#vorx
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Mortarion & Vorx
#mortarion#vorx#death guard 40k#death guard#warhammer 40000#warhammer 40k#wh40k fanart#fanart#digital art#my art#art
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Mortarion by Miguel Iglesias
Vorx begins to wonder if it has been some kind of cruel dream. He begins to wonder if the newcomer was a phantom sent from the heights, just another trick played by this world that loathes them. But then the cowled figure re-emerges, unbowed, tall as a sheaf of uncut corn. He looks barely troubled by his exertions. His hood has fallen back a little, revealing grey, smooth flesh. It is the most beautiful face Vorx has ever seen – like theirs, but as hard and clean as a stone.
From “Unification” by Chris Wraight
#death guard#death guard 40k#death guard 30k#vorx#mortarion#lords of silence#primarch#primarchs#chaos space marines#traitor space marines#horus heresy#the horus heresy#warhammer 40k#warhammer 40000#warhammer 30k#warhammer 30000
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“Shredder Triumphant!”
Season 7, Episode 26
First US Airdate: December 18, 1993
The Technodrome is revived, and the Turtles are banished to Dimension X.
“Shredder Triumphant!” is the final episode of Teenage Mutant Ninja Turtles season seven. Written by David Wise, this adventure serves as the conclusion of the classic era of TMNT ahead of a significant change in direction beginning in season eight.
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Before we get into the episode itself, I should mention that this is the last appearance of the second title sequence, in service since Turtles made its Saturday morning debut on CBS in September 1990. While this opening never seems to be lauded in the way that the first one is, I do find it to be a highly polished introduction in its own right: that shot of Hamato Yoshi picking up the pet turtles and transforming into Splinter is downright spectacular, and probably one of the best-looking bits of animation to appear within the series.
Today’s episode opens in the same way that “Combat Land” concluded, with the Turtles gathered in front of the TV. April is reporting about the opening of the new Museum of Asian Arts when an amphibious module rolls up, Shredder, Bebop and Rocksteady emerging to cause chaos. In any other given episode this is where the Turtles charge off to stop their foes, but Splinter intervenes here to try and stop them, announcing that he’s had a “strong psychic impulse” leading him to believe it would be better if they don’t get involved. The Turtles can’t make sense of this, and who can blame them? Over the course of the last seven seasons, Splinter has constantly drummed into the team how important it is that they stop Shredder, and now on a whim he suddenly feels it’d be better for them to hold off. With that in mind, Leonardo defies the orders of his sensei, and leaves with the rest of the group to deliver a “Turtleising” to Shredder.
After the Turtles leave, Splinter turns to the camera, telling us that while he can’t stop them, he fears “they will regret this action”. It’s wild that even now, as the tone of the show begins to shift, the fourth wall break continues to hang on by a thread.
The team briefly confront Shredder and his mutants at the museum: in what could be considered a nod to the fact that this will be the last go-around for many of the conventions we’ve seen countless times over the years, Leonardo goads Shredder for continuing to use the same tired old taunts against them. After Raphael threatens Shreds with what turns out to be a paper fan, he’s surprised to see the villain retreat: in reality, Shredder received a radio message from Krang giving the all-clear, and so the next part of their plan is ready to be implemented. The Turtles watch their enemies escape in the module and wonder why they would flee while having the upper hand.
Splinter can’t let go, and when the Turtles return to the Lair he warns that the path they’ve taken by confronting Shredder may lead to “the greatest danger [they’ve] ever faced”. Turning on the TV, the team watch a reporter cover the theft of a regenerative power cell from a space administration facility outside of the city. This, we’re told, is “the world’s most compact source of energy.... invented for a new super space station!” The thieves are said to be “a strange alien creature” and a group of ninjas clad in blue attire. The Turtles are quick to determine that it must be Krang and the Foot Soldiers that are being referred to, but this does raise two questions: How can it be that nobody in the city other than them knows who Krang is when he’s appeared on TV attempting to take over the world multiple times, and since when did the Foot Soldiers ever wear blue?
It dawns on the Turtles that they’ve been played: in a return to a strategy that worked when applied all the way back in season three’s “The Big Rip-Off", Shredder kept them busy with a distraction while the gizmo he was really after was being stolen elsewhere. An alarm sounds in Donatello’s workshop, indicating an impending tidal wave may be approaching the city. Rushing to the beach in their van, the Turtles watch as the newly energised Technodrome emerges. Our heroes are so blasé about the prospect of stopping the fortress now that they all begin to recite, in unison, the dutiful steps they’ll need to go through that they know like the back of their hands. “We break into the Technodrome, fight our way past the Foot Soldiers, disconnect the power device...”
The team use a grappling hook to hitch a ride to the rolling headquarters, and once inside begin taking out Foot Soldiers. Krang has also performed this song and dance enough times that he has anticipated the arrival of the green teens, and made allowances for it in the Scheme of the Day. He has the Technodrome tear through town until it arrives outside City Hall, where he begins the process of staging an invasion, accompanied by General Traag and a sizeable contingent of Rock Soldiers. He demands that control of the city be handed over to him immediately, threatening to destroy the building if the officials within refuse.
Inside the Technodrome, the Turtles move on to begin trying to disconnect the power source as planned, but are captured by Shredder and The Boys. Outside, Krang is borderline ecstatic as he relays the news to Shreds: “WE’VE DONE IT!” Now fully in control, the villains take care of the only force that could plausibly stop them – the Turtles – by tossing them through a portal into Dimension X.
Act two opens with the Turtles floating through a green, glowing void until they’re pulled inside a spaceship. They’re soon introduced to its pilot, a rodent-like slave trader by the name Weesel, who tells the team they’ll “fetch a nice price in the slave pits of Si-Ra.” Back in the Lair, Splinter snaps out of his meditative state with the realisation that the Turtles are in danger, and the fate of the world is at stake. (He must surely be the only person left in town by now who’s somehow oblivious to the fact that the Technodrome has already flattened a decent amount of real estate on its way to City Hall, the danger he’s so worried about has been here for a while now.)
We start to get a sense for how quickly Krang’s takeover has impacted the city as April and Irma are seen leaving Channel 6′s car park in a news van, commenting on how their computers and phones no longer work. They find themselves unable to exit the building as Krang and a group of his followers are waiting outside, the TV station their next target. Soon Krang is confronting Burne Thompson, and I think this may be the first time we’ve ever had any significant interaction between these two characters. Burne is insistent that any takeover will never work as his employees are loyal to him, an assertion immediately disproven by Vernon, who agrees to work the cameras under the new regime. Splinter watches from an alley as Krang’s victory speech goes out on-air, a group of onlookers gathering to view the unfolding events on the TVs in the window of an electronics store.
The Turtles try to lecture Weesel about the ethics of his profession, but he remains unmoved, taking them to be examined by Vorx, a slug-like alien who maintains control over his slaves by wielding a whip. Weesel is paid in exchange for the Turtles but before leaving spots his kid brother, Zwerk, chained up and being marched into the mines. When he questions Vorx about his younger sibling being part of the operation he’s warned that anyone could potentially end up working as a slave in the pits, even him should he continue to make a fuss. Reluctantly, Weesel finds himself with no option but to leave in his spaceship, as the Turtles are put to work.
In the foyer of Channel 6, Krang reveals to Shredder that a set of rocket thrusters are kept at the same space facility where the power cell was obtained. The next phase of their plan will involve taking these and affixing them to the Technodrome, effectively converting it into a spaceship. Taking it back through a portal, Krang will then be able to terrorise Dimension X while Shredder uses the Rock Soldiers to gain control of Earth. Bebop and Rocksteady are beginning to wonder where this leaves them, and are thrown a bone as Krang effectively appoints them as the new bosses of Channel 6. Later, the two mutants confront April, Irma and Vernon, keen to begin throwing their weight around.
The Turtles are made to toil away with pickaxes in the pits, and while working strike up a conversation with Zwerk. The young alien insists that his older brother isn’t really such a bad guy, and is simply trying to provide for the pair, an assertion that our heroes find dubious. He goes on to explain that the material the slaves are made to dig for is Ilanium, a rubble-like substance that serves as the diet of the Rock Soldiers. Putting two and two together, the Turtles determine that this must mean Vorx has a business relationship with Krang, and by extension likely has access to a dimensional portal too. The Turtles and Zwerk begin considering how to escape, but find themselves constantly being watched (and fired upon) by the slave master’s airborne drone guards.
In the offices of Channel 6, April, Irma and Vernon are tied up as part of “The Bebop & Rocksteady Show”. Destroying a nearby window with his laser weapon, Rocksteady announces that an upcoming segment of their broadcast will involve sending the three crew members out the side of the building, their final on-screen appearances culminating in them hitting the ground below.
Vorx has learned of the planned insurrection by the Turtles and Zwerk, and orders their extermination at the hands of The Great Chaarg, an enormous drooling cyclops monster. Chaarg looks set to devour our heroes until Weesel swoops in, using his ship to open fire upon the creature. The Turtles and Zwerk soon board his ship, and upon reclaiming their weapons, the green teens begin working with the alien brothers to figure out how to strike back against the slave owner.
Rocksteady fires at the feet of the Channel 6 trio with his laser rifle, nudging them closer to a fall as he joins Bebop in swearing revenge for all the times the station has aired stories that painted the duo in a negative light. (This scene is hampered briefly by a particularly egregious animation error in which it’s the lower body of Rocksteady himself that’s seen being pushed towards the window.) Splinter arrives to intervene, taking down the two mutants and encouraging his friends to snatch their weapons.
In the Turtlethon entry prior to this one (for “Combat Land”) I suggested that Irma taking on a more proactive role in stopping the bad guys may have been intended as foreshadowing for what was to come. That begins to take shape here, as upon picking up Rocksteady’s gun her voice and demeanour immediately change. Irma is livid as she holds The Boys at gunpoint, demanding that they reveal the current whereabouts of the Turtles. Bebop and Rocksteady immediately cave, but can’t provide concrete details about where they are beyond being in Dimension X. She continues to intimidate The Boys until they also cough up the details of Krang’s plan to steal the rocket blasters. Our heroes leave to stop the alien brain, providing Vernon with a blaster weapon so he can keep Rocksteady and Bebop in line; it speaks volumes that the henchmen are terrified of the new Irma but immediately begin to intimidate April’s old rival.
Weesel takes the Turtles and Zwerk to a bunker, where the master controls for the slave pit operation are said to be kept: he warns them that attempting to gain entry is a foolish exercise, as doing so would be near-impossible. Vorx soon emerges, flanked by a group of obedient henchmen, and begins doing battle directly with the Turtles. Nearby, the assembled slaves see the beginning of a potential rebellion taking shape, but the drones continue to keep them in line.
As the fight continues, the Turtles are forced to concede that Vorx’s forces are too powerful for them to prevail. The tide of battle is turned by the return of Weesel’s ship, which crash-lands into the bunker, destroying the systems controlling the drones. The rebellion soon begins, with Vorx and his underlings finding themselves surrounded by the furious prisoners.
The Turtles lament that Weesel was forced to sacrifice his own life so that his brother and the other prisoners could be free, and I must admit that for a second there they really had me going: I genuinely thought that maybe David Wise had been able to convince the powers that be to allow him to incorporate the death of a guest character into the show as part of the transition into the new, darker era to come. For better or worse, that’s not how this plays out: Weesel is alive, having sacrificed his ship but escaping via the use of a rocket pack, and he soon rejoins the group.
Following the capture of Vorx, the Turtles head into his control room and find there never was a portal there after all. The next best thing is a trans-dimensional viewscreen, which they use to call the Technodrome. As Shredder drives the rolling fortress to the space site his conversation with Krang is interrupted by his old enemies, who appear in a transmission where they roast him endlessly, declaring him to be a dishonourable coward. This trolling goes on and on and on until Shredder can’t take it anymore, and is goaded into letting the team come back through the portal so he can beat them legitimately.
Krang waits at the space site for Shredder to arrive in the Technodrome, oblivious to the return of the Turtles, and is soon confronted by April and Splinter. It’s a combination of characters going toe-to-toe that I don’t think we’ve seen in the show’s history, but the way it plays out is even more unexpected. Splinter is no match for Krang’s android body and its built-in weaponry, his walking stick broken in half. It’s clear that the duo is in over their heads, and then...
From the shadows emerges Irma, who is going all-in with her new persona, now sporting a Rambo-esque red headband. Declaring Krang to be “alien scum”, she opens fire on his android body, blowing a huge hole in its back and rendering him immobile. Inside the Technodrome, Donatello spots a cloaking device that can be used to alter a person’s appearance, and decides they could use this gizmo to their advantage.
Donnie and Mikey’s preoccupation with the cloaking machine leaves Shredder now facing just Leo and Raph. With only two Turtles to shake off he eventually makes it to an escape hatch, where he leaps out, bouncing off a nearby restaurant’s awning and running away. (If there’s one thing this show loves, other than TV stores with sets in the window that have the volume turned up and men getting their come-uppance by being made to stand around in their underwear, it’s a good springy awning that can serve as a makeshift trampoline.) Leonardo and Raphael follow, doing battle with Shreds on the street.
April reaches Donatello via Turtlecom, informing him that Irma has successfully disabled Krang’s robot body. I don’t think I praise the voice actors enough, so here’s an example of what a critical component of the show they are: the comedic beat when Barry Gordon (as Donnie) processes the news of who beat Krang - “Irma...? Oh! Well, that’s perfect!” is impeccable. The group agree to meet Donatello outside the Technodrome, leaving Krang where he is. This turns out to be a major mistake, as following their departure the alien brain is free to begin attempting to reconnect the wires of his android body, and is soon mobile again.
Bebop and Rocksteady use similar tactics on Vernon as the Turtles did on Shredder, goading him with threats of what their boss will do to the newsman upon finding out they’ve been held hostage. It’s a strategy that works as the cowardly reporter succumbs to a nervous breakdown, dropping his blaster and running out of the room. Now left unaccompanied, The Boys begin looking for a way to break out of the ropes restraining them.
Krang orders his Rock Soldiers to fall back, an event picked up on by Shredder as a sign that things are unravelling while he continues to battle Leo and Raph. Knocking the two Turtles aside, he tries to escape, but is confronted by Irma, April and Splinter, who work together to disarm him. Sandwiched between this trio and the two Turtles – at this point, even April has balled-up fists and is clearly ready to throw down – Shreds has finally wound up in a position where there’s nowhere for him to run.
Krang emerges from the Technodrome in his bubble walker, accompanied by Donatello of all people, and when he addresses General Traag as “dude” it’s clear that something strange is happening. The cloaking device wears off, revealing that this Krang was Michaelangelo the entire time. The real Krang rejoins Shredder and both watch in horror as the full extent of Donatello’s sabotage becomes evident: the Technodrome is pulled into a portal to Dimension X, doomed to spiral uncontrollably through space.
As in “Night of the Rogues” earlier this season, it falls to Bebop and Rocksteady to save their bosses at the last second. The Boys emerge in a pick-up truck – identical to the one used by yokel criminal family the Badds in “Donatello’s Badd Time” - and pull the villains into the back, Irma continuing to fire upon them as they flee. With the Technodrome, the Foot Soldiers and Rock Soldiers now gone, Shredder and Krang have effectively lost everything.
Throughout this season, almost all of the adventures of the Turtles have taken place at night, a subtle shift from the cheery bright blue skies often seen in years prior and an indicator of the more mature direction things were taking. Today, the Turtles have been out in the open during the daytime, forced to deal with a threat to the city big enough that it justifies them re-emerging from the darkness. As Splinter addresses the group in the closing moments of this outing – warning that Shredder may return to fight another day – sunset arrives, the sky above the city transitioning to a golden hue. In the final shot, a streak of red looms ominously on the horizon. Whether by intention or simple coincidence, it hints at a future still to come for our young heroes, one where things will never be the same again.
Oh, and Irma still has the gun. I’d like to think that she’ll hold on to that thing, knowing how grim things will soon become.
Phew. Okay, there’s a lot to take in here. “Shredder Triumphant!”, I dare say, could be considered a triumph in its own right; here we have not only a big end-of-season-finale for the first time in four years, but one that arguably tops them all. There’s a sense that all roads have led here, the almost one-hundred-and-seventy adventures of the Turtles building to this point: a final battle in which the entire main cast gets to show what they’ve learned, and who they’ve become over this journey.
I say “final battle”, pointedly, because I strongly suspect David Wise was writing this under the assumption that it might mark the end of Teenage Mutant Ninja Turtles as a series. Way back in the very first Turtlethon entry I touched upon how Wise had been tasked with closing the book on Transformers with “The Rebirth”, a five-episode final season that wound up being whittled down to three, intended by Hasbro as a hurried swan song for a franchise thought to be in a death spiral. Though “Shredder Triumphant!” doesn’t even have the benefit of being told over three shows, the intent seems to be much the same: achieve a happy ending, conclude with the villains on the back foot and bickering among themselves, and most crucially of all, provide a bit of wiggle room so that future stories can be told should a revival materialise later on.
With that in mind, I wouldn’t blame anyone who considers this their jumping-off point, a satisfying conclusion to a long-running show that for most of its life has been about the light-hearted, often goofy adventures of four youngsters enjoying themselves. What Teenage Mutant Ninja Turtles will be when the story resumes with season eight is something else entirely. For now though, I think “Shredder Triumphant!” is worth celebrating as a tremendous final encore for the series as it was, a fitting end to a remarkable era.
Only three seasons of the show remain, each extending to a mere eight episodes. Before we get to those though, there’s some long-outstanding business to take care of. The first component in a trilogy of significant works of TMNT-related media which, while not a direct part of the 1987 show’s continuity, are too integral to the story of Turtlemania for us not to cover. So...
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NEXT WEEK. We’re doing it. The 1990 live-action TMNT movie. I don’t know how I’m going to approach writing about such an all-encompassing topic within the confines of Turtlethon’s format, but dammit... we’ll make it work!
#Teenage Mutant Ninja Turtles#TMNT#TMNT 1987#Ninja Turtles#Turtlethon#1993#Shredder Triumphant#Shredder Triumphant!#Irma#TMNT Irma#Irma TMNT#Weesel#Vorx#Zwerk
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everyone is a suspect in the murder of vorx the artifice--but could the saboteur they initially came here to find be among them as well?
all 8 individual portraits under the readmore
bonus for my sweet sweet 3 followers that actually clicked on the readmore: the murder of lawlok the psychic
#ITS NOT DONE BECAUSE IT REMINDED ME OF HETAONI FANART MIDWAY SO I QUIT AFTER THE SKETCHES#if i continue this im gonna pimp it out and make it not static#probably do like a fancy golden frame#maybe background illustration of the culprit pushing vorx off the theater walkway in the center#lil homie got violently killed and then splattered#skelearts#soladarposting
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The Power Of Partnership: Why Businesses Trust Vorx Consultants As The Best Digital Marketing Company In Delhi NCR
Vorx Consultants is a leading digital marketing agency in Delhi NCR, renowned for its innovative and client-centric approach. Specializing in bespoke strategies and data-driven solutions, Vorx Consultants helps businesses navigate the complexities of the digital landscape with confidence. The agency offers comprehensive services, including SEO, social media marketing, content creation, and online reputation management, all designed to drive tangible results and exceed client expectations. With a strong focus on transparency, accountability, and continual innovation, Vorx Consultants empowers businesses across various industries to achieve their marketing objectives and stay ahead of the competition in the ever-evolving digital world.
#Best digital marketing company in delhi NCR#digital marketing agency in delhi#Digital Marketing Consultant in Delhi#digital marketing services in delhi#ecommerce marketing agency#digital marketing consulting#Vorx Consultants#best digital marketing company in delhi#digital marketing agency in delhi ncr#top 10 digital marketing companies in delhi
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15/??? Lords of silence
I want to eat it this book, I loved vorx and the glimpse this book gives into how the deathguard work, their ships, the poxwalkers and humans being brought onboard their ships was outstanding, if you're a dg fan this is a must read
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Vorx for #MarineMeatMonday! You have to admit, he has heart.
Since @tagedeszorns has asked us to join them making art! My art isn't as good as Tage's, but I hope it counts.
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Relistening to three seasons of Mission to Zyxx in a few weeks has activated the part of my brain that does nothing but generate goofy Star Wars characters names and now I'm just sitting here going "Chex Rifter... Rosteri Stark... Cheezo Grist... Murch Anticlades... Limpo Manclat... Lok Dandilar… Bunster Shil... Mote Windsort... Ransal B'Nark... Vorx Transom... Pinto Lix... Bee-lo Sharn... Or'chun Bandilay... Freep Ampiclear... Gren Bindlemax... Specticar Wunch... Lushma Cresp... Honi Tal... Jek Rimsto... Listi Null... Demilay Bompo... Albo Trast..."
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A last minute request! Vorx for MMM! Oh please please please, DG need more representation and you're one of the best out there!
Since Plague Marines are very much sealed into their armour for freshness (or rotten-ness?), this is a highly speculative picture how he could look without armour. Maybe someone brought a big, well sanitized can opener.
#Warhammer#Death Guard#Plague Marines#WH40k#Warhammer 40k#Marine Meat Monday#Nurgle#Chaos Space Marines#Space marines#Adeptus astartes
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Lords of Silence cover by Johan Grenier.
The Unbroken have congregated in the old parade ground and now stand like monoliths amid the wreckage. Their leader - the one called Vorx, who seems to have taken Dantine under his wing - is there, as are the others. Dantine knows their names now: Slert, the one with eyes under his skin; Kledo, the one whose soul has withered; Garstag, the slayer; Philemon, the corpse-counter. Dragan, the warrior, hangs back on the edges, and he is the most dangerous of them all.
From The Lords of Silence by Chris Wraight. My favorite bit of Death Guard art and my favorite Black Library novel. Its our boys!
#death guard#death guard 40k#nurgle#heretic astartes#plague marines#johan grenier#nurglings#warhammer 40k#warhammer 40000#black library#lords of silence#vorx#chaos space marines
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You were probably asked this question a milion times, but please answer.
What are some good books about death guard? I'm new to this whole warhammer thing, so I would like some pointers.
ooc: sorry for the late reply. haven't actually been asked this a million times but its a good question to ask. well i have my preferences, it is important to note that the death guard tend to show up as fall guy jobbers in most stories. so well there are some good classics involving the death guard such as scars, they're not really books about the death guard so much as they are books about other people featuring the death guard.
so, discounting those guys in terms of books about the death guard themselves... it can be surprisingly bare and "any content about them is good content" kinda situation.
of those though, pale king is one of the more solid primarch novels and a good glimpse into great crusade era death guard and mortarion [ie before everything went screwy in the heresy]. after that, most of morts short stories make for interesting reads like lanterns light.
but if you looking for death guard centric content in general, especially set during the modern 40k imperium, lords of silence is your best bet at moment of writing and the associated short stories. vorx is a good boy and fun character, managing to balance a sympathetic interesting characterization with being a chaos lord of nurgle and the associated baggage that inherently goes along with that.
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BL, all I want for Christmas is a Chaos Space Marine novel with a protagonist who wants to be doing what he's doing and doesn't hate his gods.
Yes, I know Storm of Iron is getting a hardback release. I want a second one. Surely there's enough room in your catalog for two of these.
#lords of silence almost counts as the second one#if vorx weren't (understandably) so extremely Tired#if you can publish sixteen novels about the same plucky band of guardsmen#surely you could come up with a second approach to this theme 20 years after SoI
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vorx see must return to candace marie hughes. on. paid. vorx sighted record must return to candace marie hughes. on. paid. vorx sightings recordings must return to candace marie hughes. on. paid. vorx papers printings must return to candace marie hughes. on. paid. vorx must return to candace marie hughes. on. paid. vorx vorx doors must return to candace marie hughes. on. paid. vorx vorx doors voiced must return to candace marie hughes. on. paid. vorx vorx doors vorx must return to candace marie hughes. on. paid. vorx vorx doors vorx court must return to candace marie hughes. on. paid. vorx vorx doors vorx court voiced must return to candace marie hughes. on. paid.
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The Impact Of Vorx Consultants' Digital Marketing Services In Delhi On Brand Growth
In the fast-paced world of modern business, digital marketing has emerged as a vital strategy for achieving sustained brand growth and establishing a strong market presence. In Delhi, one agency that has made a significant impact in this space is Vorx Consultants. With their 360-degree approach to digital marketing, they have successfully helped brands navigate the complexities of the digital landscape and achieve remarkable growth.
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Realizing Brand Growth Through Strategic Partnerships
Vorx Consultants' approach to digital marketing is centered around forming strategic partnerships with their clients. By working closely with each brand, they gain a deep understanding of the client's goals and challenges. This collaborative approach allows them to create customized strategies that drive measurable results.
The agency's success can be attributed to its commitment to delivering value and achieving tangible outcomes for its clients. By focusing on the client's objectives and continuously refining their strategies, Vorx Consultants ensures that each campaign is optimized for maximum impact.
Success Stories from Vorx Consultants
To truly understand the impact of Vorx Consultants' digital marketing services in Delhi on brand growth, let's take a look at a few case studies that highlight their success stories.
Startup Expansion
A local startup approached Vorx Consultants with the goal of expanding its market reach and increasing brand awareness. Vorx Consultants developed a comprehensive digital marketing strategy that included social media campaigns, SEM, and content marketing. As a result, the startup experienced a significant increase in website traffic, leads, and conversions. Within a few months, the startup expanded its customer base and established itself as a prominent player in the market.
Established Brand Reinforcement
An established brand in the consumer goods industry sought Vorx Consultants' expertise to reinforce its market position and engage with a younger audience. Vorx Consultants implemented targeted social media campaigns and optimized the brand's website for search engines. This approach led to a surge in online engagement and sales, helping the brand maintain its competitive edge in the industry.
Event Marketing Success
Vorx Consultants collaborated with a client to promote a major event in Delhi. Through a combination of digital advertising, social media promotions, and influencer partnerships, the event attracted a large audience and exceeded ticket sales expectations. The success of the event showcased Vorx Consultants' ability to drive results through strategic event marketing.
The Future of Digital Marketing in Delhi
As the digital landscape continues to evolve, Vorx Consultants remains at the forefront of innovation. Their ability to adapt to emerging trends and leverage new technologies ensures that their clients stay ahead of the curve. From artificial intelligence to augmented reality, Vorx Consultants is always exploring new ways to enhance their clients' digital marketing strategies.
In the future, we can expect Vorx Consultants to continue making a significant impact on brand growth in Delhi. Their commitment to excellence, combined with their visionary approach, positions them as a leader in the digital marketing industry.
Conclusion
Vorx Consultants' digital marketing services in Delhi have proven to be instrumental in driving brand growth for a diverse range of clients. Their comprehensive approach, combined with a commitment to delivering measurable results, sets them apart in the competitive market. Through strategic partnerships and innovative solutions, Vorx Consultants continues to ignite success for brands in the digital world.
#digital marketing services in delhi#Best digital marketing company in delhi NCR#digital marketing agency in delhi#Digital Marketing Consultant in Delhi#ecommerce marketing agency#digital marketing consulting#Vorx Consultants#digital marketing agency in delhi ncr#best digital marketing company in delhi#top 10 digital marketing companies in delhi
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Only good traitor legion is the Death Guard. Vorx teabags every single WBs character (Mortarion has faults but hes still better than lorgar)
👆 stinky
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Valley kingdoms of the Jullnier mountains
In the mountain region of jullnier is large and covers an area similar to that of continental Europe of almost entirely mountains, people are as people do, so even if it is mountainous terrain people live there. Even though people live all over the region the majority of the populations in the region tends to be concentrated in and around valleys that allows for agricultur.
There’s well over 100 valleys in the mountains but most of them are not heavily populated or very large in size
The twenty largest Valleys are:
• Olza, a former fairy colony and takes about a month to travel across, ~25,212 mi^2 (65298.78 km^2) it is historically divided into five countries within the valley though it has been United as a single country since the fall of the fairy empire
• sigma- consider a vampire valley as least one quarter of the population are vampires. A valley knows for its steep cliffs and proximity to
•be’hov’n- a valley known for its intricate clock making business and love of music
• omega- another vampire valley, it is well known for its unfortunately large werewolf population. Know as the Valley of shells, as the house and buildings have been designed to look like seashells imported from the sea.
• flinthu’- northwest of olza, this valley is is one of the more
• atla- the largest valley that is the highest up, it is cold and dry and hardly a thing lives there. But there is at least two cities there one named
• won’daw- a wild land known for its larger than people sized flowers and mushrooms, it’s generally lack for consistency and a strange game involving flamingos and hedgehogs. This valley also boarders the sea.
• sheli’daw- a large Vally that is known for its peaceful country air and great deal of farming communities. though peaceful now day was a hotly contested place back in the days of the fairy empire. some scares still remain like how there’s a town that once exist there that is no more, where it was is simply a giant crater in the ground.
• Ora- north east of Chopin
• chopin- a beautiful lush woodlands valley
• quox- this Vally is covered in scattered volcanic debris. its large active volcanos re important for the ash and dust they spread over the continent that help fertilize the land. there's lots of little fire spirits that live here.
•mym - one of the largest desert valleys
• moza- for some reason it seems to constantly rain in this Vally. so the people have built their towns to take advantage of this fact
•Evem- just south west of olza and nexus this valley
•ev’daw- a valley that boarders the sea it is in the far south east of the mountain ration
• vorx - an agricultural paridise but known for its great wealth disparity
• hu’daw- has the largest human population in the mountains region
•alpha- a valley with advanced cities and a lot of vampires, especially of the local chort variety
• mu’daw- this valley is one that boarders the sea, roughly 9,228 mi ^2 (23,900.41 km^2)
•nexus- politically and economically important this Valley is the safest passage that links the northwestern mountains to the southeastern mountains. In order to bipass nexus and the city of delights a traveler would need to either venture around the torrent path which adds roughly a month to travel or risk crossing the black dragon glacier, a notorious unstable region.
This is the region of the world where the beginning jinx’s fantasy journal occurs
Note: I pulled a good deal of inspiration for these valleys from books that where read to me as a child or childrens books I read when I got older, other than that
#worldbuilding#pandoramusicbox#fantasy#worldbuildingculture#fantasyland#wizard of oz#alice in wonderland#moomin#classical music#atlas#the nutcracker
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