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evans-heaven · 4 years

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My review...ish (tbh it's just some notes I made lmao) on Defending Jacob

I'm strictly focusing on the Barbers here, and their relationships. I'm saving all the comments I might have about any other characters, and the performances of all the actors for a final review of the series-if I decide to do one lmao. Also, this isn't completely spoiler free, I couldn't resist y'all I'm sorry 😅

It's also straight from my notes, long asf and unedited asf and I won't take offence if you don't read. I did however enjoy writing it 😁

(This is all in good fun and yes and I'm biased and no you're not getting my time of day if you attack me)

Okay I'm done let's get into it lol

The Barbers are picture perfect. That house belongs on the cover of Better Homes and Gardens and that kitchen belongs on a Food Network show. They eat sleep and breathe privilege, but they probably won't admit it, or are even aware of it. To them, it might seem normal, maybe they believe every family is like that, or at least, should be. Their lives mirror that of basically any white family on TV these days. They're the cookie cutter American household, a damn poster family. Which makes their situation all the more interesting.

I adore Andy and Laurie's marriage. Lowkey they make me feel like I'm third wheeling, with the way they handle each other 🤣🥺 but eventually something began to hang over their heads, and the atmosphere surrounding them only, completely changed. The differences became more clear and God knows where thats gonna take them. Andy hid the truth about his Dad being in jail for 17 years really makes us wonder what else he could be hiding, and tbh she may be wondering the same. If theres anything else below the surface it could ruin them even more, and that's scary.

Andy's relationship with Jacob is the perfect representation of a healthy father-son dynamic. Andy's not rough around the edges and tough with him. It's an unashamedly loving relationship, and something we need to see more of. Let's put aside everything that happened after Jacob was accused. Closed off as he might seem, it's so clear he admires his dad. And Andy is a man who would risk it all for his kid. It's as simple as seeing the way he looks at him. He can't imagine anything ever changing the way he feels about him. And he probably thinks Jacob will never give him a reason for that to happen. He says "I love you" to him without sounding like there's a knife to his throat, jokes around with him, calls him 'buddy' more than he does his actual name, overall it would seem like we're watching best buds with a big ass age gap rather than a father and son 🤣

But back to reality, even after his son is being accused of murder, and him and his wife don't seem to agree on where they stand, Andy believes Jacob. He just sees a scared kid. On the surface, at least, that seems like what Andy thinks about the situation. However, given how good a certain someone portraying Andy (which is very easy to forget, as said certain someone fucking transforms and i see very little traces of him in this peformance) is at conveying emotion without saying a word, Andy won't have to open his mouth for his true feelings to come about. But let's not forget, he went off the handle in a very hot way upon finding a knife in his kid's room. His kid who is a very heavy sleeper might i add lmfao. He also, felt it appropriate to bring up his imprisoned father, which I honestly feel like had to be on account of some of his true feelings, whether he'd admit it or not.

The moment shit hit the fan for the Barbers is moment, I'm sure, we all felt a shift. I said last night that my anxiety was high even before Jacob's accusation, but after, I felt like I was experiencing the Barbers panic and helplessness with them, almost as though I was the accused.

Which brings me to my next point. We need to talk about that scene. You know the one. Where Lynn informed Andy for a situation I'm sure he never, in a million years anticipated. The level of talent radiating out of a certain someone is unmatched. Y'all (who have seen the show) saw the way the emotions raced across his eyes-his entire damn face? The disbelief in his voice, the tense, defensive stance he fell into? The heavy breathing, the anxiety that fell over him, the way he raced home desperately? If there's anything this show did for me and I'm sure so many others, is making us feel like we were experiencing the severity in person. And that's so special to me.

I won't get too much into this, but the way Jacob was handled by the police...well let's just say we know that wont be the behavior with everyone. And it has very little to do with his age, btw 😅

The way he pleaded for his dad almost had me tearing up. Being a lawyer, he feels as though his dad will protect him and make this situation go away. And if I was a 14 year old boy who was arrested for such a brutal murder, a lawyer who just so happens to be the man that raised me would be my first request.

Idk how I feel about the whole murder gene thing. I did however love the way the scenes kept switching, from Jacob finding out about Andy's dad to Laurie finding out. Their reactions were so similar and relatable. However, if that gets brought up in court as "evidence", that person is going to, and deserves to, get called tf out 🤣

Andy was entirely too polite to that waitress who was, very rudely, staring at Jacob. Maybe it's my inner drama lover, but if she stood there like an idiot looking at my kid, another thank you isn't all she was getting. Avert your eyes or lose them sis 🤬

Seeing everything progressively fall apart for the Barbers, while Jacob remains quietly oblivious broke my heart. Laurie being sent home (and highkey being fired lbr), losing her best friend, and seeing her son be treated like a criminal. Andy being increasingly protective of Jacob's every move, is understandable. I'm super excited to see the lengths he'll go to when it comes to protecting his kid, which, if the trailer is any indication, may not have boundaries.

A few more short notes:

Neal needa get hit by a bus and I volunteer

Leonard is a creepy mf which isn't really surprising but STILL

Pam shooting Andy down was lowkey harsh but she still pulled through so 🤷🏾‍♀️🤣

Andy not giving Neal the satisfaction of being closed off and succumbing to whatever drilling Neal thinks he doing is satisfying asf

Andy Barber is a dilf™️ in every scene

Am I the only one who heard Michelle's accent coming through in some things she says?

Laurie throwing the food Toby brought her in the trash without batting an eyelash, I got how she felt but that shit hurt to see 🤣

The actor playing Ben looks like the love child of Harry Styles and Grant Gustin

Wtf do Sarah and Derek know 😭 its killing me

Cherry Jones is killing it 🙌🏽

So is Jaeden, kid is blowing me away.

So is Michelle, her emotions are fucking mine up

The score is intense and adds to the anxiety we feel watching the show and I don't appreciate my emotions being played with in such a way

Chris Evans deserves an Emmy and if he doesn't get it we riot.

That's all for now, if I post anymore notes on the other episodes, obviously it won't be this long as from this point we're only getting one episode a week. Hope y'all enjoyed (if anyone bothers w this 🤣)💕

#chris evans #michelle dockery #jaeden martell #andy barber #jacob barber #laurie barber #defending jacob #defending jacob spoilers #djspoilers #apple tv

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ptw30 · 6 years

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VLD Season 7 Reactions: Part 2

Hi, @dreamworksanimation and @voltron! Hope you had a great holiday weekend. I received more asks since the last time I sent you a post. Please give these a read, as these are the reviews sent to me from the fandom. Best - ptw30

Anonymous said: Voltron is all build up and no follow up. They teased us with a very cool premise and then slowly went away from it till they finally went to "nope don't remember didn't happen". And the EPs even seem proud of that. I wonder if they ever watched the show :(

The EPs lack the ability to bring a resolution or closure. We never find out Haggar’s motivation or reasoning about Operation Kuron. We never find out who the “other one” was in the pilot. We never find out Shiro’s bayard form. Lance’s insecurities are never resolved. We never find out the limitations of Allura’s powers - she can transfer souls but can’t find the Black Lion galaxies away? There’s just so much left out of the story.

Anonymous said: Sometimes I think about all of voltron’s loose threads and how this next season is the last and am then transported back to my high school days of putting off projects until the last second, throwing something together, aiming for at least a passing grade.

The EPs failed a long time ago, if that’s the case. When they decided to kill off one of the main characters without allowing the team to grieve, forced the most popular paladin off the team, demoted the leader of the team to a soldier, and abandoned its own lore, including breaking the strongest paladin-lion bond without any explanation - they failed to give the viewers any satisfying conclusion to this story. No matter what the next 13 episodes include, it won’t make up for the middle 39 episodes that literally brought tragedy after tragedy, especially to the team’s only LGBTQ+, multiple-minority character.

@sweet-rabbit said: You know, if the EPs wanted us to not like, nay, LOVE AND ADORE Shiro as much as we do, it was probably a huge misstep on their or whoever's part that they hired a man who voiced a freakin' DISNEY RENAISSANCE CHARACTER to voice Shiro. The blasted fools, the lot of them!

Josh Keaton is a consummate professional, and no doubt, Andrea Romano nailed it when working with him and the team. If there is one thing that is absolutely, without a doubt, above reproach with this show - it’s the voice acting. It is outstanding.

@safeautistickeith said: Damsel Shiro aaaaalways felt Suspect ™ for me. Like. Keith can say, ”we saved each other” (whoever wrote that bless them) But, lbr Shiro’s sidelining was a slowburn that started from his damsel-dom. S1: S and K each got a Big Save. K saved S when he came back to Earth. S saved K when K went after Zarkon (Shiro voice: I’ve got you, buddy) S2: K saved S in Across the Universe. S saved K in Marmora. Equals? Yes. Truly. Then s3 comes along and it’s not longer this beautiful, mutual thing, but Shiro becomes a Damsel in Distress. Which Yikes ™ Asian man demoted to damsel? Unfortunate implications. He’s arc has been about leading up until then? Unfortunate implications. He’s a gay male( the reveal planned in s2??) un for tu nate implications. There’s a line between, ”you can be masc and also need help” and just making him a damsel. Big Yikes.

Voltron originally broke tropes, which was awesome. Allura wasn’t a princess locked away in a castle-ship but a knock-out, drag-out warrior who wasn’t afraid to get into the fray. Shiro, the strong-willed leader, wasn’t afraid to accept help. Keith, the loner, felt perhaps the most for his team. “Loverboy” Lance was actually the heart of the team, rather than a female character playing that part. Hunk, too, was strong but scared, and Pidge was not the stereotypical girl figure.

In Season 3, the story began to fall into the traps of the tropes it had broken, and it’s been a demoralizing and disappointing journey ever since.

@melissa18999 said:The lack of characters being challenged emotionally is why everything after season 2 bothers me. Kuron’s arc didn’t test the characters on an emotional level given how after the arc is over everyone just moves on. It’s there only to write actual shiro out of the show for a bit rather than seriously affect the cast. Same thing with Keith’s [crap] and every other character. Nothing tests them emotionally. (Maybe Allura with Lotor)

VLD misses a lot of emotional beats. One of the biggest failures was not showing when the team learned about Keith’s Galran heritage. Then we never see the emotional fallout with the clone, other than the team referring to him as “evil.” The clone fought alongside with the team, perhaps longer than Shiro, and the team never mourned him. Sendak and Shiro’s fight? Shiro never says a word, and then Keith kills Sendak, taking away Shiro’s right to fight back against his one-time captors.

Lotor had Pidge’s dad and didn’t even try to make her a traitor to Team Voltron? Narti could control minds and not one of the paladins was ever brainwashed by her? Haggar did it to a clone, not even Shiro.

Even Allura and Lotor’s relationship - Allura’s anger was the stereotypical “woman scorned.”

So much potential, and it’s just wasted.

Anonymous said: An ask or two doesn't have enough room to describe how much Shiro means to me, how much strength I draw from him, how many dark places he's helped me out of. But s6's treatment of kuron/shiro left me in tears and nearly dissociating for hours, and it's the only season I haven't rewatched. And here's the kicker: Everything I've read about s7 has made the thought of watching it feel identical to an urge to self harm. I want the EPs to think about that. I want them to think hard about people like me, because I doubt I'm the only one who's been affected like this. And I want them to really, really consider if this is the story they wanted to tell. If this is the effect they wanted their story to have.

Shiro is important to many people in terms of representation, and I’ve read many posts about people who identify with him. I’m glad he’s had an impact upon your life, and I hope you can still take comfort in the earlier seasons. Please take care.

Anonymous said: I think I'd be okay with the "Shiro had a degenerative disease" if that was it alone. Like, it's a really good explanation of why everyone so readily accepted the pilot error thing despite Shiro being an absolute legend of a pilot. But it was tied together with his gay reveal and then the story he was shoved into and... I cannot like it, or accept it.

Shiro was revealed to be LGBTQ+, have a degenerative disease, and lose his place in Voltron - all in one season. The juxtaposition of the reveals is reprehensible, and it sends a horrible message to people who have mental and physical struggles, are LGBTQ+, and minorities.

Anonymous said: So, here's why the "it's a show abt war so you have to suffer watching, bc there's only tragedy" excuse is weak: It’s a show about space robots, a space robot called voltron. It's not a show about drama, about people dying and it never was. It was supposed to be a show about teamwork (supposed bc that premise has left the building a long time ago) with war comes death? Yes, absolutely, but its not an excuse to kill all of the lgbt characters

That’s the issue - it’s not an excuse to kill all the LGBTQ+ characters. A show about war that has death and handles appropriately is one thing. Mourning the clone, mourning Shiro, mourning Narti - all those things should have happened, and they didn’t. (These characters were also all with physical and mental disabilities, DreamWorks.)

Showing children closure, helping them to understand death - is a good lesson to learn. But excluding Shiro from his only family, killing his one-time SO in a “fringe” move, and then killing the other LGBTQ+ couple in the show - not to mention killing Shiro four times - that’s a message DreamWorks should not be sending children.

Anonymous said: The one thing I wanted from Voltron Season 7: Shiro getting to reunite with the team, and work with them again as a part of the team - also, the one thing the Voltron EPs refuse to allow.

Not to be technical - but that’s actually two things. Shiro did reunite with the team, but unfortunately, he wasn’t a part of the team. In fact, he was excluded to the point of no longer even being called a paladin, according to “The Journey Within,” and I agree. I wanted that in Season 7 as well.

Anonymous said: I'm still lowkey [mad] that Sincline, made of the same material as Voltron, was not sentient, but the MFE fighters and Atlas, which are reverse-engineered galtean tech and run off... idk what they run off, magic low-charge batteries maybe... are implied sentient.

I’m not sure, but I can say - I am sad that didn’t pan out, either. I wanted to see what Lotor and his generals could do in Sincline. I’m sad that Atlas, clearly built for Allura, didn’t talk to Allura first. Instead, she will always be Blue’s second choice, Lance Red’s second choice, and Keith left to Black because Shiro...didn’t not to fly Black anymore? I’m not quite sure why. The story never tells us.

Rounding back - Sincline had so much more potential than was realized.

Anonymous said: In not committing to a specific black paladin, or even a specific direction and endgame, the story failed to stay together. It fell apart in the same manner a soft cheese does when pressed to a fine-hole cheese grater.

There are a lot of things that failed to keep the story together. The first and foremost was - you need to keep the team together, or at the very least, not lose two of your main characters in one 26-episode batch, one character for 24 episodes, another for 12.

Anonymous said: If the EP's have treated Shiro as an equal instead of a 'problem' they had to put up with, would VLD have not have gone downhill? It does feel like their dislike for one character and their stubbornness to stick to their original plan is what dragged the show down. It really does feel like what happened behind the scenes has become a cautionary tale on what you shouldn't do when writing a story and its characters.

I can’t say for sure, but what I can say is - the moment the EPs saw Shiro not as a character but as a plot device, is the moment the story began to unravel.

cc: @netflix

#voltron #voltron critical #shiro #vld season 7 #dreamworks #anon #answered #melissa18999 #sweet-rabbit #safeautistickeith:

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