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#valeria d'obici
kimwexlers-brownhair · 2 months
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Everybody watch this movie and become obsessed like me.
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may8chan · 1 year
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Morirai a mezzanotte - Lamberto Bava 1984
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anamon-book · 1 year
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パッション・ダモーレ Cinema square Magazine No.21 シネマスクエアとうきゅう 監督=エットレ・スコーラ/出演=ベルナール・ジロドー、ヴァレリア・ドビチ、ラウラ・アントネッリ ほか
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adamwatchesmovies · 1 year
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Bronx Warriors 2 (1983)
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When I began my exploration of the Post-Apocalyptic Action genre, I subjected myself to many films that could be described as "mediocre" at best. What few drops of amusement Steel Dawn, Exterminators from the Year 3000, Cyborg and 1990: The Bronx Warriors and contained were swimming in a sea of boredom. Bronx Warriors 2: Escape from the Bronx, a.k.a. Escape from the Bronx a.k.a. Escape 2000 is the film I'd been waiting for. A thin plot padded out with relentless carnage, bad special effects and endlessly entertaining action scenes. It’s a great bad movie.
Set several years after The Bronx Warriors, Trash (Mark Gregory) and the rest of the outcasts living in the lawless New York are being forcibly evicted by the General Construction Corporation. The corporation's private Disinfestors Annihilation Squad clear the space efficiently: they kill without a second thought. To fight back, Trash, Doblòn (Antonio Sabato), ruthless explosives expert Strike (Timothy Brent/Giancarlo Prete), his son (Alessandro Prete) and a crusading reporter named Moon Gray (Valerie Dobson) set out to kidnap General Construction’s president (Enio Girolami).
I didn’t think writer/director Enzo G. Castellari (with the help of Tito Carpi) would rip off “Escape from New York” a second time… but here we are. While Trash’s first adventure mostly stole the setting and world of John Carpenter’s 1981 film, this one steals the plot. There’s a bunch of other stuff going on with the reporter and Trash’s parents but they’re just pleasant time-wasters until the President is kidnapped and brought into a lawless wasteland from which he must be rescued. Yes, this time we’re cheering for the people of the Bronx rather than the eye-patch-wearing antihero looking to save him (though it should be mentioned that a Snake Plissken lookalike is prominently featured) but no one is fooled. On the upside, the bare-bones story and flat characters make room for action, action and more action.
What makes Escape from the Bronx such a good bad movie are the battle sequences. Vehicles in this universe must be fuelled entirely by dynamite. A single bullet tends to reduce them to smoldering, twisted wrecks… unless they don’t. The body count is absurd. There must be hundreds of dead at the end of General Construction’s rescue attempt, as people get electrocuted, shot, bashed in the head, shot, set aflame, shot, and killed in all sorts of other ways you do not expect. It’s a good thing the villains’ minions all wear identical hazmat suits which cover their faces. Otherwise, they would’ve had to hire an army of stunt people. Once in a while, you get that sweet sight of a dummy blown back by a ball of fire and you can even spot the wig coming off its head before the camera turns away. When we are shown charred corpses, they look as though they’re been severely sunburnt rather than brutally murdered.
The performances are in that sweet spot; either the actors are so stiff they might as well be made of plastic, or they’re over-the-top and turn every one of their lines into pure, golden cheese. While it does not contain the same kind of memorable moments as Miami Connection or The Room, Bronx Warriors makes up for it with many big surprises. The action scenes go on for so long they should become boring but they somehow don't and instead, turn into some of the funnest you’ve seen in any bad film.
Watch Escape from the Bronx (or whatever you want to call it) back-to-back with Escape from New York and you’ve got a perfect night of genuine and ironic fun at the movies. (On DVD, September 28, 2018)
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clemsfilmdiary · 2 years
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Passion of Love / Passione d’amore (1981, Ettore Scola)
12/30/21
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vhs-ninja · 4 years
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gregor-samsung · 5 years
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Passione d'amore (Ettore Scola, 1981)
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foscoascensore · 4 years
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giallofever2 · 3 years
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1986
Morirai a Mezzanotte
aka: Die at Midnight
... aka: Midnight Horror
... aka: Midnight Killer
... aka: Midnight Ripper
... aka: You Will Die at Midnight
Directed by: John Old Jr. alias Lamberto Bava
Music by: Claudio Simonetti
Midnight Killer was Lamberto Bava's second giallo film.
He later stated he was uneasy making these types of films, stating that "I find doing scenes where women get stabbed to death repugnant.
Dario Argento does it so well, but I feel sick as soon as I see the knife in the murderer's hand”
Cast
Valeria D'Obici as Anna Berardi
Leonardo Treviglio as Nicola Levi
Paolo Malco as Inspector Piero Terzi
Lara Wendel as Carol Terzi
Lea Martino as Gioia
Eliana Miglio as Monica (as Eliana Hoppe)
Marcello Modugno as Alberto
#moriraiamezzanotte #midnightripper #lambertobava #valeriadobici #paolomalco #larawendel #elianamiglio #giallofever #gialloallitaliana #italianhorror #gialloitaliano #italiangiallo #giallofilm #giallomovies #horrormovies #italianhorrormovies #italianhorrorfilms #spaghettihorror #giallohorror #giallodrama #filmhorror #spaghettigiallo #giallo #italianactress #attriciitaliane #gialli #attoreitaliano #italianactor
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abatelunare · 3 years
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E non fare il bambino...
Carlo è un autentico disastro. Soffre di depressione. La moglie lo ha lasciato. Il suo capo, sebbene a malincuore, lo ha licenziato. Accetta allora l'invito di Massimo, il suo migliore amico, che si è trasferito a Venezia. E qui succede che Carlo si innamori, ricambiato, della figlia undicenne di Massimo. Un bel casino, insomma. Soprattutto quando il protagonista deve confessare al suo amico cosa gli sia successo. Il sipario cala su un finale aperto ma tutto sommato immaginabile. A me Colpo di fulmine, il film del 1985 che ha per protagonista Jerry Calà, è piaciuto. E per una serie di motivi. Intanto non è una delle solite cose in cui propone una delle macchiette enfatiche e caricaturali con cui è diventato famoso. Il suo è un personaggio umano e malinconico. Poi al suo fianco c'è Vanessa Gravina, giovanissima ma anche bravissima nei panni d'una bambina molto più matura del ventinovenne interpretato da Calà. Va precisato: questo non è un film sulla pedofilia. Affronta un tema senza dubbio delicato con un tatto e una poesia che non ti aspetteresti. Al fianco di Jerry troviamo Ricky Tognazzi, Valeria D'Obici e un'attrice di cui non conosco il nome. Non so nemmeno se l'ho vista in altri film. Ma credo di no. Di solito, quando vedo un attore in diversi film me lo ricordo. Di solito.
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kimwexlers-brownhair · 2 months
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"When I've smothered you under the weight of my feelings, when I've followed you step by step, wherever you go, like your shadow, when I've died for you, you'll be compelled to love me!"
She may be a deranged incel stalker to you, but to me she's done nothing wrong in her life ever.
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clemsfilmdiary · 2 years
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The Best of December 2021
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Best Discovery: The Buried Forest
           Runners Up: Night of the Juggler, Passion of Love, The Power of the Dog
Best Rewatch: Kill Bill
           Runners Up: Antichrist, Atlantic City, The Elephant Man, Larry Crowne, Sweeney Todd: The Demon Barber of Fleet Street, Tough Guys Don't Dance
Most Enjoyable Fluff: Larry Crowne
           Runners Up: Christmas She Wrote, A Few Good Men, Hard Target, The New Kids, Rock and Roll Christmas, Up!, When Harry Met Sally
Oddity of the Month: Joe Versus the Volcano
Best Female Performance: Uma Thurman in Kill Bill
           Runners Up: Helena Bonham Carter in Sweeney Todd: The Demon Barber of Fleet Street, Geena Davis in The Accidental Tourist, Valeria D'Obici in Passion of Love, Charlotte Gainsbourg in Antichrist, Carol Kane in Hester Street, Julia Roberts in Larry Crowne, Susan Sarandon in Atlantic City
Best Male Performance (tied): Anthony Hopkins and John Hurt in The Elephant Man
           Runners Up: Benedict Cumberbatch in The Power of the Dog, Willem Dafoe in Antichrist, Johnny Depp in Sweeney Todd: The Demon Barber of Fleet Street, William Hurt in The Accidental Tourist, Steven Keats in Hester Street, Burt Lancaster in Atlantic City
Best Supporting Performance or Cameo: Daryl Hannah in Kill Bill
           Runners Up: Ann Bancroft and Freddie Jones in The Elephant Man, David Carradine, Sonny Chiba, Vivica A. Fox, Lucy Liu and Michael Madsen in Kill Bill, Kirsten Dunst in The Power of the Dog, Alan Rickman in Sweeney Todd: The Demon Barber of Fleet Street, George Takei in Larry Crowne
Most Enjoyable Ham: Julia Roberts in Larry Crowne
           Runners Up: Jessica Chastain in Crimson Peak, Joan Crawford in Strait-Jacket, Tom Cruise in A Few Good Men, Frances Fisher, Wings Hauser and Debra Stipe in Tough Guys Don't Dance, Tom Hanks and George Takei in Larry Crowne, Kitten Natividad in Up!, Dylan Neal in Christmas She Wrote, Catherine Mary Stewart in Rock and Roll Christmas, Jean-Claude Van Damme in Hard Target
Best Mise-en-scène: Antichrist
           Runners Up: Atlantic City, Belladonna of Sadness, The Buried Forest, The Elephant Man, The Fabulous Baron Munchausen, Kill Bill, One from the Heart, The Power of the Dog, Sweeney Todd: The Demon Barber of Fleet Street
Best Locations: Passion of Love (desolate mountain setting, barracks, ruined castle)
           Runners Up: Antichrist (Westphalian forest), Atlantic City (cozy, depressing apartment building and boardwalk), Eye of the Needle (Isle of Mull), Night of the Juggler (seedy late-70s New York), Tough Guys Don't Dance (Provincetown and Truro), Up! (Humboldt County forest and small town)
Best Score or Use of Music: Kill Bill (various)
           Runners Up: Alice, Sweet Alice (Stephen Lawrence), Antichrist (Kristian Eidnes Andersen), The Buried Forest (Arvo Pärt), The Fabulous Baron Munchausen (Zdenek Liska), The Elephant Man (John Morris, Samuel Barber), Near Dark (Tangerine Dream)
Best Cartoon: Mother Goose Land
           Runners Up: Bosko in Person, Music Land, The Old Man of the Mountain, The Shanty Where Santy Claus Lives
Best Leading Hunk: James Brolin in Night of the Juggler
           Runners Up: Josh Kelly in Christmas Bells Are Ringing, Niall Matter in A Christmas Together with You, Rob Mayes in My Christmas Inn, Adrian Pasdar in Near Dark, Jean-Claude Van Damme in Hard Target
Best Supporting Hunk: Jonathan Loughran in Kill Bill: Vol. 1
           Runners Up: Hart Bochner in The Wild Life, Wilford Brimley in Hard Target, Sam Elliott in Prancer, Jake Lacy in Miss Sloane, Robert McLane in Up!, Tim Thomerson in Near Dark
Assorted Pleasures:
- Eerie ultra slow-motion cinematography in Antichrist
- Bizarre expressionistic paintings in Strait-Jacket's credits sequence
- Tony Straiges' multilayered, constantly shifting set design in Sunday in the Park with George
- Dante Ferretti's ghostly vision of Victorian London in Sweeney Todd: The Demon Barber of Fleet Street
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vhs-ninja · 4 years
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foscoascensore · 7 years
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giallofever2 · 3 years
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1986
Morirai a Mezzanotte
aka: Die at Midnight
... aka: Midnight Horror
... aka: Midnight Killer
... aka: Midnight Ripper
... aka: You Will Die at Midnight
Directed by: John Old Jr. alias Lamberto Bava
Music by: Claudio Simonetti
Midnight Killer was Lamberto Bava's second giallo film.
He later stated he was uneasy making these types of films, stating that "I find doing scenes where women get stabbed to death repugnant.
Dario Argento does it so well, but I feel sick as soon as I see the knife in the murderer's hand”
Cast
Valeria D'Obici as Anna Berardi
Leonardo Treviglio as Nicola Levi
Paolo Malco as Inspector Piero Terzi
Lara Wendel as Carol Terzi
Lea Martino as Gioia
Eliana Miglio as Monica (as Eliana Hoppe)
Marcello Modugno as Alberto
#moriraiamezzanotte #midnightripper #lambertobava #valeriadobici #paolomalco #larawendel #elianamiglio #giallofever #gialloallitaliana #italianhorror #gialloitaliano #italiangiallo #giallofilm #giallomovies #horrormovies #italianhorrormovies #italianhorrorfilms #spaghettihorror #giallohorror #giallodrama #filmhorror #spaghettigiallo #giallo #italianactress #attriciitaliane #gialli #attoreitaliano #italianactor please
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abatelunare · 3 years
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Verifiche letterarie
Mi sono visto - a distanza di molti anni dall'acquisto - il DVD di Desiderando Giulia. Trattasi di film italiano del 1986 dalle decise venature licenziose (anche se tutto sommato non si vedon grandissime cose). Ne è protagonista una opulenta e straripante Serena Grandi (non doppiata). Lei è Giulia, la donna del titolo. Per la quale perde la testa Emilio, scrittore in crisi dall'aria depressa assai. Non è un rapporto molto facile, eh. Perché lei, oltre a essere parecchio esuberante, non è che sia proprio fedelissima. Come se non bastasse, si registra anche un epilogo traggico (che scoprirà chi abbia voglia di darci un'occhiata). Fra gli interpreti mi ha francamente sorpreso la presenza di un giovanissimo Sergio Rubini e di Valeria d'Obici. Voi vi chiederete - e sarebbe una domanda legittima - perché mai mi sia guardato questo film. La ragione è semplicissima: ne avevo visto i provini quando era uscito al cinema. E girava la voce che fosse ispirato al romanzo Senilità di Italo Svevo. Mi era sembrata un'affermazione lievemente azzardata, considerando il genere cinematografico. Perché io di quello scrittore ho letto tutti e tre i romanzi. (Pure i racconti, tengo a precisarlo). Quindi ero proprio curioso di verificare fino a che punto si fossero spinti registi e sceneggiatori. E adesso mi sento tranquillamente di affermare che sì, i nomi dei protagonisti son più o meno quelli. Ma Desiderando Giulia c'entra con Senilità quanto io c'entro con la fisica quantistica. Vale a dire, un ghezzo.
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