#percy answers
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Camille, I know Thanksgiving is coming up, but I also know that it’s exclusively an American and Canadian holiday. Are you planning to bring Thanksgiving to Sodor this year?
🎁 Gift Anon 🎁
Camille: We haven’t done one before but Thanksgiving was my least favorite holiday. Not that I hate it, it just wasn’t my favorite. I think it would be a lot of fun but honestly, the cooks are me and Edward and maybe Emily and we’d have both Gordon AND Scotsman to feed and they’re freaking bottomless pits.
Gordon: I beg your pardon, darling?!
Camille: I have been out to eat with you and Scotsman before at an all you can eat buffet. That’s terrifying enough.
Scotsman: She’s got us there, Gordon. But to be fair, we are rather large males…and we need a lot of food.
Thomas: I wanna do a Thanksgiving! That sounds like fun!
Percy: Me too!
Gordon: Nobody asked you two little engines.
Thomas: Your wife is a shorty, quit insulting tank engines.
Camille: W-Wife??? 😳😳😳
Gordon: THOMAS!! Quit teasing her!
Scotsman: I dunno… you’re blushing too Gordon. 😏
Gordon: With you two around I’m not sure I have much TO be thankful for.
Scotsman: Aw, c’mon Gordon, I’ll always be your favorite. 😁
Thomas: You love us!
#gift anon asks#ask answered#ttte#ttte humanized#ttte gordon#ttte oc camille#ttte flying scotsman#ttte thomas#ttte percy#Camille answers#Gordon answers#flying scotsman answers#Thomas answers#Percy answers
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How we doin Percy 🥸
Yooo
I'm doing great
Just writing down ideas
#rottmnt#rottmnt oc#rise of the teenage mutant ninja turtles#rottmnt echo#tmnt#rise of the tmnt#percy answers#moot asks
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What did you think of Coppernob, Percy?
PERCY: I think he’s up his own tender if I’m being honest.
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your reid in bg3 looks amazing!!
Thank you so much!!! :D
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hi lol love the blog um but be careful wit that gurl sara she is kinda preppy and mean xD her rituals suck too
xx ur giuardian angel
sara is always nice to me even if her wine is like super strong and she care sabout animals like i care about my rabbits. i may not knwo how to use a "list serve" too good but as soon as i figure it out im going to do something abotu this.
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Don’t mind me rambling on to you about something that Isnt the intertwined arts of leadership and deception, I just think you’d have good insight on this:
I wholeheartedly believe if rantaro wasn’t killed off so early he would have been the antag, Like??? “Don’t worry! I’m not a bad guy!” Immediately after introducing himself.
I think if you have to say you’re not bad and justify that you’re not bad, you MIGHT BE BAD
Not to mention he’s the ultimate survivor and he survived we don’t know how many games. That shit would’ve came up and he would’ve caused a lot of problems, on purpose or not. What if he just?? Embraced that role and became a goddamn menace to everyone??
We quite literally do not know shit about his personality because he got killed off early. He could’ve been so horrible. Honestly he had so much potential to be the actual goddamn threat
Like?? Everyone would be so worried about Kokichi kinda fucking everything up. And then in comes rantaro. Who ACTUALLY fucks everything up and everyone is like “oh shit forgot about him uh oh”
not at all!! my ask box is always open for anything, not just tialod, though you will notice that my ability to answer in a timely matter isn't always very good (sorry about that!!)
ooo amami as the antag is a very interesting thought! You're right, he was definitely set up to be an antag and he would have made an interesting one, because there are so many possibilities with him and his situation.
A lot of it hinges on how much he actually remembers from the beginning, though. Since his message to himself mentions his talent and the fact he was in a previous killing game, and since that was in his Ultimate Lab that was only made available in Chapter 5, I do genuinely believe he had no idea about his talent or specific circumstance in the short span he was alive in canon. All he knew was he had a perk that nobody else had, and he probably connected some dots with that that made him act shifty as hell, but it could also be used to end the killing game. Things he mentioned that made it seem like he knew more - like the Ultimate Hunt - were just mentioned in the Survivor's Perk.
A lot of his advantage is based in one specific situation happening that didn't even work out in canon for him, and the concrete knowledge that the mastermind is in the academy. Admittedly, knowing there is a definite mastermind could definitely spur him into being a threat past Chapter 1, growing more desperate to find them and put an end to this, but I don't think his talent and association to the previous game could actually come into play until he discovered his lab in Chapter 5, which personally takes away a lot of the fun of Amami specifically as an antag.
For the sake of fun, though, let's say Amami remembers everything in terms of being the Ultimate Survivor and the previous killing game, but in a fuzzy enough way that it can coincide with the Flashback Lights - maybe he later assumes it took place during the Ultimate Hunt, and that he was recovered by the Gopher Project and got a new title for being the only one to actually escape the Hunt's clutches, whatever. He lies to the others about forgetting his talent because that's obviously not information you just freely give out. That would give him some fun possibilities in terms of motives for being a menace!
From the way I see his character in canon, I can't imagine he would actively enjoy causing problems. He gives the impression of a mediator to me, someone who prefers to keep things civil and work things out somewhat diplomatically - which probably comes from having so many sisters, to be fair. But he's also very cold when it comes to the topic of the killing game, collected and full of ominous warnings, and that would go tenfold if he actually remembered the previous killing game. He may not enjoy it, but he definitely would do it, if he thought it was for the best. It might be fun to lean into a whole 'I know best' mentality with him, actually, playing around with his big brother complex too, reflecting the more classmates lost to him losing his sisters, on top of the inevitable self-importance that comes with knowing more than anyone else.
Perhaps he thinks the mastermind of his first game is the same as this one. That would make him more eager to expose them, to end the game - to avenge his previous classmates. He can't remember who the previous mastermind was but he knows there was one. Perhaps he's willing to gamble as long as a majority survives. After all, anything is better than one, right? Or perhaps he has to prioritise ending the killing game because of his own paranoia - what if it continues and continues and continues? If they can make one killing game, two, what's stopping them from going on?
Sixteen, thirty-one, is nothing in comparison to infinity.
Motives and general Amami character analysis aside, I do think the idea of his dynamic with Ouma in this situation would be particularly interesting. Because yeah, everyone would definitely be more concerned about whatever overt off-the-walls bullshit Ouma is doing than mild, vaguely ominous but helpful Amami in the corner. It leaves Ouma to be a very convenient and easy scapegoat for anything Amami does, and Amami is smart enough not to make himself obvious about things. He doesn't want to draw the mastermind's attention any more than he does by simply existing in this killing game.
And it's strange, because while I can see Ouma playing along on the principle of it helping further along his own plans anyway, I also can't see him being very happy at being used as a pawn. He's very suspicious of Amami and his behaviour anyway, but being accused of things out of his own hands kind of pisses him off, because he expects things to go a certain way. Amami is sort of like an unknown variable to that. I could imagine a sort of implicit, passive aggressive rivalry going on between them.
The reveal that Amami is more involved in anything than the others thought would be very delicious though!! He can't hide all his actions, and the further the game goes, the more cold and serious he becomes, driven by the fear of being unable to end this game before he winds up the sole survivor again. It becomes obvious that he's pulling shit, and it's like uncovering a threat that was always laying dormant - suddenly the class is left scrambling to accept that Amami isn't nearly as innocent as they thought he was.
All that said, I would like to make an argument that Amami is already an antag, technically.
Amami is Akamatsu's antag.
They're very similar, and also very different. They both show an ability to lead and a level of determination, and both are trying to keep everyone happy and together - mediators. But Akamatsu is emotional, passionate, warm and hopeful with a tendency to lash out where Amami is cooler, calculative, composed, more focused. Akamatsu is flying by the seat of her pants while Amami has an actual plan, has experience.
Obviously, they were only alive for one chapter so it might just be because they had to squeeze all the character interactions in before they died, but it really does feel like, in Chapter 1, in Akamatsu's POV, Amami gets more of the spooky future antag focus. He gets the ominous quips, he gets the visible concern - at one point, Akamatsu mentions that something Amami had said really affected her, placing emphasis on it.
In contrast to how Ouma is treated in this chapter before the trial, Akamatsu seems to write off a lot of his behavioural quirks as being childish, or not taking things seriously. A lot of their conversations boil down to his whole liar-liar schtick, and from what I can remember, Akamatsu herself never really singles him out in commentary. He definitely still stirs shit, but mostly he's just annoying, and there isn't too much emphasis on it. It's not treated like a threat, really. Not in comparison with Amami.
Because to Akamatsu, Ouma can be written off as lying, as running his mouth, as playing around. Amami is serious, and he knows something.
Amami is Akamatsu's antagonist.
Plus, narratively, it makes a lot of sense to me if they got rid of a protag-antag pair in one trial. It's like wiping the slate clean and letting the new pair step into the spotlight.
We never see Amami through Saihara's eyes in canon. But we see him take Ouma seriously, and that's when he becomes a recognised threat.
Basically - yeah, I agree with you. Amami definitely could've been the antag if he survived, and now I'm really itching to write a one-shot.
It would be a fun AU, to explore a canon divergence where Saihara and Ouma die in the first trial instead, leaving Akamatsu as the protag and Amami as the antag. At first, nothing can ever be fully linked to him, it's all coincidences, until it can't be any more. And Akamatsu is frustrated because he knows things, it's so obvious, but it's confusing to talk to him because he acts so amiable about it. It feels wrong to get mad at him like that.
#sorry for the essay!! i started thinking about the concept for more than two seconds#and unravelled into brainrot#these are my thoughts but they're by no means right - just my interpretation of things!#percy answers
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how dare he >:( guys i might sue (he had a valid reason to be angry w me but we dont talk abt that)
he needs some anger management classes fr😭😭😭
-@the-hombrearana
Honestly, I can't blame ya for saying that. He needs a healthier outlet to express his emotions. Maybe he could take up boxing?
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I don't have ehlers danlos but I've read about a low dose of testosterone being really helpful! I've definitely seen Tumblr posts about it, maybe you can get the website's broken search to cough some up.
Hi! I’m so sorry I’m only replying now! ☺️
My doctor told me about testosterone shots when I got diagnosed, but he called it last attempt for people who are in worse pain than I am (like people unable to move). But when I saw your text I got reminded of it and did some more research!
I read that (depending on how your body reacts to it) changes in the afab body can happen strongly (deeper voice, body hair, etc.), but it depends on how your body reacts to it since it is only a small dosage. I am personally not a fan of taking testosterone for my hEDS since I deal mentally with a lot of dysmorphia and already have problems with my hormonal balance.
I thank you so much for your reply, though, because somebody else might read it and could possibly make really good use of that advice!💘
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I’m not sure if you take requests so feel free to ignore this if you don’t! But I loved your shoko “moon bend the knife fic” and would love a further exploration of that dynamic with f!reader again<3 maybe reader coming back wounded from shibuya? Or a mission gone heavily wrong. I’m not sure haha sorry if this is silly — again feel free to ignore! But most of all I just wanted to compliment your writing. It really is fantastic, thank you:)
responding to this so you don’t think i forgot you because i didn’t!! i didn’t really expect to get requests here but i’m open to them (within reason/my discretion) and i will gladly take this one!!
thank you SO much for the compliment you’re too sweet :^) I really enjoyed developing the tone and reader voice of moon bend the knife so i will of course jump at the prompt to do that some more. i was going to write it here in response to this ask but there are a few different potential places i wanted to take it as i started writing so then i procrastinated but wanted to tell you i was working on it!! i will do my best to have something up this weekend 🤞
in the meantime i would like to recommend the wonderful post-shibuya fic in the dream i don’t tell anyone, you put your head in my lap by tworaccoonsinatrenchcoat (shoko/gn!reader). it’s such a compassionate and sensitively written glimpse into shoko’s grief that we don’t get from jjk/gege and the inherent tragedy of jujutsu sorcerers. shoko deserves the entire cursed world and then some!!
#percy answers#anon#we are all shoko wives here#like that fic she deserves a great big hug and also a walk on nanami’s beach#shoko
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one more time, because I haven’t seen anyone do them.
#how’d they get arrested? wrong answers only.#solangelo#nico di angelo#will solace#fanart#percy jackson#my art#pjo#annabeth chase#heroes of olympus#rick riordan#pjo fandom#riordanverse#pjo hoo toa#pjo hoo#tsats#the sun and the star#nico pjo#will pjo
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@tmntstorycomp
I would love some comics :3
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You’re a beautiful individual, Percy 💚
Percy: I know, thank-you anonymous! 💚💚💚
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oh can i ask which mod? 👀 id love to play him!
It's a couple!
• Customizer's Compendium - NPC Options Unlocker gives you his face; he has Rolan's (only available for Tieflings)
• Vessnelle's Hair Collection (Pack 1) for Hair 2
• Citizen Outfits as Camp Clothes for his coat with the Death Knight Mage dye from Basket Full of Equipment to change its color
If you want to play Dragon!Reid, then you'll need these for the eyes:
• Eye of the Beholder is the main file, and then from the same page you'll also want to download Cat Glow Eyes Preset
I think that's everything.. Have fun! :]
#there's some extra mods to install if you haven't modded BG3 before but I can point you in the right direction if need be#anonymous#Percy answers
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Ok but what are we gonna do in a few years when the Percy Jackson series is airing its final season and we have side by side images of a young Percy with his plain leather cord next to a noticeably older and wiser Percy with his completed camp neckace. Then what.
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I am so glad you asked!! Because honestly, murder cases and class trials are some of the hardest bits for me to write, so I totally understand how difficult it is to approach at first. I'll do my best to explain my process, but basically a lot of it boils down to fully understanding every angle of the situation
Summary and Timeline
To start with, I always make a bullet point summary to refer to. For example, this is the one for the first case of TIAoLaD:
The information in the red square is my basic premise, the stuff I establish before brainstorming for the actual murder. Pretty standard stuff. I do think it is key to know your culprit's motive from the beginning, because it can help shape how the murder is carried out, and it doesn't always have to be related to Monokuma's (or your equivalent's) motives! Also, something I personally like to do is make sure to vary the cause of death between cases, mostly to keep it exciting. If everyone is getting stabbed, it feels more repetitive.
Following that, I have a summary of events. I start with where the victim was just before the murder and who they were with. This is helpful for having final witnesses and easy red herring suspects.
Then you want to get the victim vulnerable. Most often, this will be getting them alone, but it could include leaving food or drink alone to be tampered with or making them blind or disoriented by turning off the lights. You can have a combination, like the notes above - Chabashira leaves her alone, which is vulnerable already, and Yumeno leaves her tea unattended to allow for the poison attempt. The point is giving your culprit an opening.
Then, obviously, the murder itself - that's straightforward since the cause of death is already decided - and the aftermath. This will typically be some level of clean up, to hide their tracks, but you could easily have your culprit run immediately and leave behind a mess. If you want to do that, though, I'd say it's best as a first case thing, because that makes it the least complicated to figure out.
There will be some outliers, of course, like suicides and multiple murders (kind of) but generally, that format (pre-murder → opening → murder → aftermath) works well because it's easy to follow and add complexity to, and it breaks down the brainstorming process into four parts. It makes it seem less intimidating.
Now, if your culprit planned the murder, I'd really recommend making a note of their original plan, especially if it deviates from what actually happened. Partly because it could leave additional clues, partly because it will probably come up in the trial as a result, and mostly to have your bases covered. I find it's a lot more comfortable to write a trial when you know every little detail of what happened, even if the characters won't deduce it to that extent. See; a snippet of my notes for the third case of TIAoLaD:
Clues
Clues - or truth bullets - are a bitch to try and think up sometimes, I'll be honest. You want them to lead to the right culprit, and you want it to do that in an understandable way. But where to start?
Looking through my cases, I think they tend to fall into a few sections.
Murder Weapon (this is obvious but it's always essential, especially if it's a strange one. using the murder weapon as a clue can take multiple forms. you could find the weapon itself with blood or whatever else, you could find it missing from its usual spot and deduce it from there, OR use it to identify the culprit because it's a personal item)
The Body (injuries and wounds: lacerations, broken bones, bruises. the position it was found in, if it seems natural or staged post-mortem)
The Surroundings (blood stains or prints on the floor, any signs of the body having been moved. signs of a struggle: knocked over furniture or items, messy surroundings. things that are broken, ajar doors, missing things)
Alibis and Accounts (what it says on the tin. this is a good way of highlighting red herring suspects, and bringing up additional information that cannot be shown through physical clues, like planned meetings or behavioural differences. it is also a good way to ward immediate suspicion off your actual culprit by giving them an, albeit weak, alibi or an innocent sounding account)
Motive-Related (in relation to both the culprit's motive and monokuma's given motive, depending on if they are the same or not. this may include things left at the scene as a statement, or in an an attempt to frame someone else.)
2 + 3 are typically used to establish the timeline of events and what actually happened in regards to the murder itself, 4 can be used for narrowing the suspect list and establishing the pre-murder and aftermath, and 1 + 5 help pinpoint the culprit, depending on what the weapon was.
Of course, these are all just general, sweeping statements. Some clues don't fit into these categories, and there can be nuance to how they lead to a culprit, but you'll usually have a couple clues in each one.
A good thing to remember is that not all the clues have to be big, they just have to be there. Mention the bloodstains, mention the wrinkled clothes, mention anything you can think the culprit might have left behind. Every little thing that could act as evidence works.
It may sometimes be easier to work backwards too, by figuring out what you need to show first. You need to show someone was in a certain place? An ajar door, or footprints, or disturbed dust, if you think your protag would be sharp enough to pick that up. You need to show the culprit was someone the victim trusted? Show less of a struggle, make the killing wound a strike from behind because the victim was willing to turn their back on the culprit. Sometimes the absence of evidence is a clue in itself, and can be used as such.
Trials
Okay, so, the beast itself. The class trials.
The biggest thing about writing trials is that they are, as you can imagine, very dialogue-heavy and rely heavily on exchange of information. Because of that, the most important thing is to make sure they have relatively good flow; keeping the switch between subjects of discussion as smooth as possible, making sure the train of thought is understandable to follow, stuff like that.
I know, that's way easier said than done.
Freewriting works very well because it helps you follow the logical assumptions your characters might have of certain questions until they reach a dead end, or the correct answer. One of the biggest obstacles with the trials I've faced, personally, is by knowing what actually happened, I struggle with finding assumptions to follow to dead ends. You don't want a trial to be too straightforward, because that makes it boring. For me, freewriting puts me more in the headspace of my characters, and helps me pad the trial with those dead ends, and it flows more smoothly because it follows my own train of thought.
The way I've found this works best is by focusing on the conversation and its topics as a stand-alone thing before actually writing the trials. I'm sure you can do this in a variety of ways, but personally, I like to freewrite it in a bunch of gibberish. See; my rambles for the beginning of the fourth trial:
The downside to freewriting is that it can get derailed easily, so you might want to make a list of conversation beats to hit first. Typically, it's easiest to make these possible suspects (like the one in bold above) but it can be certain pieces of evidence being brought up. It offers a framework for your freewriting to follow - sort of like filling the gaps between one suspect and the other.
After that, you can write the trial using your freewrite exercise as a basis to get the ball rolling!
I hope that makes sense?? This was a lot longer than I initially anticipated, and I feel like I got a bit incomprehensible at the end, but if you have any questions or need clarification, feel free to send another ask or a dm!
#it's really hard to articulate my processes because i don't usually share them with anyone#it all just bounces in my brain until it makes sense#percy answers#tiaolad#the intertwined arts of leadership and deception#and hey if you ever need someone to talk to about killing game ideas and stuff i am always open#wink wink
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