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#tbh it’s super amicable on both of our parts
succutiddies · 3 months
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welp y’all i’m single now lmfao
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axemetaphor · 3 years
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im definitely not ripping off my friend by making a list of au ideas i have no siree //gonna slap this under a readmore cause i. well i say a lot. all of the time. i tried so hard to format this Good but tumblr fucked me up i am so sorry
so first-off i know i already have one WIP AU (Auckland) on ao3 so i wont talk about That one cause like. spoilers. i actualyl have it like 80% created so its likely gonna truly get finished for once and i dont wanna ruin shit
the other one ive posted about is something me and ben (catgirlrepublic) have worked on together its not at all close to done or anything but it's. a fun little crossover. Between jdate and my fuckinuhm. Original characters story “Untitled Villains Project”. the sketches of the comic version ive started is actually my pinned post 👉👈 its like the first chunk of the story, i think half of part 1? yea.
Tldr john fucking Somehow is able t oget into contact with a certain curious scientist from another reality who’d just love to study the Soy Sauce, most certainly not for her own nefarious purposes
John and Dave meet up with the scientist, her name is Boss, and her lab assistant, Toxic, and after a bit of a preliminary Vibe Check where john determines her trustworthy (which Dave doesnt agree with,) the two agree to be taken to the world UVP is set in. from there they stay in Boss’s lab (big old fucking abandoned military lab). John and Toxic are fast friends due to mutual love-of-chaos. John n Dave get to fuckin, camp out on an air mattress.
The day after they arrive, the two get split up, not exactly intentionally; big plot points of UVP are liek. Fueled by Boss sending Toxic to go fetch her “research materials,” which are usually important artifacts
Fuckin side note i guess i have to explain my dumb bullshit: Boss’s, uh, field of expertise so to speak is actually fckin, basically the scientific study of magic and superpowers n shit like that. This shit’s all real in that world. Toxic’s got fuckin superpowers, so do 4 other main characters, whatever. It’s got a bit to do with spirituality, iss Boss’s hypothesis. So she has Toxic fetch important artifacts that might have “energies” to them. The thing is actually way more fuckin complictated than that, this is just Boss’s initial hypothesis.
Motherfucking anyways. So Boss gives Toxic a job to do, and John get excited about how Cool that sounds, and ends up going with Toxic, leaving Boss and Dave alone. Neither is thrilled about this. But Dave and Boss get to have a bit of conversation (while Toxic and John are off bonding and having a good time) and come to a… mutual grudging understanding of some kind. They still dont like each other though lmao
Theres gonna be deeper shit going on but we havent sorted it out yet/tbh havent like Written For It in a while but i still like thinking about it a lot lol
Also pretty sure our endgame is john and dave steal toxic and bring them back with em lmao boss is kind of not nice and toxic would most certainly be better off in Undisclosed. Actually theyd fucking love it. Theyd become a local cryptid im sure. Undisclosed’s mothman is a teleporting spike baby.
I have. Another crossover AU that i might. Post something about for halloween? Maybe? If i have it finished?
Crosses over into, you guessed it, another one of my original-character projects. God, am i vain or something?
I promise this is just because i think blue and dave should get to team up to beat up some monsters
Quick briefing on my fuckinuh. Original character story, this one doesnt have a name (yet? Idk lol my work never actually goes anywhere sso who gives a shit). It centers around two grim reapers, Red (26, bi woman) and Blue (22, aroace agender asshole). In this reality or whatever, grim reapers function kind of like low-level office workers. They get told who’s going to die + when by some middle-management types, and upper management only involve themselves when punishment needs to be doled out. These Higher-Ups can be seen as analogous to Korrok; they’re decidedly not human, never were, and fucking terrifyingly powerful. Additionally, grim reapers are sort of .. designed to be “background noise” people. In reality theyre supernatural beings and, uh, look Real Fuckin Weird (the whole deal has a neon aesthetic im terrible at drawing uwu) but most humans just perceive them like extras in a movie. A body’s there but the camera’s not focused on it.
To the narrative: the shit starts when Red n Blue get relocated to Undisclosed. Relocation is something that just happens every now and then to reapers; they usually work in teams, but they get split up into different cities to avoid any strong bonds forming (a counter-union strategy from the Higher-Ups).
Red, Blue, John and Dave end up running into each other for the first time in a McDonalds where John n Dave are getting some 4am “hey, we just survived another horrific monster fight” celebration burgers. John and Dave are the only two people who can see how… strange Red and Blue are. Nobody else notices.
John unintentionally pisses Blue off, leading to Blue whacking him upside the head with a dildo bat. They all four get kicked out of McDonald’s. Dave and Red both are less than thrilled
Blue and John end up resolving their differences, somehow. Red and Dave briefly bond over their dumbass best friends being, well, dumbasses. They all part ways amicably.
somehow-or-other (idk yet) they end up running into each other a few more times, and eventually john invites them over to his place, and the four (plus Amy now!) get to know each other a little better
while there, Blue gets a text about some guy who's gonna die and John offers to drive them to where that's gonna go down. they take him up on the offer and get to have a bit of one-on-one conversation
after that ordeal though Blue has had Enough of people and bails, leaving John to head home alone
theres a sort of mirror-development going on with the five of em. Red, John, and Amy would all like everyone to get along, though theyre a bit tentative about it (John moreso than the other two, actually, jsut cause. well Red n Blue could still be Sauce Monsters). Dave and Blue on the other hand do Not like people enough for this shit, and Dave's not unconvinced theyre Sauce Monsters. he will not trust them until proven he should
the story's kinda nebulous but i got an idea for some Shit going down that involves both Sauce Monsters and also the Higher-Ups to have some fuckin absolute chaos go down.
Oops! All Trans
Everybody is transgender. Everyone
Ive actually workshopped this one both with ben (catgirlrepublic) and ghost (ghost-wannabe) lmao its a fun lil concept ive had from the get-go cause i mean. What’s an internet tran gonna do other than hit all their favourite media with the Everyone’s Trans beam
Dave transitioned post-high school and faked his death for it. People go missing in Undisclosed all the damned time, after all. He moved to the next city over, transitioned fully, then came back as a completely new man. Yes i know this doesnt exactly fit with the “everyone knows David from high school” thing alright, hush.
Anytime anyone brings up John’s old best friend (pre-transition Dave) John throws an entire fit like an overdramatic grieving widow. Full-on sobbing “why would you bring her up?! I miss her so much—” to the point that people just stop bringing up because Jesus Christ That Sure Is Uncomfortable KJHGFDS.
This is a scheme he and Dave came up with prior to Dave leaving, though Dave hadnt exactly anticipated John putting on this much of a performance about it— but it’s stopped Dave from ever having tto hear his deadname again, so hey.
Amy transitioned sometime in middle school/early high school. Her family was super supportive and loved her a ton and most people just know her as Amy. she was super shy her whole life really so. Yeah. people just dont think to bring it up lmao also i Feel Like big jim would absolutely wallop anyone who gave her trouble of any kind
John’s nonbinary (genderfluid specifically) and not exactly Interested in transitioning ? like hes fine with how he is. mostly.
he came out to Dave in high school but hes not out to anyone else exactly. Maybe his bandmates. Probably any other trans person in Undisclosed knows, too, cause theyre safe to tell lmao. Johns mostly a “he/him out of convenience” kinda nb who’s cool with any pronouns but does prefer they/them most. Dave and Amy use they/them when the trio are alone
Also this is a totally self-indulgent caveat that i think would be great, Dave’s actually agender but because he's transmasc and transitioned when he thought there were really only two options, and being Boy at least felt less weird than being Girl, he just kind of assumed he was a dude. It’s only through a lot of (like fucking years and years hes probably in his 30s/40s when he puts 2 and 2 together on this one) talks about gender with John that he realizes he actually feels like No Gender. Masc aesthetic with none gender.
I Just Think It’d Be Neat Is All Okay
Also Amy came out to Dave about being trans early on in them seeing each other and his response was to get very nervous before blurting out “me too” and then just being too embarrassed to talk about it for the rest of the day. Hes got a lot of hangups on talking about it actually it takes years for him to get comfortable in that
by contrast when Amy comes out to John about it his response is to yell “EYYY ME TOO” and give her a big ol hug lmao
I think itd be neatt if Amy ran a like. Transfem help/advice blog on tumblr. Kind of helped-with by John who can give her transfem nb insight for certain asks. I also just think that would be neat.
Cowboy AU - i put this one last cause its got drawings to it actually. Theyll be at the bottom
Basically just. Hey you ever watched a western. I think they look neat
This is another one me n ben have come up with lol
The soy sauce and all that shit still exist, im not sure where korrok fits in yet but ill figure it out
Theres no real like solid narrative yet ? but heres the barebones of everybody’s arcs.
John
Johns an absolute troublemaker, Of Course. Hes wanted in several towns for absolutely stupid shit. Hes a loner who shows up, causes chaos, gets drunk, does some drugs, runs away if people get too mad at him
He definitely had the same kind of deal with the soy sauce as in canon— he was at some kind of party, somebody offered it, he took it cause why the fuck wouldnt he, now he can see monsters and shit
Hes kind of a mooch also. Like. dont let him stay in your barn man he’ll never fucking leave and drink all your booze.
He runs into Dave when they happen to just, cross paths in the same town. the bullshit John stirs up ends up involving Dave in a way that makes it seem like it's his fault too, and they both get run out of town
after that he just tags along after Dave. hes decided this guy's Cool he wants to stick around. Dave is pissed at first, but not enough to shoot him or anything, and eventually, John grows on him
Dave
Dave also is a loner but unlike John hes simply so fucking awkward and bad with people. He doesnt feel like he belongs anywhere so he just travels
He’s the stereotypical Lone Ranger tbh. He wanders from town to town, solving their problems, though hed deny its out of any moral obligation (it kinda is, a little bit, tbh. He does like feeling useful). He shows up, fixes things, leaves. He's kind of a legend but most people think he's hiding something dark. other people jsut know him as that guy who farted real loud in the middle of the saloon and promptly skipped town out of sheer embarrassment. you know how it goes with Dave
He ends up involved with the Soy Sauce when a snake (not Actually a snake,) bites him. The snake’s more like the wig-monsters, really. Anyway, it injects him with the soy sauce, he fucking trips balls in the middle of the desert, he can see monsters now
He runs into John and shit goes tits-up, as said, but they become traveling buddies after that. he'd never say so, but he's glad for the company, actually. it's nice. hes not used to companionship but he feels a strange kind of easiness hanging out with John....
not sure how the Monster Dave concept will like fit in to this reality but like. trust me i want it in here. I'll Figure It Out.
Amy
Amy’s been living in a town John and Dave end up passing through and she is very curious about these two new Handsome Strangers who claim to fight monsters and just kinda. Persistently tags along til they let her join for real
Her family’s all dead, unfortunately, just like in canon, and she’s been living alone for a few years before meeting John n Dave. she had nothing left in that town to stay for, she'd been fantasizing about escaping on wild adventures for a long time and this felt a little like a dream come true. (Dave still gives her a spiel about how Difficult it is, but really, her fantasies were pretty grounded-in-reality already. i jsut think thats how she is, yknow?)
Shes the first person to react to the whole “we see monsters” shit with a kind of “oh, okay. neat” kind of response lmao
John and Dave fix whatever the fuck is up with her town (maybe that’s where the Korrok shit can fit, who knows) and Amy ends up being integral to that. After, she insists they take her with them because “they need her now” and Dave just cant really say no. John too is very much "the more the merrier!" and hes actually glad to have another person along he loves people lmao
At the start she has long hair but after she joins them she chops it short with a knife for convenience
also she still is an amputee. justt. idk. it was a wagon/stagecoach accident rather than a car accident lmao. just to clarify since i hadnt mentioned it, i wouldnt rob her of her ghost hand or yknow. all of the significance to her character that Missing A Hand has. although also now im going to have to research what was used as painkillers way-back-when, but im betting shes still got, like, her pain pills, they probably had those, maybe i wouldnt have to try too hard there. old timey medicine could be WACK though,
Shitload
Yeah hes in tthis shit mostly cause i liked designing his cowboy self lmao
Hes a kid (like 16, 17, technically i think in those days that was more Young Man than Kid but whatever. Hes Young i mean.) who got possessed by the Worms out in the desert and, by his family’s perception, just went missing!
Hes also a wanderer, but he ended up at the same town john and dave met in, at that same time, and starts following them after, already aware of who/what they are.
He keeps his face covered 24/7. actually he covers a Majority of his self for reasons. kinda want him to be a slightly more horrifying Worm Entity rather than human idk,
I kinda dont have much for this boy yet sorry Shitload
images !
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with some editing notes for me cause im doing a very specific aesthetic with this lmao. i might change some lil details/colours though ...... idk
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im also kinda 🤔 about shitload's colour palette. i want things assoicated w the sauce to be black'n'red predominantly but i think his palette might mirror dave's too closely. also im working on a korrok design i jsut am too busy to draw it now
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MTVS Epic Rewatch  #155
VM 3x04 Charlie Don’t Surf
1) Let’s be real, this episode is kind of a drag, and it’s only worth a watch for all the Logan angsty feels okay? Because of that, this should be ranty.
2) 
VERONICA: This is a bad idea. KEITH: No, it's not. VERONICA: You only thinks it's not 'cause you came up with it. KEITH: Ergo, how could it be bad? Math, sweetie. Me plus idea equals good.
Hm, what could this “idea” they’re talking about be...?
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FYI, Logan is never a bad idea, okay?
3) Veronica is totally freaking out, and tbh, we can’t blame her considering one of the last times Keith and Logan were at the Mars’ home together this happened...
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Keith certainly wasn’t - and to this day kind of isn’t - a member of the Logan Echolls Fan Club (I’ll get to the Keith/Logan stuff later) but Veronica had been dating Logan for a few months now, they were going steady, and didn’t Veronica want the two leading men in her life to get together and get along? Oh right. I totally forgot about Veronica’s need to compartmentalize. Never mind.
Anyway, it’s so cute to watch her freaking out and then to watch Logan tease her a bit... 
LOGAN: Can I mention that my eyes adored you? I got it. No calling you bobcat, no talk of milky thighs.
...but then he sincerely reassures her...
LOGAN: Veronica? I won't say anything bad.
And not only does this calm her down, but it also makes her hold her hand out to him (a striking parallel to Logan holding his hand out to her when arriving at his house in A Trip to the Dentist...) in a “we’re doing this together, we’re a team” sort of way. I’m here for this shit, Rob Thomas. 100% in.
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Also, this whole scene is a nice reversal of the “meet the parents” typical scene. It’s usually the person meeting their significant other’s parent the one on freak-out mode, not the other way around. But it makes sense that Logan is the collected one here (although I’m 100% he wasn’t all that collected on the inside...). Logan might be a jackass occasionally, and he certainly was a smartass to Keith on more than one occasion. But he’s not stupid. And more importantly, he loves Veronica and he knows how important her dad is to her, so he’s certainly not going to do anything to ruin the evening for either of them. At least, not on purpose...
4) Of course, that reassurance didn’t last long... 
Keith was rather amicable - though not exactly friendly or warm - and he was asking the standard “father-meets-boyfriend” questions. The thing is, Keith and Logan have a shared history. He wasn’t really meeting his daughter’s “new” boyfriend. Keith had had an idea of Logan built in his head for years now, some of it based on fact, some of it based on prejudice and a definite transfer of guilt because of Aaron’s actions. It’s both OOC and IC for Keith, though. On the one hand, I don’t think we ever see him hold on to his preconceived notions of a person as hard as he does regarding his perception of Logan. On the other hand, it kind of makes sense that he’s always on guard regarding Logan because he can tell how much Veronica cares for him, and therefore he understands that Logan - knowingly or not - has the power to hurt Veronica like nobody else. Oddly enough, he seems to believe Veronica is blind to Logan’s flaws, while Veronica - just like Keith - holds Logan to higher standards than any other of her boyfriends. Like father, like daughter, I guess. 
So yeah, Keith is amicable enough, and he’s not really asking any tough questions. And even though Veronica seems to be overreacting at first, I get it. Because there’s something in the way Keith regards Logan and the tone of his voice that is kind of telling you he’s setting Logan up to take the bait and prove how much of a screwup he is and how wrong he is for Veronica. 
Regardless, Logan was doing quite well. He was answering Keith’s questions sincerely and respectfully while still being Logan.
VERONICA: Where is this going? KEITH: My end game is to find out what classes Logan is taking. LOGAN: Just core stuff, you know, sociology, freshman comp. Mass com, which is kinda coming in handy. You know, apparently being the offspring of a murderer doesn't get old. I'm getting all these interview requests. Larry King wants me to come on with O.J.'s kids. KEITH: Oh, you thinking about it? LOGAN: No. KEITH: Why's that?
5) We all die a little bit inside as Logan looks back and forth between Keith and Veronica when they’re lovingly bantering right? I mean, he’s so happy to see the two of them interact in that way because that’s exactly the kind of relationship he wished he’d had with his parents or with any family member, which is the whole point of this episode. Correction. It’s one of Logan’s traits as a character. Throughout the series and the movie, Logan is desperately looking for familial relationships, for that kind of love. It’s really sad, actually. Here’s this boy who is always wearing his heart on his sleeve for the world to see, who falls for the mildest show of affection because he’s so desperate to be loved, and time and again he’s deceived and used. But that doesn’t deter him. (I think that’s why he held on to Carrie, she was the closest thing to family he ever had. So, can Logan have a family, please? Outside of Veronica, I mean.)
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Anyway, a lot of feels about this whole opening scene, okay?
6) It’s nice to see Veronica trying to mend fences with Parker. At first, I thought Parker’s beef with Veronica was a bit exaggerated. But then again, Parker didn’t know who had raped her but she still needed someone to blame, which is totally valid even if her blame was misplaced on Veronica. Anyway, it’s good to see Veronica opening up about her past and to promise Parker she wants to help her. More of this, always.
7) “Do you remember me by any chance?” 
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Uh, duh? Raise your hand if you watched “Just Shoot Me” and shipped these two...
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8) Dick going to Veronica’s is priceless...
EITH: Can I help you? DICK: Do you know which one of these is Veronica's? Oh, guess so. This is so freaky. I've totally been to this complex before. We had to pick up our maid here once. Is Veronica home? KEITH: Honey? DICK: Ah, it's like a little kitchen area, huh? Oh, it's so awesome. VERONICA: If you're not gonna shoo it out with a newspaper, I'm stepping on it. DICK: Hey, buddy. Hope it's not weird me just showing up. I can't believe I've known you forever and you've never had me over. VERONICA: You left a flaming bag of dog poo in front of our door one time. That was kind of a play date.
9) See? This is the kind of thing that bothers me... if you’re going to have a character have her head shaved, then you gotta have her be bald and/or wear a wig. A decent wig, if possible. After all, she’s out wearing it. But man did they give up quickly on the wig thing...
Beginning of 3x02
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End of 3x02
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Beginning of 3x04 
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Clearly, that’s Julie’s hair, but at least they kind of made it look like a wig? A super real wig? Very unlike the one she was previously wearing?
Middle of 3x04
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All pretense is dropped and Parker looks as if her head had never been shaved at all? 
10) I do love the lobster anecdote Keith told Harmony, but I also get Veronica’s reaction: why does this woman I’ve just met know this very personal anecdote about me that barely anyone knows about? Of course, she knows why. 
HARMONY: Veronica, the liberator of lobsters? LOGAN: Awe, I never knew. VERONICA: A single lobster, once, from the Chart House when I was seven. He tells that one to all the new clients.
I deeply enjoy Logan’s reactions throughout this whole exchange...
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11) So I get that this exchange and Dick’s shady attitude and reply...
VERONICA: What happened to your hand?
DICK: Window fell on it. Whatever.  (...)
VERONICA: Logan said you showed up at his place the night of Parker's rape, all wrecked, saying you screwed up.
...were in order to set up Dick as a suspect, but tbh who really bought Dick as a red herring this season? I mean, what were the odds of a second Casablancas being the season’s Big Bad? That would’ve been lazy writing. At the same time, if Dick hadn’t been set up as a red herring at the beginning of the season, there really wouldn’t have any purpose for him in the show...
12) 
VERONICA: I need to talk to you. I followed the trust money all the way down the rabbit hole. The payments are going to a person named Charlie Stone. Do you know who that is? LOGAN: No, should I? VERONICA: Yeah, probably. Charlie Stone is your brother.
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13) 
VERONICA: Here's his number.
LOGAN: Yeah, and what am I supposed to do?
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He didn’t even think about it, he was that desperate for some sort of family connection. Poor baby. 
14) 
NANCY: They set up this boo room so they could fondle girls as they went through. So, we dressed up as rats and strategically put rat traps on all of our gropable parts.
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15) Disclaimer: I’m this guy.
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16) And then, “Charlie”...
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Gotta hand it to him, though, he did his job well. I mean, he knew exactly how to get to Logan, he read him really well and he knew what kind of things to say to make him open up. So he’s a douchebag, but a smart douchebag. 
It’s really sad, though, that Logan falls so easily for his act. 
LOGAN: You surf? CHARLIE: As often and as long as I can. LOGAN: Man, we are brothers.
17) 
VERONICA VOICEOVER: I have options. I could be excited for Logan. Thrilled even that his new brother is such a keeper. Or, I can be me.
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Don’t hate me for what I’m about to say, but... I think on some level Veronica was happy she was right. There’s something about the way she decides to let Norman know she caught him that makes me wonder if she ever considered Logan’s feelings when confronting him. Like, she was reveling in confronting Norman and  uncovering his true identity, showing off how smart she was (or how much smarter than him she was...) Regardless of how it would affect Logan, she loves being right, and the P.I. in her was telling her something was off about this Charlie guy, so she followed her instinct. Now, I’m not saying she wouldn’t have felt relieved if she had been wrong. But a part of her would’ve been disappointed her instincts failed her. Does this make any sense? 
18) Of course, just before everything goes to shit, we get this scene...
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LOGAN: So, it's Christmas, right? The entire family unit is around... Which was rare. And I'm, I don't know, I'm nine and Aaron hands me a gift, but he notices the box has been re-wrapped, you know, so he knows I peeked. I'm nine years old; he's re-gifting me a fruit basket. He starts shouting about how I've ruined Christmas. CHARLIE: Oh, my God. LOGAN: Yeah. And he, uh, he tells me I'm not opening another gift until I eat all twelve pears in the box. CHARLIE: Damn, man, the scissors incident, the drained swimming pool episode, now the box of pears. LOGAN: Yeah. So, I'm eating the pears and taking my time, taking these dainty bites...the man comes unhinged. Takes these pears and just starts shoving them down my throat one after another. And then...and I'm choking but he doesn't stop until my mom holds a cheese knife to his throat. To this day, I puke if I smell a pear.
In a couple of days, Logan had opened up to “Charlie” about his entire history of abuse by his dad. Like, this is the most private thing about Logan, and he’s completely honest about everything, probably more honest than he’s ever been with anyone before - Veronica included. And we get to hear this, and we’ve seen some things before and heard comments about others (just like here we hear about the scissors incident and the drained swimming pool episode, both of which I’m equally interested and not interested in learning about...) but it’s like seeing the tip of an iceberg of shit (a shitberg?), you know? There’s so much more shit below it, and we will never really know everything about Logan’s childhood. 
Also, this sort of explaines why we always see Logan eating apples, right?
19) Of course, after their heart-to-heart, there’s a tiny blonde waiting to rain on their parade... 
VERONICA: Hi, Logan. Hi, Norman Phipps.
LOGAN: What did you call him?
VERONICA: His name. Norman Phipps. At least, that's the name of the guy who rented his rental car and a quick google check reveals that Norman Phipps is a contributor to Vanity Fair. Thank God for mobile wireless, huh? So, Norman, how's your story coming.
NORMAN: It's great. In fact, I'm almost there. Just one thing, Logan. That fruit basket? Was it from Harry and David? God is in the details. Ah, please take a swing. It'd make a great lead.
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Btw, Logan punching Norman in the face is twice as rewarding for me because I hated Gilmore Girls’ Logan. #notsorry
20) And then this...
VERONICA: I'm so sorry. I should've just left it alone.
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A) What does she mean by that, though? That she shouldn’t have followed the money trail and found out about Logan having a brother? Or that she shouldn’t have continued digging after Logan met “Charlie”? B) There’s something about the way he looks at her as if he doesn’t truly believe she’s sorry? Or as if this is a very Veronica thing to do? Both, probably.
21) I can’t help but find this speech about “looking for the truth” a bit ironic coming from Veronica herself...
VERONICA: I was looking for the truth and I found it. You wanna nail someone to the wall, just to have someone nailed there, or do you want the person responsible to pay?
I mean, ultimately, yes, Veronica does look for the truth. But she also makes the mistake, on numerous occasions, of nailing someone to the wall just to have someone nailed there. I would love to say this is Veronica growing up and learning from her mistakes, but I think the rest of this season will prove otherwise, so...
22) He literally had just met the guy and he gave him his grandfather's watch? Like, we know how much his grandpa meant to Logan (remember the lighter?). It breaks my heart that he was so gullible...
LOGAN: I was hoping you could bust some of it out again and help me find Norman Phipps.
VERONICA: Why?
LOGAN: Well, I gave him a pocket watch that belonged to my grandfather, the only decent member of my family. 'Course, he died when I was five, so who knows. Still, kinda burns thinking of Norman having it.
23) I’m fine, I’m fine...
VERONICA: The reporter acted alone. He was tapping Charlie's line when you called. Your real half-brother is innocent.
LOGAN: And I was so quick to believe that guy. And, you know, I look at you and your dad, you know, that thing that you have. I never had that.
VERONICA: You couldn't have known.
LOGAN: No, I'm sure that won't matter to him.
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24) And of course, Logan being Logan, he has to try again...
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ANSWER MACHINE: Hi, this is Charlie. Please leave a message. LOGAN: Hey, Charlie, it's Logan again. Uh. Listen, I'm sorry about all the messages... Yeah, I guess I thought I'd give it another shot. Fourth time's a charm, right?
:(
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whatevertheywant · 6 years
Text
My Bisexual Opinion: ABBA Edition
I saw where another blogger had discussed several different ABBA songs, and given the general happiness the announcement today has given me,I’m gonna discuss some favorites of mine as well
1. Super Trouper- My favorite ABBA song! There’s something uniquely intimate yet still still fun and upbeat about it. I love Anni-Frid’s voice so much and how well she and Agnetha harmonize <3 <3 <3 My favorite lyrics are “I’ll be there when you arrive// the sight of you will prove to me I’m still alive//And when you take me in your arms and hold me tight// I know it’s gonna mean so much tonight” Everything from the backing vocals to the composition to the ladies’ always flawless voices is just so on point! Also, I totally want Anni-Frid’s jumper from the music video
2. The Winner Takes It All- A close second favorite. Oh my sweet lord! This song doesn’t get the love it deserves by a long shot. Like...sweet mother of emotional vulnerability! I know Bjorn says that he didn’t write this song about his and Agnetha’s divorce, but there had to at least be a touch of those feelings that went into it. I can’t imagine how hard that must have been, at least initially for Agnetha to know Bjorn wrote the words she was singing. You can definitely feel the raw emotion she put into it. I know the divorce was particularly hard on her. (The Meryl Streep version really puts my heart through the ringer, but I digress). There are too many examples of amazing, heart-wrenching lyrics to list them all, but the biggest gut punch is probably “And I understand...//You’ve come to shake my hand// I apologize if it makes you feel bad// Seeing me so tense// No self-confidence” then the last chorus. I just want to hug her and tell her it will all be okay.
3. Dancing Queen- An absolute bop! I don’t want to say it’s overrated because it is definitely deserving of its popularity, but I hate that the U.S. kind of slept on ABBA because they were thought to be purely a disco band because of it. Anyway, I actually sang this song for karaoke at an event a couple days ago. It’s so fun and easy to sing along to! You can’t help but feel at least a little better after you listen to it. I’m disappointed that no one sent me this song or sang it to me when I turned 17 tbh. I also associate this song with a disco tape my fourth grade teacher played for us all day every day (Yes, in the year 2005 A.D., the year of our lord. Someone always had to go flip it at least once a day.) Benny coming through with the piano! Everyone is obviously enjoying themselves.
4. Lay All Your Love On Me- Yaaaaas Angetha! Also an absolute bop! I have this song on a spotify playlist for my fiancee. I love the beat as well as the lyrics! It’s very much a mood when you’re falling fast for someone but haven’t quite made things exclusive with them yet. The subject is familiar enough for everyone to relate, but the lyrics are unique that they don’t fall through the cracks as just another vintage pop love song. “And I’m possessive. It isn’t nice// You heard me saying that smoking was my only vice// But now it isn’t true// Now, everything is you//”. Like, hell yes, intensity and love while acknowledging jealousy isn’t a cutesy part of a relationship but still natural! 
5. Mamma Mia!- Here I go again! Another fun crowd song. That piano and guitar intro/outro is just so I C O N I C. Usually,I focus more on lyrics than music as a writer, but the music is what makes this song unique and great to me. The arrangement is just. so. GOOD. The boys really brought their game to this one on all fronts. I do also love the lyrics. Very solid song, very easy to relate to. I also like the ambiguity that the song ends on. Did she go back to the guy or not? That’s the lack of resolution makes it all the more addictive imo.
6. Does Your Mother Know?- LET BJORN ULVAEUS SING LEAD MORE. I love,love, love the girls, but I need more Bjorn lead vocals! He’s a great singer, and this is such a fun, flirty song.  I like that it doesn’t take itself too seriously, and there’s something amusing about the mental image of young Bjorn at a bar trying to have this conversation with a barely legal fan that’s probably throwing herself at him.
7. Thank You For The Music- I love the simplistic style of this one. It’s possibly the sweetest songs the band has ever released. At some point, everyone has thought or said, “No, ABBA, thank YOU for the music!” It really was the perfect way to say goodbye (thank fuck they came back though!). It leaves you with a sadness that is still warm and fuzzy, like watching a friend or relative graduate. It would be a good song for a grad slideshow for a music major. And for added cuteness, imagine the home videos there likely are of tiny ABBA members singing and dancing! 
8. I’m a Marionette- My best friend’s favorite ABBA song. It is a grossly underrated one! It can be a little difficult to listen to because both the music and lyrics give off an anxious or frantic feeling, much like one would probably feel being a marionette (Ghost does a good cover of this one.). The music industry is often guilty of meddling with and stifling the creative process, which can make artists feel like puppets more than people. This is another song where the music stands out to me more than the lyrics. Anyone who hears it can see why.
9.  Fernando- I am a sucker for softer sounds. I also love the Spanish influence of the song as a whole. There’s a fond sense of nostalgia. The entire chorus is so sweet and makes you feel like you’re taken back in time along with the singer. Whether you take the song as being about two former lovers remembering being young revolutionaries or the war being metaphorical, it feels like the sweeter side of a bittersweet ending. “Though we never thought that we could lose// There’s no regret// If I had to do the same again// I would, my friend” makes me think of the split between Anni-Frida and Benny (just speculation) and their split possibly being more amicable than Bjorn and Agnetha (given that The Winner Takes It All has any inspiration from their divorce). Very haunting.
10.  Slipping Through My Fingers- (the Mamma Mia! version chokes me up sometimes because I must protect Meryl Streep at all costs) The song can be emotional enough without the creator context,but knowing why Bjorn wrote it makes it more visceral for me. If you don’t know, he wrote it because he  was feeling sad about missing out on so much of his daughter’s life because of how fast she was growing up and how frequently the band was touring. Agnetha sings vocals on this one, which adds to the emotion here. Ouch, right? They both did such a great job on this one! It feels so poignant and authentic. It can tug at the heartstrings of both parents and their daughters. It’s hard to not just post all the lyrics, but here are some of my personal picks from this song: “What happened to the wonderful adventures//The places I had planned for us to go// Well, some of that we did, but most we didn't // And why, I just don't know” and “Sometimes I wish that I could freeze the picture//And save it from the funny tricks of time (Slipping through my fingers)”
That’s definitely not a complete list of the songs I most enjoy by them, but I figure I rambled enough for a bit. I’m just super excited! I may post more at some point, but if you actually read the whole thing, bless you.
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