Élisabeth Sonrel (French, 1874-1953) • La Fee du Bois D'argent (The Silverwood Fairy) • No other information found

This image could've been an engraving or etching for a bookplate? It's a sepia version of the painting below.

La Fee du Bois D'argent (The Silverwood Fairy) • Unknown date

La Moda Elegante Illustrada • Spanish fashion plate • December, 1905

Albert Beck Wenzell (American, 1864-1917)

Eleanor Fortescue-Brickdale (British, 1872-1945) • But Mordred Laid His Ear beside the Door and There Half Heard • The Coming of Arthur • Watercolour with bodycolour on board

Elizabeth Sonrel (French, 1874-1953) • The Majestic Peacock, from the Maiden Bird Series • Unknown date

Alphonse Mucha (Czech,1860-1939) • Winter • c. 1896

Eleanor Fortescue-Brickdale (British, 1872–1945) • The Little Foot-Page • 1905 • Walker Art Gallery, Liverpool, England

The work is based on the story of Burd Helen, a tragic heroine from Scottish balladry, who dressed as a boy page to follow her cruel lover on foot while he rode on horseback. After bearing him a child, she was finally acknowledged by him and they married. Here she is shown secretly doffing her female attire and cutting her long hair, in preparation for her journey. Within a few years of the exhibition, modern female art students were cutting their hair in "page boy" style.

Elizabeth Green (American, 1857-1964) ) • Giséle • Ilustration in Harper's Magazine • 1908

Alphonse Mucha (Czech, 1860-1939) • Biscuits Lefèvre-Utile • 1896 • Private collection

Beatrix Potter (British, English ) • The Rabbits' Christmas Party (generic title) • Drawing: watercolour and pen and ink over pencil on paper • 1892 • Virginia and Albert Museum, London

This drawing is one of a narrative series of four finished watercolours in the Linder Bequest known as ‘The Rabbits’ Christmas Party’.

For dessert, the rabbits roasted apples. They tied apples to strings and hung them by the fire. The rabbit who watched them used a cabbage leaf to keep her face from getting too hot. After all of the food and exercise, some of the rabbits had trouble staying awake around the warm fireplace.

– Excerpt from The Rabbit's Christmas Party

Anna and Elena Balbusso, illustrators • One of 34 images from the children's picture book, Tristan et Iseult • Publisher: Éditions Milan, France • 2009

The medieval legend and love story is retold by Anne Jonas. "After doing our research, we decided to make historical and artistic references to the frescoes found in Pompeii, to Roman Empire Art, to Byzantine mosaics and to Celtic symbols." Mixed media, acrylic and digital with hand-made brush strokes.

Holeproof Hosiery advertisement postcard • Coles Phillips, illustrator (American,1880-1927) • 1922

Paul Bransom (American, 1885 - 1979) • Leaping Cottontale • 1924 • Gouache and Charcoal on paper

Edwin Austin Abbey (American, 1852-1911) • The Queen in Hamlet • 1895 • Pastel on paperboard • Illustration for the play Hamlet, by William Shakespeare

Edwin Austin Abbey was an American painter and illustrator who identified with the British Pre-Raphaelites. He was an Anglophile, whose subjects were almost always British. Edwin Abbey's Shakespearean works influenced late Victorian stage productions.

Walter Crane, author and illustrator (1845-1915) • The Frog Prince and Other Stories • 1874 • George Routledge and Sons, publisher

"The Princess Meets a Talking Frog in Her Garden."

The Frog Prince is an adaptation of the classic fairy tale by the same name.

Annie Stegg Gerard • The Festival of the Toadstool Dance • 2023 • Oil on wood panel