The Baptism of Christ, Paolo Veronese (Paolo Caliari) and workshop, ca. 1580-88
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Scorn, Paolo Veronese, 1575
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Arsen Savadov (Ukrainian, 1962), Siamese, 2018. Oil, 160 x 147.3 cm.
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paolo veronese, four allegories of love at the national gallery uk
These four paintings by Veronese concern the trials and rewards of love, although their precise meanings remain unclear and have been much debated. [...] The compositions are designed to be seen from below, so we know the paintings were intended for a ceiling or a series of ceilings. The lower parts of the compositions seem to have been cut, and in several cases the feet of the figures are not visible. These features are disconcerting when the pictures are hung on a wall.
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Paolo Caliari, known as Veronese (b.1528 - d.1588), 'Woman with a Child and Dog', oil on canvas, no date (16th century), Italian, currently in the collection of the Louvre, Paris, France.
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Johannes Vermeer, Allegory of the Catholic Faith, ca. 1670-72, oil on canvas, 114.3 x 88.9 cm, The Metropolitan Museum of Art.
Bronzino, An Allegory with Venus and Cupid, c. 1545, oil on wood, 146.1 × 116.2 cm, National Gallery, London.
Paolo Veronese, Allegory of Wisdom and Strength, c. 1565, oil on canvas, 214.6 × 167 cm, The Frick Collection, New York.
cf. Angus Fletcher, Allegory: Theory of a Symbolic Mode.
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Paolo Veronese Apollo and Daphne �� ca.1575
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Paolo Veronese - The Vision of St. Helen
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Paolo_Veronese_-_Self_Portrait_in_Hunting_Costume_1562
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detail of Veronese’s Perseus Rescuing Andromeda, c.1580 at the Musée des Beaux Arts, Rennes
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“Une Patricienne de Venise" dite "La Belle Nani" par Véronèse (circa 1560) présentée à la conférence “S'Habiller à la Renaissance” par Marine Chaleroux - Historienne d'Art - de l'association Des Mots et Des Arts, avril 2023.
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Mars and Venus United by Love, Paolo Veronese, 1570s
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don’t want
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Fine Arts Department: Jupiter Hurling Thunderbolts at the Vices - Paolo Caliari 16th Century, @ the Louvre 2022
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Paolo Caliari (called Veronese, b.1528 - d.1588), 'La Belle Nani, or Portrait of a Lady', oil on canvas, c.1560s, Italian, currently in the collection of the Louvre, Paris, France.
Formerly in the collection of Anatoly Demidov, Prince of San Donato (b.1813 - d.1870), husband of the society lady Princess Mathilde Bonaparte (b.1820 - d.1904); later the Marchioness Landolfo Carcano (presumably Adele de Cassin), then Baron Basile of Schlichting (b.1857 - d.1914), at which it was then bequested to the Louvre.
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