#paul mcgann filmography
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please elaborate on the Paul films you think are good (I’m assuming Withnail is one of them lol)
hello thank you for the ask!! i always love getting them :3 but yeah upon looking at pauls filmography ive realized ive seen wayyy more of his tv stuff than his films (most of which are kinda just really bad but made good by the fact i get to look at him) and i think his tv stuff is usually way better than his movies so im just gonna go through all the movies ive seen. with him
i should note im literally mostly ranking these on how paul llooks in them. because i watched these during quarantine and its all a blur
withnail and i <- literally my favorite film of all time i can quote the whole thing. i watch it in my head when im bored. it changed me irrevocably. i love it and also paul is justsuch a wet sopping pathetic sexy beast in it
paper mask <- ok i did like this one. it's kind of insane and an entertaining watch and it's one of his movies that ive actually seen multiple times. paul plays the banjo and sings in it a bit and he's also really cute in his little outfits while committing medical malpractice and identity theft
the doctor who movie <- you already fucking know what i think of this one baby!!!!!!!!!!!!!!!!!!!!!
the biographer <- oohhhh he's wearing glasses...... and a cute sweater.........i found this one interesting enough. i think
hotel! <- blantant fucking airplane! ripoff but still kind of really funny in my opinion if you like that sort of humor. peter capaldi is also in here
the rainbow <- isn't good but you get to see his bare ass and watch him run naked in a field so that has to count for something i suppose. i also think it has his first ever sex scene in it so it's funny to watch
dealers: this one is about the stock market and i dont remember shit from it but i sure did watch it !!!!!!! but hes a little business boy in a little business suit and even wears a turtleneck
catherine the great: this one is only for the most skilled paul mcgann watchers as his brothers are in it and literally i can't tell them the fuck apart. and i dont remember anything in it except paul has a scar (hot)
lesbian vampire killers <- this fucking sucks. james corden is in it. it's supposed to be a comedy but none of it is funny except for the parts with paul :)
the monk: not good in the slightest but he has a tonsure which is hilarious. to me
downtime: it's fine i think. im putting it last because i cant even remember what he looked like in it
#IDK IF THIS IS WHAT YOU WANTED BUT#too bad ive already written it all out and im posting it#alexlifesonofficial#paul mcgann
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Hullo! I'm a bit shy so I'm asking as anon, hope that's okay. Love your blog and your Paul McGann stuffs are just the best and thanks for that holy masterpost!
Do you have a list or recommendation of paul's movie/serie that are save to watch with family's around? Like, don't you hate it when they look at your screen and bam! of all things, erotic/gross stuff are in? ಥ⌣ಥ but kiss scene are okay! Well, at least like the one in DW movie, not too erotic ones. TIA!
ahhhh thanks so much!! as for the answer to your question.... hmm. i can't guarantee these 100% because it's been a while since i've watched them, but some recommendations are:
paul's episodes of marple and poirot
annika
fairytale: a true story
give us a break
moving on
the petrol age
all of which you can find on my filmography masterpost! it's not an exhaustive list, but just some off the top of my head that i enjoyed and that i don't recall having super erotic content. fairytale in particular is a family movie and was one of my absolute favorites growing up.
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My appreciation for Paul McGann is much like a middle school crush. It's all "You're so small!" and "You kiss funny!" and "You make an insane number of bad films for such a good actor, I've never experienced this kind of ratio before, LIKE, JESUS, WHO IS YOUR AGENT??" and it probably all seems very mean-spirited, but it really isn't, because all the while, I'm just pining away for more content. Anything is fine. It's all wonderful and I will watch all of it happily and I will literally just watch anything, I'm really not kidding—
#except the rainbow#which i will never sit through again#because it bad#but seriously#i am such a middle school bully with a crush rn only its an actor and it's just me dissecting his entire filmography out of appreciation#oops#paul mcgann#abbey.txt
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real dude not a character but to me ur definitely The Paul Mcgann Person. as marwood as the little doctor man etc etc ur the expert
omg hkjskj i’m honoured also quite surprised because uhh i’ve actually only really seen him in dw & withnail and i but i am obsessed with those two characters enough for the rest of his filmography probably—
i think the only other thing i’ve seen him in, and intentionally watched because he was in it, was lesbian vampire killers (2009) and i regret it so so much easily one of the worst and most lesbophobic things i have ever seen </3
#fascinatingg one hand i didn't expect that but also i guess i shouldn't be entirely surprised??#anyways thank you for sending that<3 <3#also do not watch lesbian vampire killers 2009 dear god even if you like bad movies it was so bad also#genuinely made me feel really gross😔😔#asks#1snotboy
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MARGOT GRAHAME.
Filmography
British cinema
1930: Rookery Nook, Tom Walls
1931: The Love Habit, by Harry Lachman
1932: Illegal, by William C. McGann
1933: Yes, Mr. Brown, by Herbert Wilcox and Jack Buchanan
1933: I Adore You, by George King
1933: Prince of Arcadia, by Hanns Schwarz
1934: The Broken Melody, by Bernard Vorhaus
1935: Falling in Love, by Monty Banks
1948: Broken Journey, by Ken Annakin
1949: The Romantic Age, by Edmond T. Gréville
1951: I'll get you for This, by Joseph M. Newman
1952: Venetian Bird, Ralph Thomas
1953: The Beggar's Opera, by Peter Brook.
American cinema
1935: The Whistleblower, by John Ford
1935: The Arizonian, by Charles Vidor
1935: The Three Musketeers, by Rowland V. Lee
1936: Two in the Dark, by Benjamin Stoloff
1936: Counterfeit, by Erle C. Kenton
1936: Make Way for a Lady, by David Burton
1936: Lew Landers' Night Waitress
1937: The Soldier and the Lady, by George Nichols Jr.
1937: Sunday Night at the Trocadero, by George
1937: Fight for Your Lady, by Benjamin Stoloff
1938: The Buccaneer, by Cecil B. DeMille
1947: Forever Amber, by Otto Preminger
1947: The Fabulous Joe, by Harve Foster
1949: Black Magic, by Benjamin Stoloff and Orson Welles (Italian-American film)
1952: The Terrible Mocker, Robert Siodmak
1957: Saint Joan, by Otto Preminger.
Theater
Broadway
1942: Lesley Storm's Heart of a City with Romney Brent and Dennis Hoey
1942: The Strings, my Lord, are false, by Paul Vincent Carroll, directed by Elia Kazan, with Ruth Gordon and Walter Hampden.
Créditos: Tomado de Wikipedia
https://es.wikipedia.org/wiki/Margot_Grahame#Cine_estadounidense
#HONDURASQUEDATEENCASA
#ELCINELATELEYMICKYANDONIE
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Heartless
I’ve seen some of the new Doctor Who and it’s kind of terrible. Once, when i was younger, I’d be on the edge of my seat whenever i tuned into this smart, snarky, surprisingly well executed indie-like show. I adored the first few series of the revival run. Eccelston was a decent Doctor but the show took off once David Tennant got the role. 10 is my favorite Doc of all time, no disrespect to Matt Smith or Tom Baker but, for me, it’s 10 all the way. He had the best stories, the best development, the best pathos. He was written brilliantly and i adored every second of it. And that’s the rub; 10 was WRITTEN beautifully. There was creativity and passion and love in his stories. All of that was driven by Russell T. Davies, a brilliant creator in his own right. This cat was the driving force behind shows like Queer As Folk and The Grand. He had a way to ground his storied in reality by focusing on the characters and their motivation. For Davies, the devil was in the detail and his almost auteur sense of showrunning made sure of that. I understand why Eccelston left after one series. Davies wasn’t budging on his vision and Eccelston, being the same way in front of the screen, woulld, invariably, do nothing but clash. It was sad to see him go but we got Tennant in tow, so it wasn’t all bad. I was born in the 80s so, until the revival started, my Doctor Who was Paul McGann. It’s a shame he didn’t get a fair shake. I think he could have been incredibly special in the role. Unfortunate. Eventually, Tennant left, like Eccelestson, but on different terms. Cats had to pry David off the set, he loved the character so much. In comes Matt Smith, all young and gang, instantly warming our hearts to his cool ass bow ties. Matt Smith brought Steven Moffat with him as showrunner and this is where things took a turn, I think.
Steven Moffat is a huge television person in Britain. He’s produced fantastic shows like the BBC Sherlock, Jekyll, and the current Netflix Dracula run. He is not Russell T. Davies. The difference in their writing is wildly apparent. I’m not saying it’s bad but it’s definitely less. Or so it was after Davies left. See, Davies had a cache of writers on his staff while he ran his portion of Who. Moffat was one of those cats. Davies says he never changed a single script submitted by Moffat, and I’m inclined to agree. When you have strict parents, you know to stay inline and put your best foot forward. When Davies bowed out and Moffat got the big chair? That’s when sh*t started to slide. Don’t get me wrong, the show was still entertaining. Moffat hit the jackpot with Smith and Karen Gillan. Their chemistry was amazing. I, personally, enjoyed the episodes with Rover Song as well, although, that seems to be a point of contention among the fandom. However, You can see cracks begin to form when Gillan left. Now, i absolutely adore Clara Oswin Oswald. The idea of her character was great. The execution, not so great. That becomes a theme in Moffat run. By the time Peter Capaldi got to throw on his sonic shades, Moffat was phoning sh*t in left and right, which is absurd because Capaldi is an excellent actor. How do yo outright waste such talent? There were a few sparks of amazing, a few brilliant episode, and f*cking Missy, ultimately though, Moffat went out with a fart instead of a bang. I think, toward the end there, Moffat was tired of the vehicle that made him a star. This brings my to current Who. The BBC installed one of the worse creatives in their social conscious to helm what could arguably be the biggest shift n Who since the first hiatus; A female Doctor.
Now, i was never one of these cats who cared if the Doctor had a Johnson or a Virginia, they’re immortal interdenominational aliens who regenerate their bodies after death. They can be whatever the f*ck they want to be at that point, except ginger, apparently. o be so butt-hurt that their precious Doctor now has boobies is ridiculous. Be upset about who they cast, bro. We’ve had excellent actors portraying the good Doctor for decades. Is this new one, female or not, going to carry that torch? Do they have the ability to do this legacy justice? That’s what should have been the focus, but it wasn’t, so the BBC was able to slide Chris Chibnall into the big chair. That is the problem with this show. A lot of Chibnall’s catalog seems to be crime serials. I’m intimately familiar with Broadchurch and i can make pretty accurate assumptions about Law and Order: UK. He was head writer fir Torchwood, but that ain’t Doctor Who. That’s a different show with a different feel. He’s actually written some of the worst episodes of Doctor Who in the new run, itself. Who’s favorite episode is f*cking “Dinosaurs on a Spaceship?” And the BBC put THIS guy in charge? No wonder the ratings are in the sh*tter, dude can’t write outside of crime dramas! There is a distinct lack of imagination there and it shows in his filmography. Just because you have a tenuous connection to Doctor Who, doesn’t mean you should be in charge of the entire goddamn show! Which is a shame because Jodie Whittaker is an amazing actor!
Jodie is the saving grace of this terrible run and it’s hard to see that with how drab her scripts have been. This feels a lot like how McGann got burned in the 90s but in a different way. Whittaker’s pedigrees is unassailable. Ma can act. She was great in attack the Block and the best goddamn thing about Broadchurch so stepping into the role of the Doctor; a role historically chock full of freedom for the actor to craft any sort of personality for the character, should have been a dream come true. it wasn’t. Whittaker was almost immediately boxed in by the BBC and Chibnall, forcing this weird, focus grouped, visage all over her. She was immediately expected to impersonate a cross between Smith and Tennant, something that sound awesome on paper but is absolutely impossible to pull off once you have a deep understanding about those two characters. 10 was a Doctor who had to live with the knowledge that he committed genocide on his own people. While he was able to smile and interact with others on a personable level, he kept people at an arms length. He abandoned the woman he loved in another dimension because of this fact. Because he feels he doesn’t deserve to be happy. 11 is the opposite. He forgot the number. He stopped counting. He allows himself to love again, both platonic and romantic. He doesn’t care about the Time War and it’s casualties, not anymore. This juxtaposition is impossible to reconcile and it makes for a sh*tty character with no tone, no agency, and no heart. And that’s the problem with this run of Doctor Who so far; There’s no heart.
It seems Chibnall has a rather short leash with this run of the Doctor. Not that he minds it, dude comes across has kind of an executive bootlicker from what I’ve seen. He’s a creative who isn’t all that creative; a writer who has good ideas and not a lick of understanding about how to execute them properly. I could be wrong, I’m not British, but i am observant and it appears to me that Chibnall is at his best when he’s adapting some sh*t or has a framework to build upon. Crime serials have that.They have a structure to their narrative. It you’ve seen one, you’ve seen them all that’s why they’re called “serials”. Even with Torchwood, there was a world to build upon and cats to edit his scripts. Being the showrunner for Doctor Who has none of that. There is no structure. There is no framework. There is just pure possibility, awash in the fantastic. You have to have imagination to be in charge of Who and, as far as i can tell, Chibnall is lacking that aspect. He’s lacking heart. Doctor Who feels like Broadchurch, in more ways than one, and that i absolutely a sin. Who should feel like Who. It would be whimsical and tragic and uplifting and heartfelt and genuine. What Chibnall has created in these two series so far, feels like a product. This sh*t was pressed out, manufactured, with not even an ounce of love and that sucks. How can he be so jaded and he just got the job?
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Heartless
I’ve seen some of the new Doctor Who and it’s kind of terrible. Once, when i was younger, I’d be on the edge of my seat whenever i tuned into this smart, snarky, surprisingly well executed indie-like show. I adored the first few series of the revival run. Eccelston was a decent Doctor but the show took off once David Tennant got the role. 10 is my favorite Doc of all time, no disrespect to Matt Smith or Tom Baker but, for me, it’s 10 all the way. He had the best stories, the best development, the best pathos. He was written brilliantly and i adored every second of it. And that’s the rub; 10 was WRITTEN beautifully. There was creativity and passion and love in his stories. All of that was driven by Russell T. Davies, a brilliant creator in his own right. This cat was the driving force behind shows like Queer As Folk and The Grand. He had a way to ground his storied in reality by focusing on the characters and their motivation. For Davies, the devil was in the detail and his almost auteur sense of showrunning made sure of that. I understand why Eccelston left after one series. Davies wasn’t budging on his vision and Eccelston, being the same way in front of the screen, woulld, invariably, do nothing but clash. It was sad to see him go but we got Tennant in tow, so it wasn’t all bad. I was born in the 80s so, until the revival started, my Doctor Who was Paul McGann. It’s a shame he didn’t get a fair shake. I think he could have been incredibly special in the role. Unfortunate. Eventually, Tennant left, like Eccelestson, but on different terms. Cats had to pry David off the set, he loved the character so much. In comes Matt Smith, all young and gang, instantly warming our hearts to his cool ass bow ties. Matt Smith brought Steven Moffat with him as showrunner and this is where things took a turn, I think.
Steven Moffat is a huge television person in Britain. He’s produced fantastic shows like the BBC Sherlock, Jekyll, and the current Netflix Dracula run. He is not Russell T. Davies. The difference in their writing is wildly apparent. I’m not saying it’s bad but it’s definitely less. Or so it was after Davies left. See, Davies had a cache of writers on his staff while he ran his portion of Who. Moffat was one of those cats. Davies says he never changed a single script submitted by Moffat, and I’m inclined to agree. When you have strict parents, you know to stay inline and put your best foot forward. When Davies bowed out and Moffat got the big chair? That’s when sh*t started to slide. Don’t get me wrong, the show was still entertaining. Moffat hit the jackpot with Smith and Karen Gillan. Their chemistry was amazing. I, personally, enjoyed the episodes with Rover Song as well, although, that seems to be a point of contention among the fandom. However, You can see cracks begin to form when Gillan left. Now, i absolutely adore Clara Oswin Oswald. The idea of her character was great. The execution, not so great. That becomes a theme in Moffat run. By the time Peter Capaldi got to throw on his sonic shades, Moffat was phoning sh*t in left and right, which is absurd because Capaldi is an excellent actor. How do yo outright waste such talent? There were a few sparks of amazing, a few brilliant episode, and f*cking Missy, ultimately though, Moffat went out with a fart instead of a bang. I think, toward the end there, Moffat was tired of the vehicle that made him a star. This brings my to current Who. The BBC installed one of the worse creatives in their social conscious to helm what could arguably be the biggest shift n Who since the first hiatus; A female Doctor.
Now, i was never one of these cats who cared if the Doctor had a Johnson or a Virginia, they’re immortal interdenominational aliens who regenerate their bodies after death. They can be whatever the f*ck they want to be at that point, except ginger, apparently. o be so butt-hurt that their precious Doctor now has boobies is ridiculous. Be upset about who they cast, bro. We’ve had excellent actors portraying the good Doctor for decades. Is this new one, female or not, going to carry that torch? Do they have the ability to do this legacy justice? That’s what should have been the focus, but it wasn’t, so the BBC was able to slide Chris Chibnall into the big chair. That is the problem with this show. A lot of Chibnall’s catalog seems to be crime serials. I’m intimately familiar with Broadchurch and i can make pretty accurate assumptions about Law and Order: UK. He was head writer fir Torchwood, but that ain’t Doctor Who. That’s a different show with a different feel. He’s actually written some of the worst episodes of Doctor Who in the new run, itself. Who’s favorite episode is f*cking “Dinosaurs on a Spaceship?” And the BBC put THIS guy in charge? No wonder the ratings are in the sh*tter, dude can’t write outside of crime dramas! There is a distinct lack of imagination there and it shows in his filmography. Just because you have a tenuous connection to Doctor Who, doesn’t mean you should be in charge of the entire goddamn show! Which is a shame because Jodie Whittaker is an amazing actor!
Jodie is the saving grace of this terrible run and it’s hard to see that with how drab her scripts have been. This feels a lot like how McGann got burned in the 90s but in a different way. Whittaker’s pedigrees is unassailable. Ma can act. She was great in attack the Block and the best goddamn thing about Broadchurch so stepping into the role of the Doctor; a role historically chock full of freedom for the actor to craft any sort of personality for the character, should have been a dream come true. it wasn’t. Whittaker was almost immediately boxed in by the BBC and Chibnall, forcing this weird, focus grouped, visage all over her. She was immediately expected to impersonate a cross between Smith and Tennant, something that sound awesome on paper but is absolutely impossible to pull off once you have a deep understanding about those two characters. 10 was a Doctor who had to live with the knowledge that he committed genocide on his own people. While he was able to smile and interact with others on a personable level, he kept people at an arms length. He abandoned the woman he loved in another dimension because of this fact. Because he feels he doesn’t deserve to be happy. 11 is the opposite. He forgot the number. He stopped counting. He allows himself to love again, both platonic and romantic. He doesn’t care about the Time War and it’s casualties, not anymore. This juxtaposition is impossible to reconcile and it makes for a sh*tty character with no tone, no agency, and no heart. And that’s the problem with this run of Doctor Who so far; There’s no heart.
It seems Chibnall has a rather short leash with this run of the Doctor. Not that he minds it, dude comes across has kind of an executive bootlicker from what I’ve seen. He’s a creative who isn’t all that creative; a writer who has good ideas and not a lick of understanding about how to execute them properly. I could be wrong, I’m not British, but i am observant and it appears to me that Chibnall is at his best when he’s adapting some sh*t or has a framework to build upon. Crime serials have that.They have a structure to their narrative. It you’ve seen one, you’ve seen them all that’s why they’re called “serials”. Even with Torchwood, there was a world to build upon and cats to edit his scripts. Being the showrunner for Doctor Who has none of that. There is no structure. There is no framework. There is just pure possibility, awash in the fantastic. You have to have imagination to be in charge of Who and, as far as i can tell, Chibnall is lacking that aspect. He’s lacking heart. Doctor Who feels like Broadchurch, in more ways than one, and that i absolutely a sin. Who should feel like Who. It would be whimsical and tragic and uplifting and heartfelt and genuine. What Chibnall has created in these two series so far, feels like a product. This sh*t was pressed out, manufactured, with not even an ounce of love and that sucks. How can he be so jaded and he just got the job?
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Waiting For Thirteen
Like many of you, I am not only self-isolating but am also waiting anxiously for S13 of Doctor Who. Since it’s going to be a while, I decided to look for other movies and TV shows with Jodie Whittaker and/or Sacha Dhawan.
Since Tumblr has been bugging me to make a post, I thought I’d report on what I’m watching, from a Whovian perspective.
First, a bit of background on me - I started watching Doctor Who with Tom Baker and he’s still one of my favorite doctors. I continued through Seven and even watched the TV movie (sad waste of Paul McGann).
Later I went back to catch up on episodes of Three and Two (my BritBox subscription is worth every penny). So I was very excited when the new series started up in 2005.
So far I’ve enjoyed it immensely but I’ve been especially enjoying Jodie’s Doctor. With S12, I’ve gotten attached to Sacha Dhawan’s Master and so far this has been my favorite season and makes me want to see more of their other work. I’ve seen Iron Fist but have to admit that I didn’t realize Sacha played Davos until I looked it up. He’s an amazing actor and a total chameleon.
I got onto Tumblr because other social networks were so hostile to both Jodie and Chris. Tumblr has a much more positive fandom and I’m thoroughly enjoying my time here.
I can’t guarantee how often I’ll be posting but as I work my way through these actor’s respective filmographies over the next few months, I will try to post something, even if it’s a bit short.
NOTE: I don’t plan on starting or participating in any flame wars.
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Prydon’s Paul McGann Filmography Master Post
In honor of it being Paul McGann’s birthday, I thought I’d post something special for you guys! This is my masterlist of every role Paul has played that I’ve been able to find an upload of/been able to upload online myself, which I’ve been cultivating over the past year.
I know there is another master post of his filmography floating around, but it hasn’t been updated in years and many of the links are broken, and I was able to find/upload many roles that aren’t on there so I thought I might as well make my own post. All kudos and respect to the lovely people who made the previous masterpost, however, and I did use it to find several of the links on here!
Note: Many of these are hosted on the website vk.com! You do have to make an account to watch videos on this site, but I promise it is completely safe.
--
A Little Place Off the Edgware Road
A Mother's Son (Episode 1, Episode 2)
Absence
Afraid of the Dark
Agatha Christie's Marple
Agatha Christie's Poirot
Alien³ (McGann cut)
Always Crashing in the Same Car
Anne (Paul’s scenes)
Annika (Episodes three, four, five, six)
Art Is... (part one, part two in low quality) (High quality full movie but with German subtitles for some reason)
B&B
Blood Strangers
Brakes
Catherine the Great
Collision (McGann cut)
Dealers
Doctor Who (TV Movie)
Downtime
Empire of the Sun (Paul’s scene)
Fables of Forgotten Things
Fish (Episode one, two, three, four, five, six)
FairyTale: A True Story
Forgotten (Episode one, two, three)
Give us a Break
Gypo
Holby City (McGann cut)
Horatio Hornblower (Alt, higher quality)
Hotel!
If I Had You
Innocent Victim
Jackanory (clip)
Jonathan Creek
Kidnapped (McGann cut)
Lesbian Vampire Killers
Lie with Me (Alt)
Listening
Luther (Paul’s episodes)
Mother Me Daughter (Part 1) (Part 2)
Moving On
My Kingdom (McGann cut)
McDonald & Dodds
Nature Boy
New Tricks (Thanks, @susiedent!)
Nice Town
Night of the Doctor
Notes from the Underground
Our Mutual Friend (Alt: episode one, two, three, four)
Paper Mask
Play For Today
Perplexed Music
Poppies
Queen of the Damned
Rime of the Ancient Mariner
Ripper Street
Screen Two
Save Our Souls: The Titanic Inquiry
Sea of Souls: Rebound
Streets of Yesterday (Thanks, @infineight!)
Swallow Your Dreams (BTS)
Sweet Revenge (Episode 1) (Episode 2)
The Biographer (Thanks @savageinkspillage!)
The Bletchley Circle (Thanks @susiedent!)
The Dance of Shiva
The Five(ish) Doctors Reboot
The Hanging Gale (Ep 1 / Ep 2 / Ep 3 / Ep 4)
The Importance of Being Earnest
The Merchant of Venice
The Minister of Chance
The Monk (Part one, part two)
The Monocled Mutineer
The Musketeers (Thanks @susiedent!) (the video doesn’t stream correctly but the download should work)
The One That Got Away
The Petrol Age
The Rainbow
The Three Musketeers
The Windmill
Tripping Over (Episode one, two, three, four, five, six)
True Dare Kiss (Thanks, @virginia-perdue!)
Voice from Afar
Waking the Dead (Episode one, episode two)
Withnail & I
BONUS (interviews/documentaries etc):
Myth Makers interview
Victorian Sensations
Cavern Club
Hidden Paintings of the North West
Living the Life interview (part one, part two)
Doctor Who Movie Workprint
If you have better quality links to any of these/links to any roles that are missing, please let me know, I’d love to add them! Also let me know if any of these links ever break!
Enjoy!
#paul mcgann#long post#paul mcgann filmography#lotta time and effort on my part and the part of some friends went into finding and/or uploading all these#so i hope some good use is made out of it!!#this is only pt1 of my present for paul fandom on his bday btw#pt2 is coming soon#(unless you follow me on twitter in which case you've already seen pt2)
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Paul McGann in Every Role (that I can find a DVD/Download of) –> Jonathan Vishnevski in Fish (2000)
Doctors must do their job according to the fundamental contract they have with their patients; a contract that precedes any other than they may sign. Now, my client has done exactly that, and in doing so has cared for her patients to the best of her ability. Any criticism Dr. Cornwall leveled at a way of working which refuses her the opportunity to do this is totally justified.
#paul mcgann#paul in every role#mcgann monday#fish#my stuff#i really thought i'd never find this role#thank you so much @mydonkeyfeet who sent me dvds of two of the episodes!#the links to the eps have been added to my filmography masterlist#they're lq but it's so much better than nothing#which is what i had before
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I thought Paul McGann Scholar was like Rhodes Scholar this whole time,,,
ASIUFHIUAF the idea that i would put my academic accolades in the bio of my fandom blog is so funny..... no, that's just the actor in my icon, whose filmography i decided to try and archive a few years back.
#asks#anonymous#the two different groups of ppl who follow me:#1) the people who read my bio and go 'who the hell is paul mcgann???'#and 2) the people who read my bio and go 'who the hell is peter nureyev??'#i have two very separate brands with little crossover
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Paul McGann
me, closing the 20 tabs i have open all of which are various pieces of paul mcgann’s filmography or youtube videos of him at conventions, deleting horatio hornblower off my amazon wishlist, kicking my dozens of edas under my bed: hwhat??? who????? paul mcgee?? never heard of him
#asks#anonymous#i have so many mcganns i'm planning to gif just u wait for xmas break i'm gonna be ALL OVER IT#like all i've done this semester is consume paul mcgann content it's Embarrassing
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