu
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sunmisbf · 7 months
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weishenville wake up it’s happening again
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sinisxtea · 1 month
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in honor of doyoung album here’s johndo
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traumainpyjamas · 7 months
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WayV \\ WayV 威神V 'On My Youth (遗憾效应)' MV
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aermageddon · 7 months
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on my youth - wayv: a review
it's not often that i look forward to an album as much as i did with this one tbh, so it was a little hard to accept the song description SM dropped for on my youth before it was released. "low tempo emotional hip hop ballad" is definitely not what i look for in kpop/cpop (this term will be used interchangeably sorry to the way is cpop purists following me) and i immediately let my expectations drop to nearly zero when this came out. SM has had a very, and i mean VERY hit or miss year - probably a combination of the hybe/kakao takeover fiasco and industry-wide creative exhaustion - for all their idols, with long-awaited comebacks missing the mark abysmally or simply putting out subpar "fine at best" insipid music.
wayv's last (and only) full album was released in the midst of the 2020 lockdown - a time so different in every aspect but specifically in the kpop world it feels like it could have been a lifetime ago - and after their 9/11, lineup changes, months of delays and two mini albums with mixed results, it's safe to say this album was make or break for the group. with that lengthy foreword out of the way i am very happy to inform that wayv not only delivered - they surpassed all my expectations and managed to deftly execute what was in their case their most awaited comeback ever. here are my highlights from the album:
on my youth
like i said, i really didn't know what to expect for an emotional hip hop ballad but this song packs a punch like few other low tempo title tracks do. it seems to hit every mark for a minor key progression - the slow start, the build-up, the emotional first verse being delivered beautifully by xiaojun's superb ability to emote, along with a really nice, kinda muted instrumental that consists of piano, some synths and a restrained percussion.
it even manages to deliver on the required second verse slow rapping about how people say we're too young to know better - thanks to yangyang's personality shining through on these verses the shtick manages to go from cheesy to enjoyable, and even hendery allows himself a moment or two of true sincerity in his rap.
the chorus is a welcomed switch-up with a catchy hook that quickly becomes an ear-worm. it's the perfect balance to make this song go from b-side to title track material. the final chorus has an amazing instrumental climax that matches the grandiose, emotional vibe of the song's theme and it translates amazingly in the performance video's choreography.
overall this song might be top 3 wayv's title tracks depending on who you ask. for me it's definitely up there and i actually love the english version better because well, you can tell this was originally meant to be an english language song. i give it a 9/10 (and i famously hate slower songs)
poppin' love
a lot of people would say that this should've been the title track and they might be right. i'm not sure what the artistic direction for this comeback was built around, but the emotional title track was definitely picked for a reason over a more conventional, easy sell like this one. but this one is not only an easy sell, it's yet another hit that proves wayv is the best and most 90s boyband coded group in kpop right now - because they are perfect for it. they fit the vibes and the sound in a way that few, if none, other current groups can pull off without feeling gimmicky.
the chorus is sultry enough to keep it in the r&b territory but the added hip hop elements keep it super energizing. it's like if love talk and nectar had a baby. the selling point for me is the added harmonization they included in the refrain of "you're the only one" and it's so cool. it feels like the entire song is tightly built around the bassline and the high melody of the chorus - at 3:05 minutes it gives you the exact amount you need of everything. nothing lags behind and nothing fizzles out too quickly. it has enough grit to stick your hands into while reimagining the classic boyband elements enough to keep you on your toes. a HIGH 10/10 from me.
rodeo
this song is just bonkers. is it that groundbreaking or original? not really, but it manages to make it feel soooo exciting it's like i've never heard a dj snake beat drop in my life lmfaooo 😭 the vocals are crunchy enough to give me asmr when putting on my headphones. the instrumental while very basic edm still punches in with some cool drums - but of course the star of the show is the bass drop.
referencing lil jon in this should be enough to give them an award tbh. like this is giving nct 127 unserious club banger in the best of ways.... and they still hold it down with their own personalities. this is not markyong going crazy with himalayas, this is yangdery showing they can pull off subunit songs (and winwin is there too i guess) while doing whatever in the recording booth. rodeo is just a VERY enjoyable kpop rap line playground and trust that i will eat it up every time it comes on. 9/10
moonlight
there are songs that can be amazing when you play the album, and there are songs that you just instantly know will be superior if you hear them performed live. moonlight is the second kind, and the entire vocal structure is enough to make me want to see wayv at a concert at least once in my life.
the chorus is insane. the stacked vocals give it a depth that is almost cinematic and i do need to give kun, ten and xiaojun their tens for this accomplishment, but specially kun. sure - xiaojun might be the most technically gifted vocalist in the group and i am in love with his tone, but this song has kun all over the foundations. i dont have the stems for the track but i can bet my life that kun recorded at least five layers for that chorus. his tone is so distinctive i can almost only hear him during the high points of the song.
anyway, this song is super pretty. it's just gorgeously designed. i actually wish it was a vocal line only song because the compulsory rap additions do not fit with the rest of the atmosphere at all. still, this gets a 10/10.
lighthouse
when i heard this the first time i wrote "wayv outsold both exo AND shinee for ballad of the year at sm" and i stand by it. again, this style is just classic boyband slow tear jerker and they execute it perfectly. i'm a notorious hater of ballads in kpop and yet not only can i sit through this every time i put on the album, i actively seek it out. like holy shit, this only happens with exo for me.
the song is very straightforward - a heartbreak song about missing the girl they lost. but it's so well made it just works perfectly. another point where wayv need to be praised is their ability to emote. xiaojun specially is amazing at this - you can hear the yearning in his voice. i actually think ten has also learned from him because he comes across just as sincere in this. (kun does famously stiffen up which is not an issue here but still, xiaojun carries this ballad for sure). the instrumental is very cozy and i like how the whole track is designed to sound as if they're singing from just slightly behind you. 9/10
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2meowmeow · 1 year
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wayv - awaken the world
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wayvs · 4 months
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TEN Nightwalker, 2024
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herewegobebe · 3 months
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 TEN | 'Nightwalker' Choreography @MusicBank 240223
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