oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-
oh. I made a blog for that exact purpose ! OKAY—!
fuck. fuck me, dude holy-
FUCK.
the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,
ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.
the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.
The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.
Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->
POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).
I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-
I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—
BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)
Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father
holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.
HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."
LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.
YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:
the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god
it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.
and ofc it acts as a representation of Snezhevna dying...
because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.
And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.
"Once I'm better I'll start my next mission.."
THIS. THIS!! IN SO MANY WAYS THIS!
OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:
There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???
So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..
and ofc the funeral scene. I can't say much more than what's already shown right on the screen.
and am I bugging? Or is the location of the grave....
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If you’re so vehemently against ai fanart what’s your take on fanmade graphics and edits that use stolen pictures from the internet? These fans didn’t go out with their camera to capture the images themselves, they searched through Pinterest and google and found photos taken by real photographers and, without asking permission, stole these images to edit and create into something else. Yet this practice is widely accepted amongst fandom, but the second ai is involved it’s akin to murder? Even when the fans have clearly uploaded said ai generations into photoshop to edit them first? Seems like a pick-and-choose double standard to me.
Okay first of all, let's address the fact that - going by the language you've used here - you've already decided how I feel about it, so why bother the pretense of "asking"? Dishonesty breeds Discontent. Don't lie to someone's face and expect them to be kind, yeah?
Secondly, almost every single person I know who works with image manipulation uses assets they DO have the rights to outside of specific actor's likenesses. There are millions of photos, graphics, illustrations, paintings, etc. that are open for free personal AND commercial use allllll over the internet and people use them liberally. And, actually, many, MANY of these people DO go out and take their own photographs, so I don't know where your misconception is coming from.
And, the big kicker - they also don't lie about it. They say when something is an edited photo, if it's not obvious.
Stolen images being used in edits is NOT widely accepted and is in fact generally pretty damn frowned upon in most art circles, and I absolutely don't support use of them.
Every single instance of fanart is a rocky road as far as IP infringement goes, but don't put fanartists on the same level as the industry professionals providing celebrity model photos. Unlike in AI and Art Theft, when those photos are used that's bringing attention to the figure in question, not taking it away from an actual creator.
Lastly, where the FUCK do you get off saying ANYONE is comparing AI use to murder? Persecution complex much? I get it, you wanna be a victim so bad, but you're the one stealing from people at YOUR industry level.
AI in general has a metric fuckton of potential to be something genuinely useful to artists of all walks, but the CURRENT industry is too unethically sourced. We need to get control of the market, get stolen works (including, once again, STOLEN LEAKED MEDICAL RECORDS) out of the training data, even if that means starting over from scratch.
Also, we need to get the bullies who think it's okay to do shit like spam a Machine Learning program with a single artist's work to harass them offline, target voice actors who have asked not to have their voices used into harassment campaigns, or lie to celebrities by selling them commercial rights to ML-generated fanart, which right now, they legally CAN'T DO. Because the copyrightable legitimacy of AI/ML works IS currently in debate in courts in the US. So.
Maybe instead of assuming everyone is out to get you, Anon, try not being a douchebag and stealing from fellow fanartists? And if you're gonna steal anyways, at least be honest and don't lie to people trying to convince them it's actually a digital illustration.
We can see the weird, fake blending. We can see the extra fingers, or utensils clipping through plates, or hands disappearing into heads, or shoes that don't end where shoes end. And while I'm not going out of my way to confront anyone about it, I'll just stay here on my own blog, blocking people who post AI, I am not the only person who is angry and disgusted at the lack of integrity and blatant disrespect.
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I have to say this because I just had a very serious talk with my bestie about weight.
When I first went to college, I was doing acrobatics four days a week and a 15 to 18 hour course load a semester, while spending six months out of the year sick or recovering from such. The bronchitis plus [whatever comorbid illness struck this time] was bad enough, but the recovery took so long because I had so little fat that my body would start eating muscle and tissue.
I had access to a school nutritionist and so I wrote down everything that I tended to eat, how often I did so. My diet was and still is semi-decent, mostly because I have enough texture issues that a lot of junk food and "unhealthy" (I say that loosely) stuff I can only eat very tiny portions of, if at all, and most meat things are completely off the table unless I make it myself.
I was and still am very high energy. I have always been skinny or slender since I started walking, had some body image issues after being sick and I could count every rib. At the time of going to the nutritionist, I was 190 pounds of mostly muscle.
She looked at me like I'd lost my goddamn mind when I said I wanted to gain some fat and I wanted to know why I just wasn't. I was a freshman. I knew about the freshman fifteen. Instead of gaining fifteen pounds, though, I lost it, and it was fifteen pounds I didn't really have to lose. I was eating something ridiculous like almost double what the average woman "should" be, calorie wise, basically constantly snacking because I was always hungry.
Two years later I was in the hospital for a month. A wheelchair for seven. Lost almost eighty pounds in eight months. Died three times.
It's five years past that now. I'll never be able to fly like I used to, but I can pick up unsuspecting coworkers and adoptive siblings again, which is great fun for startling them. I can renovate my house without too much issue. I weigh 160 lbs now, and for the first time in my life, I have fat on me, after seven years of working at it and so many goddamn catastrophes it's ludicrous.
It took me seven years to gain twenty pounds of fat. Of me actively working on it. There's no such fucking thing as "weight gain!" pills, and there's no such thing as "weight loss" pills either, and take it from an Irish woman? Starving yourself doesn't work either. If you feel good in your body, if it works for you regardless of your weight, then you're fine. The only way anything is going to change is a massive force--like illness, or amputation, or cancer, or occupation, or food scarcity.
Fat people's positive representation in media is shit, and the way that Americans, at least, tend to see fat people is shit, and I'm sorry. You are worthy of feeling at home in your body, without fear of judgement of yourself or society, of feeling good without reservation. The twenty pounds of fat I've gained has, no joke, changed my life. I don't get cold standing in front of a refrigerator, I'm not utterly terrified of getting sick again and dying of something stupid like bronchitis or strep throat. I feel good, and I hope that you can feel good too, and not continuously damage your body by yoyoing your weight with attempted diets and pills.
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