TMA Tarot 2 of Wands - MAG 134: Time of Revelation

MAG134: Time of Revelation

watercolor & ink // kofi

Redemption Round 2 - Match 63

You could say that Connected was a bit of a... Time of Revelation... Connected earned 78 votes in Round Two, for a total of 204 votes! It's against Time of Revelation, which left Round One with 150 votes, but stuck in through Redemption Round One with 131 votes! Can it keep its momentum?

MAG 197 - Connected | Spotify - Acast - YT | Wiki | Transcript

A discussion on the edge of reality, recorded in Situ.

MAG 134 - Time of Revelation | Spotify - Acast - YT | Wiki | Transcript

Statement of Adelard Dekker, taken from a letter to Gertrude Robinson.

there's fifteen fears now oh god :'>

OK YEAH THIS IS SCARRY

we'll do fine.

I love the look on Crowley's face when Aziraphale does something bad without any outside influence. And not morally bad, just... definitely not something angelic

The sheer glee in her eyes, he looks like hes falling all over again every time.

come on simon

It was already prophesied in the bible.

Fallen Hero Retribution: The Complete, Unabridged Guide

9½ months. 650 pages. 75,000+ words. Pages of notes, countless sleepless nights, and one Revelations demo later- Finally, here it is. Our answer key to all things Retribution. Enjoy.

So, You Want To Be A Villain?

As of posting this has not been play-tested. If you notice an issue, feel free to let me know.

💍 pt. 4

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"- but with whom can you sit in water?"

and who can hop in the bath with you to make a show of not caring about your tattoos, and how can you not find it hard to hide your disdain at the attempt.

because either this is a trap you have blindly walked into again . . . or he really does love you and could have loved you all this time. and despite all that-

you cannot turn from the path that you are on.

Round One Part One - Match Two

We have two "main character" episodes up against each other today! Whose episode is better, Adelard Dekker or Annabelle Cane?

MAG 134 - Time of Revelation | Spotify - Acast - YT | Wiki | Transcript

Statement of Adelard Dekker, taken from a letter to Gertrude Robinson.

MAG 196 - This Old House | Spotify - Acast - YT | Wiki | Transcript

A statement on Reality recorded by Martin K Blackwood, recorded at Hilltop Road.

Honorable Mentions:

Chloe Becoming a dictator

LB and CN becoming outlaws

Andre overriding the French govt. and banishing Chloe out of the country

Felix putting on a contemporary simplistic play (complete with cowboy hat and mustache)

Yet each man kills the thing he loves; by each let this be heard: some do it with a bitter look, some with a flattering word; the coward does it with a kiss, the brave man with a sword. - Oscar Wilde, The Ballad of Reading Gaol

Adam Cole, mask on versus mask off from AEW's World's End 2023, 12/30/2023

it probably says something either sad or deeply unfortunate about me as a person, but I'm darkly amused to see some people react to the reveal of the ultimate permeability of souls in tlt as a triumphant thing -- the "you can't take 'loved' away!!!" side of it all -- when my first reaction was such an immediate wave of 'oh, oh so this is why this series is horror, I truly understand now' distress haha. ngl the final confirmation of the self not being inviolable in the deepest way freaks me the fuck out far more than any moment of body horror in the series has managed. (these two elements are of course the two sides of one thematic coin; it's about the horror of our bodies and minds and selves not being inviolable things, and about the effect of violence on them on so many different levels. violence psychological and interpersonal, physical, subtextually sexual, emotional, medical, political, a whole unlovely smörgåsbord of indignity and violation a person can be exposed to, and on a broader scale the spectrum of violence colonialism wields). The world and other people being capable of leaving indelible marks on us for good or ill through their presence in our lives is of course a pretty self-evident demonstrable truth in the real world, but somehow having it be proven metaphysically just uh. Fucks me up! 

It also drives home to me just how perfectly Muir has captured the dilemma at the heart of human connection and intimacy: the fact that the thing that gives us life and meaning is also capable of harming us so deeply. the same thing that can be so beautiful — even in a bittersweet, violently transformative form like with the creation of Paul — when done mutually and consensually and compassionately, is the same process that means someone like John can touch someone else's soul and 'after he's put his fingers on something, you'll never find anyone else's fingerprints on it; too much noise'. I think the text itself — the whole series, because to me this is what it is ultimately about, this tension between individuation/self vs. love/connection/enmeshment — is far more ambivalent in its treatment of it than saying it’s inherently a good thing or inherently a bad thing. The only thing it says for sure is that it is always a thing, that thinking you’re ever getting away from it is the height of futility, and that through being alive (or even through being dead lol) it is something you have to engage with in some way no matter what. Contact with other people is deeply necessary — without it we sicken and die. it can be the most beautiful and meaningful thing in a human life, and the most unspeakably horrific. All of these people are searching for some way to be whole, whether in total self-contained sufficiency on their own or in melding with someone else as their ‘other half’, and stumbling around in the dark they reach for each other and score deep wounds into the thing they’re trying to touch even when they don’t mean to. Taken to horrific extremes with the form of lyctorhood John guided his disciples to when they were ‘children — playing in the reflections of stars in a pool of water, thinking it was space’, because while people hurt each other all the time with differing levels of intentionality behind it, what John did was deliberate. It weaponizes the misapprehension of what closeness must be and destroys everyone involved in the process… and all because it leaves John the one sun their ruined lives have left to orbit around, because that’s the closest thing his soul will allow to connection. He doesn’t understand that to truly touch something you have to truly let it touch you back, and then wonders why he’s never satisfied.   

‘The horrors of love’ has been memed to death, I know, but… yeah. That is what it is, isn’t it.