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omegalomania · 1 year

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fall out boy live performances i think about Often

the reunion show medley. how many goats do i have to sacrifice for you guys to do this one again.

disloyal order of water buffaloes, specifically the version that opens with the piano and the rest of the band comes crashing in at the second verse. my GOD man what do i have to do to make you do this version again

death valley live. thats all.

the time they did their stayin out all night remix live with wiz khalifa

the thriller aol sessions version is so good that i thought it was the studio version with mild reinstrumentation at first lol

the medley they did in 2015 where they mashed up all their hits and even managed to sneak in the uma thurman riffs at the end

can i link the entirety of the knights of columbus set? i'm gonna do that. go watch it. it's glorious.

i feel like not enough people talked about how good church sounded live. i actually kinda like it a little better than the studio version. patrick drops down an octave for some bits of the final chorus and i always love hearing his chest voice.

obviously i have to link one of the few times they've played headfirst slide into cooperstown on a bad bet live. they did (coffee's for closers) at this show too and i think about it always.

they didnt do where did the party go live that often because it is MERCILESSLY heard to sing live but my GOD. when they did it. my god.

that one performance of the kids aren't alright where pete screams alongside patrick for the entire last part of the chorus ruined me in ways i have difficulty articulating.

the way way early version of sugar we're goin down they played live in 2004 before they changed all the verses

anytime they'd do just one yesterday live and patrick would do the bridge and kill it every time

the acoustic version of sophomore slump or comeback of the year they did for a private show in 2007. (they did this acoustic again in 2013 and i love that version too)

that one time they segued seamlessly from the chorus of alone together to my songs know what you did in the dark

MISS MISSING YOU LIVE YOU ARE EVERYTHING TO ME

any of those rare rare times they would do yule shoot your eye out live

when they did patron saints of liars and fakes at one of the reunion shows. don't touch me.

the acoustic session of tttyg songs (grenade jumper, chicago is so two years ago, saturday) they did that's on the my heart will always be the b side to my tongue dvd. they are so so so SO small!!!!!

save rock and roll live is like. so important to me personally it never fails to bring me to my knees. but specifically the time they did it for the mda telethon in 2014. joes backing vocals come through sO clearly and its SOOOOO AAAAAA

also the time they did save rock and roll live for vevo. BIG ouchie.

okay also the time they dedicated save rock and roll to bowie after he passed because pete gets VERY VISIBLY EMOTIONAL OVER THIS and i can't handle it.

we don't take hits we write them literally Only exists in live format so i have to give a special mention to that. what i would give for a studio version though...

it's hard for me to pick a favorite moment of the time they played wrigley field during mania tour. i was lucky enough to catch a livestream of most of the show and it was frankly magic. someathing has to be said for the energy in the way the show began...and for the way it ended.

im incapable of not bringing up the immortals acoustic version they did during boys of zummer. i cant NOT. joe and patrick sound sO GOOD TOGETHER VOCALLY, OKAY

i'm like a lawyer with the way i'm always trying to get you off, acoustic sessions.....im okay.

remember when they opened some of the monumentour shows with THIS IS THE TAKE OVER, THE MOTHERFUCKING BREAK'S OVER cause. i do.

if youve never seen the stripped-down piano version of young and menace and only heard the studio instrumental i beseech you to watch the live version. i will never forget hearing this live. the whole stadium got so, so quiet in what i could only describe as reverence.

you know that one text post that talks about patrick getting all emotional during a performance of what a catch, donnie and then just sniffs a little and says "i'm a loss for words...which is a good thing i have a microphone, right? so i can keep talking." well this is that exact performance.

#fall out boy #*making poasts #this started off as me hunting down more live performances to rip for my work ipod #i have most of these already. not all though.#anyway it turned into a list of me having big emotions. unsurprisingly.

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mkstrigidae · 3 days

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APWH preview snippet!

Since I'm actively trying to work on getting the next few chapters out, I thought I'd share a little future scene with some hints of Jonsa with all you lovely people! This bit is from like, a few chapters in the future bc it's the in-between that's giving me fits right now :) (Fair warning: this is unedited and subject to change! That being said, it's such a fun scene that I can't imagine ever nixing it :D)

“Does he even know that they have to avoid the press?”

“For the last time-“ Sam sighed, sounding completely exasperated, “Dickon knows what they can and can’t do- he’s got enough practice not being photographed from when our dad was the secretary. Not to mention spending time around you when that exposé on your crazy grandfather came out two years ago.”

“I just-“ Jon sighed, blowing a stray curl out of his face. “You didn’t see how freaked out she was when the press caught us at that performance in White Harbor. I thought she was going to have a full-blown panic attack.”

He was immediately derailed by Gilly plopping little Sam down in his lap and shoving a bottle into his hands.

“What’s this all about?” he raised a brow, adjusting the baby on his lap, allowing him to latch onto the cuff of his flannel shirt and start gnawing at the fabric. “You going somewhere?”

Gilly shot him a withering look, but he saw the amusement in her eyes.

“I-“ she gestured, imperiously, “Have not had time by myself to shower all week-“

“Sorry, love.” Sam winced, looking up from his pile of paperwork. “I can take a break from these-“

“Not your fault, Sam.” she waved him off. “You warned me about this conference at the beginning of the summer.” a grin played at the corners of her mouth. “Besides, it works out well- Jon needs a distraction right now from the fact that Sansa’s on a date with your extremely hot and conventionally attractive brother.”

“Hey!” Sam looked wounded, and Gilly rolled her eyes, pressing a kiss to his forehead.

“You know you’re my favorite Tarly.” she wrinkled her nose. “How long have you been working on this presentation? You smell like the baby spit up on you.”

“Guess I’m next in line for showers.” Sam said, mournfully. “Unless-“

“Nope- I need my own time right now, Samwell. Did you even hear what I said about why Jon’s bent out of shape?”

Jon had known Gilly since Sam and she had met up north while the two of them were in college. Sometimes, it was hard to reconcile the timid, scared girl she had been with the woman who was currently devoting all of her remaining energy to busting his balls.

“Don’t tell me you’re worried about Sansa with my brother.” Sam snorted, shotgunning another cup of coffee next to him the way Jon was used to seeing undergrads do with jaeger shots. “I mean, this is Dickon we’re talking about. Used to bring wounded animals home to take care of them Dickon? The same guy who cried when we had movie night and Gilly and Rhae wanted to go see ‘Love, Simon’?” He shook his head. “Look, as far as guys she could be out on a date with right now go, Dickon’s kind of the best case scenario. She’ll have a nice time, and he’ll be a perfect gentleman.”

Jon blinked at him, silently turning to look up at Gilly, who rolled her eyes and sighed.

“You’re hopeless, sweetie.” she kissed him on the forehead again, wrinkling her nose. “He’s not worried that things will go wrong- he’s worried they’ll go a little too well.”

“You’ve been spending way too much time around my sister.” Jon muttered, narrowly avoiding little Sam’s grasping reach for his glasses, managing to get the baby to latch onto the bottle before he destroyed any more of Jon’s eyewear. “You even sounded like her just then.”

Sam blinked for a second, his head whipping between Jon and Gilly.“You’re jealous?” He asked, incredulously. “Of Dickon? Wait- you like Sansa?”

“Got there in the end.” Gilly sighed, affectionately patting him on the shoulder before going to shower, leaving Jon and Sam behind with four cups of coffee, one baby, and approximately five brain cells total between the two of them.

“You like her.” Sam repeated, like it was a giant revelation.

“What are we- in middle school?” Jon hissed, immediately turning his head down to smile and make faces at little Sam while he fed him, before glaring up at big Sam again. “I don’t- I mean-“

Sam was just shaking his head.“Of course you do.” he laughed. “Should have guessed- red hair and a damsel in distress? You were doomed from the outset.”

“Shut up.” Jon muttered, flushing. “It’s not like that.”

“Then why are you worrying about Dickon for fu-“ Sam glanced nervously at the baby, “-god’s sake? When Gill was meeting my family for the first time, I remember you told her not to worry- that my brother was ‘one of the best guys you know’ and ‘practically a golden retriever’.”

Jon could tell that Sam, who could not raise one eyebrow without the other, was desperately trying to do just that.

“I don’t know.” He muttered, moving little Sam to his shoulder to start burping him. “Look- I’m attracted to her, alright? It’s a fu- er, a giant disaster that I’m gonna ignore for the rest of my life.”

“Seriously?”

“Stop trying to do that with your eyebrows.” Jon complained. “It’s giving me motion sickness. And yes, seriously. I’m not even going to consider that- it’s just a stupid crush. Besides,” he sighed, rubbing little Sam’s back comfortingly, “Robb’s already dealing with enough right now with this whole Sansa situation- can’t imagine telling him I think his sister’s attractive while he’s being forced to suddenly confront all of his guilt and self loathing every time he looks at her.”

“That whole bro code thing of never dating your friend’s sisters never really made sense to me.” Sam shook his head, gulping down more coffee. “I mean, I’d be thrilled if you decided to date Talla, because I know you’d be good to her.”

“Yeah, don't think she'd quite go for that, mate.” Jon snorted, standing to bounce little Sam around gently. He was just grateful Sam hadn’t said anything else about Robb.

“Eh, wouldn’t count you out completely.” Sam shrugged, smirking. “With that hair, you’re pretty enough to be a girl- maybe that’d be enough for her.”

“You are so lucky i’m holding the baby.” Jon muttered, still bouncing little Sam, who picked that moment to spit up spectacularly down Jon’s back.

“Well, that’s three of us who’re gonna need showers now.” Sam grinned, looking thrilled as all get out that it hadn’t been him. “Wow- his aim is getting better.”

“I’m going to remind him of this when he’s a sulky teenager.” Jon grumbled, wiping spit-up off his shoulder as best he could. “Look- no gossiping with Rhae about this, please. She thinks she’s such a good clandestine agent that she doesn’t always realize that Robb is better at sniffing out her plots than she thinks.”

“Alright-“ Sam sighed, looking back down at the massive stack of paperwork in front of him. “I make no promises for Gill, though.”

“Gilly could give some of my Uncle’s colleagues at the WIA a run for their money when it comes to withstanding interrogation.” Jon snorted.

“Probably true.”

“Where did your brother take Sansa?” Still holding onto a now much happier baby with one hand, he reached down the other to take a gulp of his own coffee.

“He said something about going out towards the Tyrell Estate.” Sam shrugged. “They probably drove out there to see the gardens- he’s said it’s a good road to take his bike out on.”

Jon promptly spat out his entire sip of coffee, staining the front of his shirt as well as the back, and frightening little Sam enough that he started to cry.

“He took her on his motorcycle?”

Gilly picked that moment to reappear, completely clean and with wet hair, blinking at the scene in front of her.

Sam, who couldn’t seem to stop laughing, was desperately trying to calm down the baby, who had started wailing, while Jon’s entire front was covered in coffee and his entire back was covered in baby vomit. Not that he seemed to notice, as his face was white and he was making a series of angry looking hand gestures at her husband.

“I really can’t leave you three alone for five minutes, can I?” she sighed. “Do I even want to know?”

#my writing #my wips #writing wips #just APWH things #jonsa #fanfiction wip #God bless Gilly like for real #YES Sansa is on a date with someone else here #muscleman golden retriever McAttractiveness #Aka dickon tarly #unsurprisingly jon is not having a great time about it!#in fairness to sansa the plotline directly preceding this and kicking off her doing some traveling was pretty rough on her #so our poor girl really deserves a giant muscley golden retriever with a motorcycle #and to just have a good time with someone who isn't wrapped up in all the stark drama/disaster/mess etc.#jon can deal with it rn bc it's really a 'you snooze you lose' kind of situation #sam's usually quicker on the draw but he's very sleep deprived here #and working on some stuff for a pathology conference #not at all going to be relevant nope no sir #writing sam and jon interacting vs jon and robb is so fascinating #they're both jon's besties but there's a very different dynamic to the two relationships #in fairness Robb has like SO much complex childhood trauma and is kind of seriously going through it right now #but his scenes with jon always have this sort of darker edge to them #like an 'i've known you my entire life and know everything about you for better or worse' type deal- deeper but darker #it's more akin to a sibling relationship? but also not? they are both going thru it #my headcanon is that anytime jon starts getting too gloomy and angsty gilly just straight up shoves the baby at him #and then waits like twenty minutes #Gilly: 'it's free babysitting!'#generally it works pretty well #jon's like '404 error does not compute' as soon as sam says the word 'motorcycle'#also when sam says 'the secretary' he means randyll tarly was the secretary of defense

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amphibious-thing · 7 months

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tbh I hate how tumblr discourse treats the topic of queer erasure as an either/or thing like its either

All historians are homophobic & transphobic and are all actively and intentionally erasing queer history.

No historians are homophobic and/or transphobic and anyone who is talking about the issue of queer erasure is actually just an anti-intellectual who doesn't understand social constructionism and the medicalisation of homosexuality (bonus the person saying this has such a simplistic understanding of social constructionism and the medicalisation of homosexuality that they inadvertently participate in the erasure of queer history due to ignorance).

#unsurprisingly there are people with biases in the field who either intentionally or unintentionally participate in queer erasure #but there are also people who are passionate about queer history and are doing amazing work #queer history

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hymnsofheresy · 1 year

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my hot take is that us americans in general don't respect education or educators on a social level. which is what leads to our entire education system being underfunded.

#this is especially true among white populations!!!!#because i have worked in the education field in both black and white areas #and uhhh white kids and parents especially do NOT see the benefits of education #and are actively far more disrespectful to educators #unsurprisingly this anti education sentiment in white people leads to massive underfunding #in black schools especially #>:(

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kyuhu · 10 months

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I don't draw Ed and Lat as often as I'd like to but at least I can share a screenshot of the pinterest boards I made for them.

#I've seen many cool Liet and Feliks boards but Ed and Lat feel rare to me #these don't exactly fit their energy 100% but I'm trying my best #delete later I guess #daily ramble post that proves I'm procrastinating on work because I'm stressed #I have Feliks and Liet too unsurprisingly but they don't have anything people haven't seen already I think hahah #also they are so big I wouldn't be able to decide which part to screenshot #oh I also got a very self indulgent L.ietpol one but it's under construction #because I keep overthinking it #and them

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sillyfairygarden · 3 months

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what a colourful 2023 :D here’s to getting even sillier in 2024 :dance:

#all but two pieces being mcyt. i’m still afflicted by the illness /affectionate #thellos art corner #year in review #year in art #2023 art summary #unsurprisingly. the cleo art in here is the best performimg of my works. shoutout cleo nation #mcyt

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flamingphoenixfox · 5 months

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"Hey, Fox, how's the Orb Vallis Conservation Animal project going?" Me looking up from my two bullet point lists, 14 number ranges, 42 number lists, two tables, 21 spread sheets, and nine art files: "What?"

#Warframe #Unsurprisingly things have gotten further out of hand lmao #Still working on it every day #Just holding on to the truth that it will be finished eventually #Fox Talks #The Orb Vallis

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raayllum · 1 year

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TDP and Water Symbolism

With Book 5 all but being confirmed as Ocean, it made me want to take a look back at what water represents in the series in general. Most prominently, of course, for Rayla for obvious reasons, but also where and how water symbolism pops up for some other characters, such as Ezran and Callum, scattered throughout the show.

Water often symbolizes healing and rebirth, rivers with pathways, destiny and drowning (particularly for women, such as Ophelia from Hamlet and the Lady of Shalott) and the Ocean unpredictability, power, chaos, and the depths. The Ocean is also often the site of obsession (Ahab and Moby Dick) as well as desire (siren myths) and the struggle to find your way home (Odysseus). There are some tenets of all of this throughout TDP, but we’ll work our way through as well as discuss the limited specifics of what we know of the Ocean primal from Tales of Xadia and additional information from Callum’s Spellbook.

Water as Reflection

Lujanne: This is the Moon Nexus. It reflects the moon perfectly. When the moon is full, its light completely fills the lake.

This is the one that’s most overtly related to Aaravos, perhaps, as well as in line with Ocean and Moon’s direct connection in show. Water/ice reflects, mirrors reflect, and tether the two together. The characters who are most heavily associated with reflection in this manner are Viren and Callum, of course, with Rayla as well, although Claudia, Soren (with his sword), and Ezran (with his father’s sword and eventual crown) have their moments as well.

Moreover, all of this moments of reflection for Rayla are moments where she feels like she’s failing, or has failed. “I guess I was just afraid of being afraid” / “But you didn’t run. They have it all wrong” “Does it matter?” / “I’m not good enough and I never will be.” While many other characters are tied to reflection as noted above, Rayla (and Ethari and Callum with her) are the only characters we see be reflected by water in this way.

However, there are even more ways water is woven into Rayla’s arc, so let’s talk about it

Water as Fear, Bravery, and Shame

Rayla’s first test as an assassin takes place in the rain, but she is unable to go through with it. This is a ‘failure’ that haunts her even into season four, perhaps best summed up in how she mirrors Runaan in these conversations from 1x01 and 1x08 respectively.

Rayla: The human looked up at me and I saw the fear in his eyes. Runaan: Of course he was afraid! But you had a job to do!

Ezran: Yeah, but then you saw he was scared, and you knew he was a person, just like you. Rayla: That shouldn’t have mattered. I had a job to do.

Rayla’s relationship to fear reaffirms the idea that recognizing personhood - her own or anyone else’s - is also a signifier of weakness (laid out more directly, perhaps, in the S1 novelization), and is incredibly Moonshadow of her: “Moonshadow elves aren’t supposed to show fear, ever.” Which is why Rayla is typically confronted with the water-shame duality when she is trying to either ignore someone else’s personhood, or is having her own erased, best seen with her crossing the river in 1x02 on her way to try and be a proper assassin.

Which is why 1x05 is when the shift between what she’s supposed to be - an assassin - and who she truly is - a hero starts to transform water as only a weakness to a showcasing of bravery.

C: That was brave, Rayla. R: No, I already told you, I’m afraid of water. C: I know. That’s why doing what you did was so heroic. R: Oh... Thanks.

And why the assassin pool bearing the literal symbol of shame - the symbol of her just surviving when it was dictated that she shouldn’t have - is what justifies literally erasing her, and turning her into a Ghost. Which, we’ll return to the pond more later, don’t you worry.

If you’d like more thoughts on Rayla with water in this specific trifecta (+ bonus Callum feels), I’d recommend checking out this old but very worthwhile meta I wrote on the subject a couple months after S3 came out and back before I had a water motif tag (like a fool). Through the Moon adds some layers to this, with Rayla being driven into the portal out of fear, primarily, that Viren is still out there, as well as out of love for her family and Callum. But again more on TTM as well later, because I want to talk about the real kicker, I think, which is

The River As A Symbol of Destiny

This is something that ATLA actually used beforehand (mostly purely as a metaphor) that was then brought more directly to TDP as both a metaphorical and now literal/motif thing.

Destiny? What would a boy know of destiny? If a fish lives its whole life in a river, does it know the river’s destiny? No! Only that it flows on and on, out of his control. He may follow where it flows, but he cannot see the end. He cannot imagine the ocean.

—Avatar: The Last Airbender, 1x15, the Deserter

V: Life is like a river. R: Oh great. That’s exactly what I was afraid of. V: You can’t see too far ahead. I can’t see at all, as I might’ve mentioned before. You don’t know where the river of life will bend and turn. You don’t know where it will go at all. R: How is that supposed to helpful? V: Don’t try to control where the river goes. There’s one thing you can know and control: yourself. Look at yourself. Who are you, Rayla? What do you stand for? Once you know that, then wherever the river takes you, you’ll be right where you were always meant to be.

We see Rayla seemingly answer this question for herself by using something Callum told her as a basis for a new worldview: breaking the cycle. “Saving that dragon doesn’t just feel like the right thing to do, it feels like the right thing for me to do. It’s where I’m meant to be.” However, this is precisely the choice we see her walk back in 4x05.

So the River is tied to Destiny as a concept and having choice and self actualization for what you can control. This is tied, then, to Callum helping to give her a path forward for the choices she wants to make, tethering this to their relationship in general and the importance of giving each other agency.

But this specific connection to the River of Destiny, per se, is imo solidified in Bloodmoon Huntress with these panels.

There’s a few in-universe reasons for this panel/callback, of course. The first is show that Rayla wasn’t always afraid of water and that nearly drowning in BH is what likely created that fear. It’s the first instance in the graphic novel of Rayla’s heroism and loyalty, her desire to protect/save other people before Suroh, a Skywing boy in big trouble, comes barrelling into her life - even if it’s just a tiny Adoraburr who is basically her best friend in an increasingly peerless childhood.

And, of course, at the time of BH’s release, we all assumed this was largely a reference and setup to Rayla’s choice to leave at the end of Through the Moon in order to, in her eyes, ultimately protect him (even at great cost to herself and their happiness together). This is because, of course, Callum is famously her best friend with a big speech in 3x01 all about it: “He’s my friend... My best friend.”

This has taken on an even deeper meaning thanks to season four, though, following Aaravos taking control of Callum, his worry over a path of darkness, and Rayla’s associations with light. Because, of course, there is every implication that Aaravos’ prison is 1) under the water in the Sea of the Castout and 2) that Callum already tends to get swept up in things unintentionally / without thinking.

All of this to say, of course, that Aaravos and his prison are the river that Callum has already been swept up by, symbolized by all of the above as well as the Ocean rune on the Key of Aaravos being displayed at particularly opportune times.

So Rayla, here, is not just speaking of her future desire to protect him in Through the Moon, but not even necessarily to keep from playing into Aaravos’ hands (which is what killing him would do) but to guide him and keep him safe, no matter what it takes. Which reflects the framing of the shots when she arrives: “Then take another path, dummy!” The River of Destiny is fast, but she won’t let him get swept away.

Even if choosing Rayla (and subsequently breaking out of the brainwashing) may not be enough to fully stop Aaravos’ plan (as he still has to get out, after all — this is one river that’s inevitable).

Drowning

Of course, alongside destiny and shame, etc. there is also the dark side to water, re: drowning. We see this most prominently featured for each of the trio, with Ezran almost dying in 1x06, Callum’s dark magic dreams in 2x08, as well as Rayla nearly drowning in both BH and TTM, anchoring her childhood and much of her subsequent present day trauma tied together with a neat little bow, ready to unravel at a moment’s notice.

The fact that Callum’s use of dark magic also ties itself to drowning, directly, when it could’ve been anything (something choking him, perhaps, to hammer home / foreshadow Aaravos’ future grip over him) is also interesting to me, precisely because it ties the two so together. And that, thus far, we haven’t seen this drowning motif extended to anyone outside of the main trio, either.

The fact that both in and outside of the dream scape, Callum smashing the primal stone is what causes him to at first metaphorically, and then literally begin drowning, is particularly apt, symbolism wise. Down to Berto, a winged creature, lifting Villads from the wreckage only for Callum to realize that he is the wing once he has a guiding presence in Sarai. This is a lovely parallel between the boys as well, with Sarai guiding Ezran under the ice in the book one novelization, and makes me think about love as a guiding force through the storm; Sarai for her sons, Rayla on either side of the storm for Callum, and Callum for her in TTM, and how this may be repeated in Book 5, whether it’s Rayla’s parents saving her somehow, Callum, both, or something else entirely.

(It should also be noted that Callum and Rayla mutually save each other in TTM as well. Callum goes in after her when she’s in danger, but loses the phoenix feather to guide them back on the way down. He manages to help Rayla grab it, and then she goes back for him, and they swim out together, toward the light.)

The Ocean Arcanum

(Almost) last but not least I want to talk about the associations given canonically to the Ocean arcanum in the series’ extended material from both the Primal Source quiz, Callum’s Sketchbook, and Tales of Xadia.

Like all rivers flow to the sea, you know everything and everyone is connected. A peaceful soul, you value friendship, love, and family above all else in life. Empathetic and outgoing, you make friends easily, and people are drawn to your personality. In life, you’re willing to go with the flow, and you can adapt to pretty much anything and keep a cool head. You wear your heart on your sleeve, and with love so easily given, betrayal and lies strike you deeply — you are icy and unforgiving only to those who dare strike at your big heart.

Flexibility, Transformation, Flow, Awareness, Navigation, Surface Level V.S. Depth

This is reflected in the magic that Ocean mages wield: dynamic, forceful, reaching everywhere and anywhere, within and without. It can also become surprisingly powerful in rain, giving this primal a powerful synergy with the Sky primal. Ocean magic also includes ice magic, giving mages another powerful offensive and defensive tool.

All of these were released years apart (the primal quiz shortly after S1 in 2018, Callum’s Spellbook after S3 in 2020, and Tales of Xadia in 2021) but they all have similar common threads. There is an emphasis on connection, ice magic, flexibility (change), as well as tantalizing teases regarding the Sky arcanum. And of course as previously touched upon, the Moon famously affects real life tides.

But like, how do we know that this stuff is going to be consistently carried into the show, and it’s not just padding for supplementary material? Well, that’s because It Already Has.

Navigation and Transformation

Are perhaps the most direct ones we’ll see in S5, building upon prior associations with water the show has displayed, particularly in S2. The Ocean is tied to Callum’s journey of discovering sky magic, as he learns the winds from Villads on the ship of the Ruthless, and then later is directed into his own consciousness by a similar manner. He’s learning how to navigate and Villads’ advice to Callum mirrors the exact advice he gives to Rayla about the river, too.

Don’t try to control where the river winds go. There’s one thing you can know and control, yourself your sail.

This is jointly reflected by a con skit performed in 2019 to hype up S3 by Callum and Rayla’s VAs. While again this would be easy to write off, I hesitate to for three reasons: 1) we know thanks to TDP’s production schedule they were already working on S4 at this time, 2) the skit is called Written in the Stars and although silly, some of what is discussed matches up thematically and helped me call the Rayllum “light and darkness” motif months in advance, and 3) there are things from the S4 star chart referenced in the skit, such as Garlaf and his bandolier of skulls, the mama / baby banther, etc and most notably, the South Star, which Callum says:

What about that? Brightest star in the sky. A single point of light. We call it the South Star. Humans used it to navigate, you know, to find their way in the endless darkness of the night.

So it seems pretty clear that Season Five, with Callum and Rayla now getting to navigate their relationship, in addition to water’s ties to Rayla’s emotional state (the surface vs depths reflecting both her and Aaravos’ possible pasts, his watery prison, etc) all being compounded together. Either Aaravos or Rayla (or maybe both of them) will be his South Star in S5. And, in addition to Callum’s Spellbook, this is the only real time navigation is brought up in series, so I’m gonna take it.

Now that that’s ‘settled’, let’s look at Ocean / water as Transformation. This is of course seen in how Callum goes into the water in his dreams in 2x08, but then resurfaces with help from his mother and is reborn in a sense, literally filled with new breath, as he comes to understand the Sky arcanum. We also see this idea of Transformation being tied to the Ocean and Moon arcanums an equal amount in something like Phoe-Phoe, and as well as in TTM in general.

The Moon Arcanum is all about change.

Phoe-Phoe is reborn on the water. The water transforms Rayla’s fear to bravery. Rayla’s talk with Villads helps give her direction as much as he gives it to Callum, each unlocking how they are going to break the cycle; for Rayla, it’s being a protector and defender (even if still at cost to herself, but that’s a meta for another day). For Callum, he becomes a sky primal mage.

Which is to say, if you’ve been keeping track, Sky and Moon are uniquely tethered in series to the Ocean in ways none of the other primals currently seem to be. Sky and Ocean share overlap in spells and associations (drowning, navigation, breath, travel). Ocean and Moon likewise share overlap in association (transformation, reflections, depths, etc). So it would be exceedingly fitting if S5 is when Rayla and Callum end up fully reconciling, given that Ocean seems to, magically, be where Sky and Moon meet halfway. The water and experiences at the Nexus is what broke them apart, so of course water will also be what brings them together.

Water as the Cycle

More generally, due to its varied associations, Water is tied to Life ad Death throughout the series. In some ways, it is probably associated with the Cycle directly as much as Moon is, both tied to inherently cyclical things that may change, but always come back to themselves. TTM makes this connection overt

But it is there in other places as well. An assassin’s flower, placed in a circular pond of water, floats so long as they live and breathe. Rayla leaves and returns, consistently, like the tide, leaving over and over again, but also returning whenever she can (or whenever Callum chases after her to bring her back from the brink).

In a lot of ways, Callum and Rayla both do this to each other, leaving and then returning, always circling back to one another or moving in patterns.

Every time they walk away (die) they also return (live). This element of perpetual ebb and and flow and rebirth is also seen in other characters like Sol Regem, and even indeed the longstanding associations of boats and the underworld in Greek and Egyptian myth in particular, ferrying people to the afterlife (Greek myth a cited inspiration for the series, with the Egyptian mythos more sneakily woven in).