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#toshiya translation
mementoboni · 5 months
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When I was eating out with Mr. Baba from Dragon Ash before he passed away*, we happened to talk about hide, and he said “People really die when others forget about them”... That’s why our loved ones who passed away will live on within us as long as we remember them.
Toshiya
(*Mr. Baba was the bassist of Dragon Ash. He passed away on April 21, 2012 at his home due to acute heart failure.)
. . .
Dragon Ash的馬場桑去世*之前,我曾經和他單獨吃飯。談到hide桑時馬場桑說:「人只有在被遺忘時才會真正迎來死亡」…所以只要我們這些還記得的人仍然活著,那些已經逝去的、我們所喜愛的人就會一直活在我們心中。
Toshiya
(*Dragon Ash的貝斯手馬場育三於2012年4月21日因急性心臟衰竭在家中過世)
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yridenergyridenergy · 3 months
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Burrn! Japan vol. 23 Individual Interview Translation Notes
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Kyo's favourite movies are those that leave a really bad aftertaste, which he just can't watch more than once or twice. Besides Holy Mountain, some of his highlights have been Pearl, MEN and Midsommar. Ideally, he'd love to replicate this in a live show: as a fan, you would be so shocked and blinded by tears that you couldn't even see Kyo. He thinks that Dir en grey is more and more working toward this kind of mission. Kyo would also love to perform in Las Vegas' SPHERE venue, with this type of overwhelming shock.
If he had to make a movie, it would also be one that leaves a bad aftertaste and which nobody could sanely watch more than twice, but since he would have to do multiple reviews as the director, it won't happen.
Kyo finally explained the focus on Uroboros more: he feels that Dir en grey was able to build something more from this point onward. The worldview started with Withering to death. too, but the base was set more firmly with Uroboros.
For Kyo, the inclusion of Oboro is what totally changes a setlist. He feels that it's a bottomless pit, like he's cutting deeper and deeper into a wound. For Die, The World of Mercy is the song that can make a whole difference in a setlist, because of the change of tempo in the middle.
Die described that when they try to compose songs, sometimes, after 25 years, they can have the impression that the melody's already been done before. But then, let's say Kyo adds his singing on top of it, and it goes through the filters of the other members too, and in the end, Die feels like: "Wow, it's something totally different now!"
Die doesn't usually work on melodies in his free time. The ideas come to him the most when there is a concrete release decided and deadlines, even if he doesn't like deadlines.
Regarding the upcoming European tour, Die reflects that Withering to death. was the first time that they toured in Europe, and in general they have never done "concept tours" overseas. He feels that the band will be able to do things in 2024 that they weren't able to do back then.
Apparently Dir en grey is thinking of celebrating the 30th anniversary since their formation!! And they are wondering whether to release the next album before that or around the same time.
Kaoru mentioned that at first, only Acro no Oka and Zan were supposed to be recorded with Yoshiki in LA, but when they arrived, it was decided to add Yurameki. About Acro no Oka, Yoshiki commented that it was a concern because of the lack of "collision of sounds", whereas Zan was a problem of collision of sounds.
In Yurameki, apparently they recorded some strings separately and overlapped them in post-production because Yoshiki asked Kaoru to play something in a specific way that was impossible, because the string couldn't be held down simultaneously. They figured: "No one will notice."
This European tour was supposed to happen in 2022 to coincide with the band's 25th anniversary.
Shinya would have preferred to sleep until 4PM on the day of this interview. He also appreciated that the songs of Phalaris were introduced in three segments/tours, because he had trouble memorizing the structure of the songs. It would have been impossible for him to play all of the album's songs at once live.
His favourite kind of ending is when the show doesn't end with a bang, but that it instead leaves a lingering worldview, which was accomplished with Kamuy. His favourite part is when the curtain was lowered in front of the stage as soon as Kamuy started. Ideally, he would always just walk off the stage without throwing drumsticks or anything.
For the first time, the rehearsal for Tour23 Phalaris Final –the scent of a peaceful death- was not just [rhythm section] then [whole band]. At Die's suggestion, they had rhythm first, then the four musicians, and finally the whole band rehearsed together.
Shinya was ecstatic that his composition, Yurameki, was chosen for the major debut and that it was produced with Yoshiki. Ever since then, he felt like he could die happy, and all the way up until now, Shinya has continually felt like he could be content to die at any moment.
For ten years now, Shinya has wished to record simple drum melodies. Also, he thinks that he will struggle to re-learn how to play the Uroboros songs.
Toshiya reveals that the imagery projected on the curtain in the opening (during Otogi) and ending (during Kamuy) of the shows in Tour23 Phalaris Final –the scent of a peaceful death- were generated by AI.
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It seems that a lot of people have commented that going to see Dir en grey is more like a spectacle than seeing a rock band's live performance.
Toshiya was initially opposed to the idea of re-recording the three singles of their major debut. He feels that old songs are out of their hands, and some things about them belong to the listeners and their past experiences of it. In other words, he is worried that re-recording could destroy something about the memories associated to the songs. In his view, it's better for the creators to re-imagine the songs, like they have done with their remakes so far. At the same time, in retrospection, Toshiya is glad that they decided to do it, because it made him realize that a lot has changed in 25 years, but a lot also hasn't changed, with the band.
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argumentl · 1 year
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The Freedom of Expression Vol:13 - Looking back at the 25th Anniversary tour. 
*As soon as the wait screen appears, the sound of the director instructing Kaoru about the plan for the free half and the paid half can be heard. A few comments pop up saying, "We can hear you" etc, and the mics are promptly turned off until the official start time😅*
K: Hi, and welcome to The Freedom of Expression live on our Niconama channel. Im Kaoru from Dir en grey. 
J: Im Joe Yokomizo. 
T: And Im Tasai from Tokyo Sports. 
*applause*
K: Its been a while since we were here. 
J: This studio? It has, yeh. Is this where we did the Christmas tree last year?
K: Was that last year? Yeh, last year. 
J: Was it this year?
T: It was last year, wasn't it? Eh?! Was that last year??
K: Eh? haha
J: It was last year, right?
T: Yeh, yeh. It was last year. 
J: Since covid though, don't you feel like its kinda hard to know what happened when over these last two years? Don't you like, lose a sense of it? Or is that just me getting old?
K: Hm, Im not sure. 
J: We did do the tree here though, right?
K: Yeah, we did. And we made that cake. 
J: We did! 
T: Oh, yes. 
K: And we made Takoyaki. It makes me think we are gonna eat whenever I come here. And we had all the Umaibos!
J: Was it here where we went up to the roof at New Year?
K: Oh, what was it?...Bubbles, and stuff. 
J: Was that here?
K: Yeah, I think it was. 
T: *reading comments* One year since the cake, that black cake.  
K: *notices the comments* Eh?! It looks like umaibo. (*there is a kind of wierd graphic in the comments*)
J: Woah. How do they do that? People are so creative. Ahh, the cake of darkness, yeh. 
T: That tasted good. 
J: Ah, memories, memories. Well, anyway, today we dont have any cake, or Christmas activities, but more importantly, Kaoru, congratulations on completing the 25th anniversary tour!
*applause* 
K: Thank you. 
J: So, the tour is now finished, after starting on October 25th and continuing nationwide. And you did one extra show on Dec 16th, with audience cheering allowed! I wonder if anyone who went to that show is watching now? I think a lot of the people watching us today will have gone to at least one show during the tour...Oh, whats that? Kaoru's mic is hitting his necklace? 
*Kaoru fixes his mic*
T: (*reading comments*) "Thank you for coming to Tokorozawa!"
J: Ah, "I went to Shinjuku". That has become a legendary performance. 
T: "It was so much fun!"
J: "At last, I could use my voice!" Ahh, keep sending in your comments. Oh, so by the way, the theme of this live broadcast is 'Tour 22: From Depression to____ After-Talk Special'!
*applause*
J: Ahh, "I couldn't get tickets to Shinjuku", "I went to Sendai", "I went to Osaka and Amagasaki". Ok, so Leader, the tour is over, but first just give us a quick word on your feelings about it. 
K: Well, hmm, a lot of people came, so I'm really thankful to everyone who did. 
J: I see. Tasai, what would you like to ask?
T: Well, I went to Haneda. It was quite a different feeling there. It looked like you guys were having a lot of fun on stage, but how was it really for you?
K: Well...I'm gonna get a bit serious here, haha...Uh, well, normally we'd release an album, and do a tour, and the songs would be all kinda new, right? So as we do the tour, we'd be kinda gradually chasing the songs up to a higher level as we play them. But this time, we've already done all there is to do with these songs...It might sound strange to say it, but there is nothing higher to achieve with them. Plus, parts of them are ingrained in us, so we know exactly how they will flow out. 
J: You mean, you've perfected them live?
K: Yeah, so it wasn't really a case of 'How is this tour going to go?', but rather, 'How can we make each day exciting?'. So, that was actually quite difficult, haha.
T: Ah, like retaining your motivation?
K: Yeh, or like trying to decide which parts we need to spice up on each day, and stuff. It wouldn't be very exciting if we just played the songs the same old way as usual. I mean, even for us too. So we kinda fumbled along, trying to make each day of the tour exciting. 
J: I see, so if you have a new album out, your big goal is to perfect the songs live, but with these songs that you already know so well, you had to kind of set yourself new objectives, or missions for each day of the tour?
K: Yes. It also reminded me of my past self, well, in my playing style too, but also in my movements and stuff. It was almost as if my past self was trying to emerge, I remembered how I used to be on stage. It felt too different from my current self, and I didn't really want to go there. That was hard for me.  
J: Well, a live show is a bit like a documentary of current times, so in that sense, you didn't want to fall back into your old habits?
K: You could say that, for me. It was difficult anyway. 
T: What exactly do you mean by your past self emerging? 
K: Well, it could be anything. When I'm playing a song, the feelings I had in the past emerge in my body, you know? I mean, I don't know if thats actually how I really was, but, you know? 
J: It happens spontaneously, right?
K: Also, we had a bit of leeway with them this time, right?
J: Ah, yeh, because they are not new songs? 
K: So, I ended up feeling like I need to do something different with them. I could simply just play them as they were, but I did end up feeling like I need to do something with them. I had this kind of ongoing internal conflict in my head..'You don't need to change it, its fine', and 'Oh, you need to do something with this!'. 
J: Were there any parts of the tour where you really tried to challenge yourself with the old material?
K: Well, no, in that sense we put a group of recent songs in the middle of each set, then we put in the new 'ain't' after those. That was the part where we could challenge our current selves. So thats what we considered while making the rest of each setlist. 
J: I see. Someone asked, "How do you feel about the re-recorded versions?" Everyone is sending a lot of enthusiastic questions. But, I was gonna say, a live show happens in the moment, right? So you must have had a lot of incidents ocurring on tour, like in the dressing rooms, or in transit etc? Can you tell us about anything that happened during this tour? 
K: Now? Incidents?(*thinks*)
J: Yeah, backstage gossip. We wanna hear about it. 
K: Well, at Haneda, my amp broke. 
T: Which day at Haneda??
K: Day 1, during the rehearsal before the main show. (*To his manager off camera*) It was day 1 wasn't it? Yeah. So we had an emergency substitute brought in. Oh, no, actually on that day we just used a back up one that we already had, but we got a proper substitute in for the following day. I still havn't got mine back yet. 
J: Oh, its still being repaired?
K: Yeah. 
J: ???
K: Well, the staff did their best.
J: Ahh, I see. Well, this kind of thing can happen on tour. 
T: What about food? Did you eat anything nice?
K: Well, we went to Hokkaido at long last. I ate some nice things in Hokkaido. Well, there is good food everywhere though. 
J: Well yeah. What did you eat in Hokkaido?
K: Seafood...Uh, I had Shirako ponzu (*cod milt/sperm with ponzu sauce*)
J: Ahhhh, I wanna eat that!!
K: Hahaha
J: I couldn't go to any of the regional dates, I wanted to go to Osaka though.
K: They don't call it shirako in Hokkaido though, do they? What do they call it again? Tachi?
J: So like 'tachi ponzu'? 
K: Tachipon. 
J: Ahh, did you have sake with it?
K: No, I had a highball. Haha
J: You always drink highballs!
T: Thats the type of thing that would come up in a Kaoru quiz. 
J: Oh, will it?
T: Yeah, you have to remember this. 
K: For another time, right? haha. 
J: Yes, for another time. Thats the keyword to remember with Tachipon. Oh, look, some people are saying they went to Hokkaido. Well, we'll talk more about those details later, but for now the director is telling us to move to the next page. 
(*They all pick up thier notes and turn the page*) 
J: Ok, just notifications to read out. Uh, on this show we really, really welcome lots of comments and messages. Suppport, thoughts, feelings about the show, anything is ok, so please send them in. Twitter users can use the hashtag TFOE. The first part of this show is free for anyone to watch, but the second part is for channel members only. As a member, you can watch the live broadcasts in the archives for one year, and there are also members only videos for you to see, so please everyone...can you see the link at the top of your screen? Leader, point to it. Thank you. Everyone, please use this link to become a member and stay with us to the end. Ok, so for this 25th Anniversary Tour After-Talk Special, here is our first corner. "Ego-surfing for reports of the tour!"
T: Lets do it!
J: We did this once when the album was released, right?
K: Yeah 
J: Well we are going to do another forbidden search, now that the tour is over. Its scary, right?! Searching for yourself online. Eh, someone said  "Aghhh, don't do it!" No, we will do this live. Tasai is currently searching on the PC, but this same Tasai has an injured foot. 
T: Haha, sorry. 
J: What happened? Show us. 
(*Tasai lifts up a bandaged foot*)
T: Its embarrassing, haha. 
J: What happened?
T: I fell over. 
J: Where? 
T: In front of my office. 
J: Ehhh?! Were you drunk?!
T: No I was just setting off for home like normal, and there was a pothole in the road. My foot got caught in it and I fell over sideways. 
J: Honestly though, Leader, don't you think Tasai has gotten bigger? I think he has. 
K: Well, he looks big. 
T: Oh dear, thats not good. What should I do?
J: Whats your weight?
T: About 100kg. 
J: I bet it is, that sounds about right. You fall in a hole with that much weight, this is what happens! How embarrassing. 
K: (*Laughing at Joe*) How embarrassing? Hahaha
J: Look, someone said, "I want to nurse him"
T: Thank you. 
J: There are people like that out there! When you get guys like me laughing at your pain and embarrassment, there are still people out there who want to nurse you. Haha, someone said, "He's getting plump" haha, "Tasai is becoming a Titan". Oh, ok  yes, lets do some ego-sufing. 
T: (*Reading tweets*) Ok, whats this one..."ワシら(wasihra/us)"
K: Thats my tweet, haha.
T: Hahaha  
J: The first one you chose, and its Kaoru's?? Oh, right, Im being told to explain the hashtag. Right, yes. So what we are doing is searching on Twitter for tweets about the tour. We want to see the reports from people who went to see the lives. We are searching using the tag DIRENGREY25th, so if you havn't already tweeted your thoughts, do it now with this tag, and the injured Tasai may just pick up your comment. 
K: These tweets go right back to the start of the tour. 
J: There's so many, its hard to choose, right?
K: Should I do the scrolling (*takes over*)
J: Poor Tasai with his foot, he can't move much. 
T: Haha 
J: Well, if you remember when we did this with Phalaris, even if you write something now, it might still get seen. 
K: (*Reading a tweet*) "There were a load of songs from Vulagar and Withering to Death, it was a great setlist. I wish they had played The Final and Obscure though". 
J: Ahhh
K: Ahh, we didn't play those two on this day. We did on other days, just not this day. 
J: I see, yeh. It depends on the day. Well, later we will talk more about how every single day was different, the director is telling me. 
K: Haha, they weren't that different from each other. They were only a little bit different each time. 
T: You can talk about the reasons for the changes and stuff. 
K: No no, its not that we planned to change stuff, its just like I said before, we just needed to make each day more exciting by changing little things here and there. 
J: Oh, so you didn't have a big plan from the start to make each day totally different?
K: No no. 
J: It was just a little bit to keep up the excitement after each show. 
K: Yeah. 
J: So would you like, finalise or change up your setlists at the last moment?
K: On the same day?
J: Yeah. 
K: Well, we have done that...
J: Amazing!
K: Well, I mean, thats not really a big deal for us. haha. The staff will have to change a few things round for us, but thats about it. 
J: Ahh, I see. (*reading comments*) "Thats backstage gossip too". Right?
K: (*Looking at computer screen*) These are all tweets from Sendai. 
J: Did something special happen at Sendai? 
K: No, no, I mean, we've only scrolled as far as Sendai, haha. 
T:(*Reads out a tweet mentioning Rasetsukoku*)
K: Hm, yeh, we played Rasetsukoku each time. Im just gonna scroll right down...Ah still Sendai.
J: There are so many tweets for each live. 
K: There's still tonnes. Tasai, I was hoping you would have scrolled a bit further by now. Hahaha. 
J: Yep, there they are both, scrolling away. Are you past Sendai yet?
K: Uh, Zepp Sapporo. 
T: (*Reads out a tweet saying that Saku was the first song*). Ah, starting with Saku!
J: Yeh, I noticed a few days started with Saku when I saw the setlists. Im honestly a bit envious. Starting with Saku is epic, right?!
K: Really?
J: Yes. 
K: Actually, we started with Rasetsukoku for the first two days. 
J: Oh, really?! Thats the rule??
K: The rule? Haha, no, we just decided off the cuff. 
J: Oh, is that it?
K: Yeah. 
(*Louds noise blares out. Kaoru looks shocked and wide-eyed. The sound goes off, and then the video stops for several mins. A message pops up informing of technical difficulties*) 
K: Ok 
J: Ok, we're back! We did it!
T: We're back!
J: The tech staff got us back. 
K: That was quite scary wasn't it?
J: Yeah! Like 'Kyaaaaa' all of a sudden. 
T: It was like a screech from another world. 
K: I was pretty shocked. 
J: Someone in the comments asked if it was Kyo. 
K: Haha
T: Haha. One comment said that its because Joe was predicted many blocked paths this year. You remember our shrine visit?
J: Ah, maybe thats it. I was predicted that at the start of the year, wasn't I?
K: It was Tasai's mic acting up though  wasn't it? And then this huge noise exploded. 
T: As soon as I talked about my leg, it started doing stuff. 
J: Tasai, you need to be purified at the shrine, you have evil on you. 
K: We went at the start of the year though, right?
J: But if its Tokyo Sports there could be all sorts hanging around. 
T: No, but since I hurt my foot, my wife won ¥10000 on the lottery, and WestLand, who I'm reporting on, won the M-1. So there are a lot of good things happening around me. 
K: What about us(Dir)? hahaha 
J: There's nothing bad hanging around you! Ehh, what could it be? Well, at least we've got the sound back. What were we talking about before? Oh, Saku!
T: Yeah, Saku. 
J: Where was it? Hokkaido! Saku was the first song in Hokkaido. 
T: You need a lot of power to burst open with Saku though, right? 
K: What else did we say? About how we opened with Rasetsukoku only on those two days. 
J: Yeah, I think the viewers probably heard that. So continuing the search. Actually there was a question about Sendai...something about a sauna in the dressing room? Did you go in the dressing room sauna?
K: Ahhh, no I didn't. 
J: Oh, more background noise? There is definitely some evil hanging around. 
T: Is it me??
K: We didn't hear anything here, right? Its better now?
J: Ah, lots of ghost emojis..."Its Rasetsukoku" (*land of rakshasas*)
K: Well, I mean, weird stuff just happens to us a lot. 
J: Yeah, so we are probably ok, right? 
T: Anyway lets do this search. 
J: Yes, lets get on with that. Someone wrote, "Sprinkle salt around Tasai's leg"
T: Haha 
J: Someone bring us some salt!
T: Haha, yes please. Ok, now we are at Nov 18th which is Amashin..
K: While we were off air, we did some mega scrolling, haha. 
J: Yeh, the sound guy and you two were working hard, I was just sat here. Sorry, haha. 
T: Ok, here's a tweet. "The speed at which Toshiya crossed the stage during KR cube was incredible!" Do you remember this Kaoru?
K: Uh, I dunno. Haha. He's being doing that for years though, right?
T: Another one, "C straight after Merciless Cult was amazing!" What do you think? This song order is great on the album too. 
K: Yeah, we tried that. I think we only did that once though. 
T: (*Correctly reads out a tweet containing a few song names*)
K: Oh, you really do know the songs! Just from this?!
T: Yes (*reads the name Mamachen/Marmalade Chainsaw*)
K: You even know Mamachen!
T: Yes, because I listen to them. 
K: Oh, thank you. 
T: (*Reading more tweets*) "It was amazing beyond words", also, "Toshiya is really macho" etc. 
K: (*scrolling*) Joe, speak for a bit. 
J: Ah, ok. There are a lot of comments coming here, as well as the tweets, especially about Toshiya cutting across the stage, like his legs are so long he can cross the stage in three steps.
T: No way!
J: Thats was was written in the comments! There are lots of comments about Toshiya..."I was happy to see Die all in red"...."I thought Toshiya's body was 90% legs"
K: Hahaha 
J: That must be a joke. But people are saying its right! Someone wrote that you were chasing each other around the stage at Amashin. 
K: Eh?
J: Were you chasing each other? 
K: Uh, no. What does that mean?
J: Give us some more details people...Did you chase the other members around the stage? 
K: Oh, like following behind? Yeh.
J: "Kaoru and Shinya chased Kyo"
K: Ahhh, yeh.
J: Also, "Kaoru's paper airplane"
K: Oh yeh, I did that. Where was that again?
J: Osaka? 
K: Yeh. I folded the setlist into a paper airplane while I was on stage, but my folding technique was a bit off. I folded it like this (*demonstrates with notes*), so it just flew in a vertical drop as soon as I threw it. Haha
J: It didn't even reach the audience??
K: It fell in the space just infront of the audience. 
J: Ah, someone just said it was Osaka day 2, the paper airplane story. If you guys have any other events from the tour that you want to know about, please send a comment...."The towel throwing was also great". Did you throw it far, Leader? 
K: Well, it flew. 
J: Oh, someone said the water bottles and towels flew as far as the second floor at Hatch. 
K: If you throw the water bottles right, they do go quite far. 
J: To the second floor?
K: Yeah. 
T: (*scrolling*) I think I've reached to the newest tweets...."I made so many memories, it was amazing. My neck is sore"..."I was glad they played Saku and Kodou"...Where is this? Hm, maybe Hatch day 2..."The 25th anniversary tour was great! KR was so much fun, and I've always wanted to hear songs like Wake, Drain, and Jessica live, so I cried a lot during the show"
K: Well, songs are like that. Each person has their own particular meaning and memories attached to each song. So yeh, I can understand that. 
T: It seems like there were a lot of songs from earlier albums. 
K: Well, that was decided by the song battle which Fujieda did. Sitting and talking by himself all that time, haha. But we tried to just include most of the highest ranking songs from that. The songs that we chose ourselves are actually very few. 
J: Ahh. "The mistake at the start of Jessica was also good" Did you make a mistake?
K: Yeah 
J: They spotted it. 
K: Well, we stopped the song. 
J:Oh! Please write where that was if you saw it, guys. "Thank you for spraying water on me, Kaoru". 
T: "The excitment was crazy with Rasetsukoku at the start". That must have been one of those two lives. 
K: Yeh, people like that song.
J: They really do. "Citta day 2"? Ahh. 
T: Also "They didn't play 'I'll' after all". A fan sent this with a crying emoji. 
K: Well, well, well...hahaha. 
T: Ok, I get you, haha. 
J: "I love Rasetsukoku so much, I want it at the start and the end!"
K: Nah...I don't think so, hahaha. I'd want a different song. 
J: Yeh, we get that they love it, but we need variety too. 
T: "Happy Birthday to my favourite guitarist, Die"
K: Ah, yeh, it was his birthday yesterday. 
J: Happy Birthday Die. 
T: Yes, Happy Birthday. Hm, what else can I find here.."It was so emotional at Shinjuku Blaze"
K: Oh yeh, it was the first time in ages for me to go to Kabukicho, the last time was for that talk event we did in Loft. 
J: Oh yes, that was 4 or 5 years ago, right? Ah, but Blaze, yes. 
K: Yeah, Kabukicho really doesn't suit me. Hahaha. 
J: Its so garish, right?
K: Well, it felt kind of dirty. 
J: Ahhh, yeh. 
K: Like, people lined up everywhere,  drinking. I know people do that from the daytime in Ueno and places too, but Kabukicho has a kind of slimy feel to it. 
J: Yeah, Shinjuku is unique. Uneo and places are different. 
T: People are commenting about Tōyoko (*トー横 - An area in Kabukicho*). 
K: Yeh , it was next to Tōyoko. 
J: But this was the first 'cheering allowed' live in ages, right? How was it?
T: Yeah, I wanted to go. 
K: Well...it was a step in the right direction. 
J: Yeah. So cheering was allowed from when the members appeared on stage?
K: Yes 
J: Ahh, somebody write how it felt in the comments! Well, as Leader said it was the first step. Uh, we will talk more about the setlist in the second half. Ah, someone said, "I cried". Well, of course yeh, its been a long time. 
T: (*Reads out a couple of tweets praising the Blaze live*) 
J: Oh, but that moment where the lights go down and everyone screams, right? 
K: But at first, when the lights changed, everyone clapped. 
J: Oh, out of habit? 
K: Yeh. Then when Shinya went out, he was the first out...thats when the cheering started. Well, as far as I heard.
J: Ah yeh. "I wanna scream their names". Yeah, people who couldn't go to Shinjuku will be feeling this. People really want to know whether cheering will be allowed at the tour next year?
K: Well, with current circumstances, the answer is no. It depends on each venue. A lot of them are saying that cheering is allowed at half capacity, which would be a bit tough for us. But if they say cheering is allowed at full capacity...well, I don't know yet. But for now, no. 
J: Its not really something a band can decide on their own, right? It depends on the venue and the region, but im sure people will understand. Anyway, we had a bit of a break earlier, but we are now at the end of the first part of the broadcast. I think we've made up for the part that we lost earlier. In the second part, we will take a much closer look at the setlists from the 25th Anniversary tour, so please join us for that. As was mentioned a bit earlier, each setlist was different!
K: Haha, I don't think thats such an impressive thing really though. 
J: Oh no no. Im not sure if the audience and the performers feel the same about this, but changing just one song can change the whole atmosphere, right?
K: Well, that is true, yes. 
J: So its really exciting for the audience, if they compare it to previous shows. You may even see setlists from the shows you went to, so please send in any questions you like. Ok, ill just inform you of how you can watch part 2. The next part is for channel members only, so you have to be a member if you want to watch to the end. Then you'll be able to watch this broadcast in the archives for a year, and we also have members only videos for you. In these we set various challenges for ourselves. There are some funny ones and some more serious ones. Ok, here's how to join. There should be a blue link at the top of your screen. Leader, point to it please. Thank you. Leader's fingers are on the move. If you click this link you will get a payment method screen. Thank you for pointing sideways, Leader. Choose you preferred method, click proceed, and then enter your info. Its really simple, so if you haven't already joined, please do so to stay with us to the end. Ok, Leader, before we switch over, do you have any announcements you'd like to make?
K: Announcements? 
J: If you have any. Its ok if you don't. 
K: Hmm, do I have any?
J: Haha, I don't know. For example, TheTheDay stuff, or something?
K: TheTheDay is the day after tomorrow. 
T: How about what you will eat tomorrow morning or something? haha
K: Should I really announce that? haha. 
J: I think you could. 
K: I haven't decided yet, haha. Oh, just earlier...today we were rehearsing for the New Year festival, and I had a bit of time before coming here, so I got some ramen, but the soup was lukewarm. It was so disappointing. 
T: Hahaha
J: Ahhh, what a shame for your post-rehearsal ramen!
T: Thats quite an important announcement. 
J: Yeah, it is. 
K: I was disappointed. 
J: Yeah. What will the New Year festival be like? Well, you probably can't say anything, right? 
K: Nah. Anyway, we don't even have a timetable yet. 
J: Well, we can look forward to it. Someone asked what kind of ramen you had?
K: Soy sauce type. 
J: Is that your usual type?
K: No, I like miso, soy sauce, tonkotsu, anything salty, but I guess if im trying a place for the first time, i would choose soy sauce. 
J: Ahh, but still, the sauce was lukewarm. Well, lets get rid of your disappointment and cheer you up in the second part. 
K: In Hokkaido I had miso ramen. It was the first time in absolutely ages to have ramen in the middle of the night after drinking. 
J: Ah, but I guess you didn't care much if you were drunk?
K: I wasn't that drunk though. 
J: Was it like, you went straight in without having to wait in line?
K: I did have to wait. 
J: Oh, you did? Ahh, someone wrote "ramen report". Maybe we will have to do that next year. Ok, we will stop here to switch over. The change over screen will appear for a moment, so members hang tight. See you in part 2 for more 25th Anniversary tour talk!
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eetroo · 2 years
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👽Share Dir en grey 早年中文杂志.
Toshiya专栏连载.vol.5 ⛩️
想要高清分享可留言.
还有很多,请期待我继续scan他们🎸
PS:不只是tumblr上是否多中文阅读fans呢?可以让我知道吗?
Share the early years Dir en grey interview in Chinese,
"Toshiya- where am I going Vol.5"
if you want the more clear copy let me know.
TBC. l'll scan more…
Ps:🙋🏿This there some Chinese reader in Tumblr?
💙You can read more in my home page 💙
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moved2radiationvibe · 2 years
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ooooooh my god dir en grey
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chichiichiii347 · 6 months
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In the fan newsletter volume 100, the members were asked to answer to questions from each member and here’s my take on the translation:
Toshiya
Kyo > Toshiya
- Rich or Extremely rich? (referring to food such as ramen broth) Rich
- All humanity is turning into dogs: woof 🐶
- Very hard or very soft noodles? Hard
- Pigmon or Kanegon? (from Ultra Q) Pigmon
- Would you dye your hair blue again? If everyone dye their hair like the old days then I’ll consider it.
Die > Toshiya
- Are you the type who sleeps well at the hotels during tours? depends on which day
- How often do you change your smartphone? 4-5 years
- What do you usually order from Starbucks? Drip coffee
- Which electric appliances are you very particular about? Electric toothbrush
- If you were to drive, which car do you want to drive in? Shelby Cobra
Kaoru > Toshiya
- Any recommendations lately? ask and answer by yourself
- You’re not watching anime recently? I watch it sometimes
- Which is the most delicious ramen shop? If it’s hard to say here then tell me next time: I’ll tell you secretly
- What would you say if Die send you a picture with his hair completely shaved off? maybe he can’t deal with the intense heat..?
- How do you want our next song (album) to turn out? I want it to come with a different kind of excitement
Shinya > Toshiya
- Which country do you like aside from Japan? the US, Hawaii
- Which manga did you like the most as a kid in elementary school? Musashi no Ken
- Are you becoming farsighted? My vision is getting worse so it could be that…
- Do you want to live in Nagano in the future? I'm thinking about it lately
- Are you planning to keep your black hair forever? Silver hair
Kaoru
Kyo > Kaoru
- Jumping up and down (びょんびょん) or chuckle (むひむひ)? (I think he’s referring to fans’ reaction) chuckle
- Which one is better, Light salt or Cheese Karl snack? Curry
- Aren’t you gonna grow your hair long? It’s troublesome
- Aren’t you going to dress up as a pirate? I’m not doing anything this Halloween, so I won’t do that
Kaoru > Kaoru
- Gonna do “it”? Give “it” to me
Die > Kaoru
- What make Hanshin so strong this year, let me hear your opinion: pineapple candy
- If a Hanshin member was to throw an MVP, who would that be? Kinami Seiya
- If you could scout one player from an 11-members team (other than Hanshin), who would that be? Yamamoto Yoshinobu
- If Hanshin finally got “it” after 18 years, what do you think is going to happen at the Dotonbori river? become the prey of Idiots, onlookers and youtubers.
* I don’t watch baseball so I’m not so sure about this whole conversation, but I know Die is a huge GIANTS fan while Kaoru is at Hanshin’s side, and people in Osaka often jump into the Dotonbori river when celebrating something big (new year, winning the olympic games..) so Die is talking as if the Hanshin would surely win the game (or winning over the GIANTS? idk..)
- If the GIANTS were to change the manager, who would that be? I think Abe Shinnosuke…? but the atmosphere would be…
Toshiya > Kaoru:
- We will die at some point in life, would you rather (1) be remembered by everyone in the world or (2) always be remembered by one particular person until they die? 1
- If you have a chance to time-travel for once, which timeline would you choose (1) before you were born, (2) after you’ve passed away? 2
- If there is one drug that brings super power, would you choose the one that (1) make you look young like your 20-year-old self or (2) keep the same appearance, but have the strength of a 20-year-old? 2
- Which member is most likely to runaway from terrors? Kyo
- Who is the most manly member? Toshiya
Shinya > Kaoru
- Which country do you like aside from Japan?Hawaii
- Which manga did you like the most as a kid in elementary school? Toriyama Akira
- Are you becoming farsighted? Yes, I am
- Who is your favourite Hanshin player? Kakefu Masayuki
- Which LINE stamp do you use the most? Kaoru chan
Kyo
Kaoru > Kyo
- Any recommendations lately? Fish from Fukushima
- Are you building plastic models? I’m building them intensely
- What would you say if Shinya send you a picture of him and Tom Hanks? from Deep State?
- Have you seen Mad Heidi? I haven’t seen it, but I’ve watched MEN
- How do you want our next song (album) to turn out? Isn’t Ramen Jiro (without the broth) the best thing ever?
Toshiya > Kyo
- We will die at some point in life, would you rather (1) be remembered by everyone in the world or (2) always be remembered by one particular person until they die? must be 2, right?
- If you have a chance to time-travel for once, which timeline would you choose (1) before you were born, (2) after you’ve passed away? maybe 2, to the future
- If there is one drug that brings super power, would you choose the one that (1) make you look young like your 20-year-old self or (2) keep the same appearance, but have the strength of a 20-year-old? 2, the inner strength (health)
- Who is the most affectionate member? Must be me
- Who is the best at telling lies? Must be Shinya
Die > Kyo
- Any scary experience at the hotels while touring? a fan peeping through a peephole and put their ear to the wall (in Osaka)
- Favourite game console? Mega Drive
- The most intimidating movie character in your opinion? Norman Bates
- How many pair of sneakers do you have? about 50?
- FOOD (don’t know why he’s using english here lol) that touched your soul lately? Blowfish dish from the restaurant that senpai took me to
Shinya > Kyo
- Which country do you like aside from Japan? None. Aren’t you Shinya!
- Which manga did you like the most as a kid in elementary school? Jojo. Aren’t you Shinya!
- Are you becoming farsighted? Dunno. Aren’t you Shinya!
- Have you gotten more tatoos? I’ll get more when I’ve become a skin-head. Aren’t you Shinya!
- Will you give up smoking? No. Aren’t you Shinya!
Die
Kyo > Die
- How many times do you go to the beach each year? when I think about it, I guess I haven’t went to the beach for years
- What is your choice of drink on a cruiser, beer or wine? I get drunk immediately after having wine so I think it’s better to go with beer
- The whole world is destroyed: If everything and everyone dissapear all at once then I’m not scared
- Won’t you dye your hair red again? or would you dye it blue? Frankly, during the pandemic when I could not see anyone, I’ve made a mistake and dyed my hair blue. It didn’t suit me at all, to the point that it gets creepy. So I cover it with red dye right on the next day.
- What’s your favourite colour other than red? BLACK&WHITE (he used english here)
Kaoru > Die
- Any recommendations lately? Prison’s book of rules
- Favourite type of meat for Yakiniku (grilled meat)? high-quality outside skirt steak, thick-sliced beef tongue, beef organs
- After Hara Tatsunori, who’s going to be the GIANTS next manager? I wanna see Abe Shinnosuke as the manager already
- What would you say if Kyo send you a picture of him standing on top of the mountain that he’s just climbed? The Zoom meeting has already started
- How do you want our next song (album) to turn out? raw (fresh) sound
Toshiya > Die
- We will die at some point in life, would you rather (1) be remembered by everyone in the world or (2) always be remembered by one particular person until they die? I’ve spent my whole life with this band so maybe 1
- If you have a chance to time-travel for once, which timeline would you choose (1) before you were born, (2) after you’ve passed away? If I can not return to this life time then I’d want to see what the future is like
- If there is one drug that brings super power, would you choose the one that (1) make you look young like your 20-year-old self or (2) keep the same appearance, but have the strength of a 20-year-old? 2-I’ll work on my appearance somehow…
- Who’s a foodie among the members? Our interests may vary but isn’t everyone a foodie?
- Which members hold the most secrets? All of us are secretive but I think “that person” definitely stood out.
Shinya > Die
- Which country do you like aside from Japan? The humidity right now makes me really want to feel the air of Los Angeles
- Which manga did you like the most as a kid in elementary school? Captain Tsubasa
- Are you becoming farsighted? I’d say my vision has gotton worse from 2007-when I got lasik surgery
- Favourite GIANTS player? It’s hard to choose one, but I’d say Kuwasa Masumi, he lived near my house back in Osaka, and used to be my hero when I was in PL Academy
- Your luggages always seem heavy, which item is the heaviest of them all? Dyson airwrap styler, hair dryer, hair iron, hair oil, hair cream, hair treatment spray… most of the items that added weight to my luggage are hair related
Shinya
Kyo > Shinya
- You’re already dead. No, I’m not dead
- If you can become another person, would you choose to be Yoshiki san or Gackt san? please choose one. I’ll choose Yoshiki san because I’m a drummer
- Aren’t you going to build a room in your balcony? I don’t have a balcony in the first place
- Would you try the punch perm hair style? I really want you to try it? or eipper. you only have two choices, punch perm or eipper? If only these two choices then eipper…
- You’re already dead. No. I’m not dead.
Die > Shinya
- Would you wear anything other colour aside from white at the liveshows? Please answer with something different from “No”. Maybe there’s no other options in the future?
- Would you change your hair style? Please answer with something different from “No”. Maybe there’s no other options in the future?
- Would you change your phone to the iphone 15? Please answer with something different from “No”. I’ll skip for once next time
- Favourite Apple’s product that you’ve owned? please also explain why. I’d say the Macbook Pro that I’m currently using. Without it, nothing will work out
- If you didn’t become a Youtuber then who would you be? Maybe a drummer
Kaoru > Shinya
- Any recommendations lately? What kind??
- What kind of game should I, Tooru and Fujieda play? Who’s “I”??
- If you have the Rock f Solo sheet for Kurenai (ロックfソロシート), please give it to me. I only have DIR’s records
- What would you say if Toshiya send you a picture of him DJ-ing in the club? You’re spinning the Kurenai Solo Sheet! Yay
- How do you want our next song (album) to turn out? Ah! the person who ask this question… must be Kaoru kun? Am I right? 😏😏😏
Toshiya > Shinya
- We will die at some point in life, would you rather (1) be remembered by everyone in the world or (2) always be remembered by one particular person until they die? Maybe everyone in the world
- If you have a chance to time-travel for once, which timeline would you choose (1) before you were born, (2) after you’ve passed away? Absolutely the future, I want to see the future world
- If there is one drug that brings super power, would you choose the one that (1) make you look young like your 20-year-old self or (2) keep the same appearance, but have the strength of a 20-year-old? Inner strength
- Who the most domestic member? Die san
- Most ambitious member? Kyo san
——————
And that’s it. They haven’t change one bit 😂
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yyh4ever · 5 months
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Yoshihiro Togashi Handwritten Letter
Togashi sent a handwritten letter to the idol Yumiko Seki, answering 11 questions. The letter was read aloud in the Iwakura and Yoshizumi's Show, on TV Asahi, on November 14th and 21st, 2023.
There's already a translation of the Q&A by the hunter fandom (please read it), but I want to share my favorite parts and maybe some interesting info that was said during the TV program. You can watch the full version on bilibili. The whole film studio was decorated with Hunter x Hunter manuscripts and figures, and BGM from both versions of the anime was played during the broadcast.
The MCs of the show are two female comedians, Yoshizumi and Iwakura. The guests were Yumiko Seki (former Sakurazaka46); singer Toshiya Miyata (Kis-My-Ft2), a huge Hunter x Hunter fan; and the comedian Shintaro Morimoto (TONTSUKATAN) who read Togashi's letter and served as moderator.
At the beginning of the show, Seki-san revealed she met Togashi in a Sakurazaka46 live concert.
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Everyone was shocked to learn she met him face-to-face!
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Then, Seki-san showed an autographed shikishi Togashi-sensei gave her when she graduated from Sakurazaka46. (T/N: She announced her graduation on December 13, 2022, and graduated on April 30, 2023 at the Sakurazaka46 3rd TOUR 2023).
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Killua: "Graduation is the starting line!!"
It's interesting to add that Killua is Seki's favorite character and orange & white were her penlight colors, also her favorite colors. That's why Togashi drew Killua holding a bouquet of orange and white flowers.
Miyata joked that he will make sure that everyone knows he loves Hunter x Hunter by the time he graduates from Kis-My-Ft2 boy band. Morimoto told him "don't graduate just to get a shikishi" (LOL).
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By the way, Miyata loves Kurapika, so I hope Togashi gives him a Kurapika shikishi one day :P
Here's Togashi's huge letter!
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Before reading sensei's answers, they anticipated the huge success of the show, and came up with the hashtag #冨樫先生からのお手紙 (letter from Togashi-sensei).
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It was a success indeed, trending all over social media.
Then, Morimoto started to read the Q&A.
The second question was about the Hunter x Hunter character setting. Before reading the answer, they showed a Togashi's memo containing a detailed timeline of each character that he uses in order to develop the story without creating any contradictions. There's a timeline of the Chimera Ant Arc, and a table of the princes' entourage, allowing Togashi to distinguish them. He even drew characters that didn't appear.
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Miyata left his seat and came closer to the monitor, so he could see the memo better. He's a crazy HxH stan just like us.
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This material is actually from Jump Ryu's booklet (2016). You can also watch the Jump Ryu video with subs on YouTube, where Togashi explains better how this character table works.
Here's the part of the answer Togashi talks about Killua's inspirations. I am a huge fan of MDP Psycho!
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The author of "Toy-y", Atsushi Kamijo, thanked Togashi on his Twitter. He also wrote that he loves Level-E.
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When answering question 4, we found out Togashi-sensei watched Sakurazaka46 New Year's special feature in 2021, when Seki-san asked for the complete set of Hunter × Hunter.
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But, because Togashi-sensei is such an introvert, he thought he would make her feel uncomfortable by actually sending it. It took him two years to finally decide to send it.
Miyata laughed so hard, saying: "Togashi-sensei is such an otaku!!" (LOL)
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Seki-san confirmed Togashi really sent the Hunter × Hunter set to her ^^
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The 5th question was about Togashi's favorite nen ability. Seki-san and Miyata also shared their favorite type of nen.
Seki-san loves Killua, thus she likes transmutation. She also likes Hisoka's analysis about nen, and thinks Killua fits his description about transmuters perfectly.
As for Miyata, he loves Kurapika, therefore he likes the conjurer type. He remembered that in order to conjurer chains, Kurapika had to imagine, touch, draw, and even licked real chains.
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He was curious if Goreinu, a character that appears in Greed Island, had to do something similar and touch gorillas in order to be able to materialize them.
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Miyata is a crazy HxH fan, he came up with many curious tidbits and did a deep analysis of the series. It's not confirmed in the manga or any databook if Goreinu is really a conjurer, but I really liked his point of view.
Question 7 about Meruem's final moments was really touching. After hearing Miyata's explanation about Meruem and Kogumi, Iwakura almost started crying.
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Tears rolled down her cheeks when she saw the double spread of Meruem's final moments.
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The funny thing is, at the beginning of the show, she told us she had only read the first chapter.
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So, Morimoto joked: "Why did you have to stop at volume 1!!?" XD
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Morimoto also revealed that Togashi-sensei's favorite scene is Meruem and Kogumi double spread.
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Question 8, what does Togashi do on his days off? Morimoto asked Seki-san's opinion. She imagines Togashi having mandarin oranges on a kotatsu table, and talking to cats on the porch.
T/N: Eating oranges while sitting around a kotatsu table is a japanese tradition during the winter.
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Togashi didn't mention anything like that in his answer, but there's an interview with Naoko Takeuchi (WITH magazine, May 2022) where she says, "We have been married for over 20 years. Although we have small fights sometimes, my husband is extremely kind and quiet, like a hermit (...) The house we have lived for 20 years is also a place of healing. Sometimes we have meals or tea in the garden". So, I can totally picture Togashi-sensei eating oranges in the winter and talking to cats.
Togashi-sensei stated he is the type of person who always has sound playing while he is working, just like Yoshizumi-san. She was happy she was acknowledged in his letter!
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The question 9 was about manga that Togashi-sensei found interesting recently. Miyata remembered that Togashi had wrote a recommendation on the obi of Kimestu no Yaiba (Demon Slayer) volume 4, praising the series. I had completely forgotten Togashi loves Demon Slayer!
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In his letter, Togashi-sensei wrote he couldn't give the name of the series he's currently into, since he would get criticized. But he left some clues. Yoshimizu said the crazy amount of ッッッ (small tsu) used in his answer was maybe a keyword, and that the fans would probably figure it out. She had no idea what manga he was talking about, though.
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Togashi-sensei also wrote this manga is a true story published in 2023. So, many fans came up with the Autobiography of Keisuke Itagaki (author of Grappler Baki): an autobiographical manga depicting the harsh life experienced by Keisuke Itagaki in the "JGSDF 1st Airborne Brigade" that consumed his youth!
I started reading it, and the author really loves to use "ッッッ" at the end of the sentences. I don't think it's the kind of content I would recommend to an idol like Seki-san. Anyway, I don't know whether that's the correct answer or not, but it seems so.
The manga that Togashi-sensei ended up recommending was "Oi! Tombo". It has been serialized in Weekly Golf Digest since 2014. An anime is also scheduled to premiere in 2024. I was happy to see that the Golf Digest X Account mentioned his letter!
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Seki-san was introduced to an unexpected golf manga, but she immediately became interested, saying, "I really want to read it'' and "I want to buy it right away.'' I guess we all felt that way. I'm definitely watching the anime!
The 10th question was about the ending! The reaction of the guests and MCs when Morimoto read there's an Ending D in case Togashi-sensei dies was priceless.
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Before Morimoto could read the "Ending D", Miyata recalled he went to watch the Hunter × Hunter movie "Phantom Rouge", and received a copy of Volume 0. He grabbed it, and showed the Q&A with Togashi-sensei, highlighting Question 4: What will end up happening to Kurapika and the Phantom Troupe? A: "They will all die."
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He was really looking forward to knowing the ending of Hunter × Hunter, but not this one (LOL). Morimoto and Miyata were too nervous, they took a sip to calm down before reading the "Ending D Pattern".
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The final question was about the amount of text in volume 37. Miyata commenting that his answer also had an incredible amount of text made me laugh so hard. It was a huge answer indeed.
Togashi's last words were:
"Words are da best!" (Words rule/Nothing can beat words/Only words wins/ whatever sounds better in english).
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Everyone laughed so hard, because this is actually a slang used by young people or fandom to say someone or something is the best. He wrote the letter in polite japanese, it was fun he ended it with a slang. By the way, Togashi-sensei loves slang, specially fandom unique vocabulary, as he usually uses it Hunter x Hunter. He's a fan of Keyakizaka46/Sakurazaka46 after all.
Miyata was excited to hear that Togashi-sensei himself is "bugged", which makes him want to continue reading HxH even more. One thing that caught Miyata's attention during this final question was the part Togashi-sensei mentioned he needs to settle many issues during the voyage of the Black Whale ship. Actually, the word "settlement" (解決) captured the attention of many fans, as they posted a lot about that on social media.
Miyata thought about people on board the ship whose fates needs a resolution. He wondered if this was about Kurapika and The Phantom Troupe since the conditions to what Togashi-sensei said in volume 0 (everyone's gonna die) are right there to happen soon.
He showed his Volume 0 again. LOL, I hope Togashi-sensei was just joking.
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Of course, let's not forget that are many other unfinished business that needs a solution in this arc, we have a whole succession to the throne war in motion. But, Miyata was really hyped about Kurapika and volume 0.
The show ended with a big thanks and bow to Togashi-sensei!
Miyata said he has been reading HxH for more than 20 years, since he was in elementary school. No matter how old he is, he still gets excited about it! He loves Hunter × Hunter!
Morimoto asked Seki-san to say some final words to Togashi-sensei. Besides showing all her love for Hunter × Hunter, Seki-san was really cute and asked Togashi-sensei to take really good care of his health!
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That's it, sorry for being like Togashi-sensei and writing too much. Although my posts are more about Yu Yu Haksuho, I feel I needed to address his letter too. I didn't take the Ending D too serious, since it was discarded. However, I think it was a cute closing to HxH. Like Miyata-said, everything went back to the beginning, The Whale Island where it all started.
I just want Togashi-sensei to live long and write his favorite ending!
There were other interesting parts, like Seki-san telling Togashi-sensei to make a DVD BOX of the TV show. In the end, everyone wanted to make one ^^ (me too). It is a really precious letter. I hope Seki-san frames it and make an altar :P
Thank you very much, Togashi-sensei!
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totchiiiiii · 10 months
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I like when he talks about members, leader sama 💜
He also said they give each other spaces. They pretty much agree on things but end up working towards different directions. They sometimes don't know the end result , the understanding seems to come naturally among them from how they listen and talk.
It is similar to Toshiya interview, they keep distance among each others...more like give space between personal stuffs & work.
PS. Please read reply as it is more accurate translation 😆 thank you @argumentl
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did yall see toshiya's bday live? ٩(ˊᗜˋ*)و✧*。🖤 praying someone translates it pls
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thefinalcinderella · 9 months
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Tsurune Book 3 Chapter 3 - The Song of Naru (Part 2)
Let me share my personal theory: In this universe, the sport of kyudo possesses the supernatural ability to alter one's brain chemistry. Those who have a deeper affinity with the bow are more transformed by this ability. Kyudo, it seems, can make one become more spiritually attuned and connect seemingly completely unrelated concepts, but also warp one's thought processes to the point of non-kyudo practitioners finding them incomprehensible.
Anyways I still had no idea what's going on. And yes, that last line in the chapter is real
Glossary here
Full list of translations here
Translation Notes
The word used here is 文字絵 (mojie) which means a picture formed by letters
In Japanese, superstring theory (超弦理論) contains the character for "bowstring"
A yotsugake is a kyudo glove that covers four fingers
Dousha is "a form of Japanese archery with the purpose of shooting arrows from one end to the other of the outer area on the west side of Sanjyusangen-do temple"
Toshiya is another name for dousha
A kosode is a short-sleeved kimono. It contains the character for sleeve
Apparently this is a quote from Kuroko no Basuke?
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The sun was flashing, spreading rainbow-colored wings of light.
It was the middle of May. The prefectural high school kyudo tournament preliminaries were being held.
The competition event was “close range.” The first day’s “individual competition” consisted of shooting four arrows in two stages in zasha, and the top ten with the highest number of hits would be selected for the next round.
The “team competition” on the second day consisted of one coach and five to seven archers, and one male and one female team per school could participate. The competition format was teams of five, four shots in zasha, and a time limit of eight minutes. Forty-one schools participated in the boys’ competition, and the eight teams with the highest scores in the first and second rounds would advance to the prefectural tournament. Looking at the past results, winning was between thirty and thirty-five hits, and the lowest halfway point was twenty.
Kazemai High School had a total of six girls: the three second-years Hanazawa, Shiragiku, and Seo, and three first-years. The boys had a total of seven, with the five second-years Kaito, Ryouhei, Seiya, Nanao, and Minato, and the two first-years Himuro and Kanbayashi. A total of thirteen people entered the individual and team competitions.
Kazemai was the winning school last year, so they attracted a lot of attention. Their school’s name was printed on the back of their green jerseys along with the illustration of an arrow.
When a student from another school said, “Oh, it’s Kazamai,” Nanao folded his hands behind his head.
“This is read as Kazemai. I get it, I sometimes say it wrong too.”
Kaito was appalled. “Don’t get the name of your own school wrong.”
“Japanese kanji is hard because there are so many different readings. Nippon, Nihon, Hinomoto, and Yamato are all examples of the ever-changing name of our country, after all.”
“Oh, it’s Asahina and Eddie from YumiDou,” they heard someone say.
They looked and saw the Haneina High School members passing by, with the flashy duo leading them. “Haneine?” someone muttered when they saw the characters printed on the back of their orange jerseys.
“Those guys are called ‘Haneina High School’… Oi, Asahina and Eddie! Merha!”
When Nanao waved at them, Asahina and Eddie also waved back. In addition, there were other unique members following them, such as a man with narrow eyes, a boy with a notebook and pen, and a boy with fresh flowers in his bag.
Asahina saluted them. “Hey, Nanapri and everyone from Kazemai. It’s been a while. How are you guys?”
Eddie continued, “Prince Nanao, it has been long seen we’ve last contacted each other. The frog art (1) I received from you the other way has seen a lot of uses, that it has.”
“I’m glad to hear that. I saw your last stream. You hit the center of the target in the dark!”
“Thank you. My body learned how to do it using something interesting. If it’s my dojo, I rarely miss a shot.”
“That’s amazing. I’d like to learn that technique too,” Seiya said.
“During kai, the second joint of your bow hand’s index finger should be in line with the position of the tree branch outside the kyudojo.”
“That isn’t something you learned with your body, it’s something you saw with your eyes…”
“Haha, well, it’s alright, isn’t it? I’ll be able to do it with my mind’s eye sooner or later.”
Suddenly, Asahina stared at Minato.
“Hmm? Is there something on my face?”
“I don’t know why, but I feel like rubbing your forehead, Narumiya.”
Seiya quickly hid Minato’s forehead. “You need our advisor’s permission.”
“Seriously? Just how strict are things at Kazemai? If only we can use a jutsu to clone him and borrow one of them. Oh, speak of the devil, Doppelgangers No. 1 and 2 have arrived.”
Asahina’s gaze was directed at a group of people dressed in purple jerseys.
It was the Kirisaki High School kyudo club. The twin brothers Senichi and Manji stopped walking at almost exactly the same moment. Their bangs were arranged symmetrically to each other. Senichi, whose bangs were parted to the left, spoke.
“Doppelgangers are already old news. We’re the Twin Fighters now.”
Hearing this, Kaito’s jaw dropped.
“I can’t believe there are guys with terrible naming senses in a different way from Seiya… Are you sure you guys aren’t going against the times?”
“Huh!?” The twins exclaimed in unison. Kabashima and Yushima tried to calm them down, but Senichi picked up the corners of his mouth and bared his teeth, and Manji pulled his eyelid down and stuck out his tongue. Without paying any attention to what was going on around him, Ryouhei ran up to a certain person.
“Shuu-kun!”
“Hey, Ryouhei. Did you grow taller again?”
“Yep. I’m not losing to you yet!”
“Fufu. I guess I have to give up.”
“It’s a shame that Motomura-senpai and Sase-senpai aren’t here anymore. It’s so sad that everyone has to go their separate ways after graduating from high school, even though we had so much fun together. I wish I could shoot with everyone more.”
Shuu’s pale eyelashes wavered. Senichi and Manji reacted.
“Yamanouchi, stop calling him that.”
“Huh? But Shuu-kun is Shuu-kun, isn’t he?”
Someone was watching the jumble of green, orange, and purple as they chattered.
Kuon was lamenting outside the circle.
It’s him! The man I saw in my dreams.
…No, wait. Who is Fujiwara-senpai looking at?
Following his line of sight, Kuon found Minato there. Shuu had a gentle smile on his face.
I can’t believe this. Those who stand at the top should not smile so frivolously. I don’t care about the dog anymore. This guy must be harmful to Fujiwara-senpai.
The antique doll smiled coldly.
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After the opening ceremony, the individual competition started. The order was random in individual competitions.
The girls went first. Hanazawa, Shiragiku, Seo, and six other girls put on their yugake and headed for the waiting room with their bows, arrows, and tsurumaki with spare strings. Tommy-sensei went with them.
Cheering squads from each school took their places in the stands. It was filled with people holding paper cranes with prayers written on them and others recording in notebooks.
The Kazemai girls started appearing from the third group. Hanazawa’s matooto was cheered by the audience, and Shiragiku and Seo, who were in separate groups, followed. They performed a light and lovely dance, and as a result, Hanazawa had two hits, Shiragiku had three hits, and Seo landed all four of her arrows.
Next was the boys’ division.
Haneina’s Asahina, Eddie, Matsuda, Kanuma, and Igarashi. The five unique and showy individuals captured people’s attentions even when they were alone. Two in particular, Asahina and Eddie, had hair colors that couldn’t be misperceived even from a distance, and their shooting was even more beautiful than in their videos. Their arrows were like flashes as lightning, and they hit with all four arrows.
Kanbayashi, a Kazemai first-year, watched them from the waiting room and thought, I can’t shoot disgracefully. I have to do my best not to bring shame to Kazemai.
The first individual match. Kanbayashi was at the second target in the second group. The archer before him drew his bow. He released his arrow and hit the target at three o’clock. It was a good start.
Meanwhile, tension had stiffened Kanbayashi’s shoulders.
Huh? Why can’t I focus?
As he panicked in his mind, he raised his bow and moved to daisan. He slowly pushed his bow open—
Right when Kanbayashi realized it, the arrow was no longer in his hand and was sticking out of the arrow path. The arrow had jumped out of his hand while he was still drawing his bow. He had no idea what happened.
Crap, crap, crap.
No way, is this target panic…?
No, no, no, I’ve been nervous plenty of times, but I’ve never let go this early. No, there’s no time to think about this. I have to nock the next arrow—. His hands were shaking, and his bow grip was becoming slick with sweat.
It’s fine, it’s fine, it’ll be okay next time.
The more he chanted that in his mind, the rougher his breathing became.
For his second shot, Kanbayashi’s arrow was once again released before reaching kai. The venue became noisy as people started murmuring to each other, and the sound of someone saying “Ah” remained in his ears. The archer behind him released a sharp-flying arrow. Shouts of “Yes!” reverberated.
Kanbayashi’s third shot came around. He could feel his hands shaking. He didn’t know how to interpret this first-time sensation. What did Narumiya-senpai say? To overcome target panic, focus on breathing and exhale slowly. Exhale, exha…, oh no, I can’t do it—.
Again, before he even drew his bow back, the arrow was released in an instant. The sound of the aluminum arrow sweeping across the ground resounded, and it pierced the target after bouncing.
Is this what it means to not hear a tsurune?
It was almost terrifying for an archer.
After shooting all four arrows, Kanbayashi didn’t make any matooto, while Kaito, Seiya, and Minato landed all their arrows, and the others ended the first round with three hits.
Once he left the kyudojo, Kanbayashi buried his face in his hands. His heart was still pounding. “Don’t be so hard on yourself,” Nanao called out, but Kanbayashi’s face was so stiff that all he could manage was a forced smile.
This is so embarrassing. I became a complete mess in front of my senpais and my family who came to support me.
I’ve been practicing and practicing, but when the actual competition comes, I end up like this. What am I doing—.
Kanbayashi gripped the arrows that he retrieved.
“Please remove me from the lineup for tomorrow’s team competition! I can’t do it! I definitely have target panic! I don’t want to be a burden on everyone!”
This time it wasn’t Kanbayashi, but Minato and the second-years who were blinking rapidly.
It was Kaito who responded. “Oi, oi. We’re still only halfway through the individual competition. Why don’t you just hit the remaining four?”
Nanao and Ryouhei also chimed in.
“That’s right. It’s a little too early to give up. Let’s focus on the individual competition in front of us first.”
“Yeah, what he said. There was also a time when I panicked because my string snapped, but I managed.”
However, Kanbayashi didn’t change his opinion.
“It’s impossible! I’ve always had the potential to get target panic! My mental weakness is the only thing I’m confident about! You have to have had it to understand how awful it is!”
Everyone’s eyes turned to Minato. Nothing but the words of someone who experienced target panic could reach Kanbayashi’s heart now.
Minato stepped forward.
“Although it’s called target panic, it’s still a relatively early and sudden system. It’s not severe yet. We can get back on track.”
“You saw me, didn’t you!? My terrible shooting! I was so careful about target panic, but why, why…”
“Let’s do the dantian breathing exercises together. You’re too worked up right now, but you’ll calm down in a few minutes.”
“I can’t do such wishful thinking!”
Minato took Kanbayashi’s hand.
“Kanbayashi, listen to me. My mom once told me about something she read in a book. In ancient times, the Japanese named very fast vehicles ‘tsubame.” The second-fastest were ‘kodama,’ and the ones after that were ‘hikari.’ What do you think is a vehicle that’s faster than light?”
“…Was there anything faster than light?”
“The Shinkansen ‘Nozomi.’ It’s the Japanese word for ‘hope.’ The slogans were, ‘Nozomi of Ambitious Japan! is always there for you’ and ‘Nozomi is the fastest way to meet the person you want to see.’”
Tommy-sensei, who had been watching their exchange, smiled broadly.
“I’ve ridden on the ‘Hinotori’ before. E=mc2. It reminds one of Einstein, the monument of theoretical physics. When things move, they get heavier.”
“Tommy-sensei, you’re knowledgeable about physics too?” Kanbayashi said.
“No, not at all. I’m just a geography teacher. I only know the two theories: relativity, which deals with gravity, and quantum mechanics, which explains the behavior of matter in the microscopic world.”
“The only one of the seventeen subatomic particles that hadn’t been confirmed, the Higgs boson particle, was discovered in this century. It was called the God particle, and is responsible for giving mass to everything. And I guess there’s also the ‘superstring theory,’” Seiya supplemented. (2)
“Super-string?”
“The superstring theory. It’s a theory that claims that the origin of all things is ultra-small ‘strings’. The theory is that particles are actually the vibrations of these strings. It’s still at the stage of hypothesis.”
“The universe is made up of the sound of strings. I guess it would be too poetic to say that tsurune is the true nature of matter. Sound is the vibrating waves of air. Since it’s said that everything from people and plants to minerals are made up of waves, to say that ‘Nozomi’ is faster than light might not necessarily be wrong,” Masa-san said.
“Wow, tsurune is incredible.”
Tommy-sensei smiled with satisfaction at Kanbayashi, who was blinking rapidly.
“When I hear the word ‘ambitious,’ I think of Dr. Clark’s words. ‘Boys, be ambitious. Like this old man.’ I can almost hear the doctor laughing as he says, ‘I’m an eternal young man.’ Now, there’s still a long, long way to go. Let’s go to the next stage together.”
“I don’t really understand, but I’m going to let the team competition wait and focus on what’s in front of me right now.”
Kanbayashi changed his mindset and practiced dantian breathing as Minato put his hand on his lower abdomen.
As for the results of the individual competition, Kazemai’s Minato, Seiya, and Kaito, Kirisaki’s Shuu, Kabashima, and Kuon, Haneina’s Asahina and Eddie, and Seo from the girls’ division would be advancing to prefecturals.
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The second day was the team competition.
The first round. The Haneina team, who were famous as Yotubers, drew a lot of attention for their shooting.
The oomae was Eddie Fox.
His long, blond hair was tied high up on his head, and a headband was tied around his forehead. He looked like an actor in a period drama. Once he gripped his bow, his jokester persona disappeared as his eyes sharpened, his breathing became shallower, and his face became dreadfully serious. A burst of sound resounded from the target area as he took advantage of a momentary gap and got in close to his opponent.
The second target was Matsuda Kotetsu.
He had poor vision, and the world he saw was composed of multicolored balls of light. His hearing was above average, and he had an excellent sense of perception. Whenever he stood before the target, he always stood behind someone else because it was easier to perceive the distance when someone was standing in front of him. Kyudo was a sport that could be played by people of all ages, and physical differences were no handicap. With the use of remote video conferencing, it was even possible to have a match with people on the other side of the world at the same time.
The third target was the naka, Kanuma Nobuhiko.
He was a haiku poet who loved writing haikus. He was staring absentmindedly into space during the middle of a competition.
A staff member approached him and asked him in a whisper, “Hey, what’s wrong? Are you not feeling well?”
“The eye of the snake/the white water surface holds/the golden-scaled fish. I tried to write a poem about carps living in a pond, but I guess it’s too mediocre. On a summer’s day/the koi frolic and a cat/sleeps beneath a tree. How’s that?” (3)
“This isn’t a haiku contest, it’s a kyudo tournament! Concentrate on your shooting!”
“Okaaay.”
Kanuma nocked his arrow. The spectators who had witnessed the scene were taken aback by his lack of nervousness and extraordinary strength of his heart.
The fourth target was the ochimae, Igarashi Shion.
He was the Gardening Prince who loved flowers. Even when he was sitting in his chair in the waiting room, he kept fresh flowers with him and left them with his tsurumaki. Even his bow was decorated with flowers he drew himself, and there were even people who wanted him to sell it to them. His shooting was as sweet-smelling as a flower and created the illusion of a fairy flying.
The fifth person was the ochi, Asahina You.
His red hair symbolized the rising sun. He parted his bow and followed the correct tsurumichi path. What was beautiful was good, and what was good was true. If you sought beauty and aesthetic, you would naturally follow the right path without being aware of it. Far from concepts such as “seeking the truth” and “ascetic training,” and the irrepressible joy that radiated from him captivated those who watched him. He liked to have fun, and believed in fundamentally ignoring what wasn’t fun or changing it to be fun.
The Haneina High School kyudo club was both noble and greedy. They lived not by the values of others, but their own axes. The five of them were comrades and friends who had met each other on their travels. Of course, there were occasional clashes of opinion, but they knew when to quit, so there were no lingering resentments. Making videos was a great way to learn about life and society, as what one said and did was constantly exposed to the public eye. It wasn’t easy to communicate something to others. True expressive people seemed to be free and unfettered at first glance, but they kept their feet on the ground and devoted themselves to their work.
The five of them carved out the Eight Stages of Shooting.
Ashibumi, douzukuri, yugamae, uchiokoshi, hikiwake, kai, hanare, zanshin.
When five circles, a “yoko kaichuu,” were lined up next to each other on the scoreboard, there was an eruption of applause.
Hanazawa, Shiragiku, and Seo, who were watching from the stands, let out sighs.
“It feels really fun.”
“Their shooting was brilliant.”
“They’re formidable opponents. It seems that the boys’ division won’t be so smooth-sailing.”
The members of the Haneina High School kyudo club achieved the high results of four, four, four, three, and four hits each.
Second round, first kyudojo. The champions, Kirisaki High School, were taking their turn.
The oomae was Kabashima. He was particular about his face and form. In the name of Kirisaki High School, he shot so that no one could complain. When gripping the bow, the tenmonsuji should be firmly sticking to the todake, and the skin between one’s thumb and index finger should be rolled up from below. It was no exaggeration to say that kyudo began with the Eight Stages of Shooting and ended with the Eight Stages of Shooting. Originally, it was the Seven Stages, but with the addition of “zanshin,” it became eight. Why did they make it eight? He felt something profound in it. He earnestly, single-mindedly, carved out the Eight Stages and created a matooto. He was intoxicated by the sweet tone.
Senichi was at the second target, and Manji was at the third. Although their time-difference attack was sealed up, the confidence of the Twin Fighters was evident. We stand on the front line, the firing line. Come on, follow us. They looked completely relaxed, as if victory had been decided before the fight had even begun.
The ochimae was Kuon Takumi. Unusually for a high school student, he used a yotsugake. (3) There were slight differences in gripping the string depending on whether you were wearing mitsugake and yotsugake. Originally used in dousha, (4) and it was said that yotsugake was more suitable for people who drew many arrows like the toshiya (5)in Sanjusangen-do or for people with tough bows, but since Kuon believed that yotsugake were more superiorly ranked than mitsugake, he chose to use it. The arrow that was released almost hit the center. A rapturous air exuded from his whole body.
When the ochi, Shuu, started to lift his bow, the entire venue resonated with silence.
Even the sound of his clothes rustling was daunting. He possessed a divinity, as if he had reached a higher level than what everyone called the “Young Lord.” He himself became a bow and emitted a tsurune that soared through the heavens. Shuu’s sound instantly erased the uncanny colors created by Kuon and purified the place.
A true sound.
A good sound.
A beautiful sound.
By the time the people whose hearts were pierced came back to their senses, Shuu had already left.
The results were announced over the loudspeaker.
“The results will be announced now. First shooting range, Team 17, four, four, three, four, four, nineteen hits total. Second shooting range, Team 18, four, two, two, four, 12 hits total. That is all.”
Kirisaki won, and Kazemai went after them.
The oomae, Kaito, drew his bow tightly. He relaxed his hands and stretched his upper arms.
More force, more force. He stretched and stretched—then released. The arrow was sucked into the target while spinning clockwise.
The second target, Ryouhei, didn’t only grow in height. He had the dignity of an archer, and he shot with majesty. He was someone who had love for everyone. He would continue to have affection for himself and others for the rest of his life. The target accurately reflected the archer, and the round target, without deceit or calculation, was waiting to be pierced.
The naka, Seiya, was also clearly different from who he was a year ago. He took off his obstinate armor and stretched his limbs freely. He hated himself. He hated irrationality, fate, all of it. When he became entwined with hatred and fell into a swamp, there was someone who reached out to him. That person said that they didn’t care what kind of person he was.
The ochimae, Kanbayashi, began to carry out his shot. He concentrated on the lower abdomen that Minato had put his hand on before.
The dantian is “here.”
Now, gather the light here.
He threw away all speech and listened only to the sound of his breathing. When the wind calmed down, his arrow flew at high speed.
The ochi was Minato. He summoned the wind that should have stopped. The wind that rushed around the earth was the land’s breath. Once you were able to feel that, you became a wind user. He manipulated the wind at will and connected it to a new era.
The tsurune took everything away.
For the results of the first round, Kazemai had fifteen hits out of twenty.
After the first and second rounds were completed, Kirisaki had thirty-six hits, Haneina had thirty-five, and Kazemai had thirty-three.
All three schools made it through the preliminaries.
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After the tournament, the Kazemai second-years and Masa-san waited for a car to pick them up. Tommy-sensei and the first-years went home first. Waves of people came and went to the other shore.
Minato, Seiya, and Ryouhei sat on the edge of a flower bed. Ryouhei immediately started to eat his sweets. Seiya, finding the verse from “Greensleeves” stuck in his head, couldn’t help but hum it.
He met eyes with Masa-san, who was next to them.
“Is that an English folk song? You know a lot of old songs, Seiya.”
“If you know it, then you must be ancient as well, Masa-san. Minato’s mom used to hum it. Oh, it can’t be helped if you don’t know it.”
A bell was rung. Fighters burned with quiet fighting spirit.
Seeing the two jab at each other, Nanao quickly took out his phone. He entered the search words, and the English lyrics and translation were displayed.
Kaito peered at them.
“What’s this? Isn’t this just a guy who got dumped and kept whining about it? Isn’t it too obsessive to say at the end, ‘Goodbye, please come here again and love me?’”
“Kacchan, you don’t understand heartbreak at all.”
“Hah? I don’t need to.”
“Yep, that’s what I thought.”
Ryouhei said that he would eat all the sweets.
“What kind of woman is Greensleeves? He’s calling her name over and over, right?”
Seiya was the one who answered. “I did some research, but the prevailing theory seems to be that it’s a metaphor and not a real name. There are various theories that Greensleeves is a prostitute, a dead person, or a ghost. Also, some people think that Greensleeves isn’t a song about lost love, but more like a hymn.”
For a moment, sound disappeared.
Even though it should have been extremely noisy with all the people around, the area was so silent that it made their ears hurt. Even the birds were quiet.
Masa-san murmured a few words.
“Green kosode—. (6) I think it’s talking about the upper arm.”
“What do you mean?” Minato asked.
“There’s a custom in the West to wear green when one turns into a spirit. When you think of Santa Claus, you think of red clothes, but that was because he was dressed in a company’s image color in advertisements, and in England, he was originally dressed in green. According to one theory, Santa Claus is Saint Nicholas, that is, a clergyman. He is a person who seems to have existed, and his name and deeds are passed on to his disciples.”
“What does that have to do with ‘upper arms’?”
“I think ‘Greensleeves’ refers to the arms themselves. It’s ‘green sleeves.’ When you touch the arm of a person, a miracle will occur. That makes them a vessel of the divine.”
Masa-san typed into his phone.
Alas, my love, you do me wrong.
Greensleeves was all my joy.
Greensleeves was my delight.
Oh, my chest feels like it’s about to burst. You who bestow love, how cruel you are.
You let enjoy your love, and say you’ll forsake me. Is this a test of God?
Greensleeves, you are joy itself.
Greensleeves, you are days of happiness.
I was happy just being by your side.
Seiya spoke.
“That sound like words dedicated to God. A somewhat critical song of lamentation and resignation.”
“Greensleeves may have been a person who had a healing hand that could cure illnesses and injuries, or maybe she was a saint. There are even those who say that it is the name of God. It’s distinct from the secular world and doesn’t appear openly. Even if you’re attracted by, yearn for, adore, sacrifice yourself, and give up all your wealth and power for the singing voice that you overhear from the church, you cannot touch ‘it.’”
“I see. In that case, I can at least acknowledge the manly spirit of ‘I’ll stop you even if I have to cling to you,’” Kaito said. (7)
“Kacchan, this isn’t a rugby play. And ‘manly spirit,’ really? You completely ruined the mood,” Nanao said.
 Seiya lowered his eyes and took off his glasses.
“Being abandoned by God might be an indication that humans are irredeemable.”
Shiragiku’s expression clouded over, and she gripped Seo and Hanazawa’s hands.
“How awful…it was such a wonderful melody.”
As everyone fell silent, Minato pondered.
Has God abandoned humans?
Is this really true? Didn’t I forget something important?
“You’re wrong! Such a sad and gentle melody could never be a criticism and lament to God. This is a joyful song for a coming-of-age ceremony!” he started shouting.
Before he knew it, everyone was staring at him blankly. The three girls shrank back while still holding hands.
Masa-san tried to follow Minato’s thought process.
“Coming-of-age ceremony? What’s with this all of a sudden? Where did your thoughts fly to, Minato?”
“I remembered my mother’s words. She said that at coming-of-age ceremonies, it’s a ‘song of naru.’”
“…What do you mean? Did your mother have a shrine maiden disposition?
“No, she was a normal mom.”
“Don’t put too much stock in what Narumiya calls ‘normal.’ By the way, who’s Naru? Is that a new character? Now I’m even more confused.”
Kaito scratched his head.
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p5x-theories · 3 months
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What We Know About P5X
(updated 1/23/24)
Persona 5: The Phantom X (P5X) has now had three beta tests, the first of which ran from March 29th to 31st 2023, the second of which ran from August 18th to 25th 2023, and the third of which is running from January 16th to 31st 2024. Here’s a summary of what we know about the game itself so far. Hopefully this’ll be useful, whether you're new around here or not!
I also have updated posts about the game's story and playable characters so far, which can be found in this blog's pinned post (along with this post!) once they're all done.
Keeping this as succinct as I can, but it's still a little long, so under the cut it goes.
Overview
P5X is a turn-based RPG mobile game with gacha elements, developed by Black Wings Game Studio and published by Perfect World Games. While not directly creating it, it is officially licensed by Atlus and Sega. Atlus has apparently been very involved in its production, including Shigenori Soejima designing the protagonist and his Persona.
The game's setting has been confirmed to be an alternate/"parallel" world to Persona 5's, though translated promotional information also confirms the plot has something to do with these two worlds interacting through "time and space".
As Perfect World Games and Black Wings Game Studio are Chinese game companies, P5X is produced in Chinese, with no current official English translations, though the third beta had files that possibly indicate future plans to translate the game into English, Spanish, and Japanese, among other languages. The dialogue in-game is voiced in both Japanese and Chinese, with Japanese and Chinese voice actors for the characters.
There are specifically two main gachas in the game- a character gacha for gaining teammates, and a weapons gacha for gaining better weapons for those teammates.
Right now, we know the game will release on both mobile and PC, but it’s unconfirmed whether it will release anywhere outside of China, Taiwan, Macao, Hong Kong, and Korea, and we don’t yet have a release date for even the Chinese version of the full game. All three of the beta tests so far have been closed betas available only in China, Taiwan, Macao, and Hong Kong, where players could sign up for a chance to get in, and actual beta accounts were given out via lottery.
The Characters
So far, there are 16 new Persona users. These characters can be divided into story teammates and "Phantom Idol" (gacha-only) teammates.
The story teammates so far are the protagonist (codename Wonder), an owl named Ruferu in Japanese which has sometimes been translated as "Luffy" by fans (codename Cattle), an athletic classmate of the protagonist's named Motoha Arai (codename Closer), and a boy from another class with an interest in cooking named Shun Kanou (codename Soy). These teammates have all joined as part of the plot of the game.
The "Phantom Idol" teammates ("Kaidoru" in Japanese) are described as being cognitive beings created by Wonder's Velvet Room attendant, Merope, to assist him in the Metaverse, and seem to be based on people Wonder meets, though they are only copies. So far, they include Motoha's friend Tomoko Noge (codename Moko), first year student Kiyoshi Kurotani (codename Key), Wonder's family friend Kayo Tomiyama (codename Okyann), college freshman from China Yaoling Li (codename Rin), an aspiring acting student whose real name may be Reo Kamiyama (codename Leon), a student from Kosei High named Yukimi Fujikawa (codename Yuki), rich high school student Seiji Shiratori (codename Fleuret), a former ice skater whose real name may be Kotone Montagne (codename Mont), an online friend of Wonder's who goes by the name Yui (codename Bui), a children's fashion model whose real name may be Hina Nishimori (codename Riddle), an unemployed fisherman whose real name may be Toshiya Sumi (codename Sepia), and the runaway daughter of a local politician whose real name may be Miyu Sawara (codename Puppet).
The original Phantom Thieves from Persona 5 also appear as Phantom Idols: Joker, Mona, Skull, Panther, Fox, Queen, Oracle, Noir, and Crow. Datamining also found some of Wolf’s battle voice lines from P5S at least in the first beta, and an icon from P5S with Sophie in all three betas, suggesting they may later be added as well. No sign of Violet has been found yet, other than the Faith Arcana card in the files. Joker, at the very least, seems to have some larger role in the plot, as Wonder has a dream about them fighting at the start of the third beta, and later what seems to be a Phantom Idol Joker comes out of nowhere to rescue Wonder and Cattle in Mementos.
Munehisa Iwai, Tae Takemi, and Chihaya Mifune also return in P5X. Iwai runs the weapon gacha, Takemi sells medicine like in P5, and Chihaya tells fortunes. The other original P5 confidants’ portraits and 3D models have been found in all three betas' data, and the Councillor Arcana card was with the other cards in the second and third betas' data specifically, but it’s currently unknown whether they’ll actually return in any capacity.
Music
Several new songs have been heard in P5X, four of which feature vocals by Lyn: "Last Strike", "Wake Up Your Hero", "Shadow", and "Fatal Desire". The new instrumental tracks so far include background music for the first two Palaces, background music for special fights, a new music track for Mementos, and some music for P5X's rhythm minigame, where Wonder plays music with fellow students.
Locations
The majority of P5 and P5R’s locations have been confirmed for P5X, including Yongen-Jaya, Kichijoji, Shibuya, and Shinjuku, but the protagonist lives in a new location called Zoshigaya, and goes to a new school called Kokatsu Academy. Another school named Kiga High School has also been mentioned.
(Note that while Yongen-Jaya exists, Leblanc has been replaced with a generic coffee shop, which is eventually purchased and run by someone other than Sojiro Sakura. Similarly, the Big Bang Burger in Shibuya is now just called Big Burger, with no apparent traces of the space theming, and the Crossroads bar in Shinjuku has also been rebranded.)
Mementos and the concept of Palaces also return in P5X, though there are some differences. At least in the betas, Mementos operates as a sort of hub, with characters entering Palaces through Mementos, from the entrance to each Palace located within the massive floors of Mementos. Mementos also has special battle locations apparently similar to “domains” in other gacha games, where completing the fight gives special items to strengthen characters and weapons, themed after P5′s Palaces (so far Kamoshida, Madarame, Kaneshiro, and Okumura's Palace-themed "domains" have been found).
Basic Game Mechanics
For the most part, P5X operates extremely similarly to P5, both in and out of the Metaverse. One notable difference is that the calendar isn't progressed by anything but the story- other activities, such as working, crafting infiltration tools, and spending time with Confidants, instead cost hourglasses to do, without being restricted to a single afternoon and nighttime time slot each day, as was the case in P5.
One interesting and more significant change made in this category is that the Confidants have what appears to be a total of 20 ranks, instead of the series-standard 10. They also haven't been associated with any Arcana, though the P5R Arcana cards have all been found in the second beta's data.
The UI elements of combat look a little different (as well as all the skill animations), appearing to be more optimized for mobile play, but otherwise it seems largely the same to P5, though one notable difference is that it seems Navigator skills can be called in at will (and then have a cooldown), rather than occurring randomly. There is a new kind of special attack called a Highlight Attack, which is similar to P5S’s Showtime attacks where the character executes a special attack with their Persona.
The protagonist can gain Personas by talking to shadows, and fuse them in the Velvet Room. Challenge battles in the Velvet Room, like in P5R, are available to attempt. Palace exploration also seems relatively standard, even if the Palace itself and the method of entering it is different. One major change is that several shadow/Persona designs have been censored; this includes Incubus and many others being given shorts, Bugs' stomach being repaired with the blood removed, Mara being given a large hat, Hell Biker and other skeletal Personas having a helmet/mask that obscures the skull, and several female Personas like Lamia being given shirts. However, these changes are purely cosmetic.
Miscellaneous
It’s worth noting that because the game has yet to be officially translated to English in any capacity (outside of a single file confirming its English title as "Persona 5: The Phantom X"), character names can only be absolutely confirmed when they’re either written in Japanese kana (as opposed to the Japanese kanji characters names are typically written in) or spoken aloud in official material, to confirm which reading of the Japanese name is the intended one for this specific character.
The characters do also have Chinese names, of course, but as the voice acting defaults to Japanese, and the game is set in Japan, the names that would most likely be used by an English release (if it ever happens) are their Japanese ones. As such, the Japanese names are the ones presented in the Characters section earlier in this post, and the main ones that this blog uses.
All the codenames, however, are written in English, and thus the most easily confirmed as official.
And just to close this out, keep in mind that the majority of our information about the game contents specifically comes from the beta versions, so things can and have changed between beta playtests, and similarly may change in the actual release of the game.
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mementoboni · 10 months
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Memories of the Band Formation
Toshiya: When our band first formed, four members came to my hometown. It was winter and there was still snow on the ground. They all came from Kansai and rarely saw snow*. I was very impressed by how excited they were to see snow.
(*Toshiya’s hometown is Nagano. It is said that Toshiya’s mother took the picture at the time and still keeps it at home in Nagano :D → TOSHIYA AT JOE YOKOMIZO CHANNEL 4th FEB TRANSLATION/NOTES 2/4)
source: DIR EN GREY WOWOW Interview & Document (2020)
※read more translation: part 3.
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yridenergyridenergy · 7 months
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Rhythm & Drums 2023/10 interview between Shinya and Toshiya
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Rearranged HD scan.
Translation notes below (hint: heartwarming words between the two members of Dir en grey's rhythm section!):
When Shinya first heard Toshiya's bass style, hethought that it was one that really moves a lot. In reverse, Toshiya felt that Shinya was a drummer with multiple hands. Shinya clarified that in his previous band, their songs were all fast-paced and repetitive.
Shinya's drumming was inspired by bands such as X Japan, AION and Gargoyle, and he watched instructional videos from Kozo Suganuma.
Toshiya's inspiration was visual kei bands as well as Guns n Roses, with a little bit more western music too.
Toshiya finds that Shinya is a drummer with a lot of freedom, what with the unusual phrases he composes.
Shinya creates the drum phrases in his head.
Toshiya has been trying to subtract and pull back on his bass composition, after listening to Shinya's new drums. He feels that it will help make the most of each of their instruments, rather than combine them too closely.
Shinya finds Toshiya's bass playing rhytmic and elegant. He said that even when he watches their live footage, he's drawn to the bass the most. For Toshiya, he sees the drums as the core of any band. If the drums are cool, the band is cool.
Toshiya feels that they are a band made up of people who know how to present their own performance and instruments the best. For him, if you play a song too "normally", then you might as well replace your presence on stage with the audio from the studio recording.
For the past 20 years, Shinya has checked his live performances to assess his arm movements. If he deems something not good enough, he will change at the next show/tour.
Apparently Toshiya was most impressed by the fact that Shinya started wearing ankle weights during one of their overseas tours, to improve his drumming. He thought: "Cool, it's like that character from Dragon Ball!"
A director told Shinya (and the rest of the band?) to play overseas with a lot of power, like they're carnivorous/eating meat.
Toshiya genuinely admires Shinya and to him, the most fun about being in Dir en grey/working is when he pairs up with Shinya. He has never seen any other drummer playing such unique phrases as Shinya's. He also really respects his curiousity, about his interests but also still about drumming.
Shinya confirms that he's very particular about what he likes, but he also came to realize that he has zero knowledge about stuff that does not interest him.
Shinya said that while there are countless bassists who play well, he feels that Toshiya's aura and presence are at the top level in Japan. As for Toshiya, he reiterated that Dir en grey wouldn't be the same without Shinya, that nobody can replace Shinya.
To answer "Which song do you think represents the relationship between drums and bass the most in Dir en grey?", Shinya selected egnirys cimredopyh +) an injection.  
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neutronice · 2 years
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Home
Can you imagine Victor, scared out of his mind that he's about to lose Maccachin, that he left Yuuri alone, arriving in Fukuoka and there's Mari to pick him up.
He gets back to Yu-topia and Hiroko has made katsudon for him and she and Mari are apologizing for not watching as they rush to the vet.
When he gets to the vet there's Minako (because she's the most fluent in english) translating statement by statement what the vet says.
Maccachin is fine and heads home, leaving Victor to freak out about Yuuri at Rostelecom. Suddenly the Nishigoris have come over to ask if Victor needs anything, and they all sit and watch Yuuri's Rostelecom skate in the middle of the night together. Hiroko, Minako, Mari, and Toshiya all join them.
And Victor just thinks to himself... "when did i become part of this family?" all while the triplets are snuggled into him on one side and Macca on the other.
For a man whose family is never mentioned at all, whose company is snubbed even by his coach (Yakov ILY but you were a jerk at Beijing) traveling from where home technically is to Hasetsu, and realizing that now home is something different.
Home is where Yuuri is. Because that’s where family is too.
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eetroo · 2 years
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👽Share Dir en grey 早年中文杂志,
香港live访问,和Toshiya专栏连载.
想要高清分享可留言.
还有很多,请期待我继续scan他们🫀🫀🫀
Share the early years Dir en grey interview in Chinese,
“Hongkong tour” “ Toshiya - where am I going Vol.3"
if you want the more clear copy let me know.
TBC.
💙You can read more in my home page 💙
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444lpblue · 6 months
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Frieren: Beyond Journey's End #6 - The Hero of the Village
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Screenplay: Tomohiro Suzuki Storyboard/Episode Director: Tooru Iwazawa Chief Animation Director: Reiko Nagasawa Animation Directors: Keisuke Hiroe, Akiko Takase Key Animation: Mayuko Kandori, Ayaka Satou, Airi Takahashi, Dana Akahara, Hidekazu Ebina, Toshiya Kouno, Kohaku (Yutaka Nakamura), Kai Shibata, Hironori Tanaka, TOMATO, Keisuke Namioka, Ruoyu Wen, Tsutomu Miyazawa, Yukiko Busa, Eiji Yamamori, Rai, Keiichirou Watanabe, Hiroyuki Kobashi, Toshiyuki Satou, Yoshiko Matsumura, Shun Enokido, Chris (Yen bm), Mark Kenta Corcoran, Takahito Sakazume, Mami Takaishi, Youko Tsukada, Hiroo Nagano, HAHI, Houjicha, Saho Miyano, Shingo Yamashita, Tatsuya Yoshihara, Ruochen Liang
IT WAS SO GOOD, IT WAS SO GOOD..Uhh mhmm.
This week's Frieren episode was a showcase of the animators that the show continues to hold, top-tier level animators who you would typically see creating "sakuga" moments for just a few moments in a show. However, they are constant animators throughout the entirety of Frieren. And while you should have already been impressed, the Stark fight scene against the dragon truly showcased their talents.
An underrated role that people don't typically mention is the animation producer, who is mostly responsible for gathering the animators for a show. In this case, it's Yuuichirou Fukushi, who has been the animation producer for Sonny Boy, takt op.Destiny, One Punch Man, and more. The staff he assembles for his shows is simply top-notch almost every time, and I felt like I needed to mention that, especially when he is now responsible for two of my personal top shows, Frieren and Sonny Boy. Takashi Nakame is also listed as an animation producer for the show, but I don't know as much about him. Nevertheless, he should also be mentioned. In the Stark fight scene alone, you have Hironori Tanaka, Keiichirou Watanabe, Shingo Yamashita, Tatsuya Yoshihara, Chris (Yen bm), and Yutaka Nakamura. That's a team of multiple superstar animators that you wish one of them would be in your own show, but Frieren has all of them together, and the result is something you just have to see for yourself.
While I never really read Frieren's manga for its fight scenes, I was excited to see the action scenes in the animation. We did see it in the four-episode debut, but that was a more stationary wizard magic battle (which was still very cool). However, Stark vs. the dragon feels greatly enhanced compared to the manga. Just from the moment Stark runs to engage, the camera naturally follows him as he charges in, continuing to track him as if it were a boss fight in a video game. The fluidity and character acting amidst all of this action are phenomenal and it's all done in completely 2D including the backgrounds and dragons which is rarer nowadays.
The decision for a closer, more dynamic adaptation of the fight scene can be credited to Tooru Iwazawa, who is the action director for this episode. He also storyboarded and directed the entire episode.
Setting the action aside, I loved the episode as always. The attention to detail in translating the characters' expressions from the manga to the anime never ceases to amaze me. As someone who used to collect Fern's funny faces in the manga, I'm delighted to see all of them in their full glory. It's also heartwarming to witness the budding relationship between Fern and Stark in this episode.
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