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#paper cut outs
sarahvansloten · 2 months
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Collection box (2024), acrylic and Flashe on cut paper
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desimonewayland · 10 months
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Maxfield Parrish
Mr. Pickle
pencil on paper cut-out mounted on black paper
Sotheby's
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lmaowh-at · 1 year
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Little paper puppets on my wall
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papercutparadise · 1 year
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lions, tigers & elephants
sticker pack
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fashioninpaper · 2 years
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Vintage French paper cut outs - a circus lion (tiger) tamer, an Eskimo and a soldier.
(The files I uploaded to tumblr were large enough to print this at 8.5x11. But tumblr may have reduced the file size.)
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docgold13 · 5 months
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Profiles in Villainy
Dr. Doofenshmirtz
Doctor Heinz Doofenshmirtz (better known as Dr. Doofenshmirtz, or simply Doofenshmirtz) is an evil scientist hailing from the country of Drusselstein. He is the head of Doofenshmirtz Evil Incorporated, and he tends not to be evil in the traditional sense, but rather overly dramatic, eccentric and generally clueless. His usual lair is an office building that he apparently owns, though he's worked from other locations when necessary for his plans.
Doofenshmirtz attempts to wreak generally "evil" havoc and assert his rule across the entire Tri-State Area. Despite true dedication to this mission, nearly all of his schemes have been thwarted by his nemesis Perry the Platypus. Doofenshmirtz has become so accustomed to this dynamic that he tends to feel empty or even upset on those few occasions where Perry does not stand in his way.
The cad is voiced by Dan Povenmire and first appeared in the debut episode of Phineas and Ferb, airing on August 17th, 2007. 
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potatoeofwisdom · 3 months
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Donatello for your thoughts
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lyss-butterscotch · 14 days
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Enot in the style of Madoka Magica's witches
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narwhalsarefalling · 3 months
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todays herbarium story: new fucking way of dating things to confuse future archivists. someone wrote 66-1-3 as the date on a specimen. obviously i assumed 66 was the year and either the day was January 3rd or March 1st. put “1966” for the year in the file, marked as needing confirmation.
anyway one of the historical archivists went back and used the guys name to figure out about what month he confirmed it? and it was fucking 1866. the guy who cataloged it died in 1920.
i inadvertently handled a specimen thats older literally everyone i know and love and my only thought was mild irritation because it was dated weird.
we still dont know if it was found in January or March.
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pawfulofwaffles · 2 months
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@bunnyspine can I offer you a silly sticker guy in this trying time?
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ink-the-artist · 1 month
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I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next
I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.
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I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool
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i edited a small bit of the original scan to show what i mean
original:
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with the edited layer:
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heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it
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sarahvansloten · 4 months
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Portrait in the studio by my friend Meggy (2024)
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desimonewayland · 1 year
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Page spread from William Bache’s Silhouettes Album, 1803–1812, and a possible self portrait of William Bache
Cut coated paper with white ink mounted on paper
National Portrait Gallery, Smithsonian Institution      
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sillycosmicrabbit · 2 months
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Oh Eddie...
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papercutparadise · 1 year
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⏤͟͟͞͞★ ⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎ ⋆。゚☁︎。⋆。
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hellenhighwater · 5 months
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Hmm....how hard can large scale mosaic possibly be? I feel like my plans for the room I'm working on could use something really shiny and impactful and maybe I want to make a fold-down cutting table and maybe I want to do it out of mosaic, even though that will be ungodly heavy.
It's a fun idea. I'm not sure if it's a good idea.
I haven't done mosaic since a one-off high school art class but I feel like the component skills are ones I already have, sooooo....
I have been keeping to a blue and gold celestial theme for both my guest room and my art workspaces, because if and when I move those spaces are likely to be combined. Cutting table, even though it would be for a different room, falls in the same vein, so I'm thinking something with a nice dark night sky and maybe some branches or leaves...
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