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alex-the-nonsensologist · 7 months

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Disney Dreamland - Part 5: Create-It-Land

Quite possibly the most visually eclectic of all the lands. This land embodies creativity and the arts, and quite frankly there is no one way to be creative or artistic, so I think the motley visuals are perfectly on theme. That said, I decided to tie the land together by having giant objects themed to each area. For this reason, I specifically wanted Wonderland and 100 Acre Wood next to the border of Fantasyland/Create-It-Land, so that the giant plants and cards of Wonderland and the giant book facade of Pooh would help transition to the giant toys of Toy Box Land and/or the giant art supplies of Toontown. The parade route exits down here.

Showtime Boulevard

The entrance street of the land from the hub. Dedicated to the performing arts. Would resemble a city street, like a small town version of Broadway, but then transition to include giant objects. Giant instruments of the music playground. Giant sheet music. The ballet house could look like a giant music box. Even the normal buildings could have giant props on them, like giant comedy and tragedy masks, or giant film reels and clapperboards. There would also be a decent amount of performers to bring energy to the area, so that it doesn’t feel like a regular city street. Living statues and street musicians.

Journey Into Imagination: If EPCOT isn’t going to put back Dreamfinder, I’ll gladly take him. Heck, I’ll even settle for a pseudo-sequel with an older Figment now taking on the role of Dreamfinder in honor of his friend. Sets and scenery from the original incarnation are mandatory. There could be a path leading off the boulevard to an area between Create-It-Land and Discoveryland where this ride could be placed, since it does reflect the spirit of both lands.

Fantasia Music Hall: In the spirit of Walt’s original idea for Fantasia, certain classic segments would be permanent fixtures of the show (such as Sorcerer’s Apprentice) and performed by Animatronics on instruments and as dancers in the same vein as the former Mickey Mouse Revue show, while other segments could be animations shown on screen and switched out throughout the year (such as the segments originally planned for Fantasia 2006 that were later released individually). I would love it if the Animation Studio could create new unique animated segments exclusive to the attraction. Permanent animatronic segments would include characters from Pastoral Symphony, Rhapsody in Blue, Dance of the Hours, Night on Bald Mountain (though I could also work with it being a seasonal segment during Halloween), and The Firebird. Playing the full versions of every song would take too long, so the show would feature abridged versions in a medley.

“Music Playground”: Interactive playground of giant musical instruments. Think of the piano scene from Big, but on a grader scale. Piano slides, trampoline drums, xylophone bridges, brass instruments the size of trees. I’ll admit, I don’t know if the audio results of this attraction would be wacky fun or pure tortuous chaos. I was originally imaging this as an outdoor attraction, but it might be better if this were indoors with each type of instrument given its own room with soundproofing.

“Russian Animal Ballet House”: I just wanted an excuse to see animals in fancy costumes performing ballet. Could be costumed actors or animatronics. Nutcracker performances during Christmas are mandatory. Building would resemble a giant music box. Alternatively, the stage could also be used for any original cultural performances from countries not already featured elsewhere in the park (Greek dramas, Bollywood dances, etc.).

Muppet Comedy Theatre: Would have the same mixed media techniques as Muppet*Vision 3D (a screen movie, actual puppeteering, and costume characters), but features a new original story. Could also feature a small meet-and-greet area with Kermit and friends.

Hollywood restaurant: American cuisine. Themed to the Golden Age of Hollywood cinema.

Toontown

I want this area to have the same energy as Seuss Landing from Universal’s Islands of Adventure, which I personally feel makes for a better Toontown than Disney’s actual Toontown. The buildings would be slightly more distorted and more stylized. I’m wondering if it would also be possible to put some buildings on a moving platform so that they could tilt back and forth for a squash and stretch illusion. Maybe even have a few with giant faces that can emote. This area prominently features giant art supplies that are implied to have brought the land into existence, including giant paintbrushes that are poised in the middle of putting “finishing touches” to the buildings. The entire area would have lots of kinetic sculptures (think of the new Super Nintendo World at Universal) to make the land feel alive. Interactive gags like the Post Office and the Fireworks Factory would of course be included. I would remove the residential area and have the area only themed around Maroon Cartoons Studio, and the downtown area. Characters that don’t fit in any other area of the park could walk around here.

“Mickey Mouse presents…”: Guests would take on the role of camera crew with Mickey as director. The star of the movie is late and we follow Mickey as he accidentally crashes various movie sets looking for the missing actor, who turns out to be none other than Oswald the Lucky Rabbit. The various movie sets would portray different genres of cinema. Based on the Mickey short cartoon Roll ‘Em (which, by the way, would have been a more appropriate replacement for the Great Movie Ride than Runaway Railway). While I intended for this to be part of Toontown, I am also okay with this being the last building on Showtime Boulevard to help transition into Toontown.

Backstage Meet-and-Greet: Again, I personally do not care much for meet and greets (With the exception of Goofy. Goofy is the best.), but for the people that do, here you can meet Mickey and Friends including Oswald, Roger and Jessica.

Maroon Cartoons Studio Tour: Based on Roger Rabbit Cartoon Spin but using the art style of Mickey and Minnie’s Runaway Railway (but with actual sets, not screen projections), as well as an interactive element (partially inspired by Monsters Inc Ride & Go Seek in Tokyo). Guests would interact with the sets by “spraying” paint or thinner from the paintbrushes attached to their vehicles. Based on the video game mechanic from Epic Mickey, where paint brings objects into existence, and thinner erases them. For example, a guest could “paint” an anvil that would drop onto Roger’s head. Even spraying the animatronic characters would elicit funny dialogue, “Hey! Watch where you’re spraying! I just got a new paint job yesterday!” While the sets would be physical, the paint and thinner effects could be projections. The trickiest part is projecting a physical object to look like it’s been erased, and since it would set off chain reactions, the projections would have to hide certain objects’ movements. It would be very difficult, but I insist that this ride does not follow the Toy Story Mania route (I’m looking at you, Web Slingers). Please consult actual engineers.

Art of Animation Academy: History of animation exhibit, with animation from all over the world. Japanese anime, Soviet animation, stop-motion, etc. With acknowledgements that Quirino Cristiani and Lotte Reiniger’s films actually pre-date Snow White as the world’s first animated features. Drawing workshops included.

Happy-Go-Lucky Merry-Go-Round: In the same wacky spirit as the Caro-Seuss-el in Seuss Landing. Like the Caro-Seuss-el, the music could speed up and slow down when it operates. Rather than just having wacky versions of real animals, this carousel would have hybrid animals, like the Wuzzles! Also, what if the carousel could run backwards?

Jolly Trolley: The vehicles would run on an elevated track to solve the problem of crowds blocking the way. The track could wind around Toontown, the same way as The High in the Sky Seuss Trolley Train Ride! does in Seuss Landing. Originally I was only going to have it stay in Toontown, but then I realized the wind-up key on the roof could make it pass for a toy, so why not have it travel through Toy Box Land too, for an even more scenic route.

Goofy’s Bakery Studio: Decorate your own cupcakes and cookies with edible paint.

The Art of Disney: Disney prints, paintings, figurines, and other art. Get your caricature drawn here.

Minnie Mouse Fashions: Disney apparel and headgear. Design and customize your own ears.

Handwich cart: I dunno about you, but I think the Handwich is pretty neat.

Toy Box Land

Yes, Toy Story Land has been both overused as a land and under-utilized as a proper theme, but I simply love the giant toy aesthetic. It feels like being inside an I Spy book (does anyone remember those books?). I probably could have just made this land fully original with no ties to IP (like I did with choosing not to theme Winter VIllage to Frozen), which I am still open to, but also found it too irresistible to include everyone’s favorite lovable rascals. The movies’ existential themes of jealousy and self-worth, moving on and letting go would be difficult to adapt into attractions, so Toy Story’s inclusion here is to embody reconnecting with your inner child and creativity through play. The name change is just my attempt to make the IP sound less in-your-face. The giant art supplies from Toontown could transition into giant crayons in this area. Also, like Toontown, the entire area would have kinetic sculptures to bring energy to the area, like giant windup keys and pinwheels. To keep with the playful and friendly energy of the land there should be plenty of characters walking around interacting with guests. Woody, Buzz, Jessie, and Bo Peep should preferably be characters that can talk, not just silent costumes, and there would not be any giant static statues of them in the land. Bullseye and the Green Army Men are okay to keep as silent costume characters. Potato Head, Hamm, Rex, Slinky, and Wheezy are talking animatronics, preferably mobile animatronics that can roam the land alongside costume characters. I think the Little Green Aliens and Bo Peep’s sheep are the only characters that are okay to portray as static statues. Sid’s toys could be available characters during the Halloween season.

“Rube Goldberg Machine roller coaster”: Dual track wild mouse roller-coaster, based on a classic, over-convoluted Rube Goldberg design. One track has guests ride in giant toy karts, the other has guests inside giant marbles for a giant marble run track. Vehicles would set off chain reactions, possibly help other vehicles move forward, or create “obstacles” for others. Pulleys and wheels and dominoes galore. This is another one of those ideas where I only know how I want it to function without knowing how to accomplish it. Please consult actual engineers.

“Andy’s Playtime Theater”: Basically Mad Libs / Choose Your Own Adventure. This could either be a show or a ride, but I personally prefer the ride idea. If it were a show it would be part improv, involve guest participation, and have lots of giant props and gags. The Toy Story gang would mingle with the audience and be on stage at the same time. If it were a ride, guests can choose the path their vehicle takes. Andy narrates and has his toys act out a story. At several points, Andy offers two options on how the story can proceed. Stories would have wacky scenarios, like that of the opening scene in Toy Story 3. Multiple endings. Would have plenty of animatronics, and NOT just be screen-based.

“Giant Toy Playground”: Build with LEGO bricks the size of your head, climb actual towers made of alphabet blocks, play on a chessboard with human-sized chess pieces.

“I Spy Scavenger Hunt”: I absolutely loved looking at Walter Wick’s I Spy and Can You See What I See? illustrations for hours, and this activity is basically that come to life. I really want this land to be super detailed (and I mean absolutely LOADED) with lots of toy props hidden everywhere. The search criteria can change everyday for different routes. Winners can earn exclusive pins.

Pizza Planet restaurant: Customize your own pizza. Mix your own slushie. Gluten-free and vegan options. Also serves the Alien Mochi from Tokyo. Would follow the retro space building design of the movie .

“Build-A-Toy” shop: Inspired by the former Toys R Us Times Square location. Would include things like a Build-A-Bear Workshop, “Build Your Own Potato Head”, a LEGO play area, a nuiMOs plush modeling studio, and a mini indoor Ferris wheel.

Disney Dreamland Railroad Create-It-Land station: “Built” out of blocks and tinkertoys.

World Galleria

Adventureland

Mysteryland

Fantasyland

Discoveryland

#disney parks #disney dreamland #armchair imagineering #journey into imagination #disney's hollywood studios #toontown #toy story land #theme park design

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valician · 10 months

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The 90′s Kid chapter forty-eight through fifty! The three part finale!

s3.e16.Nostalgic_Zenith – Everything wraps up with a big to-do list… culminating in that promised class trip to the theme park!

s3.e17.Moribund_Animus – The big-bad reveals himself, and an epic combative introspection ensues as King Arcade crumbles.

s3.e18.Onward_Hereafter – Even the nicest weekends end.

Read them right here: 90skidstory.com

The cast page has also been updated with the latest characters.

I'm not quite done yet - I still have the Season 3 album art and soundtrack to create.

A big thanks to my readers, whoever you are, whether you just like slice of life, time travel, or fun stories. Or you wanted to relive a little of the 90s. This was a personal project and I hope the characters felt alive and even relatable to the kids you grew up with. This is more a story about nostalgia and childhood than any particular decade, though the the 1990s certainly gave it a unique flavor. From challenging myself like using a 22 page restriction per chapter to simulate TV show episodes, or improving my illustration abilities these last 4 years (July 18th 2019 to July 18th 2023!), and adapting real-life experiences into the "epic" moments seen through a kid's eyes, this series has been a joy to write, and I think it's fully stuffed with gooey comfort food nostalgia for a decade long gone without quite going overboard, and it explores the connections in the present we have with the past — while mentioning that the ticking now isn't all bad! There are always nice new things to look forward to, and friends to make.

When I began writing back in 2018, the pandemic wasn't even a blip on the radar and 2020 was still the future (and now it's hard to believe it's already 3 years in the past!). While that global event not showing up in The 90's Kid meant pushing the universe into an even further branching timeline than our own, some of the chapters I most enjoyed writing were with Jace and his friends in an alternate version of 2020. And while millennials and older generations might find the things kids are into these days "cringe" and "trash," remember that your parents probably thought the same things about what we grew up with a few decades ago. So, don't worry about today's youth. They're going to turn out fine, and in thirty years, I bet a lot of them will long for those "awesome" 20s Kid days. And some of them might even still be wearing their Nirvana shirts, too. Like a churning ocean current, nostalgia is about cycles, and you never know what might come back to the surface again.

Still, as Wes learns... dial down the tint on those rose-colored glasses a little, and try to live in the present. Old stories are great; but you should be there to help write the new ones.

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