#this film was way better than i expected it to be | Explore Tumblr Posts and Blogs

vinceaddams · 8 months

Note

Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.

Thanks!

It IS up my alley, yes, I do most of my buttonholes by hand!

I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)

Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.

Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.

Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.

I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.

Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.

Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)

I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.

For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!

Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.

I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.

I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.

I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)

Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.

Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.

The knot should be on top of the cut edge of the fabric, not in front of it.

You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.

Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)

Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.

For a bar tack do a few long stitches across the entire end.

And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.

Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.

Then do the second bar tack once you get back to the end.

To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.

In my experience it stays put perfectly well this way without tying it off.

Voila! An beautiful buttonholes!

If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.

(I won't do that style in my video though, because they're not 18th century.)

Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.

Your first one will probably look pretty bad, but your hundredth will be much better!

Edit: Video finished!

youtube

And here's the blog post, which is mostly a slightly longer version of this post.

#ask #buttonholes #sewing #hand sewing #sewing tutorial #I've been procrastinating on the video this week #I want it done! I don't want to work on it I want new projects! I want to cut out more gloves!#currently forcing myself to do the last few buttonholes on these pants and then maybe I can cut out new gloves? as a treat?#but I hope I get some filming done tomorrow too

3K notes · View notes

denimbex1986 · 5 months

Text

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

3K notes · View notes

badcountryofficial · 1 year

Text

hey if u want the benefits of greek yogurt but like me Hate the Texture of greek yogurt...chobani daily probiotic drink..

#STILL KIND OF a weird texture #but waaaaaaaay way better than i was expecting #like yk how greek yogurt kind of coats your mouth?? blech #but this leaves just a little film #i don't even notice it that much #epic

1 note · View note

aranarumei · 1 year

Text

there’s a specific way eve sings the word “dramatic” in dramaturgy and it is simply unmatched. every time.

#like it’s so clearly enunciated #in a kind of harsher way than u might expect #if u compare it to the live film ver u can understand the difference better I think #man also the way the first and third chorus of dramaturgy aren’t too different #but the delivery of that third chorus still feels sooo intense #kiri.txt

0 notes

chuwenjie · 1 year

Text

Spider-Man: Across the Spiderverse comes out later today so I wanted to write a post reflecting on my journey and experience working on this movie. So many people have supported me through this and I am so thankful to each and every one of you!

Text version of this post under the cut:

Spiderman: Across the Spiderverse comes out tonight. It feels really weird to be typing that out right now. I worked on the movie as a visdev artist for the last 2.5 years, from 2020 to 2023. Long post incoming.

There are a lot of reasons why I'd consider this film to be one of the most ambitious animated films to ever be made. As artists, we were asked to push ourselves far beyond our comfort zones and do things that had never been done before in animation.

Every time we reached a point where most people would say "this must possibly be as creative and weird as it gets," our entire team of artists and animators would smash right through the ceiling. The driving direction for the visuals of the film was to push the limits of every single frame; to challenge audience expectations and make something truly original.

The best thing about this film was that there wasn't a single boring day working on this movie. The hardest thing about this film was also that there wasn't a single boring day working on this movie.

There were times while working on this where the imposter syndrome hit me hard. This was my first big movie, and what a hell of a first movie to get thrust into.

I came in only a few years out of school with absolutely no idea what the hell I was doing. I constantly feared that someone had made a mistake in bringing me onto this film, and I was going to let everyone down. There was a solid chunk of those 2.5 years where I wasn't sure if animation was the right path for me.

If there's anything I could tell my past self it would be this: there are so many people who love you and believe in you. There will be a time when you get to stand on the other side of it, look back on everything and see how far you came.

I'm still working on self-acceptance every day (it will be a lifelong struggle, I'm sure), but I'm glad I didn't give up on myself. I'm proud of myself and my contributions to this film, and I'm certain that this movie will continue to change and shape the animation landscape just as the first one did. That's truly a special feeling to have been a part of. I am so incredibly grateful to every single person who helped me along this journey.

Here come the thanks:

To the ENTIRE visdev & art crew- it's been an honor getting to work alongside each and every one of you. My jaw is literally still on the floor from seeing your incredible talent day after day.

I want to thank Tiffany and Felicia especially for being there for me through tough times- I admire and respect you both so much as artists, and even better than that, my life is greatly enriched for being able to call you my friends.

Thank you Patrick and Dean for taking chances on me, teaching me so much about art and what I'm capable of, and encouraging me along the way. To Aymeric, your art is one of the reasons I initially became interested in animation and you have been one of the kindest & most empathetic mentors I could ever have asked for.

I want to thank my wonderful parents for believing in me always and raising me into the person I am today: everything I do in life is to make you proud. To my brother Andrew who is perpetually awake at 3 AM when I need someone to talk to- thank you for always picking up the phone and making me laugh.

And finally to my partner Luke for making me grilled cheeses on all of the difficult days, for never getting sick of me even when all I would ever talk about was work, and for patiently and steadfastly loving me throughout this entire thing. I don't think I could've done it without you.

Starting tomorrow I will begin posting and sharing some of the art I made for this movie; I'm looking forward to sharing some of my personal favorites with you. I hope each and every one of you enjoys Spiderman: Across the Spiderverse when it hits theaters later today!

#visual development #visdev #spiderman: across the spiderverse #spiderman atsv #gwen stacy

4K notes · View notes

coeurify · 6 months

Note

ok but what do you think about making a sex tape with ellie 🧍‍♀️

an: this has been reworked over and over since this request came in in march… so enjoy! its very lovey dovey and sm plot sorry :3

warnings: 18+. filming. jackson!ellie. fingering and oral!r receiving. mostly lovey but some teasing and rough language :3 ellie is obsessed and lovesick and so is reader soooo they make a sex tape. unedited gimme time.

When Ellie first brought up the idea, you had recoiled into her old beat up couch, scoffing as she waved the old camcorder around, a shiteating grin on her face.

“I doubt that thing even works El,” you shrugged your shoulders under the blanket you had stolen off her bed. It wasn't unusual for you to hole up in her small homey garage while she was on patrol.. but what *was* odd was her little.. Souvenir from this particular trip.

“C’mon babe,” Ellie pouted, “Let me try on you..” she wiggled the little camcorder, slipping her hand into the attached grip, flipping open the small screen. Despite your complaints that there was no way it worked, Ellie just could never be wrong. Of course she knew you would fight back, and so she had made sure she fished some batteries too. Of course they came from Maria, the cost three days of stable duty.. But it was worth it for the immune woman, who ducked her nose down and watched the screen flicker to a slow start.

The quality was no better than that of what you could expect from a decades old camera, the film grainy and muffled, each corner covered by symbols Ellie didn’t really understand. But it was no roadblock in the trek of her wants. She smiled when your hands immediately came to slap over your face, voice serious behind your palms as you spoke, “put that down.”

Eventually however, you got a little used to Ellie’s newest fixation. The little hums she made were always a dead give away that she was filming you. During a video game tournament against Dina and Jesse, squished so closely to the two on the floor of the garage that you literally bruised the taller man during a particularly aggressive round of a fighting game. When you were trying your best to compete against your girlfriend’s art skills, tongue poking out the corner of your lips as you worked on a very detailed stick figure that dawned pointed down eyebrows, a large frown and red pencil hair. Even just when you were organizing Ellie’s closet for her, sorting through the tens of sweatshirts with a judging pout on your lips at the mess.

Each time you heard the distinctive sound of El’s attempt at holding back laughs, a small little choked up ‘hmm’ sound. You usually turned your head, quick to flip off your girlfriend-turned-filmmaker. But by the fifth time of catching her smiling behind the little object, you just let her. Whenever you could see her a little less tense, you took it.

Even if that meant starring in all of her little five second shitty clips. Her excuse always, “Just something to look at when I miss you.”

In some ways it made you feel weak legged, slightly lovesick by the thought of Ellie loving you so dearly she just had to steal little memories of you. Every small grin that broke onto freckled cheeks wherever she filmed coaxed you into the haze built up by her new hobby. You became so covered in adoration soon that you resorted to tiny only half mad eye roll when the click of the camera sounded.

Small clips turned into Ellie’s free hand wrapping around your bare waist as you looked in the mirror of her bathroom, the camcorder pressed near your cheek, the auburnette on the other side. You wiped the condensation from the glass, the room still slightly foggy from your shower. “You are not filming me out of the shower,” you huffed. Ellie didn’t answer, the familiar sounding hum stopped only when she pressed a kiss to the base of your neck, lips pulling up into a smile against the skin. “Won’t point too low..” she promised. “You just look so pretty..”

That time, the camera had been closed and discarded on a random bedside table as the two of you stumbled across her floor, giggling as Ellie cursed, stubbing her toe on the corner of the bed she tried to press you down into.

It continued like that, the limits of what you allowed Ellie to film seemed to blur further with every day.. Every curl of her fingers around the object that had become so central to this small haven of her home. Your own neck hot for reasons very different from embarrassment each time the filming light blinked a little too long. The line that you and Ellie had drawn in the sand of your mind was looking a lot less precise with every new memory saved into the device.

Even further along into the passing weeks, you had settled comfortably into yet another night spent at Ellie’s. Your own bedroom had remained untouched for nearly a week this time, bed spread likely just as cold as the air outside. But the garage was warm. The air inside thick as you pressed two fingers against your lips to keep a laugh from spilling out. Glasses of half empty wine, stolen from Tommy and Maria’s cupboard, balanced on the table that sat directly in front of the couch you were cuddled into.

The feeling of wine drunkenness always made you giggly, but your girlfriend parading around her small living space with her camcorder, well, that made you even more prone to bursts of laughs. She had gone from filming and rambling on about what wine you were drinking to zooming into your face, chuckling with breath that smelt like red wine. “See how pretty?” Ellie gaped to no one, stepping closer to you on the couch. The whole garage was painted a light orange from the setting sun outside, but it didn’t stop Ellie.

“El, you’re being a dork,” you chide, shaking your head as more compliments spilt from her. She shoos off the bitten remark with a sound that boarders on a coo, leaning over you as the lens of the camcorder sat close enough to pick up the smaller details of your face the grainy film usually could not.

“I’m just showin’ how perfect you are..” Ellie explains, a softer tone edging into her lungs as she presses her thumb to your cheek, drawing a new heat under the digit. “Perfect cheeks…” her finger traces over your jawline next, and then your chin. Each new landmark of your face that Ellie doted on swept closer and closer to your soft lips. You were no idiot, you saw how the green of her eyes fell to the fat, watched as you sucked your bottom lip between your teeth and then out again. You made no move to stop what came next.

That next move was your girlfriend’s finger following like a moth to a flame to the one spot that teetered on that blurry line again, thumb pressing softly around the curve of your lips.

“Perfect lips,” Ellie continued, eyes flicking back and forth from the camera screen to you. Soon the pad of her finger is right against your bottom lip, and the room seems to slow.

The both of you hold bated breaths as you mull over your options. But this mulling is no longer than a few seconds, feeling overwriting the more logical side of your brain with a gushy type of tightness in your chest.

Your lips part, eyes meeting the lense as you suck the tip of Ellie’s thumb into your mouth. Lips wrap around the soft skin, salty and cold, and Ellie has little to say other than a slow and breathy, “Fuck..”

Your tongue peaks out just for a moment, lavishing over the wet skin, but Ellie is quick to pull away, leaving your shining lips parted in confusion. The camera falls to her side as her free fingers wrap around your wrist. Just like last time, the little red light twists away from your face. Ellie’s toes step backwards from that oh so mysterious line you two made.

“You know what you do to me, hm?” Ellie questioned as she hauled you up by your arm, a sharp giggle following as she stomped to the bed. The camera is discarded on the table near her pillows as you are thrown back on it.

“No,” you tease, your next giggle cut off by a thump noise that was Ellie pushing you back against grey sheets, you make a sound that almost sounds like “oof” as you try to readjust. Ellie clambers on top of your squirming frame as another sputtered laugh escapes at the messy, and not very seductive, way you two found contact against the creaking mattress.

“Tell me,” you prompt, meeting Ellie’s narrowed green eyes. “Why should I? You’re laughin’ at me.”

Your eyes roll as Ellie’s lips fall into a pout that you want to kiss clean off. “Stop being a baby,” you mutter before letting your impulse win, your hands cupping the freckles cheeks of your girlfriend and pulling her down for a soft kiss. Her pouted lips quickly shape to your own, and you sigh in approval as the hand not holding herself up traces down to your waist.

“I’m not a baby,” your girlfriend complains when your lips part from each other, and you nearly pinch her cheeks from just how lovely you find the whiny drawl in her voice, instead you just shrug, biting back another half bubbled up laugh, “mhm, prove it.”

Ellie does just that. One tug on your hips has you flatter against the bed, one poke at your side has a squeal leaving your mouth. You see how Ellie’s lips quirk up, but before you can admire the sight, she kisses you again.

“So,” Ellie punctuates the word with a kiss, the sort that makes a loud and annoying smacking noise, before trailing her lips to your cheek. “Fuckin” Ellie’s lips find home on your jawline next, and act that has a simmering heat grow between your legs. “Perfect.” Ellie finishes the repeat of what her fingers had done earlier by nudging your head back, lips pressing softer kisses to the flesh of your neck.

Your eyes flicked to the side table, pupils finding the little camcorder as the auburn haired girl bit at your neck, your attention pulled away as your eyes flutter closed at the feeling. “El,” you breathe out, a hand finding her messy hair, nails scraping at her scalp as she bit harsher at the column of your throat. You aren’t sure why her name had been your first thought to say after seeing the camcorder, swallowing as your fingers itched to reach toward the side table.

“Hm? Tell me,” Ellie taunts, words muffled as her next target becomes your collarbone. Your own words biting at you again as your eyebrows furrowed together, watching as your girlfriend’s fingertips find the edge of your shirt, pushing it up as your hand falls from her hair to help take it off.

You pull her back for another kiss before you can even think to answer her question, one you weren’t even sure you could explain. Ellie’s needy fingers come into contact with the fat of your tits, tweaking at the perked nipples, nails pressing in just a little too hard, earning a mewl directly against the spit slick kiss. As Ellie kissed you, you tried your best to focus on the feeling, and not how you were acutely aware of the camera beside you.

Her tongue swiped at your bottom lip, warm against your parting lips as she searched to deepen the kiss, messy sounds of half breaths and kissing all sounded through the small area, your hips rolling up as her knee slotted itself between your trembling thighs.

You can’t help but wonder what this may look like on camera, and as Ellie pulls back, you notice the green of her eyes had dimmed, pupils blown as the pretty eyelashes fanned lightly. The freckles splattered over the apples of her cheeks were particularly prominent tonight, and you suspected it had something to do with the blood that rushed there, rosy and all around causing that same lovesick feeling to creep up your weakened bones.

You wonder if she would look as pretty on that grainy screen too.

Before your mind can even form another thought, Ellie is pulling away from your lips, a small whine the response she received. You can’t complain for long as she moves down, wet lips trailing sloppy kisses to your soft stomach, planting the ember of a growing fire in your groin, causing your hand to flex. Your eyes are pulled by an invisible string to the side of you again, the black material of the camcorder your gaze’s target. Ellie grumbles in response, and a small pinch on your hip has you yelping.

“What’re you looking at? Look at me.”

“Ellie,” you try again, lip quivering nervously as she ushers you to lift your hips, tugging off the bottoms you wore. “Fuckkkk,” she drawls, lost in her own little world as a large hand presses your thighs open. “You see that?” she marvels, a finger pressing against the wet spot on your panties. When she presses, you can feel the fabric stick to you, nearing translucent as she teases, your lips hugging the now soaked panties. It has your hips stirring in their spot, the flame in your stomach burning your liquid feeling stomach. “Ellie,” you sigh again.

Finally her gaze looks up, “Yea?” she asks, her voice softening. You can see the flash of confusion, her hand falling from your thigh as she searched for any apprehension. “You ok?”

“I can’t—“ your voice comes out whinier than you would like to admit, harsh against your ears with a feeling of embarrassment. “Can’t say it,” you finish, eyes moving to the camera sitting on the small wooden table beside you for the umpteenth time.

Ellie follows your eyes, and when you look back to her, there’s a flash of surprise in the shade of green you loved so much. It was replaced quickly, her eyelids drooping as her chin tilted up. “Hm. Don’t know what you mean,” she shrugs, fingers going back to teasing your panty line.

Her tone is laced with sarcasm, the teasing tilt to it is a voice you had heard many times before, many times in this exact position. Ellie liked to make you say things, liked to watch you squirm. You were convinced at this point she got off on your embarrassment, and she probably wouldn’t even deny that.

“Gonna have to spell it out for me, babe,” Ellie added, dipping down to place soft kisses at your hip-bone, pink muscle licking over a mark there.

A low and annoyed sound escapes your throat, and your girlfriend chuckles against your flesh, one finger curling around the fabric of your panties, tugging it down a little ungracefully, your shaking thighs to thank for that.

“Barely even touched you yet and you’re shakin,” Ellie teases again, whispering softly, “Such a pretty pussy..” as the sight of your weepy folds meet her eyes. “This all for me, baby? Or somethin’ else on your mind?”

Your eyes squeeze shut again, hoping to rid your mind of the film reel like thoughts of the camera pressed in Ellie’s hand as she did this. They played over and over behind the black of your eyes, and another frustrated sound fills the garage.

“Not gonna answer?” Ellie was quieter now, repositioning herself, parting your thighs even more. A finger ghosted over your dripping cunt, a hum following the action. “Can’t make you feel better if you don’t use your words, y’know?”

The warm air hit your folds as Ellie exposed you more, thighs burning from the stretch, from the tight grip of one of her hands, fingers digging into and squeezing the fatty flesh.

The blanket beneath your bare ass is no comfort as you move around, and Ellie’s nose bumps against the softness of your thigh. So close, so fucking close to giving exactly what you were searching for, so close to your aching center that your resolve cracks lightly, head tilted back and against the pillow.

“The camera,” you croak, your mouth dry as your lips part, refusing to look at the other girl.

“What about the camera? Look at me and tell me what you want.”

The crease between your eyebrows likely was gaining small droplets of sweat just from how hard you were attempting to avoid this entire fucking conversation, but Ellie kept pressing you further, and who were you to deny her?

“Wanna film this,” you eventually admit, head dipping down to meet her darkened eyes.

“Yea baby? Wanna see what a mess I can make you?” Ellie’s words start to blur together, the idea surely muddling any coherent thoughts together in her mind, licking her lips as she awaits your response.

“Fuck— mmph, yes El. Please.*”

Ellie’s lips curl into a smile that’s more wicked than loving, “Red button starts it, you can hold it.” She instructed, and you scramble to reach your arm out, grasping at the little hand strap connected to the camcorder.

“There you go babe,” she nods, “give it a go, let me see what you’ve got.”

Your fingers are shaking so badly it takes a moment for your thumb to hit the button, to see the soft little red light noting the start of the film.

The grainy screen doesn’t pick up on all the freckles adorning Ellie’s face. The ones that made you feel all gooey, that you wanted to kiss until her face was a pretty shade of red. But it did capture her parted lips, the expanse of your thighs, and your shaky grip tilted the camera down as Ellie’s head dipped between your thighs.

Her mouth latched to your achy cunt, tongue licking up the drops of arousal that covered your slit, pearling on the petal like lips that she spreads with her fingers.

Your arms almost immediately gave out.

Clearly, you were not as skilled in the art of film making as Ellie had been, the camera dropping almost completely to your tummy as Ellie sucked at your cunt. Her eyes flicked up, and she unlatched from the saccharine slick that pooled on her tongue.

“You keep that camera steady,” she muttered, thumb rubbing tiny, tight circles on your throbbing clit. “Or I stop, yea?”

You nod quickly, hips grinding into the slow and steady motion of her thumb, wet with your sticky . You would have agreed to anything she demanded of you right now anyway. Too needy, too desperate to feel her lips on you again.

“ ‘M counting on you to make a pretty movie for me.”

The sentence tapers off as she disappears to the space between your thighs again, and you nearly and truly sob as her nose bumps your clit, her tongue poking experimentally against your hole, feeling as it clenches against nothing.

You know your whimpers and quick little puffs of air are being picked up by the camera, but you’re too focused on keeping the lense directly focused on the auburn tendrils of hair, on where her face was covered by your thighs caging her cheeks in, keeping her in the place she most needed to be, drinking down every single single drop you gave her.

“Ellie,” you whine, toes curling when she presses away from your clit, two long fingers coming to part your folds, admiring the sticky sight.

“Shhh,” Ellie coos, eyes glancing up at the camera again, the burning sight of her fern colored gaze through the tiny screen has your stomach clenching even harsher, hands trembling lightly.

The air on your exposed center lasts no longer than a few seconds, Ellie’s head dipping down as the warm, wet feeling of a glob of her spit trails down your clit, finding your pulsing hole. Her tongue swipes it quickly after, suckling gently at the shiny bubbles. The sound that follows, the loud wet squelch of your wetness mixing with her spit is enough to make you want to cover the speaker of the camcorder, fingers gripping tightly at the little contraption. She focuses on licking at your sopping cunt, her head moving slightly, moaning against your folds.

“Oh—nnh—El!” you cry, your chin trembling in tandem with the hand you try desperately to keep still. Your hips rut up, and Ellie’s face moves up with you, an arm detaching from its place on your squishy thigh to instead wrap around your waist, pulling you closer. Impossibly closer.

You can feel yourself closer, closer to that delicious peak, Ellie’s nose bumping your clit, tongue working mind numbing ministrations on you.

Then she pulls back.

“Fuckin made for me,” Ellie groans, taking a deep breath as she unlatched from your pussy, her fingers sweeping through your puffy lips. “Was fuckin’ made to let me taste you.” Her eyes flick to the camera, her tone louder than usual— a little less breathy. She wanted the microphone to hear.

You cry pathetically at the loss of her tongue, lip quivering.

“Tell me,” she demands, voice overpowering the slick noises of her now shiny fingers rubbing between your folds, the tips pausing at your pulsing hole, dipping only a little in, teasing. “Tell me this pretty pussy was made for me.”

And then Ellie is reaching forward, letting go of her grip on your hips to grab harshly at the camera, maneuvering it to show your trembling body, her fingers pressing open your lips, giving the camera a pretty close up of your soaked cunt. She croons at the sight, her fingers pressing together to land a short and sharp slap against the swollen lips. “S’pretty.”

“Ellie,” you choke, chest heaving up and down as the embarrassment creeps up, making that coil in your tummy even tighter.

“Tell me,” she says again, smoothly.

Desperate to have her fingers opening you up, to have her filling you and breaking that tightly wrapped tension in your groin, you break.

“I’m yours el. ‘m all yours, was made for you,” your voice is restrained, quiet as you chew at your lips, stirring in your spot as she continues the teasing.

“What else? Tell me more, baby,” she insists, one long finger sinking into you, hissing at the feeling of your cunt molding to her, perfect for her as you clench.

“A—ah!” your voice is a sweet little cry. You grind down into the feeling, searching for more. “It’s yours El,” you babble— louder now, head thrown back. Ellie captured the moment with a quick tilt up of the camera. “M-my pussy s’all yours.”

“Fuck,” Ellie breathes, her own, usually steady camera hand, wavering as you speak. She grants you with another finger as she thrusts harshly into you, a shriek pulled from your open mouth.

“So—s-so fucking perfect,” she grunts, curling her fingers gently, hitting that squishy spot in your walls that has you keening, eyes rolling back. “Love this pussy so much, shit—shit, love you so much.”

“Love you too El,” you blubber, your chin tilting down to stare directly at the camera for a second. That awkwardness, the fear from the early days of when she’d film you completely gone as you moan pathetically, eyes shiny with complete and utter adoration.

She only pistons her fingers into you harder, faster, relishing in how you moan, how your toes curl and your chin wobbles. You’re the prettiest fucking thing she’s ever seen.

The camera points down to where she’s thrusting into you, watching through the screen as you meet her thrusts, your hips moving against the grey sheets, your thighs squeezing her hand in between them as you sob out.

Ellie meets your eyes, stealing your attention from the camera she keeps focused on your squirming frame, pounding her fingers into your cunt. “Cum for me, you can do it baby, go on. Give me a pretty show.”

And you do. Your sweaty back lifts off the bed with a sharp sob as the cord in your tummy snaps, gushing around Ellie’s fingers, pulsing around her as she thrusts shallowly, riding you through it.

Your vision goes black for a second as you heave, hands shaking as you reach out for Ellie, fingers looking to curl around her warm skin.

You don’t even notice the off click of the camera, of how she lets it softly drop to the side as she climbs up your shaky form, pressing a sweet kiss to your cheek.

“So pretty,” Ellie hums, “Prettiest movie star ever,” she mumbled, and you pour your lips— getting another soft kiss as she continues to plant tiny loving pecks around your face.

“Never should’ve let you keep that camera,” you whisper gently, smiling right when she does against the corner of your mouth that she pecks at.

“Yea fuckin’ right, we just made the movie of the year babe.”

#ellie williams #ellie williams x reader #ellie williams x y/n #ellie williams x you #ellie williams x f!reader #ellie williams x female reader #ellie williams fanfic #ellie williams fic #ellie williams smut #ellie williams fluff

3K notes · View notes