忍法流水抄　山田風太郎 角川文庫 カバー＝佐伯俊男

I love the fact that voice actors related to Lupin Series were cast as Arsène Lupin and Lupin II.

Yoshito Yasuhara as Arsène Lupin

- He admired Yasuo Yamada who acted as Lupin III from the first TV series when he was in the same theatre company. Actually, he was almost decided as a successor after Yamada-san passed away in 1995. He also performed as Toshio in “Lupin III VS Cat’s Eye” for the first time in a while. (For me, he is Captain Hastings in ITV’s Poirot of the Japanese dub version.)

Toshio Furukawa as Lupin II

- He performed as Lupin III in “Fuma Conspiracy” in 1987 but he was heavily criticised by audiences since the casting was changed in the film from the original TV series. Nowadays, it has been once again recognized and he commented when he got the role of Lupin II in Lupin Zero: ‘I’m proud of myself for taking part of such a big famous series like Lupin III TWICE!’ (He is well known as Piccolo in Dragon Ball and Ataru in Urusei Yatsura etc…)

Shinzo (2000) 爆裂战士マシュランボー

Director: Tetsuo Imasa / Kenji Nakamura / Haruo Kosaka / Toshiaki Komura / Miyo Sasaki / Mitsuo Hashimoto / Tomoharu Arata Edited by: Izumi Higashido / Makoto Kanjima / Kenichi Kaneka / Hiroyuki Kawasaki / Yukito Nonaka / Kenichi Yamada / Yōmichi Shirai Starring: Minami Takayama / Yuko Minakuchi / Yasuhiko Kawazu / Naosuke Tatsuta / Atsushi Kashiwagi / Kyoko Yamada / Ai Maeda / Tsuyoshi Hisakawa / Atsushi Kashiichi / Tomoe Sato / Junko Shimakata / Michitaka Kobayashi / Hideyuki Hori / Kenji Utsumi / Takashi Nakao / Mami Koyama / Toshio Furukawa / Keiko Han / Hiroo Egawa / Takeshi Aono / Banjo Ginga / Takashi Koda / Koji Fukusaku / Kazuko Sugiyama / Takumi Yamazaki / Horinoku / Nobutake Tatsuya / Tomohisa Aso / Norio Tsukui / Ienaka Hiroshi / Chie Seguchi / Hitoshi Domon / Akira Tahara / Kazuya Ichijo / Masaya Takatsuki / Masaharu Sato / Mitsuo Iwata / Keiko Yamamoto / Kunihiko Yasui / Hikaru Midorikawa / Mami Kanazuki / Hisaya Suganuma / Chigusa Ikeda / Hiromi Konno / Daisuke Nari / Yuko Nagashima / Nobuo Satouchi / Daifumi Tanaka / Naosuki Imamura / Takayuki Inoue / Akiki Chatan / Munehiro Ehoku / Rie Aoki / Yo Murakami / Tsuyoshi Nishi / Tsuyoshi Toshita / Higashi Genre: Animation Official website: www.toei-anim.co.jp/tv/mashura/ Country/Region of Production: Japan Language: Japanese Date: 2000-02-05 (Japan) Number of epsiode: 32 Also known as: Mushrambo IMDb: tt0293741 Type: Reimanging

Summary:

In the distant past, the Guardian of the Milky Way galaxy named Lanancuras began to harbor a desire for more power. Because of his connection to the galaxy, he was able to absorb parts of planets and add them to his strength. As a result, he began invading the worlds he was assigned to protect. In the wake of his destruction, a following of creatures from across the galaxy pledged allegiance to Lanancuras and became known as the Kadrians. Taking notice of his ever-growing power and followers, the other Celestial Guardians confronted him; however, he had become too powerful, and they were defeated. Unable to subdue Lanancuras, the Celestial Guardians each gave up a part of their power and combined it into a single new Guardian, Mushra. In a final desperate attempt, they used Mushra's core by transforming it into a powerful card with which to seal Lanancuras in a prison. The prison was created from the remains of planets that had suffered under Lanancuras' tyranny. Because planets are themselves large beings, their combined strength (along with the power of the card) was able to restrain him. Thus Lanancuras was successfully sealed in a large meteorite.

The meteorite was sent off into the galaxy to be sealed forever. Meanwhile, the way Lanancuras had increased his strength had consequences on the planets of the Milky Way On Earth, around the 22nd century, it was in the shape of a virus that merged with human DNA and destroyed the humans that way. In order to eliminate the virus, scientists worked on combining human DNA with the DNA of animals and other creatures immune to the effects. They succeeded and created a sentient race known as Enterrans (a race of engineered Earthlings) which are based on humans, insects, reptiles, birds, sea creatures, wild beasts, and phantom beasts. Eventually, a cure was found and the human race survived.

However, due to Lanancuras' influence, the Enterrans fought their human creators as well as the robots that worked with the humans, driving the human race to a near extinction state. Luckily, a scientist named Dr. Daigo Tatsuro placed his 4-year-old daughter Yakumo in a sleep chamber in hopes that she would save the human race and find the human sanctuary Shinzo and bring peace back to Earth which was then renamed to Enterra. When the meteor that Lanancuras was imprisoned in struck Earth during the earlier parts of the Human-Enterran War, its fragment had struck an infant Yakumo giving her abilities that she would later discover.

Source: https://en.wikipedia.org/wiki/Shinzo

Link: https://kissanime.com.ru/Anime/Shinzo-Sub/

We got a lot of trivia for Cutie Honey episode 22: “Our Beloved Paradise Academy.”

Screenwriter: Masaki Tsuji

Art Director: Iwamitsu Ito

Animation Director: Shinya Takahashi

Director: Kazukiyo Shigeno

The animation director for this episode, Shinya Takahashi, has a history of working on Toei Animation’s early majokko series. He previously did the character designs for Himitsu no Akko-chan, Mahou no Mako-chan, Sarutobi Ecchan, and Mahoutsukai Chappy.

Takahashi would later do animation work for the 1995 PC-FX video game, Cutey Honey FX.

The principal of Paradise Academy is based on the grandfather from Go Nagai’s Kikkai-kun manga, which is also where the characters Alphonne and Pochi originated from. Kikkai-kun’s grandfather also served as the basis for the janitor Kiyohiko Todoroki in the Devilman anime.

The principal was voiced by Isamu Tanonaka, who had filled in for Keiko Yamamoto as Pochi in the previous episode. 

Goemon is based on Goemon Abashiri, the oldest son from the Abashiri Family manga. Goemon’s claim to fame is that he’s a “professional pervert.” Go Nagai’s assistant and good friend Ken Ishikawa was the model for Goemon. While he doesn’t appear in the original Cutie Honey manga, one of Honey’s (female) classmates is based on him. Goemon would make cameo appearances in New Cutey Honey, Re: Cutie Honey, and Cutie Honey Universe. 

Shunji Yamada (later known as Keaton Yamada) voiced Goemon in this episode only, while Sanji Hase played him for the remainder of the series. Hase was previously the King of Manaco in episode 16 and the occasional nameless Panther subordinate.

The “Yoshitune” that Danbei sings about is probably Minamoto no Yoshitsune, a military commander from the late Heian and early Kamakura periods.

Danbei’s “adorable nephew” Naojiro is another character borrowed from Go Nagai’s Abashiri Family. In that series, Naojiro was the second oldest son of the Abashiri family. His unique feature was being a cyborg.

In the original Cutie Honey manga Naojiro does not appear as Danbei’s nephew but instead as a girl named Naoko. Naoko is the gang leader of St. Chapel Academy, much like how Naojiro is the gang leader of Paradise Academy in the anime. According to producer Toshio Katsuta, he wanted to introduce Naojiro as a good contrast to Honey, unlike Seiji who he said was “silly and weak.” 

In this episode only, Naojiro was voiced by Hiroshi Masuoka, who previously voiced Demon General Zannin in Devilman and Hebitsubo in Dororon Enma-kun. For the remainder of the series Naojiro is voiced by an uncredited Shoji Nishizaki, who mostly did voice work in tokusatsu series. 

Naojiro would later make a cameo appearance in the second episode of New Cutey Honey.

While Paradise Academy does not appear in the original Cutie Honey manga, it is very much inspired by Go Nagai’s infamous manga, Harenchi Gakuen. Before he was reinventing the concept of magical girls and giant robots, Go Nagai was stirring up controversy with this 1968 series. Harenchi Gakuen or “Shameless Academy” was one of the first manga to be featured in the popular Weekly Shonen Jump. It featured ridiculous Benny Hill-like antics, excessive nudity, lowbrow toilet humor, crucifixion scenes played for laughs and made a mockery of the Japanese school system. There was such outage towards Harenchi Gakuen, PTA groups actually performed public burnings of the manga. Despite the controversies, Harenchi was immensely popular, which led to live action TV series and films. 

Paradise Academy’s name comes from the Abashiri Family manga. Originally, Paradise Academy was a prison-like middle school for aspiring young assassins and served as the setting for an early arc in the manga. A few of Naojiro’s classmates seen in this episode are taken directly from the Abashiri Family manga as well.

While attempting to evade Naojiro, Honey transforms into members of the baseball club, wrestling club and boxing club. As a boxer, she is only wearing shorts, shoes and boxing gloves. This is exactly how Kikunosuke dresses when she practices boxing in the Abashiri Family manga.

The self-proclaimed “Magician of Hell” was originally designed by Ken Ishikawa, who had her sporting more obvious magician motifs such as a giant top hat and bow tie. The “Great” in her name likely refers to a magician’s title.

Great Claw controlling Naojiro’s comrades with spider-like threads is possibly a reference to the Devilman manga. There are a couple of chapters involving a spider-like demon who controls the students of Nakado Academy and forces them to attack Akira and Miki. There is also an episode of the Devilman TV series which features a demon who controls human-like mannequins with spider threads.

This is also the only episode to not feature Panther Zora or Sister Jill.

That's all for episode 22!

New work for Perfume! Please enjoy this trick as often as you like. We are looking forward to working with you from January onwards!

Moon MV Crew

Director : TAKCOM（CONNECTION） Assistant Director：倉光哲司 Tetsushi Kuramitsu Cinematographer：田嶌誠 Makoto Tajima (館岡事務所) 1st Assistant Cameraman：尾崎圭市 Keiichi Ozaki 2nd Assistant Cameraman：森田曜 Akira Morita 3rd Assistant Cameraman：宮崎新大 Arata Miyazaki

Key Grip：大江史也 Fumiya Oe,石井努 Tsutomu Ishii,岡田雅成 Masanari Okada,室山聖 Kiyoshi Muroyama

DIT：タキユウスケ Yusuke Taki(Kotetsu Inc.)

Lighting Director：前川賀世子 Kayoko Maekawa Lighting Chief Assistant：井上真宏 Masahiro Inoue Lighting Assistant：大谷力 Chikara Otani,工藤こずえ Kozue Kudo,樋口学 Satoru Higuchi,福田和宏 Kazuhiro Fukuda,藤井裕介 Yusuke Fujii,新田泰之 Yasuyuki Nitta,山崎達也 Tatsuya Yamazaki Production Designer：三ツ泉貴幸 Takayuki Mitsuizumi（STARBOY）

Transportaion：牧尾智史 Satoshi Makio Studio：角川大映スタジオ Studio Coordinator：山田隆久 Takashisa Yamada

Choreographer : MIKIKO (ELEVENPLAY) Choreography Assistant : SAYA, SHOKO, MAI (ELEVENPLAY)

Stylist：タケダトシオ Toshio Takeda（MILD inc.） Stylist Assistant：岡崎くるみ Kurumi Okazaki,藤田和哉 Kazuya Fujita Dressmaker：内藤智恵 Chie Naito,斎藤利保 Riho Saito Make-up : 大須賀昌子 Masako Osuga Hair : 福間友香 Tomoka Fukuma (VANITES)

Offline Editor : 前田径成 Michinari Maeda（CONNECTION） Colorist：芳賀修 Osamu Haga（Artone Film）

CG Production：Citro CG Director：竹山寛史 Hiroshi Takeyama,平川侑樹 Yuki Hirakawa

Post-Production：Khaki Compositor：水野 正毅 Masaki Mizuzo,川崎琴美 Kotomi Kawasaki,藤田智子 Tomoko Fujita Roto & paint : Taupe / Roudiez / Elephants Gate

Producer：松竹奈央 Nao Matsutake Production Manager：南水朋子 Tomko Nansui Production Assistant：橋本和佳奈 Wakana Hashimoto,足立芳洋 Yoshihiro Adachi,川久保開 Kai Kawakubo,日尾野穂乃香 Honoka Hibino,伊堂寺夏鈴 Karin Idouji,加賀美椋 Ryo Kagami Production : P.I.C.S.

Baskerville ke no Inu: Sherlock the Movie (Sub. Esp)

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Título: Baskerville ke no Inu: Sherlock the Movie (El Perro de los Baskerville) También conocida como: The Hound of the Baskervilles: Sherlock the Movie País: Japón Duración: 119 min. Género: misterio Fecha de estreno: 17 de junio, 2022 Dirección: Nishitani Hiroshi SINOPSIS Homari Shishio, que se creía muerto, se reúne con Wakamiya Junichi después de 3 años para investigar el intento de secuestro de la hija de un empresario. Sin embargo, el empresario muere poco después, por lo que el dúo termina en una extraña isla en el mar interior Seto, donde se encuentran cara a cara con los extraños miembros de la familia y socios del empresario en medio de una aterradora leyenda de un perro que ataca a la gente. CAST Fujioka Dean como Homare Shishio Iwata Takanori como Wakamiya Junichi Araki Yuko como Hasukabe Beni Nishimura Masahiko como Hasukabe Chizuo Inamori Izumi como Hasukabe Yora Murakami Nijiro como Hasukabe Chisato Shiina Kippei como Baba Toshio Sasaki Kuranosuke como Eto Reiji Yamada Maho como Kogure Kumiko Koizumi Kotaro como Sakai Haruto Hirosue Ryoko como Tomiraku Ryoko Shibukawa Kiyohiko

Mariko Kaga in With Beauty and Sorrow (Masahiro Shinoda, 1965) Cast: Kaoru Yachigusa, Mariko Kaga, So Yamamura, Kei Yamamoto, Misako Watanabe, Haruko Sugimura. Screenplay: Nobuo Yamada, based on a novel by Yasunari Kawabata. Cinematography: Masao Kosugi. Art direction: Junichi Osumi. Film editing: Yoshi Sugihara, Music: Toru Takemitsu. Some mannered acting and stagy blocking mars Masahiro Shinoda's otherwise involving With Beauty and Sorrow, a revenge drama that doesn't quite transcend its genre. Toshio Oki (So Yamamura), a womanizing novelist whose wife just barely puts up with his extramarital exploits, once had an affair with the young artist Otoko Ueno (Kaoru Yachigusa). She became pregnant but lost the baby at birth, and suffered severe psychological trauma. Now she lives with a young woman, Keiko (Mariko Kaga), her student and her lover. Otoko has recovered her emotional stability, and even agrees to meet Oki when he telephones her on a visit to Kyoto, sending Keiko to his hotel to take him to the restaurant where they will reunite. But Keiko is, as even Otoko suggests, a little "crazy," and after the meeting begins to plot ways to bring about her lover's revenge on Oki. Eventually, this involves Keiko's seducing not only Oki but also his son, Taichiro (Kei Yamamoto), a graduate student of medieval Japanese history, with predictably disastrous consequences. Old pro So Yamamura is excellent as Oki, and it's good to see the great Haruko Sugimura, veteran of many films by Shinoda's mentor, Yasujiro Ozu, in the small part of Otoko's mother. But the younger actors, particularly Kaga and Yamamoto, turn what might have been an affecting portrayal of doomed characters into melodrama. The film benefits from Toru Takemitsu's score, though it sometimes feels a bit at odds with the soap-operatic events on screen.

I am abandoning making a Media Thread on the former bird website, and will update that here now. The plan is to list whatever I'm watching/reading/playing once a month or so, with how I'm feeling about it. Plus I'll probably make longer writeups for anything I really liked that I want to talk about at length. And of course, there'll probably be spoilers for whatever 20+ year old thing I'm into right now.

Anyway, here's what I've been doing so far this year:

Fist of the North Star, volume 8: The finale of the battle with Souther, up to Toki's death at the ends of Ryuga. Raoh and Toki's fight, and the reveal that they're blood brothers, was definitely /much/ better in the manga than the Toei anime. I definitely still love the Toei anime, but reading the manga, I'm realizing every problem I had with the series was anime-original.

Patlabor 2: Somehow, the only part of Patlabor I haven't seen yet is the last two movies. Patlabor 2 is a damn good movie! It's definitely a Mamoru Oshii film. There's a lot of neat stuff going on, and I liked having a big focus on Shinobu. But also, it's definitely so wildly different from the rest of Patlabor. I like it, and I want to rewatch it at some point, but it's not my favorite entry.

Police Story: Buddy of mine got in a nice new blu-ray that we watched. Now this is fucking cinema. Excellent fights, mind-blowing stunts, hysterical laugh out loud bits throughout. Absolutely want to watch the other two.

I Am A Dog: Don Matsuguro's Life: They got Yasuo Yamada, the original voice of Lupin, to play Lupin but a dog, basically. An entertaining movie about talking dogs for kids, but has a few bits that are maybe a little too brutal or intense for the target audience. My favorite role besides Yamada was definitely Toshio Furukawa as a loveable little scamp.

California Crisis: Probably not "good", by any real standard, but I had fun with it. Some good chase sequences, definitely really and truly feels like it's set in California in a lot of entertaining ways. Has something of a non-ending, but I think that's more of a riff on sci-fi alien encounter movies of the time, than anything.

That's all the completed! Currently in progress:

Anime: Metallic Rouge, Soaring Sky Precure, Dungeon Meshi, Shangri-La Frontier, Freiren (few episodes behind), Bang Bravern.

Going to start: Pon no Michi, Synduality S2, probably something else I'm forgetting.

Manga: Skip and Loafer (only just started v.1), Hokuto no Ken (need to buy a copy of vol.9)

Going to start: I swear I'm going to get into Berserk this year. I have the first three omnibuses.

Video games: A lot in progress, not sure what I'm going to play next.

Buon viaggio Maestro

Buon Viaggio Maestro

De Ficchy Giovanni E’ improvvisamente morto il mio maestro di Karate , Toshio Yamada . Colpito da un aunerisma una settimana fa malgrado la forte tempra e le attente cure dei sanitari non è riuscito a sopravvivere. Oltre ad essere stato il mio maestro, lo è stato per tantissimi altri , ha aiutato molti giovani togliendoli dalla strada e insegnando loro anche disciplina e stili di vita…

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오사마전대 킹오저 다시 보기 1화+_~풀보는곳

오사마전대 킹오저 다시 보기 링크 <<

오사마전대 킹오저 다시 보기 1화+_~풀보는곳

오사마전대 킹오저 다시 보기 1화+_~풀보는곳

오사마전대 킹오저 다시 보기 1화+_~풀보는곳

오사마전대 킹오저 다시 보기 1화+_~풀보는곳

오사마전대 킹오저 다시 보기 1화+_~풀보는곳

Neutral poses were changed for all but about 5 people.[25] The most noticeable characters with changes in special moves, such as Fury Legend and Dragon and Tiger Fist [26], Daimon Goro and Chin Gensai, whose physiques have been significantly changed and almost all motions have been modified.

Since then, the numbering series and derivative works have been inherited by correcting dots in each series using the above method, which was actively applied in 1996. From KOF 95 onwards, each character takes new stand-by motions and other noticeable motions, and there are cases where old motions are used for 오사마전대 킹오저 다시 보기 1화+_~풀보는곳technical motions. But if you don't look closely, you won't know…

It is not an exaggeration to say that the dot graphic that started in 94 was effectively inherited from 96 to KOF XI in 2005 as a regular numbering and KOF 2002 UM in 2009 as a remake. If it hadn't been actively working on what seemed new in '96, there might have been fewer changes in the later series. Since then, the dot style has gradually changed, but when the same color is applied, there is almost no sense of difference even if 94 dots and XI dots appear in one work.

[27] If all characters are retired and continue by inserting coins, they will be revived while taking the third victory pose.

In addition to this, a new dot has been added when the character is down. Mainly, when the opponent is maxed out with all their energy, they are hit and knocked down, or when they are hit by a super special move, they are knocked down. There is a separate skill that has the 'prone down attribute'.오사마전대 킹오저 다시 보기 1화+_~풀보는곳

The demo cut (illustration) of the victory screen was made based on the 3rd victory pose of each character displayed at the same time.

Significantly changed the directing of flying after being hit by an attack. A down pose where you turn your body in a spiral and fly away, and a down pose where you fall down on your stomach have been added. Even with existing techniques, you can feel that the opponent's reaction to the attack has changed a lot. The sound is handled by Hideki Asanaka (SHA-V), Kazuhiro Nishida (KONNY), Masahiko Hataya (PAPAYA), and Toshio Shimizu (SHIMIZM). , Yasumasa Yamada (YAMAPY-1), Yasuo Yamate (TAT오사마전대 킹오저 다시 보기 1화+_~풀보는곳E_NORIO), BROTHER-HIGE, Akihiro Uchida (ACKEY), MIWA.

Within the KOF series, along with KOF 99, KOF 2000, and KOF XIII, this work boasts the best OST quality. Many of the OSTs of this work are still occasionally used in KOF. If you listen to it yourself, you can tell that the quality has risen tremendously. Only 9 people were in charge of sound, the largest number of people ever in KOF, and all songs (arrangements) from 94,95 and Fury Legends series [28] and new songs are evaluated as masterpieces. The new song of 96 has been remade and used countless times in th오사마전대 킹오저 다시 보기 1화+_~풀보는곳e sequel. In particular, the ending theme Self of the main character team (not the Samshinki team) is so famous that it has been arranged as a vocal song. Self's arranged vocal song 夕陽と月 (Sunset and Moon) is a duet (!) between Kyo's voice actor Masahiro Nonaka and Iori's voice actor Kunihiko Yasui. I also sang it live at NEO·GEO DJ Station Live '99. "Sunset and Moon" has two female vocal versions with different lyrics.[29]

The character voice also changed from a hard tone that would have been popular in the 70s and 80s until 1995 to a soft tone, which has been maintained to this day.

As everything has undergone a great change in the series, the sense of impact has also undergone a great change. The feeling of impact of the existing 94 or 95 was good, but it felt clunky and hard. In particular, the 96 boasts the best hitting feeling among numerous series. You can see that Benimaru's Lightning Sphere or Ralph's Super Special Move series are great once you오사마전대 킹오저 다시 보기 1화+_~풀보는곳 use them. The directing at the time of hit was significantly changed from 96, and the hit stop was also shortened. In particular, the hit sound effect of the slashing technique is the most unique and intense among the series, and there is one particularly impressive slashing sound that can be heard immediately. If you write onomatopoeia, Kwajajak! It is a very loud and intense sound. Appears when Iori's M오사마전대 킹오저 다시 보기 1화+_~풀보는곳AX 8 daughter crashes. 'It was hard'. The development of KOF '96 can be expressed in one word. Wouldn't people in other fields as well as sound share the same opinion? Anyway, the determination of the staff for KOF '96 was great, and I still can't forget the enthusiasm of each staff member at the meeting. If you think about it now, it must have become 'excessive volume' and 'excessiv오사마전대 킹오저 다시 보기 1화+_~풀보는곳e schedule' because of that passion. Anyway, time was running out. In the end, the delivery date was changed a few times, although it was a short term. Now that this happened, of course, the location test was also behind schedule… At the time, I was conducting a location test at an arcade called Neo Geo Land operated by SNK. Fans lined up even before the store opened. Actually, it was postponed. And even during business, when the game center staff came to exchange ROMs for their usual work, people flocked to say, '96 is here!!' Ooh oh oh oh oh oh oh oh oh! It hurt.

After several delays, I came to the conclusion that 'I can't postpone it any longer' and said, 'Some characters can't be used, and some skills can't be used. And before the mid-boss, I wrote a 'specification for location testing with forced termination and simple endings. Then, a piece of paper with '70% development progress' written on it was attached to the aircraft and a 오사마전대 킹오저 다시 보기 1화+_~풀보는곳location test was conducted. KOF '96 is probably the first SNK game to place restrictions on ROMs in location testing. 'Development progress 70%? It's a lie, right? (laughs)' I heard something like this, but it's not a lie. Really. If there was a lie, the truth was that 'development progress was 65%'. In game development, there is usually a sense of accomplishment when you reach the location test, but there was none of that at this time.

Voice collection of OSTs released in the past. This also became a hot topic. "It contains a lot of unused voices," he said. This is because the CD recording date came before the game's master-up as the development schedule increased, so in other words, there was no plan to seal the technology yet at the stage of recording on the CD. Certainly, almost all skills were created before mastering. However, there were some skills that could cause bugs, so I sealed some of them with crying and eating mustard오사마전대 킹오저 다시 보기 1화+_~풀보는곳. There are no deletions [42], so the game play is not a problem. Loading, a chronic problem with Neo Geo CDs, is a hindrance. Unlike the arcade version where the characters moved on the screen for determining the order of characters, there is a difference that the characters do not move, and on the loading screen, you can see unique dot illustrations for each character that are not normally seen. The AST changed as it was transferred to the CD is also a popular factor, and the AST of KOF 96 is considered the best among the entire series. When you clear Goenitz in team play mode and single player mode, a menu to오사마전대 킹오저 다시 보기 1화+_~풀보는곳 view cutscenes is added, and save files are saved. You can call it up next time and play the final boss battle right away.[43] And only in the battle mode, you can directly select the stage from the options. In survival mode, in addition to score and clear time, characters can be saved, and the difficulty level, which could be changed in the console version, was fixed at level 1 and the time was set to normal.

A fan disc called 'KOF 96 Neo Geo Collection' was also released. It's literally a fan-service game, so you can't enjoy it like the original work, but you can enjoy the character's self-introduction, thanks comments from the voice actor in charge (!), technical explanations, listening to the OST and AST, and many illustra오사마전대 킹오저 다시 보기 1화+_~풀보는곳tions, starting with Shinkiro's drawings, so fans A good fan disk that can't be better for you. However, in the case of Joe Higashi, Hiyama Nobuyuki could not appear for some reason [44], so he was replaced with the setting that he went to the title match, and Mai Shiranui introduces him instead. I remember that several more were sealed with the flow of

AJW We Are Running Thru Korakuen Hall 5/26/91 Commercial Tape

This one has links! So you know I'm not making this shit up!

Suzuka Minami & Takako Inoue & Cynthia Moreno vs. Bison Kimura & Mika Takahashi & Miori Kamiya part 1: https://www.youtube.com/watch?v=Mb9L6-ybHoc part 2: https://www.youtube.com/watch?v=W7Ok-L8g3Jc Kamiya gets to work tossing Suzuka around before getting piledriven into pudding. Moreno tags in and man it's a shame she was perpetually disrespected by this company. Moreno was a treasure, you rubes. Bison is in full beast mode and she doesn't even have the leopard-print yet! Takako is young and gets stretched a lot. Whatever happened to Kamiya you say? She's Cooga, ya dingus; the dullest part of any late-90s card. Takahashi gets tagged in, puts Takako in an upside down double-underhook STFU WITH A BRIDGE and goes back to her corner so Bison can dropkick some more. The 70s Miles Davis solo of tag-ins. Incredible. Suzuka does a gorgeous vertical suplex to signal to all of us watching that though this is a heatless spotfest, the spots are in season. So dig in. Suzuka's dropkicks are so snappy it's a wonder she didn't get CTE from them. Kamiya must've just been spent by the Cooga era because she busts out tons of fun stuff here. Youth is young on the wasted. Bison, sensing the lack of Classic Tag Match Heat, throws Moreno into the bleachers. Good on her. Takako wants revenge but eats a Bison Chop. This is an interesting era for a spotfest--ie the pre-CTE era--despite it still being built off of the video-gamey idea of "strong attacks wear down more HP". Everybody busts out the weirdest shit they can come up with in the hope something--anything--will do it. But I shouldn't complain much. This is heavy on action, light on pointless near-falls, the screwups are minor, and there are some really fun and odd spots I haven't seen before. And Kaoru Ito is there to moisturize the losers!

Toshiyo Yamada vs. Yumiko Hotta part 1: https://www.youtube.com/watch?v=gfHqj7TdoTY part 2: https://www.youtube.com/watch?v=HtYiI8pb5hQ Q: And kicks?

A: And kicks.

Yamada is as spry and bland as ever and Hotta is still pretending she isn't a violence pervert. But the crowd knows The Truth so Hotta gets 1000000 streamers. Yamada, mad at her comparative lack of streamers, comes out swinging, only to get swung. Hotta brings the UWF realism but Yamada is convinced the puroresu will WIN. One thing they can both agree on is KICKS. The first notable one busts Yamada's nose and we are off to the races--which is to say, we are witnessing the suffering of women who work for men and therefore are never encouraged to have healthily competitive relationships with their peers. Healthy competition comes from camaraderie and a sense of community. Bull Nakano spoke in interviews about how brutalized and casually despised she was by the other wrestlers when she started. The Crush Gals  fucking hate each other irl. Aja Kong was made into a monster heel literally because she was biracial. These things and this match dynamic (hardway blood in basically a TV taping) are all symptoms of the same disorder: misogyny and the market sitting in a tree, K-I-S-S-I-N-G. Yeah, there's a ton of great work and powerful drama in this era, but how much of it was the inadvertent by-product of an unhealthy working environment? We'll never really know, since there was practically no other game in town--and what game there was (LLPW and JWP) was so consumed by the battle for market dominance, they could only mimic this model. AJW begat Rossy Ogawa which begat Arsion’s weirdly disjointed breed of misogyny which begat Stardom. “Send the girls out there and make them murder each other for the love of the fans! And fuck it! They're somehow also responsible for shilling all their merch, too, just to survive! And they’re little a nude sometimes! As a treat!” This match is pretty fun, don't get me wrong. But it's sometimes hard to distinguish a legitimately competitive match from all of what I just described. Did Hotta bust Yamada's nose cuz she was pissed about jobbing and there was no other outlet in the context of the company to properly express that frustration? Was that frustration even really directed at Yamada? Or was this more of a "Yoshiko shoot"-type situation, in which a wrestler makes a public display of frustration? Hotta turns the shoot into a work for good measure by attacking Yamada post-match. 1991 was 4000 years ago.

Aja Kong vs. Manami Toyota part 1: https://www.youtube.com/watch?v=NI746sByB-g part 2: https://www.youtube.com/watch?v=rnKy0Kp5_MU part 3: https://www.youtube.com/watch?v=5gdv67lFa5M Two of the most compelling figures this era produced--both of whom took the weird and bigoted roles they were given and turned them into powerful characters that transcended that small-mindedness. Aja set out to be a fan favorite despite the booking and it fucking worked. Manami didn't want to just be a pretty baby-face; she wanted depth and conflict. She also trained Tsukasa Fujimoto and Tsukushi, who carry on her legacy of being weirdos with pin-straight hair who love punishment. Aja still sells at this point and Manami is such a string-bean it looks like her boots are weighing her down. Apart from that contextual novelty, this is pretty classic Kong/Toyota. Toyota gets tied in more knots than those catalogued in Moby Dick; eats every kick ever and even takes a headbutt to the lower back. But contrary to their later body of work, Toyota's hope spots don't pop the crowd as much since they're not yet sure she's capbable of fighting from underneath. They like it when she fires up, but they don't yet believe in it. In defense of Aja and Toyota, their work is just as compelling as in 93, 94 or 95, the bookers just didn't believe it yet. It would take the hair vs hair match and Aja's teary performance at the end of Big Egg to convince them of what everyone else on earth already knew. It's as thankless to be out-of-step with the times as it is to be ahead of the times. If you haven't seen this and you're familiar with their higher profile matches, you should. It's more than just a curiosity or a template for later and "greater" things; it's a sign they already knew who they were and how prepared they were to transcend management's expectations. Wild finish and a moving post-match moment, too.

Akira Hokuto & Sakie Hasegawa vs. Bull Nakano & Bat Yoshinaga (2/3 Falls Match) part 1: https://www.youtube.com/watch?v=En6sdmXeMAY part 2: https://www.youtube.com/watch?v=HQ2crxtgZhY Hokuto's legacy is equally massive but differently complex. Hokuto was never really given an explicit role other than asshole. An early injury earned her a reputation with fans as a wrestler who refused to lie down--despite the fact that breaking her neck and refusing to abandon the match was probably due more to how toxic the work environment was in AJW. Can't blame her, or really anybody under these circumstances. Christ, they all started training when they were barely teenagers; what other reality did they know? But because she was picked by the fans long before management knew what to do with her, she had a far different arc. In the ring, she worked from underneath, but as an asshole. Imagine if Muta was somehow Cactus Jack: a being who existed outside the bounds of normal human morality but also took such a colossal beating it made you feel bad for them. Only a tremendously charismatic, well-drawn performance could carry that off. Hokuto is so hard-headed in every sense it's impossible not to root for her; she refuses to know her own limits and, subsequently, refuses to acknowledge the limits of any of her opponents. Anyhow, AJW was hoping Bat Yoshinaga would be Lil Bull, even though that never panned out. Sakie is comically timid in the pre-match promo and Hokuto seems doubtful but down to clown as usual. Bull comes out in a feathery gown only to reveal a tattered tie-dyed Grateful Dead shirt to let everyone know she a) likes to party and b) is ready for a call from Vince whenevs. Hokuto is fully on her Maeda shit: aloof yet nervy. She's still in her Marine Wolves colors, too. A woman without a country. Sakie looks literally terrified about what she knows is coming. Ten seconds after the bell, Bull clotheslines them both and powerbombs Sakie for the first fall. THAT'S how Bull do. Hokuto is having none of it and top-rope dropkicks Bat's clavicle into a billion pieces for the second fall. THAT'S how Hokuto do. Now it's Bull vs Hokuto, what the crowd was thirsty for. Hokuto gets thrown over the ropes onto the bare floor but rallies and comes back with a suplex and the same dropkick she gave Bat--proving her contempt for Bull. Double underhook driver for good measure, but Bull gonna Bull. Sakie gets a huge pop on the hot tag despite being the obvious Kikuchi in this setting. Bat kicks and stretches Sakie back into her place. In some ways its hard to tell if Sakie's time in AJW is compelling because she is obviously better than how she was booked or compelling on its own merits--and due to her repeated injuries and transition to trainer we'll never know. But either way, Sakie whips. Hokuto helps her get some good licks in on Bull to drive home that despite her crankiness she believes in this young upstart after all. Sakie capitalizes on this heat by delivering a gorgeous flying headbutt to Bat, following by a pair of god-tier heel-kicks. The crowd is SHRIEKING. Bull senses Bat is gonna whiff it, so bum-rushes Sakie to get Hokuto to tag in. Hokuto is rewarded with a German suplex to the base of her skull and a double-team. A few dozen harrowing exchanges later, Hokuto is back on top and Sakie is ready to die for her. Unfortunately, the moment Bull comes off the top rope with a legdrop, we all know the credits gonna roll. Bull leads the crowd in chanting "Bat-o, Bat-o, Bat-o" and it's a shame that never got legs. Bull feels bad about how things ended, so gives them another chance at a fall. Sakie and Bat slap each other instead of kissing.

Weird but fun card full of all your faves before their prime. Have at it!

Wait . Hang on. Plum Mariko vs Chigusa Nagayo (JWP, 2/11/94) is tacked onto this tape! Fuck YES. Lorefice: the beef been squashed. THANK YOU. (jk jk you're still a bigot)

Watch it here, with glorious pre-match training footage cut from the commercial tape: https://www.youtube.com/watch?v=XQLWwEHP4FQ Plum comes out HOT and bloodies Chigusa early. Never seen Plum this vampiric and fired tf up. Chigusa is having none of it and Hulks out because she's deeply cynical about joshi audiences at this point in her career. She also doesn't mind getting blood in her eyes because, of course, she is still Chigusa Nagayo~! (*DVDVR shout-out interrobang) I've talked a ton already about how much Plum rules and how wistful I get seeing any of her matches. I'm not sure if I'm comfortable saying "the business killed her" so instead I'll say "the business let her die." (The business has let many die but few so blatantly.) Chigusa has yet to enter her dom stage so instead inhabits a kind of quasi-Dynamite Kansai persona appropriate to JWP. She kicks less often but smushes necks just the same. She also is 1000x better on the mat. The announcer mentions, in English (?!) this is a full house at Koruken Hall. Chigusa hits pause to talk shit and Plum is OUTRAGED. Chigusa is also rocking a tan that says "yeah, I took some time off to chill tf out, what of it?" Plum thinks she can restart the match with a respectable test of strength (this is Chigusa, she of fightingo-spiritu, after all) only to get immediately clowned by The New Chigusa. The Post-Crush Gal. Plum says "oh fuck that" and throws on the Stretch Plum and DDTs Chigusa thru the earth's mantle. Chigusa is takes a breather outside then demands Plum give her enough room to get back in the ring, thus going full southern heel. Plum caaaan't quiiiite sink in the Stretch so does a quick German for good measure. Chigusa fights from beneath but gets shut down QUICK. Weird that this legitimately feels like anyone's game, given Chigusa's legendary status. Chigusa sets the record straight by soccer kicking Plum's head into the Mir space station (topical). The crowd now hates her. Plum squishes her back to the mat where she feels safe and torques Chigusa's legs until she looks like Brian Yuzna's seminal critique of capitalism, Society. Despite the contortions, Chigusa chinlocks her way to a victory we all kinda knew was coming.

信玄忍法帖　山田風太郎 角川文庫 カバー＝佐伯俊男

The Legend of Zelda: Ocarina of Time (1998) Toru Osawa, Yoichi Yamada, Eiji Aonuma, Yoshiaki Koizumi, Toshio Iwawaki

Artist Lyndon Willoughby https://willowstration.com/

Some facts about Yasuo Yamada:

By turns, he loved to entertain people and make them laugh, he was outspoken and surprisingly socially awkward.

He became an actor because he thought he could sleep late (but then found out he couldn’t actually do it)

When he was lonely, he would get drunk and call his friends in the middle of the night.

He would come into work unmotivated. Goro Naya attributed this to his unexpected shyness, which would go away once he started recording.

He was inspired to act in comedies after seeing Danny Kaye in 'The Secret Life of Walter Mitty'.

While recording for something, he stopped because the crew hadn't finished animating the work. According to Goro Naya, Yamada didn't say, "Let's stop". Instead he said, "I can't do this. Hey, Goro, can you?".

He had a tendency to ad-lib while recording.

Fullmetal Alchemist Complete Edition Feature Films Announced For This Spring In Japan

  Following up on the teaser news a few weeks back, Warner Bros. Japan has officially announced that the Fullmetal Alchemist live-action film series that began with the first film in 2017 will conclude with the forthcoming release of two sequels being released one after the other and is being titled Fullmetal Alchemist Complete Edition.

  First film's theatrical poster

  The first film being released on May 20th is titled Fullmetal Alchemist: The Avenger Scar, and focuses on antagonist Scar's efforts to seek vengance against King Bradley and the state military of Amestris for crimes against the Ishvalan people, incvluding the death of his unnamed brother and family. The second film is titled Fullmetal Alchemist: Final Transmutation and adapts the final chapter of the manga, which will be released one month later on June 24th. The first film's trailer is embedded below:

    The cast for the two films has been expanded since the 2017 film, with returning cast members Ryosuke Yamada as Edward Elric, Tsubasa Honda as Winry Rockbell, and Dean Fujioka will play the role of Colonel Roy Mustang. It was also confirmed that Misako Renbutsu will play the role of Lieutenant Riza Hawkeye of the Amestris Army, Ryuta Sato will play the role of Maes Hughes, Kanata Hongo will play the role of the homunculus Envy, and Shinji Uchiyama will play the role of the homunculus Gluttony. The director of the 2017 film Fumuhiko Sori is returning to direct both films.

  Seiyo Uchino will the role of Van Hohenheim, the father of Ed and Al Elric, Mackenyu Arata plays the role of Scar, the role of King Bradley will be played by Hiroshi Tachi, Keisuke Watanabe will play the role of Ling Yao, the twelfth prince of the Yao Clan as well as the secondary role of the homunculus Greed, Yuina Kuroshima will play the role of bodyguard Lan Fan, and Toshio Kakei will play the role of Lan Fan's grandfather Fu.

  Alternate poster with Mackenyu Arata as Scar

  More members of the Amestris army have also been cast, with Major Alex Louis Armstrong being played by Koji Yamamoto, Olivier Mira Armstrong will be played by Chiaki Kuriyama and the role of Major Solf J. Kimbley will be played by Yuki Yamada. In addition, Yukie Nakama will play the role of Ed and Al's mother Trisha Elric, Jun Fubuki will play the role of Winry's grandmother Pinako Rockbell, and Naohito Fujiki plays the role of Winry's father Yuriy Rockbell. Rounding out the cast, Kaoru Okunuki has also been cast as Sarah Rockbell, Kokoro Terada will play the role of Selim Bradley, Ron Monroe (Long Meng Rou) will play the role of May Chang, and Haruhi Ryôga will play the role of Ed and Al's teacher and mentor Izumi Curtis.

  SOURCES: Comic Natalie, Official Site ©2022 荒川弘/SQUARE ENIX ©2022 映画「鋼の錬金術師 2&3」製作委員会

By: Humberto Saabedra

Accepted Character 3/28/2022

Ali from Gankutsuou: The Count of Monte Cristo

Kagi Tanaka from Ninja Slayer From Animation

Ham Dan-I from My Life as an Internet Novel

Keegan from Blind Men

Appolonius from Magi: The Labyrinth of Magic

Akio Tobikura from the I★Chu series

Bocchi Hitori from Hitoribocchi no Marumaru Seikatsu

Inami Mahiru from Working

Yuuma Satou from Zettai†Joousei

Holy Joestar-Kira from JoJo's Bizarre Adventure

Shaggy from Scoob and Shag

Sasuke Uchiha from Naruto 

Naruto Uzumaki from Naruto

Hajime Shino from Ensemble Stars!

Yama-Chan from Wagatsuma-san wa Ore no Yome

Kichi from Kaiba

Bi-rak Chun's Grandmother from Love in the Mask

Kazuya Hiramasu from Bakuman

Tetra from Suugaku Girl

Gigalt Gangaragash

Natsuki from Mujuuryoku Shounen

Yukina Kosaka from Rolling☆Girls

Midori Matsusawa from Kaguya-hime

Freddie from Sakigake!! Cromartie Koukou

Ryuu Shizuka from Bakuman

Kotoko Yamada from Kingyosou

Yukiko Akaza from Yankee-kun to Hakujou Girl

Lise Acquin from Ie Naki Ko

Grete Bergum from Jul i Svingen

Nure Bergum from Jul i Svingen

Nata (Mikura Manaka) from Heavenly Delusion

Haruko Iishi from Hatarakanai Futari

Butch Walker from the The Heroes of Olympus series

Arthur Milligan from Ie Naki Ko Remy

Shino Oshima from Shino-chan wa Jibun no Namae ga Ienai

Sayaka Kamaishi from Class ga Isekai Shoukan sareta Naka Ore dake Nokotta n desu ga

Bey from the Star Wars series

Tomona from Inu Ou

old man from Famicom Detective Club

Sally Yung from Cowboy Bebop

Toshio Tazaki from Famicom Detective Club

unnamed man from Tokyo Babylon

Cleo from Tori and Samuel

Marcie from Dumbing of Age

Virgil Adamson from At First Sight

Lieutenant Colonel Frank Slade from Scent of a Woman

Bjørnar from Nordlys

Yako Hoshino from Yurara

Spoonface Steinberg from Spoonface Steinberg

John from Last Stop

Jun/Dark Jun Yamamoto from Portrait of M and N

648 Characters remain