Star Flower, loner, Medic of SkyClan
She/Her, cis bisexual
Mother: Turnip
Father: One Eye
Adoptive Father: Skystar
Siblings: Unnamed, all deceased.
Design notes:
-She is styled after the Pokemon, Ogerpon
-The plants are a physical part of her body. They grow out of her.
-She is the physical embodiment of The Blazing Star.
Story notes: [Abuse CW]
-She was born as a normal kitten to a traveling band of rogues who loved to trade and spread their music. Unfortunately, this band died out to a plague, one that nearly took her own life. Desperate to save his family, her father Carrot traveled to a set of tunnels in Sanctuary Lake rumored to house a reality-bending god. He asked the god for a cure, and the god asked for his eye in return. They made the exchange, and he retrieved a glowing, golden, five pointed flower. However, he was too late to save most of his family, so the entire cure went to his surviving kit. He wasn't expecting her to survive the night given her fragile state and the dubiousness of the exchange...
-But the next morning, she was perfectly fine- great, even. If a little... odd... were those buds growing on her paws...?
-It only got stranger from there. When Carrot ended up finding more cats suffering from the plague, just a few calming purrs from his kit seemed to have them ripe and ready to go the next morning. Carrot understood then what had happened- his kit had become the cure herself. And cats were starting to look towards them more, started begging for her healing, for anything. And Carrot had lost everything... wasn't it time to start winning stuff back?
-And so, the pair became One Eye and Star Flower, for recognition's sake. The two formed their own small group, filled with cats Star Flower had healed. Star Flower loved to spread her magic where she went, to save cats from the brink of death and be showered with their love and appreciation. They felt like they owed a great debt to her, and she enjoyed that.
-She was very close with her father, even if their relationship could be strained. One Eye loved her, but to an extent, he also used her. He grew arrogant in his success, believing he had become the accomplice to a god, and began to hold that over cats who fell sick. He grew desperate for control and Star Flower was his key to that.
-One day, however, her father's group encountered the early clans. They were just beginning to settle down, work out their new rules, and declare borders. But what caught the group's attention was the near murder of a young kittypet, almost mauled to death by proto-SkyClan's leader, Skystar. Unable to heal wounds with her magic, Star Flower managed to bring the cat to a twoleg, who took her away.
-Appalled by the cruelty, Star Flower took a great interest in Skystar's group, and witnessed several of his other crimes against his cats and the other groups. As did One Eye, who, seeing the early signs of a plague, had an idea to put this cat and the other leaders in their place.
-One Eye and Star Flower joined the group, with One Eye acting as a curious loner, flattering Skystar with praise. Skystar enjoyed his company, and so One Eye grew in the rank rather quickly. He also took a great interest in Star Flower and her abilities. After murdering Tom, who insulted the cats and attempted to attack them, One Eye took the chance to take control over the group, overpowering Skystar and using Star Flower's power to keep the remaining cats in line- everything is going to be okay, you'll get your cure... if you stay in line and do as One Eye says.
-This went on for a moon, of Star Flower holding her magic over the heads of her clients to keep their loyalty towards One Eye. She would be lying if she said she didn't feel pride at it all at helping her father.
-Ultimately, One Eye was overthrown and killed when Skystar came back with reinforcements from the other clans. The rest of the rogues they'd accumulated ran off, and suddenly, Star Flower was alone. She'd never been without her father, and running would mean abandoning his grave, which she didn't want. But... this place had been a home to her for some time now, and she needed a place to stay. SkyClan had taken all of the available territory in the area, anyways, and she was in no shape to brave the other territories or twolegplace. So she offered her power to SkyClan as a peace offering and asked for shelter in return.
-Skystar was still sore from the event, but he couldn't deny that having Star Flower as an asset would be beneficial to him in the long run. And around this point, his son Thunderstar had disowned him and split off ThunderClan from SkyClan. He felt that he was losing allies, losing family, and he latched on to desperate Star Flower very quickly- as a cat who would never disobey him.
-Skystar takes Star Flower under his wing as his new child, her new ward, instating her as a medic. And because she is loyal to a fault, she won't disobey a new leader so similar to her father. And so, he pushes her to do humiliating things in front of the camp, ranging from general chores like tick baths, to forcing her to run laps around camp with an injury if she took too long to work her magic. He would take out his frustration from gatherings on her and berate her over the most menial things. He would make her withhold her power to help anyone in the clan who had displeased him. And if Star Flower ever tried to stick up for herself, all he had to do was remind her of what she did, how she helped torment his cats by holding a cure over their heads to help out her father.
-This went on for years, Star Flower becoming more and more despondent. One night, there was a particularly stressful gathering, in which Skystar got into a territorial dispute with Thunderstar over a pack of dogs ravaging the territories. He lost the dispute, came home, and immediately took it out on Star Flower, shouting at and attacking the molly for "taking too much food she didn't deserve". And something in Star Flower finally snapped, and for the first time, she didn't save a life- she took one. And another. And another. As many as what remained in Skystar's soul. She was discovered taking his very last life in his nest, while she was wondering if she could pin it on the dogs. She escaped the camp, and wandered the territory for the rest of her life.
-Unfortunately, while she finally won against Skystar in the moment, it was history who decided the victor. Sparrowstar declared that they couldn't let a tragedy like this happen ever again, and doubled down on banishing rogues. Every rogue-born cat was looked at with suspicion from then on, and as the decades began to pass, Star Flower's story became twisted and bent. As the story is told, a rogue had infiltrated SkyClan's camp asking for help, but had manipulated and charmed the leader with her prowess and rose in the ranks just high enough to take him out and attempt to claim his spot. Her story was used as a cautionary tale against rogues, warning cats against those who would infiltrate the camp and rot it from the inside. Eventually, even her true name was lost to time...
Rotten Flower, Warrior of The Dark Forest
Skystar didn't hesitate to throw her in the depth of the Dark Forest when she died. She wears her mask constantly, trying to keep away from the sickness of the muck. She's embraced the false myth made about her, claiming to have killed a founder for power and prestige. But in reality, it's been so long that she's forgotten her family, her power, her name. She barely even remembers Skystar himself. Though she's admired in the Dark Forest for her achievements, she doesn't hang around anyone, and acts hostile to those who approach her.
Perhaps someone can help her remember who she truly is...?
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Can't send asks from my sideblog, but this is @chewing-the-drywall
I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.
Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)
100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.
This season had so MANY ideas it wanted to touch on.
Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.
Notice, I've said all this and we're not even at our romantic leads.
Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-
[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.
What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).
Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.
A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?
I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.
Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.
This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.
The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.
[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]
Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.
When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.
I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.
In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.
Imagine if we had a one-week off-screen time skip between episodes 4 and 5.
Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.
THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.
Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?
Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.
It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.
Overall.
My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.
Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.
When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.
At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.
Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.
Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!
Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.
Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.
Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)
Do you agree, or disagree? Leave any lingering thoughts down below!
I'd love to chat down below.
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