#stephane raynor
Text
2 notes
·
View notes
Text
Batman: Detective Comics (Vol. 2): Fear State by Mariko Tamaki
Title: Batman: Detective Comics.Volume: 2.Story Arc: Fear State.Universe: Infinite Frontier.
Writer(s): Mariko Tamaki, dan Watters (short story), Matthew Rosenberg (short story), Stephane Phillips (short story).Artist(s): Dan Mora, VIKTOR BOGDANOVIC, Max Raynor (short story), Darick Robertson (short story), David Lapham (short story).Inker(s): Daniel Henriques & Viktor Bogdanovic.Colourist(s):…
View On WordPress
#batman#comic book#dc comics#dc universe#detective comics#fear state#graphic novel#mariko tamaki#review#roars and echoes
2 notes
·
View notes
Text
The Boy Fashion Brand Has Become A Controversial Brand
Founded by Stephane Raynor in 1976, BOY is one of the world’s most iconic fashion brands. It’s been a part of every youth movement that ever mattered and out lived them all. It’s the brand that was a uniform for the smiley craze, defined the style of the acid house era and was there at the birth of Britpop. It was a cult fashion staple and is still a go to brand for a new generation of music…
View On WordPress
0 notes
Text
Target Insurance Coverage
Join to obtain our most recent information and offers, unique invitations to personal sales as well as launch occasions. Because its beginning in 2002, the "Le Mans Classic", which is held every two years, has developed itself as one of the globe's largest classic car races. Here, 汽j車用品 and auto scene meets up on a regular basis to commemorate the historic classics at this famous French race course. Xq-power 28g servo 180 ° With robot servo, 4 steel equipments +1 plastic equipment. MOBO Ltd. has been working in mobile phone accessories because 1999. As one of the leading firms in cellphone devices industry, we are committed to the principles of excellent quality, great value as well as speed delivery.
Yet ever since it has changed into the menswear line, SOPHNET, as well as womenswear, sophnet. SIMONE ROCHASimone Rocha, child of Irish developer John Rocha-- but her style is really various. While the enchanting impact appears, there is a delicate freshness concerning Simone's garments that stem from her treatment of shoelace and also crochet in an absolutely modern as well as minimal method. SSAINT LAURENT PARISStarting from SS13, Yves Saint Laurent has actually transformed its name to Saint Laurent together with its new logo design. Saint Laurent Paris is a deluxe fashion residence founded by Yves Saint Laurent and his partner, Pierre Bergé.
X For Bmw M Performance To Sides Or Mirror M Sport Plastic Stikers Stripes Decal Graphics
Today INNO has almost a 60% share of the Japanese auto rack market, with our own manufacturing facilities in Japan, China and facilities in the USA to keep up with the expanding demand.
youtube
Identified for its no-nonsense street-style, KKXX remains to develop a culture of its very own and also impressing with its chord-striking images. PLANET MUSIC & ECOLOGYEstablished in 1999, planet songs & ecology styles garments in recreation and wonderful styles. All its items are made with enthusiasm that can long be enjoyed as well as put on. Beam of lights BOYLaunched in 1998, BEAMS BOY was made for ladies who like the stamina and also function located in guys's style.
Promotional Presents
BOYYIn 2004 Designers Jesse Dorsey and Wannasiri Kongman fulfilled in New York, where their collective creation BOYY was born. The heady pairing of a keen eye for style and extensive imaginative perceptiveness, produced a line of high-end handbags and also natural leather items, coveted 汽車用品 by style fans worldwide. Young boy LONDONDating back to the 1970s, founder Stephane Raynor first started marketing his then own brand name 'Acme Attractions' on King's Roadway in London which also housed design mavericks in the likes of Malcolm McLaren as well as Vivienne Westwood.
1 note
·
View note
Photo
THE STORY BEHIND BOY, THE CULT LONDON FASHION LABEL
Miss Rosen for Huck Online
In 1976, Stephane Raynor opened BOY on King’s Road, and it quickly became the Mecca for the punk scene that was taking London by storm.
The store created a cohesive brand identity long before anyone was thinking on those terms, drawing its name from provocative tabloid headlines like “Boy Stabs PC” and “Boy Electrocuted at 30,000 Volts,” which had been clipped and hung as décor.
“The ‘70s were awesome. I didn’t know what the fuck I was doing, but the world knew I’d arrived,” recalls Raynor. “Imagine a wasteland of a city like London where we could do whatever we wanted. There was no capitalism and that was fine for a small bunch of renegades like us.”
“I was an art anarchist. I didn’t believe in much. I wanted to create and destroy at the same time. I was living in a bubble, taking everything in around me but not knowing if I would succeed or crash and burn —and for some reason, it didn’t matter. I had no fear of consequences.”
Read the Full Story at Huck Online
Top: Punks at the Roxy, London, 1977 Photo by Derek Ridgers
Bottom: (L.) Stephen Linard at the Blitz Club, London Photo by Derek Ridgers
1 note
·
View note
Text
BOY LONDON
新網站發布在 http://87camp.com/3420/
BOY LONDON
BOY LONDON 是1976年由Stephane Raynor創立的英倫街牌，受到McLaren與Vivi […]
0 notes
Text
Dj Tastytimmy & Flynn.. from a BOY London Catalog 1983 Stephane Raynor.
2 notes
·
View notes
Text
Global Trend brand Market
The report forecast global Trend brand market to grow to reach xxx Million USD in 2019 with a CAGR of xx% during the period 2020-2025 due to coronavirus situation.
The report offers detailed coverage of Trend brand industry and main market trends with impact of coronavirus. The market research includes historical and forecast market data, demand, application details, price trends, and company shares of the leading Trend brand by geography. The report splits the market size, by volume and value, on the basis of application type and geography.
First, this report covers the present status and the future prospects of the global Trend brand market for 2015-2024.
And in this report, we analyze global market from 5 geographies: Asia-Pacific[China, Southeast Asia, India, Japan, Korea, Western Asia], Europe[Germany, UK, France, Italy, Russia, Spain, Netherlands, Turkey, Switzerland], North America[United States, Canada, Mexico], Middle East & Africa[GCC, North Africa, South Africa], South America[Brazil, Argentina, Columbia, Chile, Peru].
At the same time, we classify Trend brand according to the type, application by geography. More importantly, the report includes major countries market based on the type and application.
Finally, the report provides detailed profile and data information analysis of leading Trend brand company.
Key Content of Chapters as follows (Including and can be customized) :
Part 1:
Market Overview, Development, and Segment by Type, Application & Region
Part 2:
Company information, Sales, Cost, Margin etc.
Part 3:
Global Market by company, Type, Application & Geography
Part 4:
Asia-Pacific Market by Type, Application & Geography
Part 5:
Europe Market by Type, Application & Geography
Part 6:
North America Market by Type, Application & Geography
Part 7:
South America Market by Type, Application & Geography
Part 8:
Middle East & Africa Market by Type, Application & Geography
Part 9:
Market Features
Part 10:
Investment Opportunity
Part 11:
Conclusion
Market Segment as follows:
By Region
Asia-Pacific[China, Southeast Asia, India, Japan, Korea, Western Asia]
Europe[Germany, UK, France, Italy, Russia, Spain, Netherlands, Turkey, Switzerland]
North America[United States, Canada, Mexico]
Middle East & Africa[GCC, North Africa, South Africa]
South America[Brazil, Argentina, Columbia, Chile, Peru]
Key Companies
Supreme
Off White
A Bathing Ape
Comme Des Garcons
Chrome Hearts
Acne Studios
Alexander McQueen
Givenchy
Palace
Stephane Raynor
Superdry
Vans
AdidasY-3
KENZO
MCM
Christian louboutn
Stussy
Champion
CARHARTT
Mishka
Market by Type
T-Shirt
Dresses
Pants
Shoes
Jacket
Hats
Market by Application
Men
Women
Kid
for sample report please visit: https://www.statzyreports.com/report/SR151482/COVID-19-Version-Global-Trend-brand-Market-Status-2015-2019-and-Forecast-2020-2025-by-Region-C-Product-Type--6-End-Use
Phone Number
(IN) - +918484035727
(US) - +1415-871-0483
Email Address
Email : [email protected]
Email : [email protected]
0 notes
Text
Session 1. Introduction to the Data Economy
Digital Innovation, the Disruptive Economy and Big Data
Digital innovation and the development of new industries that have been given many terms including the “data (driven) economy”, the “digital economy” and the “disruptive economy” have one thing in common. They are largely driven by changes to the way we use and communicate information through technology and the way we interpret data in order to make it useful, more efficient and effective for various objectives. Today, data is a pillar for modern society. In the past, the value of information is in its content that is readable and only limited by literacy and language. Today, it need not be readable in the traditional sense, and yet it is increasingly becoming a fundamental tool for good governance; an essential component of the infrastructure of a city and a driver of the new economy.
Disruptive Innovation and the Digital Economy
Some innovation can lead to more competition through the creation of a new product or service. Others may render the ‘old’ way of doing business obsolete in a way that requires existing business to follow and adopt or sell, cooperate or merge with the disruptors.
In some cases, it is caused indirectly by a technological tool. In other cases, it leads to an entire business model and industry (and players). For example, the manner of delivering content such as news, music and multi-media; and the rapid improvement of communications technology have led to drastic (and not often willing) changes in the business models adopted by these industries, and in some cases the demise of some long established companies.
Some disruptions involve replacing an old link in the chain of product and service distribution or delivery with a new one. These include Apple, Uber, Airbnb and Amazon. There are some innovations that do not ‘disrupt’ in that they provide something entirely new that is not a substitute for something else. Social media and search engines are just two of the more prominent examples of these, although they do indirectly cause some disruption where the services they provide are similar or can have an effect on other industries such as the advertising industry and dissemination of news (through developing their own algorithms for sorting and displaying news in their newsfeed and news aggregator respectively).
The common features of disruptive innovations that lead to disrupted economies (or industries and markets) are:
Greater accessibility in relation to distribution and usability (i.e. faster)
Less expensive and more cost efficient alternatives (i.e. cheaper)
A new or redefined business model with structural cost advantages (i.e. leaner)
They are arguably better for society as a whole in the sense that they lead to greater convenience, efficiency and effectiveness. However, there will be concomitant trade-offs in the form of increase in computer crime and cybercrime, data security issues and personal data and non-data privacy implications.
Big Data and Processed Data
Big data is raw data, but through data analytics and processing by data scientists, it can become valuable assets. In some cases, these have developed new business models that are data-driven including social media companies and new media outlets; advertising and news delivery services; logistical services like delivery, transportation and accommodation alternatives and so on. In others, it has enhanced the provision of services and products, which can also itself be delivered and enjoyed electronically.
Because all these revolve around the natural and individual person as a consumer, the information that is a unique identifier of an individual becomes increasingly valuable. The value in processed data, including personal information, gives rise to tensions that were not in existence before the digital age – data privacy to and from information; competition over personal data and regulatory challenges. Larger problems detected include algorithmic bias or lack of algorithmic fairness; differential privacy, pseudoanonymisation and anonymisation of data; and again, the amplification of and unique problems relating to online crime and security.
“Data” or “information” is a very wide term that describes the human and machine readable form; the tangible and digital format; facts and fiction (and everything in between). Its implications are very wide depending on the purpose and nature of the information and how it is used; its societal and economic value and the implications of its abuse such as in the form of data breach and the unholy triumvirate of ‘fake news’ that is mis-information, dis-information and mal-information.
Preparatory Instructions: Take the initiative to find articles from credible sources on the topic beyond the required background readings (below) and note down your thoughts on the below questions for class discussion –
Consider how “data” or “information” relate to the new “digital” or “disruptive” economy. What is the difference between the regulation of data itself as an economic ‘value’ on the one hand, and the meaning in information that are the subject of content regulation by the IMDA on the other?
What are the various forms or types of data or information and how would you categorise them? Would you, for example, compartmentalize them according to their nature, purpose, value or function?
Who are the stakeholders of data, including “personal information”, in any law on data protection? What are “sensitive information” and how is this different but related to personal data?
How does this topic relate to other laws that you are aware of that relate to data and information generally?
Should data be considered a form of ‘property’ and should the features of property be applied to the concept of data for the purpose of regulatory and judicial treatment? Critically consider the assessment and recommendations in the following report: Rethinking Database Rights and Data Ownership in an AI World, SAL Law Reform Committee, July 2020.
What is Artificial Intelligence and how is it used in relation to the collection and processing of personal data? Consider the ethical framework and principles produced by the IMDA in its Model AI Governance Framework in the context of the fintech industry’s FEAT initiative. What are the issues relating to the use of AI here and what are the benefits and problems that may arise?
Primary Materials: (For Reference in Class Only)
Computer Misuse and Cybersecurity Act (Cap. 50A)
Cybersecurity Act (No. 9 of 2018)
Required Readings: (Light Reading for Session 1)
Maxwell Wessel, How Big Data is Changing Disruptive Innovation (27 January 2016, Harvard Business Review)
Clayton M. Christensen, Michael E. Raynor & Rory McDonald, What is Disruptive Innovation? (December 2016, Harvard Business Review)
Joseph L. Bower & Clayton M. Christensen, Disruptive Technologies: Catching the Wave (January 1995, Harvard Business Review) [click here for a scanned copy]
References:
Savaram Ravindra, Big Data’s Potential for Disruptive Innovation (10 July 2017, dataconomy.com)
Francisco Costa-Cabral, Strong Consumer Data Protection can be a Disruptive Innovation (15 March 2017, blogs.lse.ac.uk)
Jean-Stephane Gourevitch, The Future of Big Data is not just about Technology (29 November 2017, disruptionhub.com)
0 notes
Text
L'origine della marea britannica: Boy London
Boy London è stato fondato nel 1976 da Stephane Raynor fondato la via britannica, è l'originatore della marea britannica, è stata fondata all'inizio della ribellione etichetta, costantemente con un concetto sovversivo per sfidare l'industria dell'abbigliamento tradizionale, modelli audaci, T- Camicia tagliata e così via sono caratteristiche iconiche. Stampe ispirate dal nome completo della giovinezza, grande sfondo nero e sapore "aquila" LOGO non è difficile da vedere i suoi trend, i colori decadenti e ribelle, gli uomini e le donne sono adatti a un marchio.
Sta interessando il vento del mondo K-POP, diventano il centro dell'attenzione pubblica, dal favore fanatico della stella. Qui per condividere un disegno unico del ragazzo London logo stampato indietro al cappellino snapback. Il colore del colore blu è il colore, il cappello viene stampato su entrambi i lati del Boy London e la ripetizione bianca "Eagle", il tessuto del cappello traspirante e asciutto e con fori di ventilazione, ma anche liberi di regolare le dimensioni.
Giovani ragazze, passeggiate in strada, sport all'aria aperta o appassionati di marca di Londra, vale la pena di avere un cappellino snapback boy London di stile K-POP, evidenziate il tuo fascino pieno!
1 note
·
View note
Photo
It was in March 1977 that John Krivine, with Stephane Raynor, opened the vintage clothing store BOY as an offshoot of Acme Attractions, which sold pinball machines and antique furniture. They began selling their own designs in competition with Vivienne Westwood and Malcolm McLaren’s Seditionaries. Don Letts briefly managed the shop before going on to manage the Slits. The BOY brand caught on in the ’80s. Confrontational from the outset, BOY’s interior was designed to appear vandalized and burned-out; the disturbing window displays attracted violence and the glass was regularly shattered during the summer’s street fighting.
This offset-litho poster, designed by Peter Christopherson, advertises the punk fashion shop using a photograph of a boy with a bloodied head lying in the street, two bootshod youths standing over him. Some 200 posters were produced. According to John Krivine, “the boy on the ground is John Hareward (Little John), and the quote is [John and Peter’s]. I wasn’t even consulted—I wouldn’t have commissioned a poster: There was no money for a poster, and what do I do with a poster? I was shocked at the quote. The photo was fine, but the words were very deco, very 1930s. It was like a cheeky gift from them to me.”
0 notes
Photo
ANNUAL SENIOR SYMPOSIUM
CELEBRATE THE ACADEMIC AND ARTISTIC ACHIEVEMENTS OF THE OBERLIN COLLEGE & CONSERVATORY CLASS OF 2017.
Friday, April 28, 2017
Student Presentations
King Building, Third Floor
Concurrent sessions of student oral presentations will take place from 1:30-2:50pm, 3:00-4:20pm, and 4:30-5:50pm, featuring seniors...
Abigail Carlstad, Al Nadeau-Rifkind, Alejandro Vera, Alex Wilder, Alexandra Nicome, Alice Blakely, Aliyah Abu-Hazeem, Andres Cuervo, Anthony Moaton, Brendan Nuse, Christiana Rose, Christiana Rose, Daniel West, Elana Bell, Eleanor H. Van Buren, Elisa Casado Henderson, Elizabeth Levinson, Emily Curley, Emma Snape, Gabrielle Kaufman, Grover Neville, Hunter Zepeda, Ian Gilchrist, Isaac Pearl, Jackie Milestone, Jacob Roosa, Jacob Turner, Jeeva Muhil, Jordan Ecker, Juan Omar Rodriguez, Julian Cranberg, Julian Geltman, Kai Shinbrough, Kaia Diringer, Khalid Taylor, Kirk Pearson, Kristin McFadden, Lauren Rhodes, Leah Awkward-Rich, Liam McMillin, Lillian Posner, Lily Johnson, Liv Scott, Lucas Brown, Maddie Batzli, Maggie Gossiaux, Marie Lilly, Mattea Scheiber Koon, Maurice Cohn, Maxwell Butler, Melissa Cabat, Natalia Shevin, Natalie Hartog, Natalie Ventura Villasana, Naviya Schuster-Little, Nick Rowan Bassman, Noah Last, Noah Margulis, Perry Maybrown, Rachel Leader, Rachel Sacks, Sam Goree, Samuel Mellman, Sarah Chatta, Scott Russell, Sean Lambert, Serena Creary, Shelby Raynor, Sophie Pierson, Taylorlyn Stephan, Tory Sparks, Vikram Shankar, Walker Griggs, Xavier Tirado, Zach Moo Young, and Zoe Ginsberg.
See here for the full schedule of presentations.
Reception
King Third Floor Lounge
5:50 - 6:15pm
Closing Keynote Address
King 306
6:15 - 7:00pm
Whipped Cream, Whiskey, and Weight Loss: Exploring the Versatility of E-cigarette Use in Adolescents and Adults
Meghan Morean, Ph.D. and Alexa L’Insalata ‘17
All events are free and open to the public and take place on the third floor of the King Building, 10 North Professor Street, Oberlin, Ohio.
Sponsored by the Office of Undergraduate Research
1 note
·
View note
Photo
Boy London Autumn Winter 18 now in store and coming online soon. ————— Founded by Stephane Raynor in 1976, the story of BOY is a true one off, in that that the wildest rumours and legends that surround it couldn’t hope to compete with the reality. Beloved by the underground, but frequently courted by an overground hungry for a piece of BOY’s trademark attitude, it remains the label that everyone wants in on. —————— @boylondon (at Sa-kis) https://www.instagram.com/p/BoGVTSJHU83/?utm_source=ig_tumblr_share&igshid=1r82fyn1e7rfd
0 notes
Last Seen Blogs
youngblood-rii
marii.exe//
caspia-writes
caspia-writes
lawrencefineart
Lawrence Fine Art
zeropro
Zero Production Studio
ryutarotakedown
susato! with me!