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#this is not even to talk about how margaret CHOOSES trapper to be the one that she keeps hanging onto in her tent
remyfire · 3 months
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The fact that Trapper is quick to do his usual "So you got yourself knocked up, big whoop, get out," schtick up until the moment that Margaret says "Please," is so fun. I know in large part it's because Margaret has barely ever said please to either of them—she's too keen on giving orders and demands—and that's what tells him that it's serious, actually. But also, for better or for worse, this man is a husband, and if a beautiful, panicked woman shows up in front of him in her robe in the middle of the night, I don't think even a hurricane could stop him from providing some assistance.
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mylittleredgirl · 3 months
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finally, m*a*s*h update!
season four disc two! ("quo vadis, captain chandler" to "dear ma")
there is a LOT going on in the frank and margaret department
i kind of tipped my hand here when i posted about my new obsession, but even if you are not circling the drain on this doomed ship... the Unresolved Breakup Tension is fuckin WILD in this disc
she literally punches him in the face!!! how was that not a breakup!
but then he buys her something or does something to charm or impress her, and it works! then he blows it again!! rinse and repeat!!!! i am 👀🍿
sam and diane from cheers are still theeee platonic ideal of slap-slap-kiss but these clowns definitely walked so they could run
i literally jumped off the couch when his wife found out, aaaaa it's so juicy
I'M SORRY i realize this doesn't speak well of me as a person, but those long close-ups on her face as she voluntarily eavesdrops on him dismissing their relationship (twice!!) and her heart gets fully crushed??? i could eat popcorn to this all day.
this is the kind of dysfunctional relationship that my artist friends would choose in our youth so that we could Suffer and Make Art, so i really hope margaret is writing terrible poetry about it
anyway, we're peroxide-roots deep into GIRL WHY??!??
and then bj very gently explains to radar that well, see, frank and margaret both kinda suck and we're in the middle of nowhere, so they're all they've got
and i had to spend three or four days staring at the ceiling about it, because YEAH. it's not just that they're each other's only rank-appropriate source of star-spangled orgasms
(and they both care far more about military hierarchy than they do about marital fidelity)
but they are so consistently unkind to everyone around them that they have no other choice for any human connection full stop.
i'm not even talking about their ongoing bullying war with hawkeye and trapper or bj, because that's dirty pool on both sides, but i could count on one hand the number of times either of them have interacted with a subordinate nurse or enlisted man without threatening them. like they literally would not have anyone else to talk to.
but the reveal that she still wants to MARRY HIM? oh god. ohhhh honey. noooo.
that fake proposal prank was so genuinely mean. mostly because they ruined her hot date! 👏 let 👏 margaret 👏 fuck 👏 random 👏 dudes 👏
"isn't general barker the one who wanted you to spank him?" lmaoooo
OKAY i swear i can talk about other things:
hawkeye continues to just NOT pull without trapper here. the nurses are fully dismissing or ignoring his efforts, and honestly is he even trying that hard?? have we seen him get even one date?
i've been trying to come up with an "intricate rituals" joke about hawkeye and trapper but where the rituals are... girls. you get me.
i re-watched the pilot and the desk ep (for frank/margaret reasons DON'T JUDGE ME), and hawkeye and trapper LITERALLY end the pilot handcuffed together, and in the next episode talk about sharing a nurse. how am i supposed to take this???
speaking of nurses, you know that little 🙄 you have to ignore in 2024 whenever the women on m*a*s*h get called honey and sweetheart and baby on the job (though tbh i worked on a construction site and an ad sales office in the 2010's and got the same treatment -- but in the modern day it's done ironically babe)
BUT when potter calls margaret "good girl" after he gets shot??? total opposite feeling. i literally had to pause and take a moment. he's her dad now.
also when he tucks radar in???? everyone's dad actually
in loving memory of radar's other dad though, two important points:
how proud would henry have been of drunk & disorderly radar??
and henry's "i've always wondered if i might be radar's dad" bit is genuinely 900% funnier now that we know radar's mom looks EXACTLY like him.
i don't think i have ever circled back to talk about klinger, who became so so so awesome
it's so funny that in klinger's very first appearance and 30 times since then, he has been told straight up that wearing women's clothes will never work to get him out of the army. there's no explanation for his commitment to this particular form of passive resistance except that he genuinely loves it
the swamp rats built a still and klinger got a sewing machine and learned a craft. he's so good at it!! his looks are 🔥
i feel uncomfortable when i see him in fatigues tbh. it happened a few times in this disc and i would like it to Stop actually
also precious baby father mulcahey... Protect Him.
i LOVE that everyone showed up for his church service when the grand poobah chaplain was in town. they love each other!!! (also the life magazine jeep shoot!!!)
"quo vadis, captain chandler" was really good. i'm still over colonel flagg's whole deal but i now understand why everyone loves sidney freedman, and the guest actor they had playing not-jesus was incredible
bj continues to be the best little brother hawkeye could have asked for
also he maybe invented cpr?
i didn't say much about him here but I LOVE HIM and also his off-screen wife
forward and onward!!!
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marley-manson · 2 years
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hawkeye but if someone already asked him klinger pls
I'll do both!
send me a character and i’ll list:
favorite thing about them
Hawkeye:
The gay jokes honestly. I love everything about him, I mean I just wrote meta the other day about Hawkeye and death as a theme lol, but let's be real here I literally only started watching Mash for Hawkeye's gay flirting. Everything else is just an awesome bonus.
Though also to expand on that it helps that Hawkeye is literally like the exact type of character who is incredibly easy to read as bi because of it. Like, if most other character types made nonstop jokes about wanting to fuck dudes in the military in the 1950s I would actively take it as evidence that they're straight. But Hawkeye? Whose 2 major character attributes are: making jokes as a way of communicating his feelings and antagonzing the military by flaunting his non-military traits with very little concern for potential discharges? Come on.
Klinger:
How genuinely into crossdressing he gets. How much work he puts into his wardrobe, how he starts caring about fashion, becomes pro at tailoring, the scene where he talks about it with Sidney and Sidney tells him it's cool, giving Margaret his wedding dress... even later on I love that he keeps wearing the fur coat and pink housecoat even when he otherwise stops crossdressing.
There's a lot worth saying about how at the core it's a dude in a dress joke and transphobic implications of his character in general and some moments in particular, but like, for the most part the vibes with Klinger are exactly what I want when it comes to gnc characters, particularly for the time, intent schmement. It's fun as hell.
least favorite thing about them
Hawkeye:
file not found. I don’t even really wanna say the misogyny, because I consider that more a writing flaw of the early seasons that the show just ended up pinning on Hawkeye because everyone else (aside from women’s showers peeker Radar which got conveniently forgotten about) was gone by the time they went feminist.
Actually wait no I do have something: the bootlicking lol. In later seasons when the show gets more pro military sometimes, there are episodes where Hawkeye just goes along with dumb military shit and seems to try his best to fulfill his role as a captain, and I fucking hate to see it. For an example, Promotion Commotion. Or say, Morale Victory where, in contrast to earlier seasons where he was very reasonable and apologetic in not granting Klinger a discharge on the rare occasion he had the power bc it would fuck him over if he did, in this he's annoyed about Klinger just wanting a 3 day pass.
I got headcanons to explain this, I think you can argue it does make sense for Hawkeye as a character who is so dependent on his relationships with other people to lose his defiant edge when his friends are now Potter, Margaret, B “stop trying to change things you can’t change” J, and even Klinger has succumbed. But it's not a good look for the show bc my headcanons aren't canon.
Klinger:
Does Klinger even have flaws? I guess the fact that he's into commitment before sex according to Ain't Love Grand, because I would like to think he and Trapper fucked once or twice but that makes it difficult lol.
favorite line
Hawkeye:
HOW can I possibly choose one?
The carry a gun rant, I guess, it's iconic for a reason. But I'm also slightly obsessed with how impossible it is to read "You [married]?" "Somebody's gonna have to get me pregnant first," as anything but a not at all veiled come on.
Klinger:
Every time he bitches to himself in Arabic.
brOTP
Hawkeye and Margaret. I love them, I love them, I really truly love them. I love that they’re not romantically interested and not even BFFs, they have very little in common, they don’t really even like each other as people, and I don’t think they’re likely to remain close after the war, and yet despite all that they fill this really personal, emotional niche for each other where they’re each others’ go-to emotional support. It’s really interesting and unique imo.
Also I love when they get protective of each other. Margaret stepping between MP and Hawkeye in Peace on Us, Hawkeye shielding her in Aid Station, Margaret physically pulling Hawkeye out of danger in Comrades in Arms, Hawkeye distracting her with twenty questions in CAVE, etc.
Klinger:
Klinger and literally everyone except Potter, but I guess I'll go with Klinger and Hawkeye, especially in the early - mid seasons. They have this vibe of like, not quite clicking interpersonally, but still being like, allies? The way when BJ and Potter replace Henry and Trapper Hawkeye seems to turn to Klinger more often for a while (probably a result of Jamie Farr joining the main cast and the writers needing to find ways to incorporate him, but it fits really well). The way Klinger is the only one comfortable chatting with Hawkeye in the finale phone scene. Hawkeye telling Klinger to wear a slip under his uniform when he gets psychosomatic hives, "Klinger it's us, you don't have to pretend with me," Klinger having Hawkeye and Trapper's section 8 signatures on standby in the first few seasons, Klinger trading his food from home for a magazine about Maine for Hawkeye... there's just a lot of good stuff there despite Hawkeye being a dick sometimes.
OTP
Hawkeye:
I don’t feel like I have an otp for Hawkeye because I want him to fuck basically every dude he interacts with aside from Radar, including original characters, but if one ship beats out the others slightly it’s Hawkeye/Trapper. They’re not all that interesting, but they have great chemistry, they’re a ton of fun, and while Hawkeye is a character who's fun to torture, ultimately I'd still like him to live happily ever after with the kind of dude who would ride on the side of a helicopter just to pick up an order of ribs with him.
Klinger:
I don't have an otp for Klinger either, but I've got no beef with his canon romance with Soon Lee and I think it's thematically appropriate and kind of cute, especially if I'm headcanoning Klinger as some flavour of gq, which I generally am. I got on board when she said she wanted to see him in a dress.
nOTP
Hawkeye:
Hawkeye/a woman. I see him as bi but that doesn't mean I want to read about him in a relationship with a woman. Not even an ot3 thing. If I have to pick specifics, I'll go with 2: Hawkeye/Margaret, they are perfect as friends but their relationship is ruined for me the instant it turns romantic.
And Hawkeye/BJ/Peggy. My thoughts on poly irl are whatever, I've been in open relationships and had fun, I have poly friends, it's cool and great for some people. My thoughts on poly in fiction are I inevitably get angry on behalf of at least one of them, and I'm only interested if the relationship crashes and burns in an epic way. I can get into a ship having occasional threesomes, but that's about it.
Also like, I don't think it's ooc for Hawkeye at all, I just don't want it, but tbh I do think it's ooc for BJ lol, he'd be the weak link that would cause a three way divorce there. Without a novel's worth of character development I cannot imagine him being emotionally mature enough for poly.
Klinger:
I got nothin. I'm open to pretty much every Klinger ship I've seen someone mention. I guess maybe I'll say Klinger/Hawkeye, because in contrast to most dudes they interact with, and kind of ironically lol, I mostly get the vibe that he and Hawkeye have 0 interest in each other sexually.
random headcanon
Hawkeye:
The reason the gay jokes dried up so hard in the later seasons is that something happened. BJ caught Hawkeye with someone and made things awkward, they made out and made things awkward, maybe Hawkeye got investigated, whatever, but I need to invent a reason for it. Also the nice thing about the first two is it adds an interesting layer to BJ's jokes persisting.
Klinger:
Opens a dress shop back in the states eventually, which lowkey ends up a favourite of drag queens and trans women. It's what's gotta happen.
unpopular opinion
Hawkeye:
I guess at least in this era of fandom my unpopular opinion is that he and BJ would make a terrible couple. I think they're lowkey in love with each other bc it's a fun way to watch the show but I think they would be a disaster if they actually got together.
Klinger:
I view him dropping the dodge attempts as a tragedy and I hate that he gets promoted.
song i associate with them
Hawkeye: idk lol. let's say Mutiny, I Promise You - The New Pornographers
Klinger: i wracked my brain for something more original but I had to give up and go with Draft Dodger Rag - Phil Ochs
favorite picture of them
I’m changing this to like... visual moment in time. I don’t have favourite pictures.
Hawkeye:
For some reason my first instinct is to say Hawkeye coming off 30+ hours of surgery, exhausted and extremely keyed up, and walking on the furniture and juggling BJ’s socks in Ain’t Love Grand. Idk there are a million more iconic moments but that’s just quintessential Hawkeye to me.
But also as a bonus, the way he disgustedly picks up a gun between thumb and forefinger like it's a dead rat in a few episodes, like Deal Me Out iirc.
Klinger:
The statue of liberty shot at the end of Big Mac had me in tears. Iconic.
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cauldronofmorning · 3 years
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I just needed to get one more Piercintyre meta out. “How Season Three Broke Up Hawkeye and Trapper before Welcome To Korea Happened” under the cut:
Disclaimer that while I don’t know if the MASH writers knew that Wayne Rogers was officially leaving at the end of the season, this is based off the assumption that they knew where the wind was blowing. If not intentional, there’s enough connecting evidence here anyway.
In the first season, it takes them until Bananas Crackers and Nuts to have their first ten second fight, over being in surgery for too long to fill up the still. Even just a short spat upsets them because Hawkeye is the reigning champion of co-dependence (Trapper would like to pretend he’s not) and that leads to eventually exaggerating a mental health episode. They sit in each other’s laps, banter like a couple and Hawkeye makes even bigger heart eyes when Trapper can’t see him.
It starts going a little wrong at Mail Call. They’ve argued before, talked past each other and Trapper’s been worried about Hawkeye’s sanity, but after male wife adorableness where Hawkeye loves Trapper talking about his kids, Trapper starts family spiralling that BJ perfected to an art form and steadily gets more drunk/depressed about not getting to see them grow up. Hawkeye eventually finds him manically packing a bag to go AWOL (naturally he’s jokey-scared that he did something wrong because the man is already a mess) and internally falls apart when he realizes Trapper is serious. It ends up okay because laughing at Frank is a good distraction, but they don’t talk about it outside of ribbing over a hangover, and Hawkeye nervously locks the bag away.
A lot of good and a lot of foreshadowing happens in Check Up. For the good, they love each other so much. Hawkeye is delighted to make Trapper laugh at the end when he’s taking care of him like he did in Carry On Hawkeye, they do manage to talk at least a little; Hawkeye being brave and proving “I’m the only one who can handle him” in BCN as having a lot of truth to it, and Trapper wanting to stay because of Hawkeye.
But that last part is also Trapper’s problem, and what hurts Hawkeye later on (and in turn BJ). He can’t say in earshot that he wants to stay “with… with…” [joke about the camp to diffuse the tension], he can’t dance for real with Hawkeye only when it’s for a joke, he can’t actually be scared and worried for Hawk’s mental state to his face in Dr Pierce and Dr Hyde, and twice in Dear Dad and Aid Station, he reassures Hawkeye that there’s nothing to worry about and only lets the mask fall when Hawkeye is gone. Neither we or Hawkeye see the seventy two hours where Trapper and Radar try and contact him, so with all that, you can’t blame Hawkeye for having a (not the whole story) pattern of proof for thinking he wasn’t worth it.
Two episodes on, and after the homoerotic fever dream image of them riding a pony together, is Alcoholics Unanimous. Alcohol has already been the cause of some of their fights, the aforementioned Bananas, Crackers and Nuts, and the end of Iron Guts Kelly; where Hawkeye calls out Trapper for ignoring reality through booze, Trapper replies reality is up for grabs, and they both get distracted by nurses, which is really their problem summed up, but they end up going for the throat in more ways than one when alcohol gets taken away.
The first half of the episode is them being cute and co-dependent, well, alcoholics, but after the adorable boozing with Margaret and being left to their hungover, they start to feel claustrophobic with each other. It’s Hawkeye who starts being cruel first, as he often does when he’s trapped in a corner and wants to lash out (see the finale). He goads Trapper into a fight, casting himself as the girl again (borrowing Trap’s razor to shave his armpits) and digging in that Trapper is macho and boring for reading hunting and repair magazines.
Trapper eventually gets sick of him, and gives the attention Hawkeye’s been brattily aiming for. His problem is that Hawkeye’s never at a loss for words, something that Trapper has and will struggle with, and always the shot, always the needle. And after more needling, he loses his temper and gets shouty. When they’re about to throw breakable shit at each other (Hawkeye grabs Trapper’s ukelele that he’s been using to chill himself out this season) he’s the one that can stop and introspect a little that they might actually be alcoholics, while Hawkeye makes a crack about renting himself out to a firing squad if he thought that were true. Trapper either struggling or conflicted, while Hawkeye’s in denial or fine when he gets reassurance he needs, comes up a few times throughout the season.
They’re still fighting when it comes to Mulcahy’s sermon, to the joy of Margaret and Frank until it ends up with Frank getting hurt (and if you ever wanted to know who wins in a Trapper vs Hawkeye fight, it’s easily Trapper, though Hawkeye can flail his legs in interesting directions) and needing booze. Like Mail Call, Frank is a distraction both of them can use to not talk about what’s bothering them.
Next up is Adam’s Ribs. While they don’t fight in this one, it’s a much lighter version of Dr Pierce and Dr Hyde, with Hawkeye running around having a manic episode and both Trapper and Henry looking concerned in the background. They’re worried he’s losing it and they’re right; when they leave (Henry dying, Trapper having to go while Hawkeye is on R&R), a piece of Hawkeye is gone no matter how much he and BJ lean and love each other. “Trapper went home; they're still coming. Henry got killed and they're still coming. Wherever they come from... they'll never run out.”
But it’s not even just about the ribs. Hawkeye barely hides anything in this episode; the “I love her”/”it’s a him”/”I love him” without missing a beat, that he’s always been a hedonistic mess when Trapper is faintly disgusted with him, that he thinks letting a stewardess force him is an acceptable thing to just casually shrug about and definitely not being subtle about his interest in “Big John”. Like he often does when Hawkeye gets too serious, either in general or about their relationship, Trapper looks concerned when Hawkeye leaves.
Mad Dogs and Servicemen goes into mental illness again, and there’s a big contrast between Hawkeye; who while still having to administer the tough love approach that the not there Sidney advises, does that thing where you try and empathize but end up foreshadowing… I mean making it about your issues and not helping by talking about how many breakdowns he has a day, and Trapper. Trapper is both seconds away from killing Frank when he dismisses mental illness and only Hawkeye manages to calm him down, and also manages to get the soldier to open up about his trauma by letting him talk about Boston and sports. The macho less good with words-just being the rock thing that Hawkeye needles him about actually helps this time.
Trapper struggling comes up again in Bulletin Board. He knows how Henry is feeling when he talks about there’s no point distracting yourself if the war will kick you in the teeth later. He also writes a letter to his seven year old daughter (Becky), telling her a kid-friendly version of saving kids with frostbite. She’s complained that he never tells them what he gets up to and of course he can’t because how can you put your at home children through that? But it also proves he doesn’t just hide from Hawkeye, as unlike most who wrote letters to their family, he chooses the most secluded times possible, and he tells her all he can do is make the best of things before turning the record off and looking haunted.
Like Dear Dad in the first season, Aid Station has Hawkeye having to go to the front again. Klinger and Radar giggle over his dresses, Margaret doms Frank and tells him she’ll kill him if he goes out with other nurses, and it immediately goes to Hawkeye telling Trapper he should go out with other doctors. It eventually gets serious in the only way they know how: Hawkeye looking afraid of the reaction he might get, bringing up his will, and when the mood is down, making a joke about his sluttiness. When he has to go, Trapper again does his job of reassuring (like he will Radar and Henry later on) and then his face falls in worry. On the other end, by the episode’s finish, Hawkeye has a connection with Margaret that Frank and Trapper assume could only be sexual, so they get closer while both pairings drift off.
The last time they fight is Pay Day. Hawkeye is trying to have a date while also trying to not get arrested for supposedly stealing money, while Trapper is as usual losing badly on a game. Hawkeye can’t give him fifty dollars, even an appeal to their friendship doesn’t work, and so Trapper steals his watch for stakes. When Hawkeye finds out, they have a short but explosive yelling session, and in a rarity for them, they do kind of talk about it, ending the episode on Hawkeye proving to Trapper he’s bad at card games.
Then it’s Abysinnia Henry, the last time we see Trapper and Henry. Henry’s plane gets shot down before he manages to make it home, and Hawkeye and Trapper try desperately to contact each other while Hawkeye is on a bender of an r&r and before Trapper’s plane leaves Korea. Trapper can’t find the words for a note, leaves Hawkeye with a kiss, and Hawkeye never gets closure. A season of drifting and it ends like that.
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