Tumgik
#peter lucia
fancycolours · 9 months
Text
Tumblr media
TOMMY JAMES AND THE SHONDELLS during a recording session for their track "Crimson and Clover". (October 30th, 1968.)
20 notes · View notes
lolathelotus · 28 days
Text
Tumblr media
The Markovic Family Round 7
Tumblr media
There's rarely a moment where music can't be heard in the Markovic home.
Tumblr media
Lucia and Mateo have been very busy for the past few years- especially since baby Wesley was born after Lucia got abducted one night.
Tumblr media Tumblr media Tumblr media
Liliana is dating Taki Akiyama. He likes her enough to come over and watch her play video games even though he would rather play chess.
Tumblr media
Liliana also frequently goes ton visit her sister, Tomi, at uni on the weekends.
Tumblr media Tumblr media
Peter plays video games constantly. He doesn't enjoy school much, but Lucia makes sure she stays on top of his grades.
Tumblr media Tumblr media Tumblr media Tumblr media
The Markovic Family Master Post
4 notes · View notes
mahoushoujobracket · 1 year
Text
Tumblr media Tumblr media
15 notes · View notes
mariocki · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2 once di piombo (My Name is Pecos, 1966)
"Spit out your name, Mexican."
"There's no point. Dead men can't hear, and you're a dead man."
6 notes · View notes
passionforfiction · 2 years
Text
From Scratch
youtube
I've been hearing this title a lot since it aired in Netflix. My brother and some friends recommended it; and so, I clicked on Play and watched the first episode to see what it was about. The first seconds of the episode the audience knows the ending, we can deduce what's coming and yet, we all move on the the next and the next until we reach the last episode and end it with wet cheeks and a sad smile.
From Scratch is an 8 episode series based on Tembi Locke's memoir called From Scratch: A Memoir of Love, Sicily and Finding Home. I haven't read the book but I don't need to in order to know that the series was faithful to the feelings, experiences and the life of these people. The series makes us part of this family and we, the audience, share in their laughter and pain.
It is an amazing journey, a story of self-discovery, family healing, love in all its manifestations. . . life. Lino's and Amy's love made way for family relations to improve. Lino's relationship with his father mends. Amy's parents interaction changes too and they pass from being terrible exes to parents who work together for their children. And this is just as beautiful to see as it is to watch the couple's love for each other. It is inspiring, how they were able to talk things through and always find a way so that both of them could be happy individuals and have a healthy marriage.
I come from a family unit that is really close. And raising my son has been a tribe thing, so I can understand what Idalia's birth mother wanted for her child and she got it. Idaliah was raised in a tribe, it wasn't just Lino and Amy, it was their parents, siblings and friends who all were there to raise her. That supportive unit also helped them in this journey. I also liked the relationship between Amy and her sister. As an older sister, I know how Zora feels about her little sister.
This is a story about love and it is worth watching.
8 notes · View notes
dannyreviews · 7 months
Text
Rolling Stone Magazine Top 250 Guitarists - The Omissions List
Once again, Rolling Stone Magazine puts together a list that no one asked for and it's a complete mess. Instead of analyzing craft and technique, Rolling Stone goes for popularity and mediocrity. Who in their right mind thinks that Joni Mitchell, not known primarily for her guitar work, is Top 10 material, but Slowhand himself, Eric Clapton only worth making it it to 35? Also, why is The Edge, probably the worst guitarist ever, have a place in the top 50 and Jose Feliciano, a master of classical style, not even crack the top 200? I can go on for hours about the inconsistencies, but for now, I will focus on the many guitarists that Rolling Stone left off.
Martin Barre
Tumblr media
Jeff "Skunk" Baxter
Tumblr media
George Benson
Tumblr media
Joe Bonamassa
Tumblr media
Doyle Bramhall II
Tumblr media
Roy Clark
Tumblr media
Mike Dawes
Tumblr media
Paco De Lucia
Tumblr media
Al Di Meola
Tumblr media
Dave Edmunds
Tumblr media
Tommy Emmanuel
Tumblr media
Peter Frampton
Tumblr media
Justin Hayward
Tumblr media
Allan Holdsworth
Tumblr media
Stephen Housden
Tumblr media
Antonio Carlos Jobim
Tumblr media
John Jorgenson
Tumblr media
Laurence Juber
Tumblr media
Terry Kath
Tumblr media
Leo Kottke
Tumblr media
Yngvie Malmsteen
Tumblr media
Gary Moore
Tumblr media
Steve Morse
Tumblr media
Joe Pass
Tumblr media
John Renbourn
Tumblr media
Louie Shelton
Tumblr media
Tommy Tedesco
Tumblr media
Robin Trower
Tumblr media
Bert Weedon
Tumblr media
John Williams
Tumblr media
If I left anyone off, include those names in the comments.
Update (11/12/2023): Just discovered Doyle Dykes and he was another omission from the Rolling Stone list. Because I’ve hit the 30 photo cap, he gets an acknowledgment here.
1 note · View note
necrogothic · 7 months
Text
Tumblr media
Dangerous Games to Play in the Dark
0 notes
scruffpuppy · 2 years
Text
please bring back 2014 indie pop (i could care less that a few of these songs were pre or post the 2014 era if the song fits it fits)
cecelia and the satellite by andrew mcmahon in the wilderness
i wanna get better by bleachers
cigarette daydreams by cage the elephant
ways to go by grouplove
girls by the 1975
miracle mile by cold war kids
take a walk by passion pit
little talks by of monsters and men
tongue tied by grouplove
midnight city by m83
undercover martyn by two door cinema club
i can talk by two door cinema club
young blood by the naked and famous
kids by mgmt
1901 by phoenix
young folks by peter bjorn and john
daylight by matt & kim
animal by neon trees
stolen dance by milky chance
out of my league by fitz and the tantrums
talk too much by coin
greek tragedy by the wombats
chocolate by the 1975
anna sun by walk the moon
everybody talks by neon trees
what you know by two door cinema club
dancing on glass by st lucia
FEEL FREE TO READ THE PART AT THE TOP WHERE I SAY ITS NOT ALL FROM 2014 THANKS!
69K notes · View notes
everymlmhybrid · 1 year
Text
Staring at the ceiling thinking abt the experience of living in the modern era. Go to an article that changed my life but find out the website has been down since like 2016. Find the author. Google her. Find more of her horror/weird articles but also find that she mainly writes listicles for buzzfeed now. Why.
0 notes
Text
Subway Sandwiches: A $5B Gift?
Subway Cofounder May Make One of the Largest Donations in History
Subway cofounder Peter Buck donated 50% of the sandwich chain to charity in his will, according to his family. Peter Buck was a nuclear physicist working for United Nuclear when he put up $1000 in 1965 for his friend Fred DeLuca to open a sandwich shop. “Pete’s Super Submarines” became “Pete’s Subway,” and by 1973, it was “Subway Sandwiches” with a new logo, 16 locations, and franchises beginning…
Tumblr media
View On WordPress
0 notes
moviesandmania · 1 year
Text
SOUND OF SILENCE (2023) Preview of Italian horror with trailer and release news
‘Don’t let them hear you.’ Sound of Silence is a 2023 Italian horror film about a young woman who returns to her family home and has to face off against an evil entity. Written, produced and directed by Alessandro Antonaci, Daniel Lascar, Stefano Mandalà and T3. Also produced by Riccardo Scalva. The Eryde Produzioni-T3 Directors S.r.l. co-production stars Lucia Caporaso, Daniele De Martino,…
Tumblr media
View On WordPress
0 notes
lolathelotus · 1 month
Text
Tumblr media
The Markovic Family Master Post
Tumblr media Tumblr media
Mateo Markovic / Lucia Markovic
Tumblr media Tumblr media
Tomi Markovic / Liliana Markovic
Tumblr media Tumblr media
Peter Markovic / Wesley Markovic
Links:
The Beginning
Round 4
Round 5
Round 6 Links to Foxbury
Round 7
5 notes · View notes
5thelement · 21 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Melissa Barrera & Kevin Durand as ‘Joey’ & ‘Peter’ aka Ana Lucia Cruz & Terrence Lacroix in Abigail (2024)
(requested by a lovely anon 💖)
67 notes · View notes
princesssarisa · 3 months
Text
Opera on YouTube, Part 2
Le Nozze di Figaro (The Marriage of Figaro)
Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)
Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV
Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)
Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)
Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)
Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)
Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)
Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV
Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)
Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)
Tosca
Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)
Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)
Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)
Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)
Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)
Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)
Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)
Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)
Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)
Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)
Don Giovanni
Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)
Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)
Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)
Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)
Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)
Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II
Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)
Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)
Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)
Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)
Madama Butterfly
Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)
Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)
New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)
Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)
Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)
Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)
Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)
Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)
Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)
Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)
47 notes · View notes
notwiselybuttoowell · 6 months
Text
In Europe, Pringles has 34 active flavours in seven can sizes (one of which is called “David” for reasons no one can explain). Not all of these flavours are available in every European country – prawn cocktail only really sells in the UK and Ireland, while bacon is found in most places except Belgium, the Netherlands and strongholds of vegetarianism Austria, Denmark and Sweden. Salt and vinegar has spread everywhere except Norway and Italy. “They don’t have the habit of doing vinegar on their crisps; they just eat them plain with salt,” says Julie Merzougui, lead food designer at Kellanova. If an employee in Italy wanted to explore bringing salt and vinegar to the market, they could – they’d simply have to ask. As of yet, they haven’t.
Multiple times a year, Pringles releases limited-edition flavours known internally as “insanely accurate analogues” – Merzougui and Peremans come up with these for Europe. “People think we have the dream job,” Merzougui says (she has dark hair, round glasses and an easy laugh, a personality akin to an experimental flavour – perhaps a chorizo Pringle). Peremans, who has worked at the company for 26 years, has a salt and pepper beard and a Salt & Shake personality. He speaks quietly and pragmatically, but has a subtle playful streak: “My young son, he wants to become my successor.”
Like Lay’s, Pringles starts with data – in Asia, the company uses a Tinder-like tool with 200 consumers at a time, asking them to swipe left or right on potential flavours. Lucia Sudjalim, a senior Pringles developer in Asia, says she does a lot of “social media listening”, observing trends among influencers and bloggers. Kellanova also uses AI, which Merzougui says can predict trends up to 10 years in advance. Things aren’t always this sophisticated though – both Lay’s and Pringles also look at what’s on the shelves in countries they want to break into, copying flavours and identifying gaps to fill.
Yet just because the world wants a flavour doesn’t mean it’s made. In December 2020, scotch egg sales soared in the UK after Conservative ministers ruled the snack a “substantial meal” (providing punters with an excuse to be in the pub under Covid-19 lockdown rules). Peremans was challenged to make scotch egg Pringles and pulled it off; Merzougui says they tasted “really authentic”. Ultimately, however, the potential order volume was not high enough to justify a production run. (This, incidentally, is why it’s hard to get Salt & Pepper Pringles in the UK, even though they’re delicious.)
Another unreleased flavour was part of a collaboration with Nando’s that petered out for reasons Peremans is unsure about. Sometimes, logistics get in the way: the perfectly blended seasoning might clog the machines or create too much dust, causing sneezing fits in the factory. Belgian legislation mandates that every seasoning has to be put through a dust explosion test – it is set alight in controlled conditions to ensure it won’t blow up.
Inside the plant, manager Van Batenburg shows me giant cube-shaped bags of seasonings that arrive ready to be cascaded on to the crisps. At the end of his video presentation, he made a passing comment that rocked my world. We were talking about other crisp companies, big name competitors. “In essence,” he said, “they’re using the same seasoning houses we do.”
I leave Belgium with the names of three seasoning houses Pringles work with. At home, I discover that their websites are obscure – they speak of flavours and trends, but don’t even mention Pringles. I haven’t so much stumbled upon a conspiracy as been invited into it, but I am still shocked. After two months’ cajoling by the Pringles team, two representatives from a seasoning house agree to speak – but only on the condition of total anonymity, in line with their contractual obligations.
“It’s quite secretive,” food scientist Reuben admits via Zoom, wearing a pink shirt and a thoughtful expression (the only crisp I can compare him to is a Quaver). “Everyone has their own crown jewels that they protect.”
As a marketer, Peggy has always found the company’s secrecy “strange”. She speaks clearly, in a way that is reminiscent of a teacher or a steadfast multigrain snack. “It’s always been a bit of a puzzle to me … I was like, ‘Why aren’t we shouting about this?’ But I was told, ‘Oh, no, we have to keep it very quiet.’”
This is because – just as Van Batenburg hinted in Belgium – the seasoning house Reuben and Peggy work for provides flavours for Pringles and Lay’s, as well as other brands. When asked whether their clients know, Reuben says, “They do and they don’t.” “It’s just not really talked about,” Peggy adds. However, this doesn’t mean that a Salt & Vinegar Pringle is flavoured with the same seasoning as a Salt & Vinegar Lay’s. In fact, the seasoning house is strictly siloed to guarantee exclusivity. Reuben’s team work on the Pringles account; the team making flavours for PepsiCo is in an entirely different country. “So the recipe, if you will, of the Pringles salt and vinegar can’t be seen by the other team,” Reuben says.
23 notes · View notes
stevebattle · 1 year
Text
Tumblr media Tumblr media Tumblr media
Furby (1998) by David Hampton, Caleb Chung, and Richard C. Levy. “The Furby was in part inspired by an earlier ‘90s-era electronic pet: The Tamagotchi. In early 1997, Hampton and Chung saw the Tamagotchi in action for the first time at the annual Toy Fair trade show in New York — and while there was no denying how cool the idea was, one big issue Hampton spotted with the Tamagotchi according to the New York Times profile was the fact that you couldn’t pet it. So he and Chung set out to design an electronic companion you could pet. The working name for the toy was “Furball.” It spoke in a mishmash of the languages Hampton had picked up while he was in the Navy. … When it came time to license the concept, Hampton and Chung brought aboard Richard C. Levy. … Levy was a natural fit for the Furby project; it was thanks to his efforts that the trio struck a licensing deal with Tiger Electronics in 1997. … Not too long after that, Tiger was acquired by Hasbro, who gave the team resources they had only been able to dream about before in order to develop the product; and then, in October 1998, Furby made its public debut at New York’s fabled FAO Schwarz toy store. The store had 35,000 Furbies backordered by the end of the week. To say Furby was a hit is putting it incredibly mildly.” – Here's How That Furby Craze In The '90s REALLY Began — And Why They Still Give You Nightmares, by Lucia Peters.
47 notes · View notes