#the symbolism of chord progressions and everything | Explore Tumblr Posts and Blogs

tangerinestilettos · 1 year

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This song is inspired by @mcelhenneyarms 's post. Go read it, it's such a beautiful insight on Dennis' feelings and I felt extremely inspired to write a song about it. So here it is and it's called On Repeat, made by (as previously intended) me. I really hope you'll enjoy this song!

The song is played on an acoustic steel-stringed guitar and doesn't have any other sort of production to it; it's me singing and it's me playing the guitar, simple as that. This, as well as the fact that you can "hear the strings getting played" creates a very raw feeling to it, which I deemed very fitting for the topic. And while I didn't add anything else than that to the recording the dynamic is still purposely changing between every part; in the way I play the guitar and in the way I sing.

It's entirely controlled by feelings, which I hope is evident in the song; the dynamic is closely connected to every feel of the words and to the feel of every line.

The song is in E major and the chord progression is quite easy; it switches between the first chord of the scale (E in this case), to the fourth chord of the scale (A in this case) and back to the first chord.

This progression was inspired by the chord progression in Saturdays by Louis Tomlinson, a very lyrically strong song as well as really cool dynamics.

The song ends on an A major, the fourth chord of the scale, which leaves the ending feeling "unfulfilled" in a way because it doesn't end "at home", which would be an E in this case (the first chord of the scale). I did this intentionally because the lyrics at the end go "now press the button, play it on repeat", which is both a reference to the start of the song when a movie is playing on repeat as well as a symbol for the end of the post that inspired this song, when it's mentioned that these things that happen are reoccurring. This also fits well with the phrase "on repeat", because it feels like the song "should" continue after the chord.

It's not the most "unstable" chord of the scale (which would be the fifth chord, in this case a B, because this chord really "wants to" lead back to the first chord, an E in this case, and usually doesn't stand on its own in that way) but it's not the first chord, so while it's not extremely unstable it's still some sort of longing for a continuation, hence, it playing on repeat.

I also want to say that even though the song is done now, there might (as per usual) be a few changes here and there as I continue to play the song and as the melody becomes more certain and the lyrics too. But this is one version of the song. (This means that I might update it as everything grows even more solid.)

Anyway, I believe that was what I wanted to say theory-wise, so here are the lyrics of the song and the recording is at the top of the post. Once again, enjoy!

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On Repeat

It's another highschool night of another basement Another time watching the sky turn blue The movie's been hit, once again, on replay And I'm crammed on a couch between you two

The guy on my right never knew his dad His mother's affectionate but most likely sad From his uncle he should stay away Never says a word about it, but I relate anyway

Others call him names and force him to eat spiders I still laugh at the punchline made of his name But I know him as the guy who’s gone through it all We’re the same, in a way

The guy on my left is dealing drugs His mom only speaks through frowns and grunts But he makes himself heard through breaking things Making people sure of what’s happening

A framed photo is placed in the hallway With his dad and his mom who had a smile on her face He tells me his father’s in prison But it’s alright ‘cause there’s love left in their family anyway

I call him annoying every day That I hate him over and over again But I know him as the guy who feels too much but still acts brave We’re the same, in a way

It’s the summer after high school when I was almost sure that I loved them But I’m heading off to college now Don’t wanna leave you two behind

The light catches in streaks on dirty windows Blurs the colors just like tears I’m not even sure that I'm crying Think there’s nothing left in me

So I try to make it up For all the days we’d spend together But it ends with nights in tears And lonely thoughts that last forever

Why couldn’t I have fun without them? Through hazy nights that have been laced with something But twenty girls can’t make up For the lack of two guys who took my heart

And it’s waking up the dormant feelings With nightmare-like thrashing and screaming And twenty girls but just one guy Is enough for me to make me cry

It’s the break between semesters and I’m finally back at home again And they’re hugging me But I just feel sick

But I stuff it down enough for them A make-believe façade because They’d call it something stupid, just like guilt

We decide to buy a bar together I drop out of college for the better Making plans to move in with the guy on my left To finally move out of my parents’ house And hope to never see my dad again

It’s decades later but now I’m watching everything fall somehow The ones I trusted all the time Stole everything that was supposed to be mine

The guy on my right is my father’s favorite They spend every waking minute together But when he finally finds his real dad My own asks me to get his favorite back

And in the grand scheme of things When the guy on my left struggled with his identity His own dad leaves but mine stays right there Has a breakthrough and now he understands

Despite the shit he did to me Blaming me excessively Thin-veiled comments about my style Or makeup and clothes and all that kind

He accepts him for who he is, but never me Wasn’t there to watch it happen But now it doesn’t fucking matter Because he never cared, not about anything

Left me out to dry when I needed him the most When I wasn’t useful anymore he ditched me, but at what cost? Berated, terrorized and emotionally neglected me Don’t you dare to do it anymore

And so the movie ends The story finishes Now press the button, play it on repeat

#dennis reynolds #it's always sunny in philadelphia #iasip #mac mcdonald #charlie kelly #iasip dennis #iasip charlie #iasip mac #original song #frank reynolds

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sitaramasilamani · 1 month

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Expressing Yourself: Finding Your Voice Through Songwriting as a Beginner with Sitara

Songwriting is a powerful form of artistic expression that allows individuals to convey their thoughts, emotions, and experiences through music and lyrics. While the process of writing a song may seem daunting to beginners, it offers an opportunity for self-discovery, creativity, and personal growth. In this blog, we will explore songwriting ideas and techniques for beginners, offering practical tips and inspiration for finding your voice and expressing yourself through music.

Tap into Your Emotions

One of the most effective ways to start writing songs as a beginner is to tap into your emotions and personal experiences. Think about moments in your life that have made you feel joy, sadness, love, or anger, and use those emotions as inspiration for your lyrics. Write from the heart and be honest with yourself about what you're feeling. Don't be afraid to be vulnerable or raw in your writing – authenticity is key to connecting with your audience.

Allow yourself to explore a range of emotions as emphasized by professionals such as Sitara, from the highs of happiness to the lows of heartbreak. Each emotion holds its own power and can serve as a catalyst for creative expression. Remember, there are no right or wrong feelings when it comes to songwriting; what matters most is your ability to convey them authentically through your music.

Experiment with Melodies and Chords

As a beginner songwriter, it's essential to experiment with different melodies and chord progressions to find what resonates with you. Start by playing around with simple chord structures on your instrument of choice – whether it's a guitar, piano, or ukulele. Don't worry about making everything perfect right away; the goal is to let your creativity flow and see where it takes you. Try out different rhythms, tempos, and styles as emphasized by professionals such as Sitara, until you find a sound that feels right for you.

Don't be afraid to step outside your comfort zone and try new things. Play around with unconventional chord progressions or experiment with alternative tunings to discover unique sounds and textures. Remember, the beauty of songwriting lies in its endless possibilities – embrace the freedom to explore and innovate as you develop your own musical style.

Find Inspiration in Everyday Life

Inspiration for songwriting can come from anywhere – a conversation with a friend, a walk in nature, or even a fleeting thought that crosses your mind. Pay attention to the world around you and the moments that stir something inside you. Keep a journal or voice recorder handy to capture ideas as they come to you, and don't be afraid to draw from your own life experiences when writing lyrics. Remember, the most compelling songs often come from the most ordinary moments. Sitara Masilamani

Take time to observe the world with curiosity and wonder. Notice the small details – the way sunlight filters through the leaves or the sound of rain tapping against the window – and let them inspire you. Every experience, no matter how mundane, has the potential to spark creativity and ignite your imagination. Trust in your ability to find beauty and meaning in the world around you, and let it infuse your songwriting with depth and authenticity.

Use Imagery and Metaphor

Adding imagery and metaphor to your lyrics can elevate your songwriting and make your songs more engaging for listeners. Instead of stating things directly, try painting a picture with your words and evoking emotions through vivid imagery. Use metaphor and symbolism to convey complex ideas in a simple and relatable way. Play with language and experiment with different word choices until you find the perfect combination that resonates with your message.

Allow your imagination to run wild as you explore different ways of expressing yourself through metaphor and symbolism. Draw inspiration from literature, art, and the world around you to create rich and evocative imagery that brings your lyrics to life. Don't be afraid to take risks as emphasized by professionals such as Sitara and push the boundaries of traditional songwriting – the more creative and original your imagery, the more memorable and impactful your songs will be.

Collaborate with Others

Collaborating with other musicians and songwriters can be an invaluable learning experience for beginners. Working with others allows you to bounce ideas off one another, gain new perspectives, and learn from each other's strengths and weaknesses. Don't be afraid to reach out to fellow musicians in your community or online forums and explore opportunities for collaboration. Whether it's writing lyrics, composing melodies, or arranging instrumentation, collaborating with others can help you grow as a songwriter and expand your creative horizons.

Embrace the opportunity to collaborate with musicians who share your passion for music and creativity. Be open to feedback and constructive criticism, and approach collaboration as a chance to learn and grow as an artist. Remember, the most powerful songs often emerge from the synergy of diverse perspectives and talents. By working together with others as guided by professionals such as Sitara, you can create music that transcends individual limitations and resonates with audiences on a deeper level.

Embrace the Process

Above all, remember that songwriting is a journey, not a destination. Embrace the process of exploration, experimentation, and self-discovery as you navigate the world of songwriting as a beginner. Be patient with yourself as emphasized by professionals such as Sitara and allow yourself the freedom to make mistakes and learn from them. Celebrate your successes, no matter how small, and keep pushing yourself to grow and evolve as a songwriter. With dedication, perseverance, and a willingness to express yourself authentically, you'll find your voice and create music that resonates with others.

Trust in your creative instincts and believe in the power of your unique voice. Remember that every song you write is an opportunity to learn, grow, and refine your craft. Don't be discouraged by setbacks or challenges – embrace them as opportunities for growth and self-improvement. Stay true to yourself and your artistic vision, and never lose sight of the joy and fulfillment that songwriting brings. With time, patience, and perseverance, you'll unlock your full potential as a songwriter and create music that reflects your innermost thoughts, feelings, and experiences.

#sitara

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ubaid214 · 1 year

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Singing for All Ages: Tailored Classes for Different Generations

From Beginning to Pro: What You'll Learn through a Comprehensive Learning Curriculum

Are you seeking to elevate your music into the higher levels? No matter if you're just beginning or an experienced musician, taking an extensive music class might be the ideal solution. From learning foundational theories and techniques to mastering more advanced concepts, these programs are designed to equip students with everything they require to become professional musicians. In this blog post, we'll explore what you can expect from a complete music education program and the ways it can help take your craft to new heights. Take your instrument and let's start!

Introduction to the theory of music Theory

If you do not have any previous knowledge about music, a full course in music will teach you the very basics of music theory. This includes an introduction to sheet music reading, understanding rhythm, and basic melody composition.

As you move on from beginner to professional The focus of your lessons in music theory will shift towards more complicated concepts. You'll be taught about counterpoint, harmony and orchestration. If you're interested in learning how to make and mix electronic music, you'll be studying topics like audio design and synthesis.

When you complete a extensive music school curriculum, you should have a strong base in all aspects that pertain to music theory. This knowledge will be invaluable in your future endeavors as a musician!

Understanding Music Notation

The most important aspects you'll be taught in a comprehensive music class curriculum is how to comprehend and read music notation. Music notation is a collection of symbols that musicians use to communicate with one another. It's like a musical language and once you've mastered how to read it, you'll soon be proficient in communicating with musicians all over the world.

Music notation may seem daunting at first. However, it's not really that difficult. There are three elements you must know: what the symbols represent, how notes are arranged on a page, and also how the rhythm of the music is portrayed. Once you've grasped these three concepts it will be easier to comprehend any piece of music notation.

The first thing you need to be aware of is what symbols mean. The most fundamental icon is that of the notehead which signifies the pitch. The higher up the note head is located on the page the more pitched it will be. Other popular symbols include rests (which signal silence) also accidentals (which modify pitch) and articulated notes (which represent how a particular note should play).

You must also comprehend how notes are laid out to be displayed on the paper. Notes are typically written on a five-line staff (or stave). The spaces and lines between them represent different pitch; for instance, the space between the bottom two lines is C4 (middle C), while the line above that represents D4. Notes may also be written below or above the staff. These are referred to as ledger lines.

Training and developing musical skills

A major and important aspect of becoming a professional musician is acquiring musical skills. These skills comprise things such as hearing training, sight-reading and understanding music theory.

The majority of comprehensive music classes begin with the basics of these principles and gradually expand on that base. As your progress increases, you'll learn additional advanced methods and how to apply them in your playing.

Training your ears may be the most important skill for an artist to develop. It allows you to recognize intervals, pitches and chord progressions by ear. This is a fundamental skill for any musician since it lets you compose and play with your own music

Sight-reading is yet another essential musician's skill. It is the ability to read and play music from a score written down. This is an essential ability for musicians in orchestras and other ensembles, and soloists who can sight-read their own accompaniments.

This is the study of the ways in which music operates. It covers topics like harmony, melody, rhythm, and form. Understanding music theory will help you better comprehend that music playing, and also provide tools you need to write your own songs.

In the process of building an Repertoire of Songs or Pieces

One of the most crucial things you'll learn in a thorough music class is the way to develop the ability to play a variety of songs and pieces. It is crucial for professional and amateur musicians alike. There are various methods to accomplish that, as well as your instructor will likely have their own preferences. But, some guidelines include:

Discovering songs or music that you love that you want to study. This could range from your favorite pop songs to classical masterpieces

Breaking the song or piece into manageable parts. This will enable you to master faster and more efficiently.

Regularly practicing, even if it's just for only a few minutes at time. Continuous practice is the key to learning anything new.

It is important to seek feedback from your instructor or other experienced musicians. This will help you determine any areas that require improvement.

If you're patient and persistent In time, you'll build up an impressive repertoire that you are proud of.

Training for the ear and performance techniques

In a full music class program, ear training, and the art of performing will be one of the most crucial topics to be discussed. The importance of ear training is in all music students, as it helps develop pitch recognition and relative the ability to recognize pitch. The techniques for performing are also important in helping musicians develop the ability to play in a manner that is correct, control their tone and the stage fear.

The Art of Learning Different Musical Instruments

One of the benefits when you take a complete classes in music is that students have the chance to learn a variety of different musical instruments. This is an excellent method to determine an instrument that's suitable for you or simply expand your musical options.

Some of the most popular instruments that you can study in a music class are:

Piano Instruments: The piano is versatile instrument that can be used to play both in a group and solo playing. It is taught how to read music and play a range of music on the piano.

Guitar Guitar preferred choice for students of music. You will learn how to hold and tune the instrument, and the basics of chords and melodies.

Voice: In addition to learning in playing an instrument you'll also have the chance to improve your vocal abilities in an instrumental class. You will be taught proper breath control and diction, as well in how to create an accurate tone

Solo and Group Performances

Most music classes will have a focus on both solo and group performances. Group performances are a great method to master how to collaborate with other musicians and to develop your group capabilities. Solo performances give you the opportunity to show off your individual skills and musicality.

In a group environment where you'll learn to follow the leader's instructions, listen to the other musicians as well as play your part but still be aware of the sound. This is a critical skill for any musician, as it's usually necessary to be able to work effectively with others to gain gigs. You'll likely also have the opportunity to perform solos in a group, which can help you improve your improvisational skills

Solo performances can be a great opportunity to show off your skills as musicians. It can be a bit nerve-wracking, but they're also a great way to build confidence. If you're aiming to pursue a career in music It's vital to feel at ease performing solo. In a solo show, you'll need to keep your audience's attention and keep them captivated by your music Beginning Piano Lessons Westlake Village CA

Conclusion

Classes in music offer a vast course that will allow you to become a more well-rounded musician. From learning about music theory and history, to understanding the techniques of composition and improvisation to gaining a solid understanding of different instruments, these classes will help any beginner to advanced professional improve their skills and knowledge. Wherever you are on your musical journey, attending a thorough music class is the first step to becoming a great musician.

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loveofthegamemusic · 1 year

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Broody, sad, delicious: Your Anxiety Buddy covers Chamber of Reflection

You swipe up. On your algorithmically curated stream of content, you find yourself looking at slideshow after slideshow of historical images, then and nows of American architecture and society, and a stream of photos and ads that evoke 90s childhood nostalgia. You hear the heavy piano: Am7, Bm7, Cmaj7, Bm7.

You think, “That’s kind of familiar, could it be?”

The singer, voice simultaneously bold and feathery, lets out the first line: “Spend some time away” - and yes! This is totally a cover of Mac DeMarco’s “Chamber of Reflection.” I spent many nights as a 20 year old laying in bed listening to the original version of this song which is mellow, synthy, and easy to zone out to. Given a renewed life by UK artist Your Anxiety Buddy, this cover is dark, brooding, mysterious, and the ultimate testament to loneliness and introspection.

Your Anxiety Buddy is intentionally enigmatic. The artist dons a mask symbolizing the “randomness of life”, etched with drawn-on cracks colored in gold to emulate the practice of kintsugi, using the power of anonymity to turn anxiety into his own power. His voice parallels this, breathy and fragile one moment while powerful at others, meshing effortlessly as he navigates the ups and downs of the song. This rendition of Chamber of Reflection shies away from the synthy Shigeo Sekito-sampled melody of the original and instead adapts the bassline, which becomes a rich, morose chord progression.

While unclear whether he's signed or is under their management, Your Anxiety Buddy seems to be newly associated with mysterious Warner partner label The System. He continues to frequently post covers on TikTok at the request of his comments section, with followers asking for covers of everything from Queen to DeVotchKa. While I find the Freddie Mercury comparisons unfair (who would ever want to be held to that standard?), it’s undeniable that Your Anxiety Buddy pursues a vocal tone that you don’t see too much of these days. I say this as least cynically as possible: It’s refreshing to hear depth again.

The artist’s viral live cover of Chamber of Reflection continues to be a hit on Spotify and various social media platforms, and a proper recording has recently been released. I look forward to his future releases with (or without) his label - a comment on one of his videos asked him about his future plans, to which he replied, “Wherever the wind takes me.”

#review #your anxiety buddy #tiktok #tiktok artist

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sibelius-crack-o3 · 2 years

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Download Sibelius crack (keygen) latest version S4OS*

💾 ►►► DOWNLOAD FILE 🔥🔥🔥 Direct Download Link Avid Sibelius Ultimate Crack is a powerful music notation software that comes with two accompaniment apps that allow you to convert recorded, played, printed, and handwritten music into sheet music. In addition, it offers many new enhancements to improve the efficiency of your composition, arrangement, and music recording. For this reason, the editor has prepared a cracked version. Avid Sibelius Ultimate is a music score creation software that can use software technology to help you design music scores, and print them after the design, allowing you to quickly generate scores when editing songs. The tutorial is as follows. Users who need it can quickly download it! Avid Sibelius Ultimate From interface improvements that are consistent with the native Mac and Windows OS experience to better user interaction, faster performance. Download Pixologic ZBrush Crack. The wonderful development to come has laid the foundation. Avid Sibelius Ultimate Free Download is a music score creation software. It can use software technology to help you design a score, and print it after the design. This program allows you to quickly generate a score when editing a song. Everyone knows the workflow that needs to be performed to create a song There are a lot of songs. This program supports high-resolution monitors and screen readers. Avid Sibelius Ultimate provides a scoring template, directly edits notes and beats, and also provides lyrics editing. You need to write lyrics, compose music, and record songs. Each step takes a long time. Now, song creation is basically done on the computer. For example, you can use the Avid Sibelius Ultimate makes music scores. There are many functions, and friends who need it can download and use it! If this happens, try setting the paper and desktop colors, then quit and start Sibelius again Percussion score step or Flexi-time input translates the notes you enter into different pitches and noteheads on the staff. Set the location to Drum map for instruments, MIDI devices Add chord symbols This plug-in inserts chord symbols by analyzing the notes on your selected staff. Download the installation package, unzip and run the installation, and select the language Simplified English Click Next Check I accept the license agreement Select the software installation location, click Change to change the installation path by yourself Select the start menu folder, the default is OK When everything is ready, click Install The installation is in progress, please be patient for a while If the installation is successful, click Finish to exit the installation wizard Remember not to run the software, Copy the crack patch and ISSetupPrerequisites folder in the Crack folder to the software installation directory After running the software, it can be used for free, remember not to update.

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chiefstarlighttaco · 2 years

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Forever my Home Analysis

Within the song, the overall aesthetic we were going for was a mellow, soft indie pop sound. Using techniques such as repetition in the lyrics and melody meant that it had a more pop sound, but the lead rhythm guitar gave it more of an indie feel. Alongside this, the same two chord progressions were used throughout the song, giving it more repetition. The song ‘Sleepwalk’ by Deaftones includes some of the same sounds as Forever My Home. Along with ‘Cornerstone’ by Arctic Monkeys. The audio FXs and scale used in that song is similar to the one used within Forever My Home. All the recordings were done in Studio 1 in the University, whether it be in the live room or within the studio itself through an interface. Logic Pro was used within the studio to capture the recordings, as well as to mix the tracks.

When it came to recording the bass, we recorded it straight into the desk in studio 1 using the interface. We found a bass sound through the pre-amps on logic that we already liked compared to the amps we had available within the studio at the time and felt it fit better with the song’s mood. The pre-amp we used was a Bass amp modular. The tone we managed to capture was simple but effective and fit well within the song.

The minimal synths we added were originally not what we had in mind, but I personally think it brought the song together and added something extra that the song was missing. This was also done within the studio after we had recorded everything else.

Recording the guitar was a case of trial and error. We experimented with various mics and placements to try to achieve the soft, warm tone we were looking for. We ended up choosing the Shure SM58 and placed it in the middle of the left cone within the AC model VOX amp. We chose this as it was the microphone that gave the best sound that fit the tone we had in mind. The guitar used was a Mexican Fender Telecaster and when recording, we used the neck pickup. On the amp, we had the mids and bass turned down slightly compared to the treble. There was also no reverb on the amp when recording. This was added after when mixing.

Vocals were done in one take. We used the Shure SM7B as we found it suited George’s voice best as it has a wide frequency range compared to other mics we used. Meaning that it could pick up a lower male voice like George’s. Harmonies were also recorded for the chorus using the same mic. The style that George was aiming for within the vocals was similar to that of Chris Martin during Coldplay’s debut album, Parachutes.

We went all out for the drums, using 10 individual mics. As we were all so enthusiastic to experiment with a range of different drum mic positions, and we found that we preferred using the spot micing technique. Along with the cardioid pickup pattern for the overheads. The mics we used consisted of an ‘Audix D6’ for the kick in and a ‘beta 52a’ for the kick out. For the snare we used a shure 57 and a shure 58a for the bottom snare. We used the Sennheiser MD 241ii for the floor and mounted toms, as we knew it has clear sound reproduction and reliable bass control that we used to our advantage. With the hi-hat we made use of an Rode NT5 . Lastly we included an AKG C414 XLS multipattern condenser mic for the overheads in cardioid pickup pattern to get an all around sound for the symbols and the kit as a whole.

After recording was finished, I started mixing the track on logic, I started with the main rhythm guitar adding some dry reverb, delay and chorus. I felt this really complemented the songs setting and overall feel. I added a similar effect to the lead guitar riff in the chorus, as well as adding slight overdrive to give it a bit of a punch. We had an additional lead guitar that plays discreetly throughout the tracks. I didn’t add much to these quiet but fundamental licks, other than a slight reverb and delay. Equing and compressing didn’t take long as the track itself was recorded to a high standard and personally I didn’t think it was necessary to add too much of anything to the guitars. I mainly used the Vintage VCA Compressor that is pre built into logic pro to compress the guitar to really achieve a nice, mellow sound. I made sure to add a bass boost eq for the bass guitar as well as using a compressor to get the bass guitar to sound like it was recorded from a real bass amp.

As we had different mic channels for each individual drum, we could then utilize that to our advantage during the mixing as it gave us the option to mix each drum separately, leading to a great balanced drum that was sonically pleasing to the ears. Finally, I ended the mix with the vocals. Adding a hint of reverb to the main vocals and a minimal amount of delay brings everything together as it achieves a very ‘live’ element which makes the track feel homely and authentic.

My experience being a part of the recording of this piece taught me a lot and has really expanded my knowledge and understanding with using different mics and techniques when in the studio, recording and mixing different instruments. Not only did I learn a lot, I also really enjoyed the making of it as well as enjoying the song a lot itself.

#md4315 #songmakingandproduction

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leggerefiore · 2 years

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Masters has informed us Emmet likes Piers singing/music and now I have to know what're the twins preferences to music I want to know who I'm holding and swaying with and who I'm singing obnoxiously with

anon you're about to be disappointed with my dad rock collection.

hey I made playlists for them too (ingo and emmet)

▲Ingo▼

● Jazzy kind of guy, he likes music he can unwind and relax to. Plus, they are often romance songs. People walk by his office, hearing John Coltrane, Frank Sinatra, Etta James, and Billie Holiday regularly. (Alongside later groups as the Pat Methany Group, Weather Report and Return to Forever and maybe Bob James, too.) It puts his worried mind at ease and lets him work at a more reasonable pace. (His father often left old jazz vinyls around, which intrigued the young boy. Many hours were spent doing homework, listening to jazz classics from a dated record player his father dug out of their attic for them.)

● Softer progressive rock groups like The Mood Blues, Yes, Emerson, Lake and Palmer and certain Pink Floyd tracks are things he enjoys as well. It was something he listened to in his early twenties as he worked through paper after paper to help mellow him out and keep his wandering mind occupied. He went through many different albums as his four years came and went. Regularly, he'll still turn them on at home to just sit and enjoy them. (Has sat in a relaxing bath for the length of In Search Of the Lost Chord.)

● He also likes some classic rock groups like The Doors, the Beatles, Fleetwood Mac, and Steely Dan. Naturally, some of these were things he listened to his parents play when he was younger, but later revisited them as an adult with fresh eyes. He enjoys their more easy-going tracks, but if he needs to burn some energy, he'll listen to higher energy tracks.

● Will never admit it but during his awkward emo phase he 100% listened to My Chemical Romance, Fall Out Boy, Panic! At the Disco, Linkin Park, and Evanescence. He revisits them sparingly, but never in public. His teenage trauma must be handled alone. (Emmet is not allowed to see either.)

● Overall, Ingo leans toward calmer, relaxing songs. His stress gets to him, and he doesn't have a lot of energy to exude. He quite enjoys acoustic tracks as well. Classic love songs have a special place in his heart. (He would attempt to croon a song for his partner if they wanted. Ingo was a beautiful singing voice, as it turns out.)

▽Emmet△

○ He is an anomaly with his music taste. The twin doesn't settle easy. He leans more into upbeat, higher energy tracks that help keep him moving at a fast pace. Genre doesn't matter, Emmet needs to be able to move to it.

○ That isn't to say he doesn't have favourites. I think he likes Funk and Disco, as they tend to be a perfect pace for him. People catch him with an ear bud in his ear, tuning out the station noise as he hustles to wherever he is needed listening to KC and the Sunshine Band, Earth, Wind and Fire, Jamiroquai, and the Gap Band. He hums lightly to himself, usually. (His mom used to play everything but Jamiroquai for him when he was younger to expend some of his youthful energy. He appreciates her introduction to some of his favourite genres.)

○ Also likes Art Rock and New Wave, strangely. Despite the pain it has caused him, he deeply enjoys Talking Heads alongside Oingo Boingo, Devo, and the Cars. He discovered them during a much-needed break from the radio droning top-fifty-whatevers into a new sound. Their weirdness (well, except the Cars) spoke to him in a sort of quirky way. People look at him like he's insane whenever he plays them because they have a certain sound that is hard to love on first listen. Emmet does not care; he loves them.

○ He also loves Prince, but this is something he never mentions. One day, you just sit near him and hearing P. Control blasting from his earbuds and wonder if the man has ever said the word pussy in his life. It's a mystery how Emmet discovered [Love Symbol]. (He also likes quite a few pop songs, luckily, so he's not entirely unreachable. Usually, they're love songs, however.)

○ Had a terrible weeb phase, which led to him listening to nothing that music for a while. Teddyloid, Perfume, Fake Type, poor guy was all over the place, desperate to fill the niche hole with anything. Emmet still has them in circulation, but never talks about them. (Of course, this includes all the JoJo OPs. He loves Crazy Noisy Bizarre Town the most.)

#pokemon ingo #pokemon emmet #subway boss ingo #subway boss emmet #ingo.ima #emmet.ima #not me projecting my urge to walk around listening to music onto a fictional train man...#i am once again apologising for my lack of modern music

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writeyouin · 3 years

Text

TFP Reader Insert – The Future (COMMISSION)

Word Count – 2101

Request – Optimus Prime notices that the reader isn’t acting like herself. She has lost interest in her friends and hobbies, and is generally having a hard time. When Optimus talks to her about it, she comes clean about everything that she has been going through.

A/N – Hi, I hope this is the story that you wanted, thank you very much for commissioning me.

Warnings – Some Angst.

Rating – T

Loud music blasted through the Autobot base as Miko wailed along to her electric guitar, upon which she played a metal song of her own composition. Raf had somehow tuned her out, focusing on his laptop, and Jack was busy with Arcee, not caring about the noise surrounding him. The only one that seemed bothered by the supposed music was Ratchet, who had little patience for Miko’s vivacious ways.

“MIKO!” He finally exploded, turning away from his work console and pointing an accusatory finger at her, “STOP THAT RACKET IMMEDIATELY!”

Miko stopped playing, retorting cockily, “Relax, old man. Nobody else has a problem with my music.”

“That noise is not music, and some of us are trying to work here.”

“Raf didn’t seem to mind. He was working just fine,” Miko grinned, annoying the old doc-bot further. “Besides, can’t you like turn your hearing off?”

“This is an Autobot base, young human, and I happen to be an Autobot. Therefore, what I say goes.”

Miko shook her head, challenging the old mech, “Only humans have authority over me.”

“And mostly not even them,” Bulkhead chipped in, waking up from his time in one of the stasis pods.

“Yeah,” Miko cheered. “This guy gets it.”

Miko was about to give up the argument to attempt sparring with Bulkhead but Ratchet was not willing to let the quarrel go.

Although you had been sat quietly in the corner, sketching Optimus from memory, Ratchet turned to you for your input; as the oldest human currently in the base, surely you had some authority over the youngling.

“(Y/N), surely you have something to say about this!” Ratchet demanded.

You glanced up from your sketchpad, startled to have so many people looking at you. Since these were your friends, you soon calmed and answered, “Yes, I think she needs an A chord instead of a D chord at the end of the song. Other than that, she’s really progressing.”

“You got it, boss,” Miko shot finger-guns at you, picking her guitar back up.

Ratchet stared at you coldly, “You use you power over that girl for evil.”

With that, he got back to work and everyone returned to their earlier activities. You smiled fondly at the rag-tag group of Autobots and humans. It might have just been you, but there was something intimate and comforting about having a few close friends as opposed to amassing a large group to show off like a status symbol. Ever since you had gotten tangled up with Miko, Jack and Raf as well as the Autobots, your life had certainly changed for the better.

You got back to your sketch, which would soon join the many art pieces that you did on the Autobots, all of which had to stay at the base so you didn’t blow their cover.

You quietly sang along to the song your phone was playing, losing yourself in the melody while you searched your sketch pad for inspiration. Lately, drawing seemed to be more of a strain rather than a pleasure, and you wished to reignite the creative spark that you once had.

“WHOA! IS THAT ANOTHER EARTHLING?!” An energetic voice called out, startling you. You immediately fell silent, whipping around to see a white bot with blue chassis staring down at you. “Oh hey, don’t stop singing, it was nice. Earth has wicked music!”

You opened your mouth, trying to force words to come out, but introductions weren’t your forte. You always tried to be friendly, but the fear of rejection often clawed at your mind, effectively shutting down anything you might say.

“H-Hello,” You finally managed, fighting past your fear to speak.

“Oh good, you do talk, for a minute there, I thought I’d scared the vocaliser right out of you.”

Subconsciously, you took a step back, tripping over the chair behind you and falling to the floor. Your cheeks burned red in a blush, but before you could further embarrass yourself, Optimus came over, placing a servo on the white bot’s shoulder plates.

“(Y/N), this is Smokescreen, a new ally to the Autobots. Smokescreen, you will have to be patient with (Y/N). She is somewhat shyer than our other human associates, but if you give her time to get used to you, she is a most useful ally and a good friend to us all.”

“Gotcha,” Smokescreen beamed at Optimus, starry eyed about the Autobot leader. “Catch you later, (Y/N),” He said before leaving to explore the rest of the base.

“Bye,” You murmured, thankful that Optimus had spoken on your behalf.

Optimus inclined his head towards you in acknowledgement, soon turning to follow Smokescreen out and make sure that the younger bot didn’t get into any trouble. You hoped that the next time you saw the new Autobot, you would be able to prove that you were more than just your anxieties.

Optimus stared at you as you stood at the base’s second floor balcony, overlooking Miko, Jack and Raf, all laughing together. It had been quite some time since he had seen you interact with the children. He had overheard you telling them that you felt rather unwell, and Raf had also informed him that you were coming up to a stressful period in your education; apparently, applying for colleges was a difficult time for young humans. Still, he knew that something more was weighing on your mind when you had stopped talking to him and the other Autobots, shutting yourself away for long periods of time.

“(Y/N),” He greeted you quietly, approaching the balcony.

“Hello,” You proffered a one-word greeting which you usually reserved for those you hardly knew, preferring to converse and joke with those you were familiar with.

Optimus frowned at the step down you had taken from being his friend to being an acquaintance once again. He didn’t wait to see if you would say more, knowing instinctively that you wouldn’t.

“Would you please accompany me outside? I would like to stretch my legs,” Optimus said, his commanding tone telling you that this wasn’t a request.

You nodded meekly, taking your time in going downstairs to catch up to Optimus. You weren’t sure what he wanted to talk about, but a gut-feeling told you that it wasn’t something that you wanted to hear.

He took you to a lift that was big enough for both of you, leading you up to the roof of the base, which was disguised to look like any other part of the Nevada desert. The two of you stood in silence for a while, looking out at the vast expanse of sand and rocky outcroppings before you; the view made you feel small and insignificant in the grand scheme of the universe.

Eventually, Optimus sat down, letting his legs swing over the side of the disguised cliff. He gestured for you to do the same. Seeing Optimus in such a casual position reminded you just how close the two of you were as friends, making you feel all the worse for shutting him out over the past few weeks.

You longed to ask Optimus why you were out there where no one could overhear you but the prospect scared you. Optimus didn’t take people aside without cause. He was a natural leader, always thinking about everything that anyone said or did. If one of his associates was acting unusual, it was up to him to get to the bottom of it; the problem was that you didn’t want to be psychoanalysed, you wanted to be left alone, to hide your fears and insecurities from the rest of the world.

Alas, nobody said no to Optimus Prime, so you sat next to him, wondering what lecture awaited you.

“It is a beautiful night, is it not,” Optimus proffered.

“Yes,” You answered dutifully, looking up at the stars.

Optimus sighed at your mono-syllabic response, “(Y/N), I have brought you out here because I have noticed that you have been acting unusual. Ever since I have known you, you have been so full of wonder, humour and life. You light up a room when you are with those you trust and you have a healthy appreciation for everything around you, but now you are shutting out anyone who tries to get close to you. I’ve seen Cybertronians who lose their way in life, losing interest in the things that once brought them joy, but I have never seen it in your kind… until now. Is something the matter?”

A sudden, raw anger burned inside you. Was something wrong? Of course there was, but why should that be anyone’s business but your own. You didn’t care to have Optimus prying into your personal life when he should have been focusing on his own, much larger problems.

“I was doing alright on my own,” You growled at him, your rage tainting your words with its stinging tone. “I don’t need your help, Optimus. I’m fine.”

“If I have learned anything from my time here on Earth, it is that when Earth females say they are fine, they are not,” Optimus replied sagely. “You may not wish for my help, but I am offering it anyway.”

You struggled with yourself for a while, partially wanting to shy away and hide from the world, yet also longing for the friend you had sorely missed.

“I’m tired,” You finally admitted. At your omission, you felt the sting of fresh tears that you had held back for so long. Naturally patient, Optimus waited for you to tell him all that had been weighing upon you.

“I’m so damn tired, Optimus. I don’t know what to do anymore.”

“Is this about your college applications?” Optimus asked.

You shook your head. While that was a part of the problem, it was only a small fraction of what you were struggling with. “I can’t see my future, Optimus. People ask me where I want to be in five years, and I don’t know the answer. How am I supposed to know what I want to do with the rest of my life? It’s not fair to ask. There’s too much to think about. And I just-”

“Go on,” Optimus encouraged when you faltered.

You took a deep breath, “I wish that my dad was here.”

Sorrow filled Optimus’ spark at the mention of your father. Humans usually had close ties to their families. He had quickly learned that parents traditionally acted as a youngling’s guide, always there to offer their advice and support. The closest thing that Cybertronians had in comparison were their mentors. Optimus sorely missed the guidance of his own mentor Alpha Trion, so he could imagine some of what you were feeling.

You sighed, exhausted by your outburst, “Sorry… You must think I’m selfish. There are people worse off than me, and all I can think about is myself.”

“Everyone has their struggles. They do not invalidate your own.”

For the first time since coming out, you really looked at Optimus Prime, seeing the anguish in his optics. His concern for you was touching, though seeing him worry only served to make you feel worse.

Optimus, sensing your feelings, spoke reassuringly, “If someone is concerned over your wellbeing, it means that you have made a great impact on their life. I hope that I too have made an impact on yours.”

“Of course you have,” You breathed. “You’re one of my best friends.”

“An honour I shall strive to be worthy of.”

“Optimus… What should I do?” You asked, referring to your future.

“I am afraid that is something only you can decide, but if I might offer some comforting words, you should know that I also do not know what my future holds.”

“But you’re Optimus Prime. You’re the leader of the Autobots!”

“Yes, but I have been in this war so long that sometimes I don’t think it will ever end. If it does, I will have to lead my people back to Cybertron, but tell me, how does one rebuild a planet and an entire civilisation with it?”

“…I don’t know.”

“Nor do I, but I do not fear this future. Instead, I embrace it, and lean on my friends for support. Friendships make us stronger; I suggest you remember that when we go back inside.”

You nodded, thoughtfully quiet. Optimus patted your shoulder comfortingly and the two of you stayed there for a while, looking up at the stars; a Cybertronian and a human, unsure of what awaited them in the future, but willing to face it all the same, with each other to lean on.

#TFP #transformers prime #transformers #maccadam #tf #miko #ratchet #bulkhead #optimu #optimus #smokescreen #reader #reader insert #fanfiction #fanfic #the future #commission

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softpadawan · 2 years

Text

Ezra's Theme

Music & Character Analysis

As promised. I didn't plan to write a essay when I pulled up the Rebels Season One soundtrack on Spotify (I was in the middle of drawing), but once I reached Ezra's Theme, I had to stop everything I was doing and examine all 2:44 of it, it's that good.

youtube

0:00 Mysterious sparkly intro, nice parallel to how the audience meets Ezra

0:06 Segue into "Ezra's Theme", which is a variation on "Leia's Theme" with fewer notes. Solo French horn, forte. Bold, powerful and high timber = strength + youth (hint of vulnerability?); flute/woodwinds echo theme at 0:24

0:30 Timpani and cymbal roll leads into minor chord + sombre clarinet solo, almost tragic (molto dolore) string progression in the background (signifying Ezra's tragic life?)

0:37 Flute duet lifts theme out of the dark minor and rises above symphony, literally feels like wings of hope lifting you up (Kanan + Ezra = representation of this duo?); strings continue eerie tension before brass joins in (aka "Empire horns" lol, you only hear these when the Empire is around, the shadows of their ships falling across sunny ground)

0:44 Harp + chimes lead a sparkling path into a few measures of more brass-heavy "Empire shadows" before the "Sensing the Force" theme* begins, a 6-note scale (3 up, 3 down) punctuated by harp while strings sustain high note in background *that's not an official name, it's just what I call it because it plays when Ezra is sensing the Force

1:06 "Empire shadows" overlays "Sensing the Force" theme; possible symbolism of the the Empire dominating (or attempting to dominate) the Jedi?

1:20 New lead-in, solo flute and trumpet, piano (high wind + high brass. Delicate + ambitious?)

1:30 "Light of the Force" theme (my favorite theme in all of Star Wars) on solo French horn; strings sustained, harp glissandos; lower strings join in as theme picked up by solo trumpet, lifts into major chord again (glockenspiel or some kind of other metallophone in bg); this is like the "meat" of the song. It's one all Star Wars fans will recognize, and the fact that it follows the Empire themes could allude to the canon chronology: Empire conquered most of the galaxy in 19 BBY, then the Rebellion was born later

1:59 A few notes of Ezra's Theme from beginning, reminding us of who this song is about ("here's the world we've made, now let's put someone in it")

2:04 Clarinet solo original "Leia's Theme", very feminine: soft strings in background, harp throughout, flute picks up phrase and continues; shimmering, innocent, hopeful, youthful—and lonely (solo instruments impart singularity). Musical personification of Ezra himself.

2:34 Bass strings suddenly "wipe out" the brightness (the death of hope?); solo flute sustains pianissimo note over top of bass strings that bring us downward to a single minor note spanning several measures, quite ominous (tiny hope being overwhelmed by a large, strong, heavy darkness—but the light, while tiny, still endures).

Piece ends on a minor chord.

Why the dark, ominous ending?? Is it foreshadowing Ezra's struggle with the Dark Side? Is it just a convenient way to end the piece when it comes to mixing and editing? I've been asking myself this question for a week now and I have yet to come up with a solid hypothesis.

Synopsis: So many ups and downs in this, it's like a mirror of Ezra's life. Dominated by the Empire but unshakeable and unbreakable, the light that burns within him burns bright and persistent, even though it's small. This is made apparent in the consistent minor themes ending with a solo instrument, usually high timber to signify "small" size, holding on for several measures.

Ezra's theme ties in, probably as it was meant to, with Luke's theme (Light of the Force) and Leia's theme. A blend of the two, not wholly original, but meant to complement rather than compete. Kind of like the character of Ezra—he's not from the original trilogy, but pieces of Luke and Leia are apparent in him. Together they form a kind of Force triad, I think. All born around the same time, all Force-sensitive and powerful, if they had met, they would have wiped the Empire out so thoroughly that there would be no need for the Sequels lol.

In conclusion: Kevin Kiner did such an outstanding job with this soundtrack. I feel like not many people appreciate just how incredible the music is because Rebels is a "kids' show". Yes, many of the themes are preexisting and only some of the music is truly original, but it all bangs. This is the equivalent of reading a great book and then finding really awesome fanfiction of it. It's a love letter written to canon, and I think that's just beautiful.

#star wars rebels #ezra's theme #soundtrack #meta #music analysis #ezra bridger #parallels #opinions #allusions #luke skywalker #leia organa #kevin kiner #this is just me thinking aloud here #don't take it as anything but a personal interpretation

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ginkgomoon · 3 years

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Cyril- Character Analysis

This post was based on an ask made a while ago concerning Hypnos’ character. I personally think his appearance enhanced the development of the game for the Winter World chapters, additionally with the depth of MC’s character. Hopefully this post will help clarify some things in relation to who he is and why he is important to the game’s progression. Please enjoy his well-deserved character analysis post. And yes- lots of spoilers! Please don’t read if you don't want to be spoiled on future content from Chapters 19+.

“This is the world you wanted.”

Hypnos first appears in the Epilogue of Chapter 19, when MC escapes her dream (the one with the separate routes of the guys) and begins to enter the Winter World through Black Cabin.

A soft hue appeared amidst this world of frozen white. A handsome, elegant young man walked towards me from the mist. Snow fell upon him, but as if he was protected by some force, none stuck on him. For a moment, I felt that this person looked really familiar, but it was someone I’ve never met. His eyes seemed detached, yet full of pity.

“This world’s pretty interesting, don’t you think?”

I did not sense any direct threat from him, but I was also unable to let my guard down.

“Is this not the world you wanted? You were aware of it long ago. No need to go on deceiving yourself.”

His tone was peaceful, but there was a chill to it that made me shiver.

“In this world, time’s been frozen. Everything you fear hasn't taken place. It was not I who made this world, but you. Everything you have experienced is a product of that which you yearn for the most. If everything could start over, if life could return to normal, if none of this had occurred...”

He saw into my heart effortlessly, tearing down each fragile wall I’d made with each word that he spoke.

The man’s gentle expression turned cold. His smile faded into subdued indifference.

“You think everything you’ve experienced is fake? Everything is real. Everyone in this world had sunken into the same dream. We will forever remain in a dream land.”

The man chuckled gently. Snow and wind blurred his form, blurring my vision. -Chapter 19 (Epilogue)

Some people would probably have the reaction of ??? and others would think he’s a new love interest HAHA.

It’s clear that this section of the chapter does not give much insight into his character, his name or who he is all. But, we can (hopefully) tell from what we are given, that he will play an important role in the future since he has an actual VA, and is (quite confusingly) going on about “the world that she wanted”. Though, this will be all cleared up later. From here, he makes small appearances in the next few chapters, which helps foreshadow and gradually help set the final showdown to conclude the Winter World.

While my mind wandered, I accidentally ran into someone in the corner. Even more unluckily, as I retreated backwards I stepped on a slick patch of ice, almost sending me sprawling.

“Careful.”

A light laughter fell on my ears. Before I could react, I was caught by the person I bumped into.

“Are you okay?”

I looked up and was met with a pair of gentle green eyes. A handsome face filled my vision. For an instant, I felt that he was familiar, and the sight of an ice-covered world seemed to appear before me. He gracefully let go of my wrist in a gentlemanly manner, stepped back to a more appropriate distance. -Chapter 20-17

A man walked out onto a rooftop covered with snow and held out his hand, catching a snowflake falling from the sky. The snowflake in his palm turned into an exquisite, white robin with its eager wings spread as if escaping a prison and flying into the sky.

He looked down from on high, surveying the city blanketed in dazzling white snow, a faint smile on his face.

“Truly something to look forward to- a long cold winter.” -Chapter 21-25

At this point, we still don’t even know who this man is. Or if he even has a name! But finally, the chapter after reveals a little bit more to help us come to somewhat of a conclusion about his character.

Chapter 22-5

The automatic vending machine behind me kept repeating the same sentence. I turned around to find that the machine wasn't on the fritz- there was actually someone continually trying to make a payment. I couldn't help but go over to see if they needed help.

A pair of eyes clear as glass turned on me. Although there was a gentle look in his eyes, there was a subtle feeling of distance.

I suddenly recognised that face! It was that famous piano player- Cyril!

MC: “Excuse me, do you need help?”

A hint of warmth suffused his cold eyes, as he gestured in frustration at the vending machine.

Cyril: “Just want to buy a bottle of water, but I don’t know how to use these machines.”

(*Intense vending machine purchase in process*)

Instead, I decided to just point at the app on my own phone and give him a brief explanation, afraid that I would miss my bus.

MC: “This time, I’ll buy for you. This is the one you want?”

Cyril: “Right, thanks.”

When I accidentally brushed against his long, slender fingertip, there wasn’t even a hint of warmth.

MC: “Your hand is ice cold. How about I buy a warm drink for you?”

He seemed a little hesitant, but he gave a slight nod and accepted my proposal with a smile.

The drink thunked down into the dispenser, and before I could react, he already bent down and retrieved the bottle and mine from the machine.

When he extended the drink to me, I realised that at the bottom, there were two kinds of paper, which appeared to be tickets of some kind.

I lifted them up and carefully looked at them. They were tickets to an upcoming and very sold out piano tour. Moreover, this was for the final VIP performance aboard the HMS (Abbreviated for “Her Majesty’s Ship”) Victoria.

He may not look like it, but he’s actually quite a warm, kind person.

The silver haired man watched as the bus drove away, and the drink in his hand turned solid ice without him noticing.

As snow drifted down around him, a faintly perceptible smile formed on his lips.

“I’m sure you’ll enjoy it.”

We find out that the young man’s name is Cyril, a famous piano player. During this exchange, Cyril is taking his time to observe MC and how she’s responding to the Winter World. He appears to be genuinely surprised about MC’s display of kindness, even though she’s been tossed out by the men most important to her, and into a foreign world wreaked of havoc.

He lets MC purchase the warm milk tea for him, and they both talk about the most mundane things ever. This may seem like just filler conversations, but actually holds importance because it actually influences how he views the world and MC in the future.

Cyril then uses this chance to extend his invitations to his sold out piano performance on the HMS Victoria. MC thinks he’s “quite a warm, kind person”- to which, we will find out if she’s wrong later. We also can confirm that he is an Evolver as we watch him turn his drink into solid ice, as well as the same man who was left unidentified in the previous chapters.

Chapter 23-13

??: “At this point, we’re all certain that the one behind this “Eternal Winter” is one of our former members.”

??: “Another traitor?”

??: “One with the power to traverse time and construct dreamscapes. There's only one that it could be.”

??: “The traitor code-named Hypnos?”

With those words, a deathly stillness fell over the air, as if some indescribable darkness had stolen into the room.

True name: Unknown. Age: Unknown. Evol: Time travel, dream construction.

Pitifully few clues to go on, not even a single photograph.

Was that person who trapped me in that dream and the traitor the same? If it was true that everything before happened on another world’s timeline, then does that mean this person had jumped through into this world timeline?

??: “Just what is he planning to do?”

??: “Whatever it is, since he’s a traitor to the organisation, it’s bound to be contrary to our goals. We must put a stop to him.”

??: “Continue the investigation. We must find the satellite coordinates. We cannot let him interfere with our plan.”

If this mystery mastermind had such powerful abilities, then what chance do I have at stopping him?

The hexagonal crystal symbol wasn't a major part of their discussion, but it stuck a faint chord with a hazy part of my memory. I finally remembered- that ticket to the concert!

They consider this powerful Evolver- Hypnos, a traitor to Black Swan and the individual behind the Eternal Winter incident. But nobody knows what he looks like. However, MC notices that the hexagon design is seen similar to the tickets that Cyril gave to her for his performance on the HMS Victoria. She now knows that Cyril is Hypnos, then realises that the satellite launch isn’t on land, but on sea. She knows how to stop the winter from spreading.

Here we automatically assume that he’s another Black Swan bad-guy-turned-traitor. What is his true goal? And why does it have to be that handsome piano player, out of all people?

Chapter 24-5

Before we could enter the main hall and check out the situation, a sonorous piano melody was belated through the ship’s speakers over that whole patch of sea.

The gentle tune formed an invisible yet unbreakable net in the air. Everyone in proximity to it became the piano music’s prisoner, unable to escape.

I felt a strong feeling of drowsiness. I tried to stop it but it seemed to have already gotten into my veins. Every cell in my body reverberated with it.

Everyone in the hall was swaying like soulless puppets, and on the stage, Cyril held his eyes slightly closed as he played the last requiem for them.

Chapter 24-7

MC travels to confront him on his ship, and watches him entrance people with his piano playing. This is how he got his code-name “Hypnos”. (Similar to how Kiro can charm and control people). Thankfully, Helios appears, his Evol is powerful enough to command MC to escape this.

“Why can’t a lie... be a good thing, too? Is this not the world you wanted?”

An anonymous voice seeped into my consciousness, accompanied by a dim, far away sounding piano.

The false warmth swooped in, and exhausted as I was, I chose to accept it.

My hand was originally grasping at air, but just then I distinctly felt the touch of something solid and warm. I could faintly feel someone grabbing onto me tight.

I forced open my heavy eyes, and a familiar outline filled my blurry vision.

“K- Kiro...?”

For a second, I couldn’t tell if I was in a dream or reality. His face was in shadow, and those usually sea blue eyes now flashed golden, as beautiful as the night stars.

He shouted at me, loud enough to hear over the inescapable piano music-

“I command you to awaken!”

Although without a hint of warmth, his eyes were like the first rays of dawn filtering through the curtains, melting away the fanciful dreamworld clouding my brain.

“I’m not like Ares. I don’t care about any Queen. If you want to influence the outcome, you have to do it your own way.”

Cyril still didn't stop playing, and instead kept moving his fingers across the key in a self-satisfied manner. The audience were completely under the spell of his melody, sunken into the deepest depths of a dream.

A black pistol was pointed straight at him, but the enraptured pianist did not let that stop his performance. Helios wasn’t in a hurry either, waiting quietly for the perfect, culminating core for this piece.

Just as the final note was stuck, Helios resolutely pulled back the tigger. A stream of smoke rose from the gun, but Cyril was somehow unharmed, blocked by an invisible force field.

Helios: “You constructed this dreamscape long before.”

Cyril: “I just don’t want this performance to have any interruptions.”

He rose elegantly from his piano bench and took a deep bow toward the hall absent of applause. Then he sauntered off the stage and looked at me.

Cyril: “You finally came.”

Chapter 24-9

Cyril: “Thank you for teaching me how to use the vending machine.”

I didn't expect him to speak up first, much less did I expect him to bring up that. As if we weren’t staring into the upcoming apocalypse, but just another utterly normal day.

Cyril: “It was you who showed me a different side of life. Although I still think, milk tea tastes better iced.”

MC: “But that doesn’t mean you have to wipe out the people who prefer drinking it hot.”

Cyril: “I think you misunderstood me. Just like you, I love this world. I love the complexity and uncertainty humanity has brought to it. I just think, it just doesn't have to move so fast.”

The smile he had showed- made me believe that from the bottom of his heart, everything he did was to make the world better, and that he should not recover any blame or interference from anyone.

Cyril: “Before one fully understands oneself, power beyond control can only be dangerous. Just like if I were to ask you now, do you truly understand yourself? How would you answer?”

He chuckled at my inability to respond.

The thoughts in his heart were hidden beneath a glacier, and all it showed on the surface was the very tip of it, preventing me from ever getting a clear idea of what he was thinking.

Cyril: “I’ve prepared a little gift for this kind of world.”

A giant steel tower shot upwards and stood tall between the water and sky. The satellite launch tower!

Cyril took hold of my hand and causally moved the key from his own hand. Before I had time to stop him, I saw crystal clear ice form at his fingertips. Pure and unblemished, but also dead. Just like this world before us.

Cyril: “Isn’t this a nice way to end things? This. Is the world you want.”

He then hands MC to press the button for him, then freezes the key to the Black Cabin. Cyril here genuinely believes that what he is doing is good for MC, as he uses the satellite launch platform from the ocean to spread the “Eternal Winter”- the “perfect world”.

Black Swan still pursues evolution of all humanity, but Cyril doesn’t agree with their methods. He knows MC is the Queen and thinks that in this Winter World, this is how she will only grow- without those she loves- if she had not known the boys and everyone she cares about. "If none of those things in the original world had occurred..."

What Hypnos stated reminds me of the Winter World Helios and what he said from when he saved her in Chapter 21.

“The weak should learn to survive on their own. No one will help them. Do everything you can, by fair means or foul. Give up everything in your past… even yourself. If you can’t do that, then go back to the world you came from.”

Which is a little nice touch because Helios appears to save her again with his Evol- but this time, MC is saving the world in her own way. She is not identifying with QUEEN first- but as herself. She had seen and been through so much pain to grow her mental and emotional strength to persevere and save this world with her kindness and love for humanity. MC, herself, has evolved.

Chapter 24-10

Cyril: “Not going to give the button to the launch a push? Perhaps you’ve forgotten, this is only my dream. Any decision you make here won't affect the outside world. Aren't you at least curious? The perfect world I wanted.”

What is the meaning of existence in a world of unrealistic perfection!?

MC: “If I do that, wouldn’t I be like an ostrich, sticking my head into the sand?”

Cyril: “If people found the perfect pile of “sand”, who knows if they’d stick with reality- and choose not to escape? After all, in reality, no one can predict what's going to happen from second to second. But in a perfect dream, everything always unfolds exactly as people desire.”

MC: “I can’t answer that for others. But it shows that the decision for how to answer should be left for each individual person.”

Cyril: “The way I see it, those who have no ability to judge never had the right to choose in the first place.”

Naturally, traitor though he was, he was still like others in Black Swan, holding a disdain for normal people, deep in his bones. When he rebelled against wasn't the thinking of the organisation, but their methods. But no matter which method of theirs it was, they all wanted to force their ideology on the whole world.

Did the world really need their brand of reason? Did humanity really need their idea of progress?

Everything in existence follows its own, original path, with absolutely no need for human intervention. And what I had to do was to maintain this balance.

I abruptly placed the remote back in his hand and told him my final decision.

It’s clear that Cyril doesn’t have that much experience with normalcy or identifies with at least humanity. He believes that it’s better to ignore reality and to live in a dream without the memories of the past or mourn the loss of others. Frozen without emotions, pain, or progress- the “perfect world”.

Chapter 25-4

After MC accepts her QUEEN identity, she finally uses that power to unite all timelines ultimately defeating Cyril, then returns back to the original world. Weirdly, he appears in front of her when she wakes up.

Cyril: “I believed I warned you long ago, no matter what world it is, it doesn't make much of a difference. You assume too much. In this world, I am just like you, a normal person. Think of it… as the price I’ve paid. My choice… was made for you. You were growing too slowly. Maybe that world was best suited for you after all. Too bad, you were too muddled to realise it. This world may soon experience a change, and it’s the kind of change that has nothing to do with you.

Time Subway

Time Subway takes place before Cyril leaves, after MC is hospitalised in Chapter 32. It reveals more about MC’s power and spiritual connection to Loveland City, the rest of the worlds and their timelines.

They meet on the train, though MC can’t remember meeting Cyril before. His piano music continues to play as the train moves backwards. (And that’s the thing about the subway- the train goes in cycles to each station, to the memories and worlds MC has previously lived in.)

Chapter 5

MC: “This train is really strange. It’s going backwards.”

Cyril: “Does the direction really matter? Though, I’ve never been on a subway train. Perhaps, there are a few imperfections.”

MC: “How did you get on the train?”

Cyril: “Same as you, I guess.”

MC: “Do you know where this train is going?”

Cyril: “To a place you want to be. So embrace your imagination. Think of everything you ever wanted. Eventually we will arrive at the perfect ending you’ve longed for.”

Chapter 6

MC: “I feel like I’m forgetting something. My memory has been foggy ever since I boarded this train.”

Cyril: “You do know me. You have to recall those memories on your own. Do you want to remember everything? Or, do you prefer to give up the past and start again right here?”

Cyril seemed to be hinting something, I felt that he’d always use such implicit language, but I couldn't remember when…

Chapter 7

Somehow this train gave me a sense of security. I could feel a familiar resonance between us. As if it was closely linked to me in the first place.

A thought slowly came to my mind, maybe I could decide on its direction at some point in time.

MC: “Why do you want me to go to the past?”

Cyril: “Back to when everything hadn’t taken place, isn’t that what you wanted? I’m only doing this for you. Sorry I didn’t ask for your permission. But you’ll be my best work.”

Chapter 8

Cyril: “This world belongs to you. My power doesn’t work here. I’m nothing more than a normal person in the real world. I’m going to use my power one last time. And this will be my final work. A perfect world is still what I’m after. It was you who broke free from the world I created. You showed me my limit. Indeed, the power triggered by your emotion outshined my skills. That’s why I chose your spiritual world, as the raw material of my final work.”

MC: “So this is just an infinite cycle within my spiritual word, isn’t it?”

Cyril: “I won’t say you are wrong. In this train, you can choose any stop and choose any exit you want. When you step out, this world becomes more complete. Meanwhile, this dream will continue the everlasting cycle, which is also your karma.”

MC: “So do I stay here?”

Cyril: “You can choose to leave… if you have the power to battle yourself. If you leave, this world will continue to exist all independent from all time space.”

MC: “How do I leave?”

Cyril: “You have to discover that for yourself.”

MC: “...Cyril, I need to go. If there’s really a perfect world you want, just take this world as my gift to you.”

Cyril: “I see, thank you... If only you could eventually put an end to this cycle.”

Chapter 32-1

Cyril- “I came to say goodbye.”

MC: “All that stuff that happened to me after losing my Evol has something to do with you. Starting from when “I ran into you” on the train, it was all a part of your plan.”

He smiled slightly, met my hostile gaze without a hint of displeasure. He didn’t deny it, but he didn’t admit it either. There was an undercurrent of tension to the stillness, but also some unusual and subtle peace.

This pianist… I’ve never seen anyone so out of touch with the world.

MC: “The vending machine, the scammer in the square, thorns on a flower, you don’t have much experience with everyday things, do you?”

Cyril: “However, it really has been a long time since anyone’s talked with me about such things.”

I may have been imagining it, but I seemed to detect a hint of nostalgia in his voice.

MC: “Just what are you after, coming here to see me like this?”

As he spoke, he reached out and put his hand at the back of mine. His fingers were ice cold.

But in this brief moment, a flurry of images flashed before my eyes.

Four white walls, an empty room, a triangular piano of translucent crystal placed in the corner. The figure of a man gradually emerged before the piano bench.

His thin graceful fingers danced daintily across the keys as snowflakes fell upon him and settled undisturbed.

That gentle piano melody reverberating in the shadows also came out as a muttered groan from the girl as pain hit her.

Suddenly, the piano playing intensified, the tempo building to a frenzy like a subway train rattling through a tunnel.

I saw a boy get up from the piano, walk to the front of the stage, and take a bow to the thunderous roar of applause.

The scene shifted. The boy was once again standing in the gloomy storm, holding a white rose to his chest, listening in silence to a priest delivering a eulogy.

??: “Keep playing, Little Cyril. Use your power and help Mummy make the perfect world.”

Cyril: “A perfect world… I’ve got it.”

I saw his past, present and future. I saw the boy slowly growing up and playing that final melody in the centre of a frozen plain. He played tirelessly, as if he’s trapped inside in a world of memory.

Cyril: “Can you tell me what you saw?”

In those crystal clear eyes, I saw my own expression, and there was an ineffable expression of sadness to them.

MC: “Is a perfect creation… really that important?”

Cyril’s eyes were flat, like the negative space in an ink wash painting.

Cyril: “The sad fact is that they will never be able to achieve it.”

MC: “But absolute perfection doesn’t exist. Everything has blemishes and faults. But that doesn’t mean that they’re not good enough, and it certainly doesn’t mean that they don’t have a right to exist in this world.”

Cyril: “Perhaps. You’ve certainly proven that point yourself. One final thing before I go, of course, you can choose not to believe it. Perfection has never been an illusion; everything in this world has a singular, perfectly-suited exit. Although, I think you already found it.”

MC: “Where are you going?”

Cyril: “A world that belonged to you, but now belongs to me. Thank you for the world you’ve given me, and the interesting memories. And that bubble tea, I quite like the flavour.”

His words fell softly, as if shrouding me in a tranquil, pure white dream.

Upon seeing his past, present and future, all that MC sees is Cyril playing the piano. It turns out, his true motivation for creating the “perfect world” was for his mother when she passed. With MC’s help, he finally admits that it cannot be achieved. He isn’t directly hostile like the other Black Swan members either, and calmly admits his defeat and accepts MC’s decision.

Behind the Curtain- 6 (Chapter 28)

??: “If you want to see it, go. The door being opened will be closed soon.”

The black box grows bigger, and fills the entire vision in black-

Cyril: “Do you know the origin of the name BLACK SWAN?”

I see an elegant young man standing inside a luxury gift shop. There, piano pieces are playing. He looked down at me. The black box reflects in the cool eyes looking a lot like snow.

MC: “Am I inside the box?”

Cyril: “BLACK SWAN” is a word that means an unexpected event. Humans have no way to predict the impact of the event. When I first heard their name, I immediately saw the appeal. I also wanted to be a part of it. But…the majority of them still live in this illusion. Only a few were aware that humanity is ignorant. They can't help me to complete my work.”

While speaking, he pressed the crystal piano keyboard. The jolting sound echoes—

Cyril’s Mum: “With your power, continue this and please show me the perfect world.”

The woman lies on bed, looking at him with those beautiful eyes that looked a lot like that boy’s. There’s no strength in them.

Cyril’s Mum: “For one last time, I want to experience the beauty of this world with my whole being. That’s also the reason for your existence.”

The boy then grows up in the snowstorm and turns into an innocent boy. His outline became sharp, becoming an elegant young man.

The snowy wind pushes the window open and surrounds his mother. She then transforms into white snow and suddenly disappears.

The man doesn’t notice the occurring snowstorm, but instead concentrates on the graceful piano playing.

A piece of glass shatters and lands on the piano. The young man engrossed in playing keeps an eye on the keys.

MC: “Look out!”

The piece of glass cuts the young man’s long finger. A line of blood flows, on the skin like ice and snow.

The young man finally stops. As if time had been frozen, the lingering sound of the piano remained in the room covered with heavy snow.

He looks up. Like an innocent puzzled child who touched the piano for the first time, those eyes come into mind.

Cyril: “Who…are you?”

MC: “...who am I?”

Cyril had been stuck all this time within his memory of his promise to his mother- in pursuit of the “perfect world”. His world was biased upon thinking that humanity- even Evolvers, were ignorant and unable to help him achieve his goals. This demonstrates the divide and individuation between each Black Swan member of not being able to work together effectively to achieve the collective goal- of the “New World”.

It was nice to see MC being able to overcome her self-doubt and enter Black Cabin by accepting the QUEEN title in a world so foreign to her. Her hope, love and determination had saved the world again. Cyril played a huge part in this chapter of her life, almost like prepping her for the final prophecy of fate.

And “Doomsday” is coming.

#17 pages #patting myself on the back for this one #mlqc Cyril #mlqc #love and producer #mr love queens choice #恋与制作人 #mlqc translation #mlqc analysis #mlqc cn #mlqc en #mlqc Hypnos #mlqc spoilers

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souryogurt64 · 3 years

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I’ve been looking but I can’t find much about Patrick talking about this except for when he released Soul Punk and said his mom told him it finally sounded like him 🥺

But idk do you think Patrick had kind of like impostor syndrome at least when the band first started out? Like I’m sure he had girls throw themselves at him thinking that Bc he was the lead singer those were his words and they… weren’t, like they were Pete’s and idk if he felt like he was voicing someone else’s image like Pete was using him to speak in a lot of ways - like I know Pete did most of the promo bc patrick was shy but like idk. I feel like casual listeners (unless they were super into tabloids) would just assume and think he was this sexy depressed emo boy who wrote about lying in the dark on top of girls and telling girls to keep quiet because nothing comes as easy as them snd.. Patrick was not like that as evidenced by Soul Punk.

Idk it’s like he’s very different from Pete so I feel like that would result in some cognitive dissonance at least at first esp when all these people sssume he wrote the words. And I’m not saying he didn’t contribute at all like obviously he’s the reason most of the music sounds the way it does bc he is an amazing composer but like the words aren’t his and that’s a huge part of FOB too and like no girl is gonna come up to him and be like “omg I love the way you decided to use this chord progression here” (I mean maybe there would be but it’s less likely than “omg I love how you understand me, like yes put the doctor on the phone cause I’m not making any sense” and he’s not the one responsible for that). Idk. I mean I get why he wouldn’t talk about that like that’s uncomfy bc pete would’ve been right there and like I’m sure Pete didn’t love being overshadowed just bc he didn’t sing the words. I mean Pete did his best to make sure he wasn’t overshadowed lmao, if anything Joe and Andy are the underrated members of the band but I’ve been thinking about this whole Patrick/Pete recognition thing a lot lately. I think now they’re cool I mean if this was an issue they wouldn’t still be making music together but I feel like it would’ve had to have been an issue at some point during the first few album cycles

Also I think this is why Patrick is very upset over Soul Punk’s reception and it makes me sad :/

oh absolutely i agree with everything you said re:words v music. pete doesnt even believe girls actually want to fuck him let alone patrick. like obviously theyre celebrities so nobody really knows them but i mean purely physically, like i think its clear patrick doesnt think girls want to screw him purely based off of looks and pete doesnt think that either even though he was a sex symbol because hes like 5’5” and has huge teeth and chubby cheeks

i also think that patrick and joe have literally no concept of a normal life because pete just kind of swooped in and took them on tour when they were 16 and they were barely ever home, and pete who was 21 engineered this whole thing and then by the time folie failed and the band broke up patrick was literally only like 25 and he had been in this band for almost a decade and went from being a kid from the suburbs to super famous to this washed up celebrity. could not imagine. like what would you even do. how would you even live. the you liked me better fat essay is so desperate

same with panic at the disco honestly, ryan was only 24 and the same thing had happened and in the only TYV interview hes wearing a suit and talking with this pretentious wannabe british affectation and trying to look so suave and like he has his shit together but he cant stop fidgeting and theyre asking him about tanking record sales etc and hes clearly freaking out, tyv also kind of failed and then he ended up hooked on coke. its so sad honestly

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sitaramasilamani · 1 month

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Expressing Yourself: Finding Your Voice Through Songwriting as a Beginner with Sitara

Tap into Your Emotions

Experiment with Melodies and Chords

Find Inspiration in Everyday Life

Use Imagery and Metaphor

Collaborate with Others

Embrace the Process

#sitara

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