#vintage japanese bass
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[Bass Boosted] SAMURAI (Japanese Type Beat) {prod. by: MATYAZH}
#youtube#youtubemusic#japanese#japanbeat#japanesetypebeat#beat#typebeat#drillbeat#rapbeat#freebeat#samurai#japan#katana#gothic#grunge#grungebass#bass#aesthetic#wallpaper#vintage#anime
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I love AMC's "Interview with the Vampire" tv show so much that I wanted to show my appreciation by sewing my interpretation of Claudia's New Year's Eve outfit from episode 7. The scene is barely a minute long, with Claudia's costume only partly visible for a few seconds, however, so there wasn't much footage to go on.
Thankfully, though, the costume designer for the show, Carol Cutshall, shares incredible details of the vintage inspirations, costume design, and behind the scenes photos on her Instagram page after the episodes air, and shared details of this outfit along with sketches and behind the scenes photos of the actress, Bailey Bass!
I'd like to stress that this is not cosplay - I'm not trying to BE the actress or the character, but sewing my own interpretation of the garments. I try to avoid sewing "fast fashion" as much as I avoid buying it, and I strive to only have clothing in my wardrobe that I will wear again and again.
Cape:
Pattern: self-drafted
Fabric: Italian floral silk/polyamide cloqué, ribbon, and metal ball hook all from MacCulloch & Wallis, black satin lining from my stash.
I based the pattern off of a classic circle skirt, modifying it for the narrower fabric and squeezing in a lined hood as well! I also added a hook at the neck to take the strain off the ribbon, and finally, little wrist loops so that I too can look like a little bat with my arms out!
Shirt:
Pattern: Named Saraste from “Breaking the Pattern” book
Fabric: Black textured silk & red silk satin from my stash
I was lucky enough to have the most perfect textured silk already in my stash. I also found a tiny scrap of red silk satin which I added to the inner collar and yoke to give a hint of red to the neck as a nod to my favourite vampires!
I used low-key black corozo buttons for the front, but added some drama to the cuffs with metal skull buttons, which I gave red eyes using red nail varnish!
Trousers:
Pattern: BurdaStyle 06/2023 no108
Fabric: Deadstock Japanese burgundy acetate twill from New Craft House
I'm not normally a fan of wide-legged trousers, or high waists, or side zippers, so I modified the design to be something closer to my own style and preferences. I used the black satin lining from the cape to line the pockets, added a little Claudia cartoon heat set vinyl inside the waistband to serve as the label, and finished the hem with black lace for an invisible hand sewn finish.
Overall, I'm stupidly happy with how all three pieces turned out and that I will be able to wear them separately as well as together. I poured all my love for this show into sewing these garments (while I was suffering from extreme post-viral fatigue, too), and I'm proud I can put my skills to use in this fandom!
#interview with the vampire#iwtv#carol cutshall you are a goddess#sewing is my superpower#claudia de pointe du lac#claudia the vampire#iwtv fandom
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JOYRIDE
— corruption in tokyo brings two partners together again to seek retribution while also fulfilling their desires🚦
ハリー
Midnight in Tokyo.
The city transforms into a neon jungle once the moon takes the stage. Illusionary indigo and hot pink advertisements scale the sides of skyscrapers, their vibrant pixels reflecting off the slick thoroughfares bestrewed with puddles. Cosmopolitan emporiums attract visitors like clusters of moths drawn to a flame, ranging from luxury retail stores to vintage boutiques that line the sidewalks. Many diverse eateries sit snug in the passageways, the limited seating where conversations are struck with writers and poets alike. Whimsical art sculptures placed in hidden spots showcase Japanese culture, and the expressive pieces greet tourists from around the world.
It's an urban utopia straight out of a futuristic fantasy.
Digging deeper into the complex metropolis, right in the heart of the infamous Kabukicho District, is where nightlife is most vivacious. Foreigners flock to clubs and bars for ritzy entertainment and exuberant thrills. Alleyways conceal doorways to more private establishments, their explicit thresholds exposed by flickering arrows that guide those who dare to enter. It's sinfully atmospheric, the smell of smoke and sex lingering past the brick walls lit by dangling paper lanterns.
The vicinity is two sides of the same coin. In the daytime, families wander through a maze of honorable restaurants and hotels, but at night, the devil comes out to play. Risqué signs lead to unlawful pleasure. Curtains cover hostess clubs of endless inebriation. Intimate shops are out in the open to pique the interest of innocents.
However, on this rainy November night, Harry Styles seeks only one unholy cove. He doesn't need to be lured into it by silhouetted street hawkers. Ignoring them is easy when the red light just around the corner holds his true desire.
As his polished dress shoes clack against the wet pavement, a black umbrella looming over his head, he fishes into his trouser pocket to snag a piece of chewing gum. He unwraps the aluminum, pops the green gum into his mouth, folds the rubbery substance using his tongue, stretches it between his two front teeth, and then bites down on it with his back molars. A refreshing burst of spearmint hits the back of his throat, crisp and cool. He begins whistling a catchy tune he heard on the metro subway the other day, the trill echoing off the narrow walls surrounding him. New graffiti on them catches his attention. Considering the city strictly prohibits street art, it's a rare find, so he admires the esoteric visuals before they're removed by patrolling police.
Taking a sharp left, the top of Harry's shadow reaches his destination before he does. He stops in his tracks and breathes in the hazy air. Smoke seeps under the rusted garage door, and the muffled bass coming from inside is a straight injection into his veins. The Japanese script, emboldened by neon red, spells out the name of the strip club.
ジョイライド
JOYRIDE
Guarded by a towering man in a black suit and maroon tie, it's the only barrier left. Luckily, Harry is well-versed when it comes to sneaking into elite establishments. He shakes his umbrella out, the droplets creating ripples in the asphalt pools beneath his feet. A step under the hipped awning saves his expensive clothing from becoming soaked. His long, houndstooth blazer of a dreary grey color and a dotted scarf wrapped once around his neck make him blend in nicely with the darkness.
Harry clears his throat and politely bows to the daunting watchman. "Kobanwa," he greets, hiding the gum under his tongue out of courtesy. (Good evening.)
"Kon'nichiwa," says the man with a reciprocated bow. "Anata no mōshide wa nanidesu ka?" (Hello. What is your offer?)
Opening the breast pocket of his blazer, Harry plucks out three bills. He unfolds the creased paper one by one, revealing the printed face of an esteemed writer and a five-digit number representing a hefty amount of yen. His desire is worth significantly more, but he'll undoubtedly be spending the rest of what's tucked in his wallet for reasons that will never be publicly disclosed.
"Sakura," Harry says with unwavering eye contact.
He only needs to speak a single name for the man to challengingly stare back for three seconds. He then takes the yen and inspects it for possible counterfeit, his nimble fingers flipping the banknotes over with a particular procedure. After an anticipatory moment of crinkling sounds and drowned-out electronic music, he raps a rhythmic knock on the garage behind him. It instantly lifts with a grinding creak, the smoke releasing from underneath and crawling up Harry's legs like ivy on a brick wall.
"Anata no norimono o tanoshinde kudasai." (Enjoy your ride.)
Harry gives the man a fixed smile and then enters his paradise. Weeks of lousy business trips that required him to globetrot across continents have led to this. Tokyo always has something sensational in store for him. He comes back to the sleepless city time and time again for the unpredictability.
Disappointment doesn't exist here — escapade does.
The metal stairs leading to the underground club are grungy and steep, so Harry uses the shaft of his umbrella as a makeshift cane to traverse down the dilapidated steps. Every footfall ends in a squeak until he reaches the velvet carpet at the bottom. Thumping music loudens, the scent of cigarettes grows stronger, and the beat of his heart pounds faster in anticipation.
Red curtains are suspended in front of him, and distant chatter that eclectically ranges from foreign to familiar dialect echoes from behind them. Harry sets his umbrella by the nearby coat rack, then takes his scarf and blazer off to hang them next to a pristine suit jacket. He takes a glimpse at his own suit. It's black cashmere with a contrasting white button-up underneath and a silk tie. He adjusts the collar, tugs on the lapels, and swiftly unclasps the single button. With a final ruffle of his flattened hair and a crack of his neck, he's ready for total immersion.
Pushing the curtains aside, he crosses the threshold. There's no turning back now.
The seductive ambiance immediately invades every one of his senses. There's red everywhere. The spacious room holds the key to subliminal distraction, from the ruby wallpaper to the vermillion leather booths. It's a sub-rosa room where players can have fun after dusk. Every soul that wanders in leaves with a newfangled perspective on the divine beauty of women. At least that's what Harry left with the first time he traipsed in as a fresh face from Europe, a wax-sealed invitation in his hesitant grasp.
He wouldn't call himself a loyal customer, per se. He's not dependent on the half-empty glasses of Yamazaki malt whiskey presented to him on serving trays, only to be respectfully declined. Nor does he come for the puffed cigars and joints perched between persuasive fingertips and lips.
No, it's the stage in his peripheral he floats toward. It's where his desire lies.
His Sakura.
She's on the round stage amid her nightly performance, one leg hooked around a silver pole protruding from the middle of the platform. A red spotlight shines down on her contorted body, her limbs reaching out like slender branches of a cherry blossom tree. Her long hair is snaked into six braids, four twisted up high and two tinier ones falling over her forehead. The audience of men, some standing close and some sitting in booths, piercingly whistle over the loud music while throwing wads of yen at her when she spins into an upside-down position with ease, gripping the pole using just her ankles. It gives everyone a full view of her leather bodysuit, the glossy black material with cutouts revealing peeks of smooth, brown skin.
Harry stuffs a hand in his pocket and lingers at the back of the club where no one can pester him with invasive questions about his intentions. They don't understand. He's not here to 'get some,' as they often assume. Sure, he'll leave the place feeling satisfied, but they don't know he gets to take home the woman they're currently fawning over.
Her pole dancing performance nears its end, with a final layer of smoke hovering over the circular platform. The mystique she exudes as she slides into an effortless split is tantalizing. Harry swallows thickly as his hand curls into a fist, every fiber of his being practically itching to be alone with her. He never grows tired of watching her, yet he's utterly addicted to what happens in their designated private room.
The red spotlight switches to a bright white, and his Sakura smiles dazzlingly while collecting the bills thrown her way. Harry smirks and applauds, then pushes off the wall to give her his own special offering. This part seems to always occur in slow motion for him. His eyes are locked onto her as he waits until she catches his hypnotic gaze. He weaves through the crowd while chewing on his now flavorless gum, mumbling apologies when he bumps into people's drunken sways until he finally reaches the stage. Slightly opening his suit, he reaches into the interior breast pocket and pulls out a plucked cherry blossom. Technically speaking, he breaks the law every time he acquires the pink symbolism of human existence, but it's of little consequence to his morals. He has much worse crimes under his belt.
Harry gently holds out the blossom amidst flying yen, a pastel pink delicacy in a sea of brown riches. The following moments play out like a scene in a movie. Time seems to freeze as he homes in on the sound of her high heels clicking closer. He steadily looks up, taking in her tall legs and heaving chest. She tucks a few yen in the tight seam of her bodysuit, then provides him with her undivided attention.
"For me?" she mouths over the deafening music.
His lips break into a wide smile at the sound of her euphonic voice he so longingly missed. "Always for you."
Bending down, she takes the cherry blossom from him and brings it under her nose. Her eyes flutter shut as she smells the fragrant flower. It's flattering that no matter how often she's received one, she still sticks it behind her ear like she does now.
The surrounding men marvel over her, but they'll be distracted soon enough. Two more poles emerge from the stage, and a group of stripper girls come out to continue the regularly scheduled show. Harry doesn't lose focus on his Sakura, simply backing away slowly and jerking his head toward the VIP rooms. It's a drill he aims to follow through with zero problems arising. Almost everyone here is a stranger, so that means they cannot be trusted in the slightest. It's why he doesn't speak to them. If any outsiders find out about the dirty business he deals with on the side, it's a downhill slope into deep trouble.
Harry stops at the opposite side of the room and faces another security guard, but this time, it's one he knows quite well. "Ryōji," he says while bowing. "O-genki desu ka?" (How are you?)
Ryōji bows and withdraws a small gold key from one of the ten hooks behind him. "Okaeri nasai," he responds. (Welcome back.)
Welcome back, indeed. Harry quickly glances around and then places a heavy hand on Ryōji's shoulder, leaning in so no one else can hear him. In English, he murmurs, "We've got another one out back. Do you think you can get some men to handle it before sunrise? I'll have the money sent to you by next week."
The deep inhalation Ryōji takes always makes him nervous. A dreadful silence passes before he says, "Yes, sir. Any special instructions?"
Harry gives him a friendly pat on the arm and takes the key. "Just the usual. She already took care of the hard part."
"As you wish."
With that, Harry gratefully nods and then walks into the back area, where several red doors, some open and some closed, present themselves in a semi-circular fashion. Steering to the right, he throws his gum away and goes to the door with a black '七' on it.
Lucky number seven for a joyride in heaven.
The room is a perfect size, with curtains hanging over the walls for a more intimate experience. Two velvet couches are placed on either side, and a table with glasses and a bottle of an unknown alcoholic drink sits nearby. And, of course, a red light emits from the low ceiling.
Harry gets comfortable, tugging his pant legs and sitting on the plush couch. Precious time ticks by, the songs slowing into more sultry beats as he waits. He checks his diamond-encrusted wristwatch — it's half past midnight, yet he doesn't feel tired. Maybe it's the adrenaline coursing through his veins. Only the mysterious aura of Tokyo can bring him an electric charge like no other.
At last, Desiree struts into the room and daintily falls sideways into his lap. Her stripper name is Sakura, but her real name is used when she's alone with him. She jumps right in and holds his scruffy cheek, kissing all over his face as the red lipstick she wears stamps evidence on his flushed skin.
"I've missed you," she whispers in his ear.
Harry holds her waist and rolls his hips for some relief. "It's all my fault, isn't it? I've been so busy."
Desiree takes the key from him and quickly locks the door. When she returns, she straddles him and says, "You came back to me, though."
He nips her neck, short and tender. "I got your text message and flew straight here."
She grips his chin. "That message wasn't about seeing me."
Harry swallows thickly, his throat suddenly parched. "We don't need to talk about that right now," he murmurs.
"But it will be dealt with?" she asks, her eyebrows dipping with concern.
"Yes, my love."
"Okay." She gently passes her thumb over his eyelashes like they're pages of a well-loved book. "That's all I need to hear."
Harry distracts himself from the dangerous subject by twirling one of her braids around his pointer finger. "I like it when you wear your hair like this, Desi. So pretty."
"Yeah?"
"Mm-hmm. I've gone far too long without you."
She begins loosening his tie. "Tell me what you need."
Sifting through his brain, Harry contemplates his options. The club doesn't allow actual intercourse inside its perimeters, so there are limited, albeit creative, methods that are used. Desiree once told him that the strippers are given a manual of all the diverse ways they can please a customer. There was a specific one he heard her briefly mention in passing. At the time, he was too shy to ask for more details, so he went home and researched the term. Needless to say, it sounded worthwhile.
"Can I have the... red light special? Is that what it's called?"
Desiree smirks and remarks, "That's new. You've never asked for that before."
He blushes with a lackadaisical shrug. "Sorry. Being edged just sounds really fuckin' good right now."
"Why are you apologizing?" She pushes lightly on his chest so he can comfortably lean against the couch. "Relax. Let me take care of you."
Harry couldn't possibly argue, especially when she doesn't waste any time and starts with a green light. Gripping his shoulders, she smoothly rocks into his body with quick movements. His hands knead her ass, the bodysuit bestowing the perfect amount of skin for him to grab. The tension in his muscles alleviates as she applies pressure to his growing bulge, every perpetual grind making him harder by the minute. His eyes and neck roll back, and he forgets why he was ever stressed hours prior and instead succumbs to the satisfying ache she provides him.
"Oh, my God," Harry moans, spreading his legs further apart. "Fuck, Desi, you feel so good. I'm all yours."
She bites her bottom lip and moves her hips counterclockwise. The switch has Harry gritting his teeth. Shuddering, he opens his mouth and pathetically whimpers while running his hands up her clenched thighs. He feels hot — sweaty, sticky, and salaciously hot. He's burning in a blitz of fiery passion.
Yellow light is when Desiree slows down, still grinding swivels over his pelvis. The throbbing of his cock ceases, and the buildup disappears momentarily. Her back arches as she uses her height over him to palm him with her hand. Leisurely, she squeezes where the head of his cock is through his pants, and a sensitive tingle rushes down his spine as he bites down on his knuckles to suppress his pleading noises.
"Does that feel nice?" she asks, kissing his slack jaw.
Harry's face crumbles in submission. "I need to come. It feels so tight, I- I can't take it anymore."
Red light. He knows he asked for it, but when she stops moving and stands before him, he reaches for her absent touch. "No, come back. C'mon, please. Stop playing around."
She ignores him and kneels on the ground. With one finger, she trails it up his inner thigh until it reaches his covered cock. She fondles with the length of it, erotically squeezing in all the right places while looking at him with eyes of a rich brown color. He often dreams of her mouth puckered around it, wet lips and hollowed cheeks making him fall apart.
Suddenly, his tie is removed, and Desiree holds it up. "Are you ready?"
"I'm so close," Harry breathes out. Inhaling sharply through his nose, he adds, "You're so gorgeous, do you know that? Got me... shit, I'm absolutely aching for you."
She stuffs the tie in his mouth and finally straddles him again, riding his thighs to bring him to his peak. His moans are muffled against the fabric as she gives him a lap dance, her body rolling to the R&B music from the distant speakers.
It doesn't take long for Harry to come, a damp spot forming on his pants shortly after. Every part of his body feels light as he spits his tie out, breathing heavily. He really needed this.
"Ready to leave this place?" he asks, touching himself until he's soft and able to walk.
Desiree kisses him, her tongue delving into his mouth, before nodding. "Are you taking me on another joyride?"
Harry smirks and wipes off the lipstick stain she left on the corner of his mouth with the pad of his thumb. "Full throttle, baby."
——
デザレイ
The first thing Desiree sees when rounding the corner of the alleyway is a parked Kawasaki motorcycle.
The rain has let up, only a light drizzle now falling from the starlit sky. People still pass by with umbrellas, minding their business. The lights outside are stimulating, with signs above casting fuchsia pink and Prussian blue hues over her and Harry's faces. The air reeks of gasoline and smoke, vehicles racing past to hop on the expressway. It's a city of nocturnal souls who get off on cheap thrills, and she couldn't help but get hooked on the appeal. Night crawling on a high-speed bike through the neon streets is the most thrilling adventure she can imagine.
Harry rents out a different motorcycle every time he visits. When they first met, he told her he owned a marketing firm in London, so he had the money to afford such luxuries. The first time he walked into the club, she thought he would be like everyone else — a drunk and lonesome man needing attention. However, he was actually a man of innocence who stumbled upon an underground scene he wasn't expecting. She saw the intrigue in his eyes and taught him how her world worked. She let him choose what he desired without taking advantage of him. She trusted his intentions and let him see every side of her, saintly or sinful.
Their journey leads to the eager way he's looking at her now, one gloved hand holding out a helmet and the other gripping the motorcycle's handlebar.
"Ladies first," he says with a playful smile.
Desiree tightens the belt on her blood-red leather coat and puts the helmet on. It rubs uncomfortably against her hair, but she's not one to place beauty above safety precautions. She then hikes a leg over the back seat, and Harry does the same motions while straddling the front seat and starting the engine. It rumbles to life when he squeezes the clutch, and he attractively revs the engine three times.
"All good?" Harry calls out behind him, using the back of his shoe to kick up the kickstand.
She wraps both arms around his waist and props her chin on his shoulder. "So good."
Reaching back to squeeze her thigh, he speeds into the fast lane. For the next twenty minutes, the brisk wind blows in her ears, and the feeling of flying overtakes her entire body. She spreads her arms, and Tokyo comes alive just for her, blurry colors whooshing past as they accelerate through traffic on the winding expressway. They ride out of the district and towards Marunouchi, where the Shangri-La Hotel is located. With five stars and eleven floors of pure splendor, it's the best place to have a late-night rendezvous.
When they eventually pull up to the hotel, a rectangular building made entirely of glass panes, Harry parks the motorcycle and kills the engine. Desiree carefully removes her helmet and fixes her hair the best she can. Her makeup feels tacky against her skin, but the cool air of an autumn night is refreshing. She looks over to see Harry do the same, his hair sticking up every which way. He sheepishly grins at her and rolls his eyes.
"Hurry up," Desiree says through chattering teeth. She bounces on her heels, feeling the ache travel from her ankles to the tips of her toes.
"All right, all right," Harry mumbles jokingly, holding his hand out. "I'll have a word with Raijin about the inadequate weather."
"Studying Japanese deities, are we?"
Interlocking her numb fingers with his, they head inside the lavish lobby and take the elevator to the seventh floor. The ride is quiet, and exhaustion finally catches up to them. After six beeps, a more prolonged one sounds, and the doors slide open. They walk down the narrow hallway to the back, where the suites are located. Harry swipes his key card and twists the door handle to go inside, Desiree following closely.
The suite is as tidy and stylish as one would expect from a businessman staying there. Two designer-brand suitcases are stacked in the corner by the running air conditioner. A housekeeper must have cleaned and organized his belongings. Crisp white sheets on the king bed look quintessential for bundling up in.
Desiree removes her heels and flops on the firm mattress. She blearily watches Harry open the mini fridge by the door, hearing the clink of beer bottles. Her assumption proves correct when one is thrown beside her, yet her body has no energy left to open the cap and drink the bitter liquid.
Harry takes off his suit jacket and button up, then sits against the headboard and spreads his legs on either side of her sprawled-out body. He takes a swig of beer, his jawline sharp and his throat bobbing. His bare torso, decorated with tattoos, looks like the perfect pillow, so Desiree shimmies upwards to lay her head on his abdomen. She listens to his subtle breathing.
"So, how'd you kill him?"
Well, that's one way to initiate a conversation. Desiree snaps her eyes to his, staring at him a little funny due to her position. "Katana," she answers casually. "Quick and easy."
He hums, sets his beer on the nightstand, and then delicately untangles her two front braids. "Made a mess, huh? Ryōji's men won't be too happy about that."
She fidgets with one of her loose acrylic nails. "They've dealt with worse cleanups."
She knew what she was getting into when she decided to work in Tokyo's Red Light District. There's no way to sugarcoat what goes down in the alleyways. It doesn't feel like a crime to her if she's getting rid of the bad guys. It's justified in her mind.
Harry moves his hands to undo her bigger braids. "I know," he says softly, "but it's getting riskier. And more expensive on my end."
Sighing, Desiree replies, "Asphyxiation is so boring, though. I like my swords."
"Desi, I'm serious." He tilts her head to look at her straight on. "It worries me when you do those types of killings, and I'm not here to handle the outcome. What if something were to go wrong?"
She frowns. "We're a team. You flew out to me without hesitation when I told you my plan."
"Yes, but you act on impulse sometimes," he says, putting her elastic ponytail around his wrist. "I can't always do that with my job. You're lucky I was available."
"So, you only came to help with the repercussions? Not to see me?"
"You know that's not true. If it was, I'd be on a plane back to London right now instead of spending the night with you in Tokyo."
"Just making sure," she says with a hidden undertone of insecurity.
Once all six braids are out, her hair frizzy and free, Desiree sits up and takes her suffocating coat off. Underneath, she has a more comfortable outfit that she changed into before leaving the club. She internally debates whether she wants to go through the hassle of taking everything off, but before she can thoroughly weigh her options, Harry reaches over to open the nightstand drawer, pulling out something crinkly.
"I, uh, bought some makeup wipes," he explains while fidgeting with the package. "I didn't know what brand you use, but it's coconut, and I know you like coconut rum. There's no correlation, but it's the thought that counts, right?"
Desiree is speechless for a moment. This is the first time he's done something like that. "Th-thanks. Can you help me take it off?" she suggests quietly.
"'Course. Scoot over."
She takes one side of the bed and sits cross-legged in front of Harry as he plucks a wipe. He folds it into a compact square four times and then hovers it over her face. His gaze wanders a bit before he starts gently swiping under her eyes.
He speaks up again once the air conditioner clicks off. "Can I ask, pray tell, why you killed him?"
Desiree breathes out a laugh. "Funny," she says as he scrubs the pigmented blush off her cheeks. "I remember when you couldn't even stomach asking me that question. Now you do all the dirty side work."
Harry shrugs. "You're a bad influence."
Sage advice from two people who dabble in reincarnating as a more sadistic Bonnie and Clyde: It's remarkably more fun to have a loyal partner in crime than to be a lone outlaw.
"Let's see," she muses with a dramatic flair. "His name was... fuck if I know. All I was told was that he was a gang member who lured young girls in and brainwashed them into committing crimes around Shinjuku for money worth jack squat."
"Jesus. What about the other gang members?" he asks, wiping her smeared lipstick off.
"I'm not too worried about them. They would never suspect a stripper at Joyride killed one of their own. They'll probably assume it was another gang's doing."
"That's a relief." Harry yawns and tosses the dirtied makeup wipe into the nearby garbage. "All right, I've had enough of killer talk. Shall we get some sleep?"
Desiree grins tiredly and touches the smoothness of her bare face. "We shall. My body aches."
Stripping takes a toll on her joints and muscles, especially since she incorporates performance art into her dancing. Untreated strains and torn ligaments have been left in the past due to years of training, but residual pain still lingers each night when she steps off the stage.
Once they're comfortable under the sheets, Desiree curls into Harry's warm chest. "When do I have you until?" she asks reluctantly.
He wraps an arm over her back and says, "Tomorrow night."
She recounts all the times he's had to catch a red-eye flight immediately after they would arrive at the hotel. Tonight, she's lucky she gets him a little longer than usual.
"It's better than nothing."
Harry scrunches her hair and leaves a long kiss on her temple. "You can always come back to Europe with me," he murmurs. The scent of beer wafting in his breath is mouth-watering.
Desiree shakes her head solemnly. "I can't. I belong here."
"I understand." She feels him smile before kissing her head once more. "A cherry blossom should stay in Japan, right?"
"Very clever." She closes her eyes. There's an elongated pause of internal reflection before she continues. "Listen, I don't want you to feel trapped. I don't want you to feel like I'm using you."
Harry rubs the sore muscles around her shoulder blades. "I don't feel that way. I chose to get involved with how you live your life. If I'm being honest, I quite enjoy the danger of it."
It's easy for him to say when he only has to deal with the business side of it. A pipeline of recruitment occurred where Shyla loosely hired Harry to hire men who would dispose of the dead bodies she threw in the dumpster behind the club. No one dares to roam that haunted alleyway, which makes it the most adequate place to safely hide a killing. Then, he pays them handsomely in cash for successfully completing the treacherous deed.
Desiree cups his cheek and whispers, "Please... just tell me if it ever gets too much and you want out. I'll find someone else."
"It's never too much when your intentions are good."
It's not enough. His safety is her top priority.
"Tell me to stop, and I will," she says sternly. "Give me the red light, and I'll go to Europe with you. You can show me Buckingham Palace and that stupid clock—"
"Desi," Harry interrupts with a thumb against her parted lips. "I will tell you if it gets to that point, okay?"
She takes his large hand and holds onto it like it's the last time she'll ever touch his skin. "Promise me."
"Yakusoku." (Promise.)
His spoken oath doesn't mend the problem she has with herself. There's a constant battle whenever she thinks too deeply about what she participates in. She questions whether it was a mistake getting involved in cover-up assassinations and bringing Harry into it. He used to be innocent. Someone who discovered the darker side of Tokyo and is now stuck in the whirlwind of her immoral faults. Did she make him into a brand-new person? A monster? One that knows her crimes and prevents them from becoming exposed?
Is it wrong that she fell for him in the process?
She can never tell him. No, that would complicate things beyond the boundary lines she drew for herself long before she met him. There are too many risks when feelings are a factor — risks of turning on each other if there are relationship issues. Then there's the plain and straightforward risk of barely seeing each other in person. It's all too poisonous of a pool to dip her feet into. Her guard is up, and it's not coming down for anything or anyone.
However, as Desiree drifts into a dreamland, she realizes her guard is lower whenever Harry is around. With his fingers soothingly scratching up and down her aching spine, she doesn't feel the uncertainty that always clouds her mind when he's not beside her. It clears when she awakes to the smell of brewing coffee and room service breakfast on a cart before she can even open her eyes. It gnaws at her boarded-up heart until the pieces chip away. What's left is a vulnerable girl who seeks refuge but can't leave a place of fortune and frisson. She's a moon in broad daylight.
Does she want to be saved? Or does the red light call her name for a reason?
——
#harry styles fanfic#harry styles imagine#harry styles au#harry styles x oc#harry styles smut#harry styles one shot#harry styles#adore-laur#joyride
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Happy 1 year anniversary to my 1987 Japanese 62 reissue P-Bass finally becoming the 60’s spec vintage dream it should’ve always been 🥰
Full list of mods/upgrades:
- custom made ‘62 spec pickup
- vintage spec threaded barrel bridge
- 60’s position thumb rest/tug bar
- Fender USA tortoiseshell scratch plate
- Chrome “ashtray” bridge and pickup covers
- Labella .45-.105 flatwound strings
#bass guitar#fender precision#vintage#classic#retro#60s#sunburst#music#aesthetic#photography#mine#personal
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intro thingy
yeah so, don't really know what to put here. and making one feels a little too self-indulgent... anyway, you can call me ame, for short. I'm 32, and often talk about my identity here, and proud of it: I'm transfemme (she/her pronouns ONLY, please), sapphic, lesbian, and polyamorous(taken, only sort of looking). Heeeeeeeella mental and physical health issues but I'm a cutie patootie at least c:
My hyperfixations/obsessions include:
• CRTs📺, VHS📼, obsolete and obscure media formats, lost media, media preservation
•vintage technology (A/V fuckery, VCRs, the other stuff mentioned above and below
•Retro games🕹️, especially rarely known (and usually "bad") consoles, and even MORE love for weird handheld games of a similar caliber. (Grew up with Namco, PC, GBC/A, NES, N64) Also game collecting but that's on hold for a bit
•🏹🧙♀️⚔️OLDSCHOOL RUNESCAPE⚔️🧙♀️🏹
•🎮Pokemon and Pokemon rom hacks, N64 rom hacks, anime art, 🌸magical girl anime🌸, shoujo ai👭
•lots and lots lots and lots lots and lots of music. My usual wheelhouse is any and every flavor of emo💔, punk🧷, post-metal, dream pop☁️, ethereal darkwave🖤, shoegaze⛈️, breakcore, drone music, bubblegum bass🫧, I could talk your ear off with this one (and that's not to say I wouldn't with the others)
•Guitars🎸, synthesizers🎹, lots of types of instruments really, and I play several myself
•cute animals 😻🐓🦜🐁
•cooking👩🍳, and 🍰🍪🍞baking(and I'm pretty good at it!), especially from most any Asian country, my favorites are Thai, Japanese, Mexican, and Vietnamese, and I'm vegan so it's fun to experiment with new recipes and see what I come up with
(yeah this was long winded, sorry bout that)
I'm cringe but I'm free
My tags I frequent: silly sapphic, transfemme, t4t, emo grrl (I grew up with a lot of emo, but also metal and punk), MDD (major depressive disorder), depressing thoughts, dysphoria, sapphic idiot
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Wayfaring — Intermezzo (Allos Documents)
Intermezzo is the second album by Wayfaring, a boundary-crossing jazz duo that originally formed in Chicago. The combo emulates the city’s best traditions by simultaneously showing their roots and not sounding much like any other band from Chicago, or anywhere else for that matter. It comprises James Falzone on clarinet, penny whistles and shruti box, and Katie Ernst on double bass and voice. While they were born in different decades, there are strong parallels in their aesthetic and professional pursuits. Both are educators, each has robust experience leading church ensembles, and they are both inclined to combine jazz with elements of classical and folk music. Additionally, they both students of poetry, from which they derive an attunement to spare, concentrated gestures. Since first convening in 2015, Ernst and Falzone have nurtured a partnership that’s survived both the latter’s departure for Seattle, where he is the academic dean at Cornish College of the Arts, and the pandemic.
The titular term, which is also the name of one of Ernst’s compositions, refers to a smaller piece of music situated between larger, related movements. Maybe it’s a humble acknowledgement Wayfaring’s place in each musician’s busy schedule? Or, since intermezzi often perform a connective function, perhaps it’s a way of noting how Wayfaring binds disparate elements into a cohesive musical whole. Falzone and Ernst can cover a lot of ground within a single tune. The inaugural strum of Ernst’s bass on the opening tune, “Bounce,” hints at the blues. But the ensuing string and clarinet figures dip and dart in close formation with chamber elegance and lived-in sense of swing.
The album doesn’t stay in one place emotionally, either. With its jaunty melody and springy rhythm, Jimmy Giuffre’s “Gotta Dance” fully lives up to its name. But “Flow My Tears,” a lament of Elizabethan vintage, plumbs a desolate vein of grief. And Falzone and Ernst know how to extract maximum impact from a good murder ballad; their performance of “Who Put The Blood” imparts a gravity that does full justice to the lyric’s exacting analysis of the web of pain, loss and disruption that can radiate from one violent act. And scattered throughout the record are brief, numbered pieces entitled “Tanka” after the Japanese poetic form, that manifest the compositional minds that guide Wayfaring’s improvisations.
Bill Meyer
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🌻
(A third one!)
In the Bocchi the rock anime, Hiroi Kikuri is show to use a Yamaha TRB 1004j NT bass throughout the show, but in the manga she only shown to use it for her live show! The bass she shows off to Bocchi and uses during the street live is based off a vintage '53 Fender precision bass. I say based off because despite it being a nearly identical match, the one shown in the manga has a slightly different head shape and pick guard. Normally a difference like this is negligible, but given the fact that Hamaji-sensei plays and has extensive knowledge about the bass guitar plus her track record of portraying instruments details down to a tee, I'm inclined to believe it may be an early Japanese clone.
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Boris 5/23 @Proxima, Warsaw
Last time I saw Boris live was in December 2019 and that was also the first Japanese band I had the chance too see since pandemic started. Needless to say – I was very excited about the gig. I didn’t plan on it, but for some reason I entered the venue first (I’ve never had a ticket number that would be A1 in Japan), and despite running to merch stand first, I still managed to secure a spot in first row, right in front of mic stand. Which is exactly where I wanted to be, knowing that for this tour Atsuo is not playing drums, but being strictly band’s frontman and doing vocals.
Merch wise – I was pretty upset when their staff told me that caps didn’t make it on time for the gig. I really wanted to buy one with Amplifier Worship Service, guess I will have to order it online from their EU store. But I got other items I really wanted – the tour t-shirt with the leopard (love love love the design), I got a patch for my battle vest, pins, stickers (because I also need my laptop to look sick with those) and then I decided to buy a polaroid with the whole band and their autographs; I recall this is pretty rare stuff to buy (price wasn’t that bad? It was 100 PLN per polaroid, I think that’s fair).
Boris is known for bringing less known Japanese bands on tours with them, so support for this part of their European tour was 明日の叙景 (Asunojokei) – fairly new band playing post black metal. I’m not that much into this type of music, but their show was good; I was especially impressed with the vocalist and his general vibe. At the end of their set I snatched the setlist, so I can listen to the exact set later.
Pic from 明日の叙景; it was so easy to spot myself but of course they picked one where my eyes are closed. Oh well.
When time came for Boris, I was so ready. In 2020 they released album NO and that was like my favourite record from that year, it’s so heavy and energetic, I was hoping they would go on tour with this stuff and guess what – it was happening! They played mostly songs from the mentioned NO but also from Heavy Rocks released in 2022 (on my birthday, to be exact! August 12th). I think that’s a perfect super heavy mix. Knowing what to expect, I was preparing myself mentally for their show, but jesus fucking christ – it was so much better than in my imagination.
First of all, being in front row, it wasn’t difficult to get Atsuo’s attention. Guess me willing to give the band my all, to headbang until my neck cracks, to scream their lyrics didn’t go unnoticed. With Atsuo stepping onto the podium in front of the barriers, I didn’t expect anything less than him taking my hand a couple of times; during another song he was having an emotional moment and he fucking cradled my face with his hand, that caught me so off guard but I mean – no complaints. For Fundamental Error I really did my best with singing along and Atsuo fucking held the mic to my lips during chorus. That was well. Also unexpected, but if he wants you to do shit, you just do it. Do I fall for this type of interactions with audience? Absolutely! At the end my efforts were rewarded – for the last song Muchio, the support drummer, left the stage and Atsuo finally sat behind drums. He used the gong behind him (as usual) and poured his heart out on drums when they played Farewell; and as the song and the show finished, he got both of his Pearl gong mallets and gave one to me and the second one to a woman next to me that really was competing for attention.
Some other highlights from the set – I loved their black outfits, I was really fascinated with Wata’s heels, her shoes looked so cool. And while I love watching her absolutely kill it with her vintage Les Pauls, my eyes were drifting to Takeshi (when I was not looking at Atsuo, which was 90% of the time). The double neck bass/electric guitar just looks so fucking cool when he’s playing it and he has got some amazing moves. I was so so sooo happy I got to hear (and sing!) Kikinoue live, that was my dream ever since I heard this song for the first time. Nosferatou was also amazing live, I love how their slow drone tracks feel like being wrapped in a warm blanket of sound. I sure am glad I wore earplugs to the gig, I think I would have not survived in the first row if not that.
Below's the setlist. Encore was Farewell, as mentioned.
After the show I did something that I’ve not done before – decided to wait outside the club for band to come out, because I really needed to talk to Atsuo. I have hinted it a few times already in my posts, but basically on the fanclub platform I’ve asked Morrie if he’d like to go on tour with Boris as their support, to which Morrie very enthustically said that he would love to and he is simply waiting for invitation. Knowing that I could get a chance to talk to Boris about it, how could I not at least try? Also – I’ve made a connection recently, befriending a guy that knows both Morrie and Atsuo privately; the guy and myself really get along and upon hearing that I’m going to Boris show in Warsaw, he decided to text Atsuo and let him know I’d be there.
The wait outside of venue was almost an hour and I almost gave up (not because it was cold; I was just tired after two shows), but then they came out! I nearly ran to them, not risking I miss a chance to speak to them. One good thing about me is that I’m stupid brave, which means that if I get a chance to talk to a musician, then no matter how anxious and silly I feel, I will fucking do it. So I just came over to Atsuo, being full on „hey, do you have a minute? Our mutual friend K-san was telling you about me, I think”. It was so worth to wait for an hour on the back of the club to see Atsuo’s face light up with „oh right! You’re Cherry, nice to meet you”. (DEAD ON THE SPOT!) I passed him the message from Morrie, he laughed about that enthusiasm. We chatted just for a minute or two more and when I was already bowing and wishing them a safe travels for the rest of the tour, Atsuo was like „don’t you want a picture? Come on!” and suddenly we were taking the group shot. That was not on my bingo card for the night. Did I crop the pic from my own instagram? Hell yes, I am a lazy goblin.
It’s safe to say it was easily the best Boris show I’ve been to and I am just already impatiently waiting for them to come back for a show (but this time with Morrie! Come on…).
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of Tropique - Buster Goes West - Tokyo band’s playful mash-up of South American, Caribbean, and (spaghetti) Western musical styles
Debuting on Electric Cowbell Records, comes the first full-length release from Tokyo’s “of Tropique!” A marvelous album full of wonderful and eclectic tropical-infused instrumental tunes. Teppei Kondo’s spirited vintage clarinet often takes centerstage, propelled by a pulsating rhythm section that includes guest spots from guitarist Rolando Bruno and percussionist Mutsumi Kobayashi from Japan’s premier neo-Cumbia group, Minyo Crusaders. The sound of the album is impossible to describe in words, it is lovely throughout, and has a playful, exotic vibe that echoes old cartoon and spaghetti Western soundtracks with a particular Afro-Caribbean flair. “Buster Goes West” is a fearless album filled with lots of turns and twists and a special magic like an imagined voyage through tropical islands where each shoreline reveals a zany new discovery that will leave you wonderstruck.
of Tropique is a Tokyo based instrumental band formed by four crazy Japanese who play clarinet, guitar, bass, drums, percussion, keys, and lots of other stuff. Their music is pop, funky, exotic, and weird enough to take you on a little trip to the peculiar side of Tokyo, one of the most bizarre cities in the world.
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Maya Ongaku :: Approach To Anima
From a studio tucked away in the back of the Ace General Store, a beachy vintage shop some 60 miles inland of the seaside coast of the small Japanese island Enoshima, emits the smoky, alchemic jazz-folk of maya ongaku. A trio of childhood friends—Tsutomu Sonoda on guitar and vocals, Ryota Takano on bass, and Shoei Ikeda on percussion and synth—the band feels fully at peace with itself on its debut album, Approach to Anima, released last month via Guruguru Brain.
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youtube
[Bass Boosted] Japanese [Japanese Type Beat] {Prod.by LOGA4}
#youtube#bass#bassboosted#japanese#typebeat#drillbeat#rapbeat#bassbeat#japanesetypebeat#trapbeat#music#grunge#grungebass#youtubechannel#aesthetic#vintage#wallpaper#samurai#katana#anime#instrumental#freebeat#naruto#sasuke#freeanime
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conan gray. he/she/they. genderfluid. ›spotted at the met steps , achilles antinous andō , most likely listening to timezone by måneskin with their airpods pro . the twenty-four gained quite a reputation , known to be -reckless yet +bubbly to anyone who knows them . you'll easily spot them when you hear about thrifted vintage clothes, especially from the 1970s // calluses on your fingertips from years of playing bass // a case with stickers plastered all over it, one from each stop on your tour // shared looks across a recording studio , followed by diorella by dior . latest nepoupdates article talks about achilles spotted sneaking out of band’s latest recording session before the rest of their bandmates wrapped up , but i guess any reputation is good reputation . ( muse 2s, subplot 21 )
DEMOGRAPHICS
name: achilles antinous andō
nicknames: none (? might be some that his bandmates call them)
age: 24
gender: genderfluid, he/she/they pronouns, use interchangeably.
occupation: bassist for lorem ipsum
sexuality: pansexual/polyamorous
residence: shared apartment with some of his bandmates
languages: english / japanese / italian
social class: upper middle turned upper
education level: high school diploma
APPEARANCE
height: 5'9"
build: muscular, but not too muscular. androgynous, just the way she likes it
hair: black, shoulder-length curls, has a routine but doesn't always stick to it, shag cut.
eyes: brown (almost black regularly, in direct sunlight golden-brown)
piercings: both lobes & their septum.
tattoos: just one - the name of the band's first album down his right forearm.
PERSONALITY
+ bubbly, creative, loyal, fun-loving, spontaneous
- reckless, overindulgent, inattentive, disorganized, gossipy
aesthetics: thrifted vintage clothes, especially from the 1970s // calluses on your fingertips from years of playing bass // a case with stickers plastered all over it, one from each stop on your tour // shared looks across a recording studio // sitting outside in the summer // smoking on a fire escape // a bedroom filled with plants // ice cream sundaes melting in the summer sun
PEOPLE TO KNOW (NPCs unless otherwise noted)
nora walsh (andō), teacher mother
makoto andō, professor of ancient history father
muses 2q, 2r, 2t, 2u, 2v - bandmates (player characters)
SKILLS, HOBBIES, MISC INFO
hobbies ;; journaling (both bullet journals and regular old journaling), taking care of her plants, thrifting, doodling, sidewalk chalk.
likes ;; music (making & listening to), cuddling, modeling, summertime, wintertime, pastries, doritos, ramune soda, flowers, collecting shiny things (they will pick up a bottle cap from the pavement if it catches their eye), playing to sold out crowds, film cameras.
dislikes ;; tension within the band, flying on planes, keeping secrets, feeling like days are being wasted, waking up any later than 8 am.
style ;; loose, flowy, gender ambiguous. thrifts most of her clothes, loves to stick with a 70s aesthetic, makes sure the bands' styling team knows this.
ABOUT
born definitely somewhere ! AGAIN I AM LEAVING THIS IN YALLS HANDS DECIDE WHERE THIS BAND IS FROM achilles was a fun loving kid, very much one with nature, loved to be barefoot, climb trees, go swimming in lakes/ponds/the ocean?.
she was quick to make friends in school, and could easily slot himself in with any friend group he wanted to, but her closest friends had always been muses 2t-2v.
picked up music from an early age - his mother had been a violinist in college, and his father played the flute for years. bass wasn't his first instrument, but it was always their favorite. he feels like he's irreplaceable to the band, at this point, despite the common stereotypes that the bassist is always the easiest one to find another of. she's got a loud personality on stage that shines through while she works.
when they were asked to join lorem ipsum, obviously, they said yes. the opportunity to go on tours, see new cities, write music with their friends - who didn't want to be in a band? they started out in their hometown, and then the band moved to new york three years ago, taking off since then.
they're happy. that's what matters. achilles could think of nothing better than living and working with her best friends in the world, making music that he's proud of, despite recent... tension.
#nepofm.intro#this will definitely get longer when im not sleepy and braincellless#also when the other band members join !!
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Some Cool stuff out there.
The local "classic Audio" emporium has quite a selection of amps there.
There are no fewer than 10 Crown Amps including d150s and d75s and two d300s. Must have stripped a recording studio. Crowns are full steel toe certified professional units. Even golden ears years ago had to give them their due.
Also a few Bryston and a Classe for around a kilobuck. Bryston 4bs go for 900 to 1300 depending on the vintage. 3Bs are about 30% less at half the Watts. Two excellent Canadian brands.
There are also a smattering of Japanese beasts. A Nikko and a couple Pioneers are there. Big companies can do it too.
What actually caught my attention had already sold or at least was laid away. It was a Pioneer compander. For those unfamiliar they are devices that either compress or expand the dynamic range of a recording. Often they do both with a twist of a knob in the correct direction. I once had such and actually sold them years ago at this same shop. They were DBX brand.
Oooh they have dbx too under miscellaneous.
They are interesting and can improve a shitty recording if it has been over compressed. I even have a DBX encoded LP that needs a processor to make it sound anything but shit. I could use one for that Carly Simon LP I bought as it is way too compressed.
What these things do is vary the gain by the incoming volume. An expander increases the gain as the volume increases, and compressor does the opposite. Many studios and mastering shops cheat on recordings using these things. Compressed tracks may sound better in a car or in a place with lots of noise like a club. There are no audiophile level machines. ICs and Opamps abound.
When I had them (two actually) I was naive as to the utility but they had some cool flashing lights.
The dbxii was for the LP decoding and my Reel to Reel tape machine. The 3BX was for the whole system. I also had a DBX subharmonic Bass synthesizer which was not bad. That was before my franken amp and my tube amps needed help.
I am glad I grew out of that phase.
On Craigslist there are not one but Two ARC Tube amps! One is 100 Watts per side and the other 60 Watts. Each were 2700ish bucks. If I won the lottery I would be tempted just for nostalgia's sake. They have a particular voice, but I like it. That is still a lot of glass.
#audio research#dbx#what's in the audio market today#cheap audiophile#high end audio#dynamic range processor
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