#sparkhouse
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John Standring
Sparkhouse (2002)
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Richard does weddings so well 🤵🏻♂️👰🏻♀️ it's a shame he hasn't gotten married more often on screen. 🥂
#richard armitage#weddings#Sparkhouse#John Standring#Vicar of Dibley#Harry Kennedy#Fool Me Once#joe burkett
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“Sparkhouse”, the 2002 British series that is a very very loose retelling of Wuthering Heights with the genders reversed continues the time-honored tradition of making Heathcliff have wild black hair, ivory-skin and light eyes:
(Incidentally, this is Sarah Smart who plays Cathy Linton in the 1998 TV movie, and I think she was well-casted as Cathy Linton).
I will let Sparkhouse slide because so far it is good and it is such a loose retelling that Carol (Heathcliff) being a thorough Yorkshire lass is kind of the point.
But I find it interesting that in A True Novel, which was also published in 2002, Heathcliff is a darker-skinned racial outsider in his environment and it is a huge deal. And I doubt that Mizumura was working with “fancy postcolonial theories” and she by her own admission avoided rereading Wuthering Heights or anything on it while writing her novel. She still remembered that Heathcliff was meant to be racially different. In the English-language adaptations Heathcliff is generally whitewashed or the actors are in a halfhearted tan. In the French adaptation Heathcliff is blond!
Maybe I am being unfair. After all a screen adaptation is very different from a novel. All Mizumura had to do was writing Heathcliff as darker-skinned and giving him a complicated ethnic background, whereas screen adaptations actually have to bother to find and cast an actor of color. But I still can’t help thinking that whitewashing Heathcliff might be more of a white-people thing.
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💖 𝗦𝗔𝗟𝗘 💖 𝗪𝗵𝗲𝗻 𝗦𝗽𝗮𝗿𝗸𝘀 𝗙𝗹𝘆, 𝘁𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝘀𝘁𝗮𝗻𝗱𝗮𝗹𝗼𝗻𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗦𝗽𝗮𝗿𝗸 𝗛𝗼𝘂𝘀𝗲 𝘀𝗲𝗿𝗶𝗲𝘀 𝗯𝘆 𝗛𝗲𝗹𝗲𝗻𝗮 𝗛𝘂𝗻𝘁𝗶𝗻𝗴, 𝗶𝘀 𝗼𝗻 𝘀𝗮𝗹𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗨𝗦 & 𝗖𝗮𝗻𝗮𝗱𝗮 𝗳𝗼𝗿 𝗮 𝗹𝗶𝗺𝗶𝘁𝗲𝗱 𝘁𝗶𝗺𝗲!! 𝗚𝗿𝗮𝗯 𝘁𝗵𝗶𝘀 𝗵𝗲𝗮𝗿𝘁𝗳𝗲𝗹𝘁 𝗳𝗿𝗶𝗲𝗻𝗱𝘀 𝘁𝗼 𝗹𝗼𝘃𝗲𝗿𝘀 𝗿𝗼𝗺𝗮𝗻𝗰𝗲 𝗻𝗼𝘄. Avery Spark is living her best life. Between her friends, her sisters, and Spark House, the event hotel her family owns, she doesn’t have much time for anything else, especially relationships. She’d rather hang out with her best friend and roommate, Declan McCormick, than deal with the dating scene. But everything changes when she is in a car accident and needs someone to care for her as she heals. Declan avoids relationships, giving him a playboy reputation that he lives up to when he puts a one-night stand ahead of a promise he made to Avery. While he may not have been the one driving the car, he feels responsible for Avery’s injuries and is determined to make it up to her by stepping into the role of caretaker. Little did they know that the more time they spend in compromising positions, the attraction they’ve been refusing to acknowledge becomes impossible to ignore. When they finally give in to the spark between them, neither is prepared for the consequences. Their love is fragile and all it will take is a blow from the past to shatter it all. #whensparksfly #sparkhouse #helenahunting #friendstolovers #booksale #stmartinspress #smpromance @helenahunting @smpromance https://www.instagram.com/p/CnQLVDerqxM/?igshid=NGJjMDIxMWI=
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Casa Scânteii #sparkhouse #castlerock #incidentalsculpture #sunsetgalore #bythelake #fortress #horizontales (at Herastrau, Bucuresti, Romania) https://www.instagram.com/p/Ck3w_JZDPVJ/?igshid=NGJjMDIxMWI=
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Celia Imrie
Facts
July 15, 1952
English actress
Filmography
Gloria [Fifty-Four Days: 2022]
Rose [Keeping Faith: 2020-2021]
Maggie [Hang Ups: 2018]
Una [Bridget Jones' Baby: 2016]
Rowan [Love & Marriage: 2013]
Gloria [Kingdom: 2007-2009]
Kate [Sparkhouse: 2002]
Rachel [All Good Things: 1991]
Fiona [The Nightmare Man: 1981]
Stacy's Secretary [Assassin: 1973]
Appearance
brunette
blue eyes
1.66m
Roleplay
playable: young adult, adult
#Celia Imrie#fem 50s#fem english#50s fem english#fifty four days#keeping faith#hang ups#bridget jones' baby#love & marriage#kingdom#sparkhouse#all good things#the nightmare man#assassin#brunette fem young#brunette fem adult#50s fem brunette#blue eyes fem young#blue eyes fem adult#50s fem blue eyes#young adult female#adult female
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Awkward & Sweet
A John Standring Fic
Lyn's Writing Event Day 9 - Week 2
May 9th: Week 2: Pluto
Characters: (“Modern day” Alt) John Standring x OC Felicity Boies (scottish)
Fandom: Richard Armitage – John Standring – Sparkhouse
Sparkhouse character, John Standring was created by Sally Wainwright (adaptation of Emily Bronte’s Wuthering Heights)
***Just proof that there’s a fan girl in all of us. Never forget that writing allows you to inspire others to write ***
Location: Date at the Planetarium – West Yorkshire / Leeds area UK
Word count: 2.1k
Timeline Prompt: What if John had met someone before Carol’s father had died, and she came back?
Warnings: angst, pining, awkwardness, first date stuff, kissing, shy male, social masking.
John walked up the street to the grocer, as he did every Friday morning after working at the factory. He got his bread, and some veg and a few other things, nothing much varied in his routine. But he kept going every Friday because of one other thing, to see Felicity. She was tall, lean and sweet natured, her hair kept in a ponytail for work, and John wondered idly as he stood in queue what it looked like down her back, long and blowing in the Northern winds.
Her playful Scottish brogue, warmed his heart on this cold fall morning, as she said, “Morning John, how do you fair?”
John stuttered a bit, smiling, “Good, ya? And you?”
Felicity looked at the backed-up queue behind him, “Just fine. I’ll be off soon, got to go to the doctors”. John shifted to a look of concern, “Oh? Is anything the matter?” Felicity rung through his choices and clicked the register for a total. John thrust a hand full of notes into her hand, with come coins. Felicity answered briskly, “No, just my regulars, you know,”
John responded in kind, “Yeah, sure of course. Well, have a good day then, Cheers”. John grabbed his bags and started towards the door, turning back a second, the next women in line looking at him slightly annoyed. “Look, if you have some time, I’d like to take you out, maybe tomorrow?” The women in queue looked down realizing John’s advance on Felicity.
Felicity paused, but not unflatteringly as she smiled at John, “Yeah. Sure. Come back around, I’ll give you my number”. John smiled broadly and nodded, “Yeah, sure. Of course”. And went back into the line. The line of patrons now smiling at him. John tried his best to look inconspicuous, but it wasn’t going to work that morning. Felicity kept smiling towards him, as his turn in queue inched forward for the next few minutes. When he finally was in front of her again, she scribbled her name and number on a scrap of receipt paper and placed it in his hand.
John asked plaintively, “Where do you fancy going?” Felicity winked, “how about the Planetarium, there’s a show on this weekend”. John nodded, “Right. Yeah, of course”.
Felicity touched his hand again, “ring me tonight?” John nodded, smiled and walked out of the grocer. Felicity smiled too, as he stroud out of the store.
John was a nice man, she always thought so. He had been coming to the store on Fridays since, she started working there, she thought, but probably longer. He’s a creature of habit, she imagined, and Felicity needed more consistency in her life. She had her own apartment, and she lived in the city, she wasn’t sure if John did too. She only saw him at the shops on Fridays, and hardly any other time around town. Felicity finished her shift and headed for the doctor’s office on foot.
John returned to his house in town, put away his groceries and sat at his kitchen table, having some cold muesli with milk. The crunching and chewing sounds filled his ears in the quiet of the flat. That chewing was hypnotic as his mind carried back to Felicity’s smile and his future engagement with her, “engagement,” he scoffed outloud, “I sure hope I can manage to not make a fool of myself at the Planetarium”. John found the pages and looked up the phone number for the Planetarium. A women answered and he asked about the schedule for the event.
“It starts at 7 pm, its about 20 pounds per person, at the door, day of the show”. The registrar said. John thanked her and hung up. John was a traditional sort, and figured offering to pay for her ticket, even in this day and age was still appropriate. John made arrangements to buy them online with his mobile phone, a ratty little Nokia that he didn’t do much with. Who was he going to call, he didn’t have many friends, he just kept himself, kept his head down and worked nearly everyday.
---
At around half 6, John rang Felicity, sitting in his living room, still surrounded by knick knacks from his grandparents. It had that quaint lady’s touch, but it was far from modern. The phone rang out twice before she answered, “Felicity?” John asked.
“Yes?” her Scottish lilt made him smile.
“Its John from the shops”, he looked down at the floor a second, catching his courage.
“Oh, yes, John. How are you?” Felicity replied.
“Good, good, ya. Just wanted to let you know about the planetarium, um date you asked about”.
“Yeah, sure. So how much is it? I just wanted to make sure I could cover it”, he could hear her smile over the phone.
“Oh, no worries, I can cover it, if that’s ok with you?” John offered.
“Oh?” Felicity paused,
“You wouldn’t, you know be owing me anything. I wanted to do this right and take you out, proper”.
Felicity visibly relaxed, “That sounds nice, John. Thank you”.
Smiled, “Great! Well the show starts at 7, can I pick you up at half past, or do you want to grab a bite before at the pub?”
Felicity wavered, “You can pick me up here, that’s fine,” she looked around her flat then, trying to figure out how to straighten up in time, “you can pick me up John, I’ll text you the address”.
John smiled, “Great, that’s great. Ok, well I’ll see you tomorrow, then, and Felicity,”
“yeah?” Felicity responded.
“Thanks”. John grinned eagerly as he hung up the phone. He went to his closet and tried to find something intelligent to wear. After about 30 minutes most of his wardrobe was strung over his bed and he just stood in front of his mirror looking dumbfounded.
---
Felicity started to clean up her apartment and set out an outfit for tomorrow night. What would she wear, she wondered. John is a nice, stand up guy, not like some of the scrubs she dated before. She had to try harder to look nicer. Her auburn hair and blue eyes were striking as she picked up a cobalt blue blouse, it buttoned up to a high collar, “Maybe a little too high?” she spoke to her mirror, she tried it on, and left a button undone, feeling a bit more certain. She found a skirt, with pockets, and some leggings. Heeled boots finished off the ensemble, she looked herself over in the full-length mirror hanging on the back of her bedroom door.
“Yeah, that should do it”. She put everything on her desk, next to her bed, the boots on the floor, in front of it.
---
John was standing in front of his mirror at the same moment. He had picked out a decent dress shirt, and lean trousers, sensible boots. John looked confident in that moment, and removed the clothes, slowly, folding them neatly for tomorrow, and setting them on his bedside chair. He re-dressed on his pajamas and started his dinner for the night and watched some telly. A program was speaking about the incident of declassifying Pluto, John sat up a little bit, wanting to learn more, maybe this was the clue to impress Felicity. He didn’t know anything about planets otherwise. John watched it until he fell asleep on his grandfather’s old chair.
---
(I will add to this, just ran out of time. Comment if you want more. thanks)
@evenstaredits @legolasbadass @sweetestgbye @middleearthpixie @lathalea @riepu10
If you want to be added to tag list, pleaae PM Me.
Lyn's Writing Event 2024!!!
#richard armitage#fanfiction#romance#first date#john standring#sparkhouse au#social awkwardness#richard armitage x oc#lyn's writing event 2024#sweet fluffy fluff
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Richard Armitage on playing John Thornton
Richard Armitage plays John Thornton, a handsome and charismatic cotton-mill owner who instantly clashes with Margaret (Daniela Denby-Ashe).
Richard was thrilled when he landed the role: "I'd read the book and I'd realised the scale of it, it's such a monumental part."
"I was one of the first people they saw at the beginning of the casting process and one of the last.
I think they went off in all sorts of different directions looking for the character and I'd kind of put it to bed really, but then it came back around and they decided to go with me, which was great. I had to do a lot of work between the first and second auditions to develop the character. Richard, whose previous credits include BBC's Sparkhouse and Between the Sheets, explains how he went about researching for the role: "It was quite daunting at the beginning. I kept to the script as much as I could, but I kept going back to the book at that stage. It wasn't until I was cast that I went off on a tangent really with other research. I looked at the cotton industry. We have lots of museums in this country that are still working so I looked at that because I thought it was important to understand exactly what goes on in his mill."
"I studied people that were possibly Elizabeth Gaskell's inspiration for the character of John Thornton. For example, I looked at Robert Owen and the early socialists and Engels who wrote a treaty about the state of the working classes in England at that time. I tried to get an idea of the social environment that was going on because it's quite a hot house, really."
Richard reveals why he loved playing the role: "He's awesome really in every respect. At the beginning he has this reputation that precedes him which is based on his ruthlessness with his workers, and I think that's quite an exciting dynamic to start with, but then what happens throughout the course of the story is that his layers get peeled back and he reveals somebody else inside who is actually quite sensitive and lonely. He needs a lot really and he finds it through Margaret and I think that sort of dichotomy between the very powerful, almost monstrous entrepreneur and then this kind of vulnerable boy is really exciting to look at."
Thornton is almost instantly attracted to Margaret despite their differences: "She's very outspoken for a woman of her time. She speaks up and she challenges him and I think initially it's a problem. He doesn't quite know how to deal with it and their relationship becomes antagonistic and volatile. She confronts him all the time on issues; the way he treats his workers, the way he is as a man, and I don't think he's ever met that in a woman before. It's frustrating, but at the same time I think it's a huge attraction and in that respect he sees elements of his mother; a strong woman who isn't someone who is just going to sit looking pretty and make a nice home for him."
Richard explains how the costumes were really useful in terms of getting into the role:
"I think it's probably different for the blokes although there is a certain rigidity in the costume, but actually it's a very useful tool for the character.
You can really use it, particularly with Thornton as he goes through different stages; as a master of his environment he's slightly rough but there's a couple of dinner parties where he cleans up as it were."
On filming, Richard says: "My dad is a Yorkshireman and I've worked up North an awful lot, probably more than anywhere else and I love being up there. My mill in Keighley was where I really found the character and I just loved being there and Edinbrough was an amazing place to work."
When asked about any similarities between his character and a certain Mr Darcy from Pride and Prejudice, Richard says: "I suppose people do make comparisons, but I don't think it's a particularly similar relationship.
In fact, in North and South the status is reversed because my character is effectively a lower status than Margaret's character, although in my world she is of a lower status than me, so it's a very confused and ambiguous kind of relationship. They're not quite sure if they are of the same class; Thornton's anger, and I suppose his prejudice, comes out of the need to survive and put food in his mouth and keep his workers in work. It's very much a base survival instinct rather than anything which is mannered or upper class."
When asked if Richard feels the adaptation is true to the book, he comments: "Obviously there are enhancements because getting the book into four hours is really difficult. You have to make very quick vivid pictures of the characters and there are additions that really help the book to transfer into television, but generally the characters remain incredibly faithful."
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13-14-15 for the fic asks
Hello Anon...
13. 𝐹𝒾𝓇𝓈𝓉 𝒻𝒶𝓃𝒹𝑜𝓂 𝓎𝑜𝓊 𝑒𝓋𝑒𝓇 𝓌𝓇𝑜𝓉𝑒 𝒻𝑜𝓇?
Okay, this might sound SUPER dumb, but I tried to back in time in my mind, and...it's Tolkien.
(cue laughter)
I have started writing at age 9-10, in another language, mostly sad poems that make me cringe now...
I distinctly remember that, later, I read LOTR fanfiction in secret (Only I didn't know that that was the name for it), and I wrote some on my parents' computer. It has been deleted and was (hopefully) never read by anyone, because - if it has - it means that my parents have read it. LOL
14. 𝒲𝒽𝒶𝓉’𝓈 𝓎𝑜𝓊𝓇 𝒻𝒶𝓋𝑜𝓇𝒾𝓉𝑒 𝒻𝒶𝓃𝒹𝑜𝓂 𝓉𝑜 𝓌𝓇𝒾𝓉𝑒 𝒻𝑜𝓇?
Still Tolkien. Only now, I am an old bitch who came to proper fandom way too late and has no idea what she's doing.
When I say Tolkien, I mean The Hobbit, LOTR, and the Silm specifically. I am not very well versed in the other books.
15. 𝒲𝒽𝒶𝓉’𝓈 𝓉𝒽𝑒 𝓌𝑒𝒾𝓇𝒹𝑒𝓈𝓉 𝒻𝒶𝓃𝒹𝑜𝓂 𝓎𝑜𝓊’𝓋𝑒 𝑒𝓋𝑒𝓇 𝓌𝓇𝒾𝓉𝓉𝑒𝓃 𝒻𝑜𝓇?
I will say that I've never engaged with any other fandom at all.
Nevertheless, I have written stories that are crossovers and/or for another fandom. The strangest is probably the German short I've written about Cremble from POTC. It's not in the least about POTC. I am just very fascinated by Adam Brown.
(Otherwise Hannibal, Lucifer, or the Sparkhouse. Definitely Sparkhouse)
Thank you so much for this ask, this was tremendous fun lol
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خلال جلسة ناقشت دور الذكاء الاصطناعي في السينما، ضمن فعاليات اليوم الثاني والختامي لمنتدى الإعلام العربي في نسخته الـ21، أكّد المتحدثون أن الاستعانة بالذكاء الاصطناعي ليحلّ بديلاً للممثلين والمهنيين المبدعين بالكامل في صناعة السينما أمر يستغرق كثيراً من الوقت، بل هو أمر غير ممكن في الوقت الراهن.
فخلال الجلسة التي حملت عنوان «الأفلام في عصر الذكاء الاصطناعي»، دار النقاش حول استخدام الذكاء الاصطناعي في إنتاج المحتوى وكتابة النصوص الإخبارية ودور ذلك في تسهيل عمل المنتجين.
شارك في الجلسة المؤسس والشريك الإداري لشركة BC Productions، بابروس جيتماتجي، ورئيسة ومؤسسة شركة Sparkhouse، كارينا ميلر، والممثلة التركية الشهيرة نسرين كافادزاد، وأدارها الإعلامي التلفزيوني يونس سيف، من مؤسسة دبي للإعلام.
ورداً على سؤال حول ما إذا كان بإمكان الذكاء الاصطناعي أن يحل محل الممثلين، قالت كارينا ميلر، وهي أخت الممثل العالمي كيانو ريفز: «إن المضي قدماً في هذا الطريق أمر خطير، وسيعارضه الممثلون بشدة.. لكن إذا تعلّق الأمر بقدرة أدوات الذكاء الاصطناعي على أن تجعلهم يبدون أصغر سناً وأجمل، فهناك الكثيرون الذين سيوافقون على ذلك».
وأشارت ميلر إلى وجود مقاومة كبيرة لتبنّي الذكاء الاصطناعي في مختلف الصناعات، حيث عبّرت عن اعتقادها بأن الأمر سيستغرق وقتاً طويلاً قبل أن يتمكن الذكاء الاصطناعي من استبدال أي شخص بشكل كامل في فروع وقطاعات مختلفة من صناعة السينما.
وأوضحت أن «الشخصيات التي تم ابتكارها بواسطة الذكاء الاصطناعي غالباً ما تفتقر إلى المظهر الواقعي، ويبدو ذلك جلياً في عيون هذه الشخصيات، وعلى الرغم من أن الممثلين قد يكون لديهم مخاوف بشأن استبدالهم، فإن كلفة استخدام الذكاء الاصطناعي لمثل هذه الأدوار مرتفعة».
وأشارت ميلر إلى أن الذكاء الاصطناعي يقدّم فرصاً جديدة في إنتاج الأفلام، لكن استبدال المبدعين بالذكاء الاصطناعي في الصناعة ككل أمر غير متوقع.
من جهته، قال بابروس جيتماتجي: «إن استعداد الجمهور لتقبّل الممثلين والشخصيات التي تم ابتكارها بواسطة الذكاء الاصطناعي، يُعدّ عاملاً حاسماً، وأشار إلى أن جاهزية قطاع صناعة الأفلام بأكمله يلعب دوراً في تحديد ما إذا كان الذكاء الاصطناعي سيعمل على أتمتة الصناعة بالكامل». وأضاف: «القرار بشأن استبدال الأشخاص بممثلين في الذكاء الاصطناعي، لا يعتمد على تسامح وقبول الأشخاص المشاركين في الصناعة».
المصدر: الإمارات اليوم
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Best Video Production Service
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- I'd always hoped, if I were to get married that... there's be kids.
- Well... 'Appen not straightaway.
- Eventually?
- Yeah... eventually.
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[Updated Report] Press Release, August 01, 2023 (Orbis Research) - The Global Marketing Video Produc
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The Ultimate Guide To What is video marketing and why is it important for small
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Given that You, Tube is a video platform, you'll require to enhance your words and visuals to solidly stand out. 6. Arrange & promote the videos Now that you have actually the completed video, it's time to schedule and promote it. Some management platforms like Sprout offer publishing alternatives for videos. Sprout's You, Tube publishing choices include information like tags, classification, playlist and personal privacy settings.
Recent Trends in Video Marketing: Using Video for Content Marketing - Sparkhouse
How to Use 10 Types of Video Marketing for B2B
One totally produced video could be submitted to numerous networks over a month-long time duration, depending upon your social schedule. On Twitter, you could promote it sometimes. For Found Here , you'll require to promote often to guarantee lots of individuals will participate at the correct time. One film recording session might produce several videos.
3 Easy Facts About 9 Benefits Of Video Marketing For Growing Businesses Shown
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Think big when you're promoting videos. 7. Understand & analyze metrics The last step in any technique is the most essential of them all: evaluating it. You won't know how a video carries out unless you have a look at the statistics connected with it. What are the view counts? The watch times? The shares and likes and comments? Each network supplies various sets of metrics so it's important for you to know what they are before you begin in on production.
The metrics you use to examine success must match the objectives you set in the beginning. If you wanted brand awareness for a video, your call-to-action may be to include a website link for viewers to read more about the product. The matching metric would be link clicks. It's likewise important to bear in mind that even older videos will be seen.
#bristol video marketing services#video marketing agency bristol#video marketing strategy#how to use video for marketing
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Richard Armitage as John Stranding in Sparkhouse (S01E03)
#whump#whumpedit#richard armitage#sparkhouse#john stranding#fight#punched#head wound#blood#gun#gun tw#care#why did they have to cut that scene where she was tending to him short
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look at this mulleted dork from the early 2000s
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