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Cristo te odia (English lyrics at the bottom if you. Somehow didn't notice)
#myart#art#moral orel#digital art#clay puppington#bloberta puppington#orel puppington#shapey puppington#reverend putty
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性欲うさぎ (Seiyoku Usagi) - 甘い暴力 (Amai Bouryoku)
ENG + ESP lyric translation under the cut 🐰
★;; English
'Cause I'm a rabbit! 🐰
I'm a bun-bun-bunny, see?
I'm lonely
Bun-bun-bunny, see? don't let go pyon pyon pyon pyon
Who dies when they leave it alone? (the rabbit)
Who is vulnerable to changes in the environment (the rabbit)
Who has it feelings written all over it's face? (the rabbit)
Who's in heat all year round it's you, the rabbit.
Good, good, good
Pyon pyon pyon pyon, what, what, what
Not good?
Good, good, good
Pyon pyon pyon pyon
What, what, what?
Nothing good!
Aah, wicked
Deeply jealous
By that strong libido
'Cause I'm a rabbit! 🐰
I'm a bun-bun-bunny, see?
I'm lonely
Bun-bun-bunny hey, I fell in love with you like that
Bun-bun-bunny
I want to pour out my love until it's annoying
Bun-bun-bunny
Please don't leave me, pyon pyon pyon
Who has a strong desire of approval? (the rabbit)
Who hates that sense of familiarity? (the rabbit)
Eat well, sleep well, you're lazy, you're a rabbit.
Who does nothing but having naughty fantasies?
it's you, the rabbit.
Good, good, good
Pyon pyon pyon pyon
What, what, what
Why isn't it good?
Good, good, good
Pyon pyon pyon pyon
What, what, what
As you like to keep living
Sinking straight away
Wherever you go, i'll be there following you
'Cause I'm a rabbit! 🐰
You're acting like a child, don't say things like that.
Bun-bun-bunny, hey, I'm going to be tight
Bun-bun-bunny, hey, i miss you like that
i want to be annoying
[The Rabbit song]
A lonely rabbit
Alighlty naughty rabbit
With red eyes
Pyon pyon pyon
Go over there pyon pyon pyon
I'm not crying pyon pyon pyon
Over there pyon pyon pyon
The rabbit that got tired
Little naughty rabbit
'Cause I'm a rabbit! 🐰
I'm a bun-bun-bunny, see? I won't let you go
I don't like being lonely
I fell in love with you like that
It's so annoying
I want to pour my love
Bun-bun-bunny
I won't let you go, pyon pyon pyon
translation taken from my other blog, i fixed a few things and this one is better okay. Also i changed the "usagi-chan" for "bunny".
★;; Español
¡Por qué, soy un conejo! 🐰
Soy un cone-cone-coneconejito, ¿ves?
Estoy solo
Cone-cone-conejito, ¿ves?, no me dejes ir pyon pyon pyon pyon
¿quién se muere cuándo lo dejan solo? (el conejo)
¿quién es vulnerable a los cambios de ambiente? (el conejo)
¿a quién se le ven las emociones marcadas en el rostro? (al conejo)
Quién está en calentura todo el año eres tú, el conejo
Bien, bien, bien
Pyon pyon pyon pyon
Qué, qué, qué
¿no está bien?
Bien, bien, bien
Pyon pyon pyon pyon
Qué, qué, qué
¡Nada está bien!
Aah, maldito
Profundamente celoso
Por ese fuerte líbido
¡Por qué, soy un conejo! 🐰
Soy un cone-cone-coneconejito, ¿ves?
Estoy solo
Cone-cone-conejito oye, me enamoré de ti
Cone-cone-conejito
Quiero derramar mi amor hasta que sea molesto
Cone-cone-conejito
Por favor no me dejes, pyon pyon pyon
¿Quién desea la aprobación de los demás? (el conejo)
¿Quién odia esa familiaridad? (el conejo)
Come bien, duerme bien, eres perezoso, eres un conejo
Quién no hace nada más que tener fantasías traviesas eres tú, el conejo.
Bueno, bueno, bueno
Pyon pyon pyon pyon
Qué, qué, qué
¿porqué no está bien?
Bien, bien, bien
Pyon pyon pyon pyon
Qué, qué, qué
Como te guste seguir viviendo
Directamente hundiéndote
Dónde sea que vayas, yo estaré siguiendote
¡Por qué, soy un conejo! 🐰
Estás siendo infantil, no digas esas cosas
Cone-cone-conejito, oye, va a estar apretado
Cone-cone-conejito, oye, te extraño de esa forma
Quiero ser molesto
[La Canción del Conejo]
Un conejo solitario
Un conejo un poco travieso
Con ojos rojos pyon pyon pyon
Ven para acá pyon pyon pyon
El conejo que se cansó
Pequeño travieso conejo
No estoy llorando pyon pyon pyon
Para acá pyon pyon pyon
¡Por qué, soy un conejo! 🐰
soy un cone-cone-coneconejito, ¿ves?, no te dejaré ir.
No me gusta estar solo
Me enamoré así de ti
Es muy molesto,
Quiero derramar mi amor
Cone-cone-conejito
No te dejaré ir, pyon pyon pyon pyon
🐰 no me quedó claro si usaba "conejA" en vez de "conejO" pero para mí, la traducción quedaba mejor con "conejO", de cualquier forma, quedo atento a cualquier corrección ^^
#amai bouryoku#甘い暴力#sweet violence#menhera#visual kei#Amai Bouryoku translations#甘い暴力 translation#menhera kei#vkei#emo#idk lol#Spotify#jrock#japanese rock#j-rock#visual kei english lyrics#visual kei letra español#Amai Bouryoku Español
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Discovering the Traditional Music of Odisha: 7 Major Genres of Odia Music
Odisha, known for its rich cultural heritage, boasts a diverse and vibrant musical landscape. Here are the top 7 categories of Odia music that showcase the state's musical richness:
Jagannath Bhajans:
Jagannath Bhajans are devotional songs dedicated to Lord Jagannath, a significant deity in Odia culture. These bhajans are sung in praise of Lord Jagannath and are an integral part of Odisha's religious and musical traditions. They are often sung in temples and during religious festivals.
Odia Film Songs:
Odia cinema, also known as Ollywood, has produced numerous melodious songs over the years. From romantic ballads to peppy dance numbers, Odia film songs cater to a wide range of musical tastes. Fans can easily find and download the latest Odia movie songs, including new Odia song MP3 download, from various online platforms.
Sambalpuri Folk Music:
Sambalpuri folk music originates from the western regions of Odisha, particularly Sambalpur. It includes vibrant folk songs accompanied by traditional instruments like dhol, nisan, and flute. Sambalpuri songs often depict rural life, nature, and cultural celebrations.
Classical Odissi Music:
Odissi music is an essential component of Odissi dance, one of the classical dance forms of India. It features classical ragas, tala patterns, and lyrical compositions in Odia language. Odissi music is known for its graceful melodies and rhythmic intricacies, making it a cherished art form.
Odia Modern Music:
Contemporary Odia music encompasses a variety of genres, including modern pop, rock, fusion, and electronic music. Many talented Odia artists and bands create innovative compositions that blend traditional elements with modern sounds, catering to the preferences of younger audiences.
Chhanda & Champu Music:
Chhanda and Champu are traditional poetic forms in Odia literature, often set to music. Chhanda features rhythmic verses suitable for singing and is commonly used in Odia music compositions. Champu combines prose and poetry and has been historically used in Odia music to convey narratives and emotions.
Odia Bhajans & Kirtans:
Odia Bhajans and Kirtans are devotional songs sung in praise of various deities like Lord Krishna, Lord Shiva, and Goddess Durga. These spiritual compositions invoke a sense of devotion and are performed during religious gatherings, especially in temples and during festivals.
To explore and download Odia songs, including new Odia song MP3 download and Odia song download, enthusiasts can visit reputable music streaming platforms, online music stores, or dedicated Odia music websites. These platforms offer a vast collection of Odia music across different genres, ensuring that listeners can enjoy a diverse range of musical experiences from Odisha's rich musical heritage.
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Cristo Te Odia by Cuarteto de Nos? (Definitely look up a translation for it if you don't know Spanish.)
Without knowing the lyrics: It's okay
Knowing the lyrics: Not my thing (I'm a very devout Christian...)
Reminds me of my hometown which was half Hispanic, and all our neighbors blasting stuff like this at their big outdoor parties
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holissss <3 1, 39, 44
Holuuus 💕
Prompt list
1.Museum date or aquarium date? Why?
Both are great options because they give you the chance to talk while you walk around (and since there are things to see in both places, if you run out of conversation topics, you can talk about the things you are seeing) but also it leaves space for quiet contemplation too. I personally would go to an art museum first xD but since museums are such a broad spectre, we can see some cute fish and some sharks :)
39. What’s your favorite lyric from your favorite song right now?
Sé que el otoño me odia porque no tengo nostalgia
El verano porque su calor no sentiré
La primavera porque nunca me enamoro
Y el invierno porque soy mucho más frío que él
Habla tu espejo - Cuarteto de Nos
(big Anakin vibes the whole song ngl)
44.Were you a cute baby?
Yes 😌✨
Thank you for asking!
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piling up here a couple of tag games I've tagged in ✨
tagged by @taeminsairpods ty 🌺
rules: tag 10 (or less) people you want to get to know better
relationship status: single
favorite color: currently green
song stuck in my head: harakiri by rancore
three favorite foods: i truly enjoy and appreciate food so much i can't choose, the plainest thing will be my fav until i eat something else
last song i listened to: see the song stuck in my head
dream trip: oh ireland!! it lives in my mind rent free🥺
last thing i googled: an open restaurant in croatia for my boss
10 comfort movies:
top gun
top gun: maverick
il paradiso all'improvviso
tre uomini e una gamba
big hero 6
notting hill
the fabelmans
moschettieri del re
portrait of a lady on fire
ice age
tagged by @shoesplease ty 🌸
tea, coffee, or soda? I'm not crazy about any of them but i do enjoy a good coffee
dogs or cats? cats my absolute beloved ❤️
can you play an instrument? like every other italian student i used to play the recorder but realistically... no. i'd love to learn to play drums tho!!
what’s your sun sign? capricorn
first song lyrics that pop into your head? see above lmao harakiri, harakiri e spero tu ci goda / harakiri, harakiri e il petto mi si svuota / harakiri, harakiri e in tanto va di moda / questo è l'harakiri per ogni stronzo che mi odia (this reminds me a bit of the last samurai)
do you have any tattoos? nope
favorite place you’ve traveled? almost 10 years later i'm still thinking about fontaine-de-vaucluse (france), that place felt heavenly
what’s the last movie you watched? bullet train. it's a huge no for me.
do you have any hobbies? i love photography 📸 and reading, writing, going to second hand fairs with my brother. i enjoy leaning about economics and politics when in the right mood. I'm also trying to relearn french. coding would also be very interesting
you can hang out with one fictional character for an hour… who do you choose? OH DEAR how can i choose. i like something relaxing so not mav or ethan lmao. I'll say maura isles ❤️
compliment yourself: I'm calm, reliable and loyal. very down to earth.
ik i should tag sb but so many of y'all have already been tagged idk who to add and i also don't want to bother anyone 😭
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An acre for the King of Bards
Despite living in Cuttack since my school days I didn’t know that Upendra Bhanja Jayanti Saptaha is organised every year at Mission Road in the city to commemorate the birth of the celebrated Odia poet and classical Odissi music composer.
Regrettably, my awareness was limited to enthusiastic references to the love lyrics of Upendra Bhanja by a fellow student of Odia Honours and friend up to this day - RB - during my graduation years.
Being a student of English literature, a newfound interest in Upendra Bhanja, led me to educate myself about him and know that he was a 17 th century poet renowned for his Odissi songs and epic poems that typified his extraordinary creative sensibility. He made significant contributions to enrich Odia literature.
His date of birth is not known with certainty, but it is traced to between 1670 and 1688 at Kulada in erstwhile Ghumsara Princely State, now Bhanjanagar, a town named after him in Southern Odisha.
He died sometime in the 1740s. By then he wrote some 52 to 60 books. While many of the hand-copied books have been lost in the absence of a printing press, only 22 are reportedly available. With his poetry replete with similes, he carved out a niche for himself in medieval literature as a leading ornate poet.
Upendra Bhanja’s works based on Odissi classical music, the traditional classical music of Odisha won him wide acclamation as one of the greatest Odissi composers of the time. His compositions are commonly employed in Odissi dance as well as Gotipua, Sakhi Nata, Prahallada Nata, Radha Prema Lila and other allied art forms.
He composed many love lyrics with symbolic reflection of nature. Devotion to the Almighty was integral to most of his poems. His Cantos (one of the sections into which long poems are divided) mostly ended with symbolic dedication to the Supreme power. Apart from the literary legend, historical facts are described in several of his works.
Upendra Bhanja whose first published work is "Rasapanchaka" came up with the first dictionary – Gita Abhidan in Odia literature. He is said to have contributed 32,300 words to Odia language and literature.
According to literary critics some of his well-known Kavyas – long narrative poetic compositions characterised by decorative elaboration are Baidehisha Bilasa (with each line starting with "Ba"), Rasalila, Brajaleela, Subhadra Parinaya (with lines starting with "Sa"), Labanyabati, Premasudhanidhi, Rasika Harabali, Subhadra Parinaya and Chitrakabya Bandodhya, Koti Brahmanda Sundari, Kala Koutuka (with "Ka" initial for every line), Satisha Bilasa" (with 'Sa' initial in every line), "Damayanti Bilasa" (with 'Da' initial in each line) and "Padmabati Parinaya" (starting each line with 'Pa').
He has been addressed as “Kabi Samrat” in popular reference since the early part of 19th century for his unsurpassed rhetoric excellence as a poet. Perhaps no other language has a poet to compare with him apart from Sanskrit.
According to poet and critic Mayadhar Mansingh, Upendra Bhanja may be taken as the most supreme master of using Sabada Alankar (a recognised and respected element in literary art in Indian poetics) in the whole Indian literature.
This year Upendra Bhanjas annual 78th birth anniversary week was observed as usual from May 16 to 22 at the Bhanja Mandap constructed for this purpose close to the Union Club in 1973.
Kalinga Bharati, one of the oldest cultural organisations of the state along with Utkal Chhatra Sahitya Samaj organised like all years the week-long anniversary marked by symposiums on Upendra Bhanja, Odissi dance and Odissi music from 6 pm to 10 pm.
But the red tape over grant of permanent lease of near to one acre land which has been the venue for the unrelenting observation of the Upendra Bhanja’s birth anniversary week year after year by Kalinga Bharati testifies how well successive governments in the state have patronized the ‘Kabi Samrat’ over the past nearly five decades.
Madhusudan Das, better known as Madhu Barrister had established the Union Club by obtaining a plot of 3.65 acres of Government land at Mission Road, on lease in 1914 with Netaji Subhas Chandra Bose’s father Janakinath Bose as its first President. Union Club was purportedly established as a challenge to the colonial powers which refused entry of the locals to the Cuttack Club established in 1865 for Europeans and Anglo-Indians.
Kalinga Bharati – an organisation at Dagarpada in Cuttack was created by Guru Bichhanda Charan Patnaik in 1933-34 purportedly for the promotion of ancient and medieval Odia literature and culture, especially the works of Upendra Bhanja.
Available records, including Court orders indicate that Kalinga Bharati requested Cuttack Collector for allotment of land for permanent office, stage and library in 1971.
After Union Club agreed to spare one acre from the 3.65 acres lease hold land in its possession to Kalinga Bharati. Cuttack Collector approved the proposal and permitted sub-lease of one acre on May 30, 1971.
The sub-lease was executed on July 6, 1971 between the President of Union Club and Secretary of Kalinga Bharati. Secretary Union Club gave consent February 15, 1973 for construction of Bhanja Mandap on the subleased land.
Cuttack Improvement Trust accorded permission for construction of the Bhanja Mandap on the subleased land on June 9, 1973. Thereafter, Kalinga Bharati constructed a permanent stage to perform different literary and cultural functions along with a library and music rehearsal room’
In the same year when lease granted in favour of Union Club expired Kalinga Bharati applied for renewal of lease of the one-acre land in its favour. But the entire land 3.65 acres was renewed in favour of the Union Club on January 31, 1987.
Kalinga Bharati filed a title suit in 1989 before the Court of II Additional Civil Judge (Sr Division) which directed the Cuttack Collector to dispose of the case for permanent lease considering their possession within six months on December 20, 2013.
The available records further indicate that the Union Club sought intervention of Orissa High Court for allotment of the entire land in their favour in 2016. Acting on it the high court directed the Revenue Divisional Commissioner (Central) to take steps on the pending lease application.
Kalinga Bharati on its part also sought intervention of the high court in 2017. Responding to it the high court directed the Cuttack Collector to dispose of the pending lease application of Kalinga Bharati on July 22, 2019.
But the lease applications of both Union Club and Kalinga Bharati relating to the Khasmahal land are pending before the Cuttack Collector.
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Swargarohan Parba Odia Book By Prof. Premananda Mohapatra
Swargarohan Parba by Prof. Premananda Mohapatra is a significant literary work in Odia literature that delves into the complexities of human emotions and relationships through a captivating narrative.
The book takes the readers on a profound journey through the life of its characters, exploring themes of love, loss, redemption, and self-discovery. Prof. Mohapatra's storytelling is rich in detail and deeply emotional, painting a vivid picture of the cultural nuances and societal dynamics of Odisha.
With eloquent prose and intricate character development, Swargarohan Parba offers a poignant reflection on the human experience, inviting readers to contemplate the intricacies of life and the choices that shape our destinies. The themes of spirituality, morality, and human resilience are woven seamlessly into the fabric of the narrative, creating a thought-provoking and immersive reading experience.
Prof. Premananda Mohapatra's mastery of language and storytelling shines through in this work, captivating readers with his lyrical style and insightful observations about the human condition. The characters in the book are multi-dimensional, relatable, and their struggles resonate with the readers on a profound level.
Swargarohan Parba is not just a book; it is a reflection of the complexities and beauty of life itself. Prof. Mohapatra's ability to evoke a range of emotions through his writing makes this book a compelling read for literature enthusiasts and casual readers alike. It is a literary gem that continues to captivate and inspire readers with its timeless themes and profound insights.
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Venerating Jayadeva's Gita Govinda: Its Enduring Impact on Odia Culture and Arts #BlogchatterA2Z
Venerating Jayadeva's Gita Govinda: Its Enduring Impact on Odia Culture and Arts #BlogchatterA2Z #GitaGovinda #Jayadeva #OdiaCulture #OdissiDance #BhaktiMovement #SanskritLiterature #OdishaFestivals #JagannathTemple #IndianClassicalArts #SpiritualOdisha
Illuminating the Divine: The Profound Impact of Jayadeva’s ‘Gita Govinda’ on Odia Culture
Introduction:Jayadeva’s ‘Gita Govinda’ is not just a literary masterpiece but a cornerstone of Odia culture and spirituality. Composed in the 12th century by the saint-poet Jayadeva, this Sanskrit text is a lyrical fusion of profound spirituality and sublime poetry. It celebrates the divine love of Krishna…
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#Bhakti movement#Gita Govinda#Indian classical arts#Jagannath Temple#Jayadeva#Odia Culture#Odia music#Odissi dance#Religious practices in Odisha#Sanskrit literature
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Sasthasati Odia Book By Pratibha ray
Sasthasati is a magnum opus in Odia literature, composed by the legendary poet Kavisurya Baladev Rath. This literary masterpiece comprises six hundred poetic verses, each brimming with profound insights, rich imagery, and timeless wisdom. Through this epic work, Rath weaves a poetic tapestry that celebrates love, nature, spirituality, and the human experience with unparalleled eloquence and artistry.
Within the verses of Sasthasati, readers are captivated by the poet's lyrical expressions, vivid descriptions, and emotive storytelling. Rath's evocative portrayal of love's complexities, the beauty of nature, and the mysteries of existence resonates with readers, invoking a deep sense of connection and contemplation.
The title Sasthasati translates to Six Hundred Verses, reflecting the expansive nature of the poetic journey embarked upon by the poet and his audience. Each verse in the collection serves as a gem of poetic brilliance, illuminating facets of life, love, and spirituality in a language that transcends mere words to touch the depths of the soul.
Sasthasati stands as a testament to his poetic genius and his ability to craft verses that inspire, provoke thought, and evoke profound emotions. Through his keen observations of the world around him and his reflective musings on the human condition, Rath invites readers to explore the myriad complexities of existence and the enduring power of poetry to illuminate the human experience.
Enriched with metaphors, allegories, and philosophical undertones, Sasthasati beckons readers to embark on a poetic odyssey that traverses the realms of love, spirituality, and self-discovery. As readers immerse themselves in Rath's verses, they are transported to a world where beauty and wisdom intertwine, inviting contemplation, appreciation, and a deeper understanding of life's mysteries encapsulated within the six hundred verses of this timeless literary treasure.
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Shree Mayee Maa Odia Book
Shree Mayee Maa is a soul-stirring work in Odia literature that celebrates the divine feminine energy through the portrayal of the goddess Mayee Maa, a symbol of strength, compassion, and wisdom. Authored by a talented Odia writer, this book is a tribute to the eternal bond between a devotee and the nurturing mother goddess.
The book delves into the mythological and cultural significance of Mayee Maa, capturing her essence as a goddess who embodies the virtues of love, protection, and empowerment. Through vivid storytelling and poetic imagery, readers are transported into the mystical realm of divine intervention and human devotion, where Mayee Maa's presence offers solace and guidance to those in need.
Shree Mayee Maa also explores the rituals, traditions, and folklore associated with the worship of Mayee Maa, shedding light on the deep-rooted cultural practices that continue to thrive in Odisha. The author intricately weaves together narratives of devotion, miracles, and spiritual experiences, creating a tapestry of faith and devotion that resonates with readers from all walks of life.
Moreover, the book delves into the philosophical and metaphysical aspects of the divine mother archetype, inviting readers to contemplate the interconnectedness of all living beings and the universal power of feminine energy. Through allegorical storytelling and symbolic interpretations, the author elucidates the transformative potential of invoking Mayee Maa's grace in one's life.
In conclusion, "Shree Mayee Maa" is a poignant and inspiring literary work that celebrates the divine feminine in all her myriad forms. With its lyrical prose, profound insights, and heartfelt devotion, this book serves as a spiritual guide and a source of empowerment for those seeking solace, wisdom, and blessings from the nurturing embrace of the divine mother goddess.
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Ramakanta Rath Biography
Ramakanta Rath was a prominent Indian poet and writer known for his deeply philosophical and introspective works in the Odia language. Born on December 13, 1934, in Cuttack, Odisha, Rath's literary journey began at a young age, inspired by the rich cultural heritage of his homeland.
Rath completed his education in Cuttack and later pursued a career as a writer and a civil servant. His poems and literary works often reflect his profound understanding of human emotions, nature, and spirituality.Over the years, he gained worldwide recognition for his unique style and the depth of his poetry.
One of Rath's most well-known works is the poetry collection "Kete Jwala?'', which explores themes of love, loss, and the complexities of human relationships.His writing is characterized by its lyrical beauty, evocative imagery, and a profound sense of introspection. Rath's poems have touched the hearts of many readers and continue to inspire generations of poets and literature enthusiasts.
Apart from poetry, Ramakanta Rath also delved into other literary forms such as essays, short stories, and critiques. His contributions to Odia literature have earned him numerous accolades and awards, solidifying his reputation as one of the most influential literary figures in the region.
Ramakanta Rath's legacy lives on through his timeless works, which continue to resonate with people from all walks of life. His profound insights into the human experience, coupled with his unparalleled poetic talent, make him a revered figure in the world of Indian literature.
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Odia literature Laxmi Kabacha
SreeLaxmi Sahasra Nama O Laxmi Kabacha is a revered Odia book that holds immense significance in the realm of Odia literature and spiritual wisdom. This literary masterpiece beautifully entails the thousand names and the divine armor of Goddess Laxmi, the embodiment of wealth, prosperity, and auspiciousness. Penned by an illustrious author, the book delves into the profound depths of devotion, exploring the divine qualities of Goddess Laxmi and her manifold blessings on her devotees. It serves as a spiritual guide, shedding light on the significance of chanting the thousand names of Goddess Laxmi and seeking her divine protection through the Laxmi Kabacha (armour). Through its enchanting verses and poetic fervor, SreeLaxmi Sahasra Nama O Laxmi Kabacha manifests the poet's deep-rooted love, reverence, and devotion towards the goddess of abundance. The book harmoniously blends devotion with literature, captivating readers with its lyrical beauty and evocative imagery.
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