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#note: this is about. 3 people
butchfalin · 5 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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shesnake · 9 months
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24 hour time loops: not long enough to create or undo anything permanent, crazy-making but often still funny
365 day time loops: the most fucked up shit you could possibly imagine
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stil-lindigo · 3 months
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reverb in an empty hall.
prints (all proceeds go towards aid for Gaza)
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queenofinys · 1 month
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Oscar Isaac in AGORA (2009)
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buggachat · 1 year
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(good news: if your ship wins, you never have to get emotionally invested in a ship bracket full of spiteful people in the tags/replies ever again!)
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coolnonsenseworld · 8 months
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We are halfway through the calendar👀👀👀 you can pre-order it and help reach stretch goals like a print and a notepad only by the end of September!! linktr.ee/mezzy
Also something for Polish folks: teraz można kupić kalendarz i przypinkę samurai&ninja w polskiej walucie, ta opcja będzie dostępna tylko na czas przedsprzedaży i można ją znaleźć w linkach na linktr.ee/mezzy . Nie jest to w pełni osobny sklep, bardziej proxy żeby nie trzeba było myśleć o przewalutowaniu jeśli w plny komuś wygodniej. Dajcie znać jakby ktoś miał pytania lub napotkał problemy 🥰
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ouagh Wallee.... so so happy he's a seventies boy. peak fashion
bonus:
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mamawasatesttube · 2 months
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thinking abt the kon, bart, and cass (cain) trio again. guys who just never had any semblance of a childhood... i want them to go on a little adventure together. they're just like "we've never done kid stuff let's go be silly for a day!!!" and then kon realizes that out of the three of them, he's gonna be stuck being the closest thing they've got to impulse (haha) control. cass and bart would enable each other about all sorts of things and i need them to get up to shenanigans.
like, i need cass to steal one of bruce's cards so they can go to a theme park together. they're getting photos and kon calls cass "bat-babe" and she calls him "super-stud" and bart's like "i need one of these nicknames too hello??" and cass thinks really hard and goes "imp-ass?" and kon loses his shit. bart's like "that just sounds like impasse. no thanks." and kon looks at cass and says "imp passes," and then breaks into a gigglefit again. bart complains all of the roller coasters go too slow. bart and kon centrifuge poor cass on the teacup ride. she nearly throws up as soon as they get off and then demands to go again. bart challenges her to a candy eating contest and kon's like NO!!!!!!! DO NOT ACCEPT!!!!!!!! HES A SPEEDSTER!!!! so of course cass accepts. and then makes herself sick. bart's still impressed by how fast she can shove candy in her mouth for someone with no superspeed at all though.
also it would be fun if they stumbled upon a murder mystery or something in this theme park. i mean they would be like oh this is fucked up, but i would see it as enrichment in their enclosure or whatever. let cass be a noir detective with her two extremely op sillies as backup. idk. the vibes. you get me??
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wildunchrtedwaters · 10 months
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idc what anyone says, jonah was not only the perfect person to play prince eric, but also the perfect person to sing wild uncharted waters for the film! the fact that he doesn’t have a traditional or trained musical theatre voice simply added to the emotions of the song and where it fell in the story! the rawness! the longing! the passion! the desperation! the absolute british-ness of how he sings it! the way he emphasizes certain words and phrases! i have yet to hear a cover that captures all of those things the way jonah did in the movie! and i hope you’re there! in the open air! there’s no map ooor COMpass to guiiiide me, no! time may change the shoreline, but TIME will not chaaaange meeeeeh! if it takes my life, i will FINally find you aaaagain!
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keepyourpantsongohan · 5 months
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Meaningful Highlights from Kakashi Retsuden:
Minato catching Kakashi before he falls, the same way Kakashi always does for his students. And Kakashi, even at eight or nine years old, straight out of his father's funeral and before being his student, immediately relaxing when he runs into Minato: His feet tangled beneath him and he pitched forward. Into someone’s back. “You were really strong back there,” a voice told him, and he suddenly saw bright golden hair. He felt his breathing become a little easier. The Yellow Flash of Konoha. Namikaze Minato.
Kakashi describing his current feelings about his father: Now he felt proud from the bottom of his heart to have been born the child of the White Fang of Konoha.
Kakashi wanting to help the people of Redaku in a way that they can sustain themselves, even as he actually is providing a great deal of support through the process: The people of this country had to learn how to stand up and walk under their own strength. Give a starving person bread or teach them how to grow wheat. As Hokage, Kakashi had always chosen the latter.
Kakashi reflecting on his time as Sixth Hokage he eschewed tradition to build something that developed beyond shinobi: A never-ending peace. That was what Kakashi had sought as the Sixth Hokage. An orderly society that would go on and on even when he was not the Hokage, even when the day came when the role of Hokage disappeared. To create a framework so that they would never again fall into the quagmire of war.
The way Kakashi shows that he still views all of the former students taught by him and his friends in a parental and protective way: They had long since reached adulthood, and some were now parents while others were active on the front lines as shinobi. Even so, no matter how many years passed, to Kakashi, they were his precious students and the next generation who needed to be protected. Seeing them having so much fun was enough to ease his heart.
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messiahzzz · 5 months
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When I came across that "joke" from Tav to Quill and Z'rell's comment (plus Halsin), I had to take a minute to process what happened. Gale might be a bit silly and eccentric but he's the kindest, sweetest and most passionate character in that party. No wonder the poor man has deep insecurities to solve, so many people reduce him to an easy target! Ofc one of the side effects would be overconfidence and ambition as a defense mechanism. He's obv lonely; only Tara and Morena ever loved him for him.
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his eccentric nature might be a part of it. he is loquacious, outgoing, and doesn’t see the point in hiding his enthusiasm. he is considered to be the weird one. naturally, wizards in general being seen as somewhat squishy and physically weak might also add to it.
personally, i really don’t like the implications of the (widely considered) autistic-coded character being the one who faces the most ridicule by far by other characters and fans (and larian) alike.
some might disagree with me on that, but i don’t find it funny by any means either. mostly it just makes me feel bad. “he deserves it. cocky, arrogant, hubris-ridden wizard needs to be taken down a peg” like he isn’t… y’know… already at his lowest. it also disregards the fact that much of his bravado is part of his carefully curated Great Wizard of Waterdeep™ persona that he has skillfully adopted to mask his general feeling of being defective. being fiercely proud of your skill and knowledge and being doubtful of having something truly worthwhile to offer are mindsets that can coexist. according to fandom, gale is either secret hubris incarnate that is only waiting to be unleashed upon the world or pure baby that can do no wrong. instead of a character that is just as flawed and traumatized as all the others, but no less deserving of genuine love.
to me, the constant ridicule just reads as further feeding into his deep-rooted insecurities and his belief that he (as gale, the person) isn’t someone who holds inherent worth. it really, really doesn’t sit well with me.
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michaeljoncarter · 2 years
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it really is starting to feel like every single person at dc has somehow just completely forgotten how storytelling works on a fundamental level. like i genuinely believe 99% of the problems they’re having could be solved if all the writers and the entire editorial staff was forced to take a middle school reading class
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nonasbirthday · 2 years
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Memes for when you are reading Harrow the Ninth for the first time and have no idea what is going on:
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i love being part of a fandom with so many smart people who can predict plot twists and make connections in the text, BUT
i need a little representation for those of us who had a blank screen with a loading bar running in our brains for the entirety of Harrow the Ninth!!!
[image IDs in alt text]
bonus for Nona:
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optiwashere · 8 months
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Please write your thoughts about the importance of Shadowheart for Shar/Selûne :D
I FEED on character analysis.
SO!!!! This got long as fuck and also morphed into what you asked + a general character interpretation.
I relied on a combination of 2nd, 3rd, and 5th edition D&D lore, R.A. Salvatore novels, and of course BG3 as sources. Shadowheart's characterization adds up the most coherently on the purely romance / "get her away from Shar" path, and that is what I'm using as a basis for this post. Even when you're playing an "evil" route, she behaves in ways that betray a lot of what I get into under the break. This post, however, is biased towards the "good" path of her personal quest for the sake of my sanity and a somewhat reasonable word count.
First, a preamble for people that are maybe less knowledgeable about Forgotten Realms lore.
One of the biggest characterizations of Shar and Selûne in the Forgotten Realms is that they are twin sides of the same thing: night. Night as an aesthetic is symbolic of, among other things: mysteries, being lost without guidance (such as in faith or purpose), and finding oneself when one reaches for the truth. I.e., reaching light from the moon, stars, or daybreak (which is itself a symbol as the natural conclusion of darkness being light for redemption following suffering, goodness defeating evil, finding faith, etc.)
Shar and Selûne are sisters that also share the Night domain in 3e, a sort of fulcrum they both work around — Shar as the "malevolent" darkness with Selûne as the "benevolent" night. There is even a recognized heresy called the Dark Moon heresy in both cults/religions that Shar and Selûne are actually the same goddess playing one gigantic trick on Faerûn (this comes from a 3.5e splatbook called Power of Faerûn) but it's been pushed time and time again that the two sisters are, in fact, two separate entities. But duality of divinity, and how worshipers interpret their god, is a theme we see played up a ton in BG3.
What we know about Shar is that she despises her sister. Loathes her. Not only does she loathe her, she tricked Selûne's followers during the Time of Troubles, about 140 years before BG3, into worshiping her instead of the Moonmaiden. The Time of Troubles was a period when gods walked the Realms, rather than tossing avatars around everywhere. This lead to the formation of a fanatical group of cultists that followed the real Selûne, called the Lunatics (I'm still proud of managing to reference them in a goddamn Explicit PWP fic)
Meanwhile, Selûne is seen as a calming force. She wars with her sister every single night, and does not like her one bit, but she does it as a means to protect others from her sister rather than as a spiteful game. She's not as omnipresent in people's lives, she is just a natural force to a lot of her followers.
How does any of this relate to Shadowheart? Spoiler stuff and the actual character analysis under the break.
We know that Shadowheart was a "chosen" of Selûne as a child, per her parents' dialogue under the House of Grief. However, it's important to note that most religions in Faerûn name potential clerics as "chosen" ones of gods and goddesses.
We know that, throughout the game, Shadowheart learns that she is being manipulated by the Lady of Loss to do acts that go against some sort of internalized moral code that Shadowheart has. We see her approval go up when you do good acts (as long as you ask for compensation, or if it's to help helpless people/animals) and we see her disapprove when you press her boundaries or act unjustly cruel. "Unjust" is left so vague because she does not behave at all according to how the vast majority of Sharrans behave. There are numerous other flags for approval/disapproval such as her enjoying playful chaos, or disliking when you're too trusting of other companions when you first meet them, but we'll focus on the first set I mentioned.
We also know that Shadowheart was continually subjected to memory erasure via the cult of Shar in Baldur's Gate. This gets mildly restored here and there via the tadpoles and Dame Aylin, but her memory is mostly gone. So this moral code is something ingrained in her somehow, because Sharrans don't have kindness training. There's another entire character analysis to be written about Viconia's role in this as it relates to her own character in Baldur's Gate 2, but let's ignore that for now.
In the cloister under the House of Grief, there is a note you can find that outlines the squad sent to find the artifact that protects everyone from the Absolute's domination. The squad has a leader, and it is not Shadowheart. She is listed as "healer" and the text before this explicitly states that the entire squad is expendable. None of them matter to Shar.
BUT!
Divine visitation by a goddess is incredibly rare. It usually only happens to high level clerics, which Shadowheart isn't really even at 12th-level, and to those that the goddess has an extreme, vested interest in. If you free the Nightsong/Dame Aylin instead of killing her, Shadowheart is wrenched out of the Material Plane and made to suffer for an indeterminate amount of time. That, plus literally meeting Shar in the conclusion to her personal question, is very odd given what we know about Shadowheart.
If we presume that Larian did their jobs, and I'm going to because I trust them, then there is an immediate dilemma presented here. Either Shadowheart matters to Shar (she is not expendable), or she is just another zealot (she is expendable.) There is no half-truth in that logic table that really works for Shar, she's an absurdly dogmatic goddess. See: literally any Sharran you encounter in BG3 that isn't Shadowheart. It's possible that the writer of the note didn't know what they were talking about, but I think that's a lazy out that doesn't hold water with the rest of the evidence.
So, which is it? This being the part where I'm mostly in interpretation territory, Shar views Shadowheart as the perfect puppet, a toy to needle at her sister, not because she is important at all as a person, but because she's a representation of Selûne that Shar can mold to suit her image as she did in the Time of Troubles. We hear that in the game when Shadowheart basically says that she was just a thing for Shar to use. She's beaten into (what Shar believes will be) submission for not becoming a Dark Justiciar, but it only serves to sever the tie between cleric and goddess.
Shadowheart is Shar's answering play to Selûne beating that trick from the Time of Troubles, and there will be another Shadowheart after her eventual death. Shadowheart is both incredibly important and utterly worthless to Shar in the same way that an abuser uses affection and trust to hurt their victims. Love bombs in the form of divine power, sending her on this important mission, and offering the title of Dark Justiciar are followed by pain when Shadowheart displeases her. As if, on a whim, all that supposed mutual respect could turn into non-consensual, extreme violence.
Shadowheart is an objectified opportunity for Shar to fuck with Selûne for the entirety of a single half-elf's lifespan (anywhere from 150-200 years) and nothing more. A plaything to discard when all is said and done after a microcosm of time where a goddess is concerned. Whatever Shadowheart thinks she's benefiting from with Shar, it's all a trick. It's a massive delusion with which she's been brainwashed into participating.
And deep down, deep deep way deep down, Shadowheart knows this even in Act One. She spouts random sayings and the sorts of 2edgy4me one-liners that you would expect from a somewhat goth-y, slightly sassy Stock Evil Cleric in a fantasy RPG. For a good portion of Act One, you wouldn't be wrong to assume she's extremely one note and a total zealot. That is, unless you know two things:
That Shar is a fucking menace in Faerûn, and nothing good ever comes naturally from her cult. Anyone that knows FR lore was probably like me when they first interacted with Shadowheart. I know I basically said, "What the fuck, you're not a Sharran lmao. Either Larian goofed hard, or something's fishy here."
That extraordinarily devout people tend not to babble in verse, prayer, and all that unless they are also trying to convince themselves to have more faith in a set of beliefs that they're not entirely sold on. This isn't 100% of the time, but it's something you see in people whose faith is not very strong. People who have ironclad faiths and hold consistent ideologies tend to rely more on personal interpretation of faith, for good or ill. You see this all over BG3 in the people that are more confident in their beliefs, as well. Isobel, Orin, and Z'rell are three wildly different angles on that, for example. It's really all over the game in the NPCs.
That second point is the more important one here. Shadowheart, in Act One, is constantly talking about her goddess. If she's not hiding the artifact from you, she's couching an event in concern over what Shar would think of how she behaved. Like she's still a scared child who doesn't know how to handle what's happening around her despite being completely capable in scenarios as hectic as melee combat with ogres. The difference shines bright as day if you play a follower of Selûne and push back on her beliefs, though you do of course get a lot of vitriol in the beginning. Even so, it's clear that Shadowheart knows something is off about Shar whenever confronted with actual Sharran activity/belief, but she's been brainwashed and abused so horrendously that she constantly tries to "correct" herself to appease her abuser.
Selûne, however, isn't really a "part" of Shadowheart's quest in the same way as Shar. The Moonmaiden is not an active participant, she is not a guiding hand or even a faint idea in Shadowheart's thought processes because of how intense the memory blending got for her. The most we ever really get of Selûne's opinion comes from external sources (pretty much entirely from Shadowheart's parents, Isobel, and Aylin when she's not PROCLAIMING DIVINE RIGHTS.) To the Moonmaiden, Shadowheart is really just another of her many, many children spread throughout the Realms. Yet, Shadowheart retains that sense of inherent goodness that Selûne instils in her followers.
Unlike the Lady of Loss, Selûne's indifference isn't hateful or spiteful at all. For Selûne, the ultimate goal of any of her followers is to find themselves. To illuminate who they are meant to be by moonlight. Two of her domains in 3rd edition are Protection and Travel, and in 5e she has Knowledge as well, while one of her "mantles" (the domain equivalent for psionics) is Freedom. She wants to give her followers the ability to freely tread whichever road will lead to self-actualization.
Selûne demands almost nothing of her own followers so long as they act according to the basic tenets of a traditionally Chaotic Good deity. She accepts flaws, faults, and failures in her clerics as much as she rewards strengths, virtues, and victories. There is no divine intervention from Selûne because she accepts Shadowheart intrinsically as long as Shadowheart finds herself. All it took for Selûne to take Shadowheart back after forty years of being a fanatical Sharran was saving one person, and trusting one of two people that we know she's let in for that forty years (the PC, as well as possibly Nocturne) — Selûne sees that she's an abuse victim at the heart of it all.
Side-note: Selûne's primary holy symbol is two eyes surrounded by stars. She is always a passive witness to her clerics' deeds. I don't think I need to get into that symbolism.
Whenever given the chance, Shadowheart values freedom incredibly highly. Even in someone she can take the entire game to warm up to, such as Lae'zel. Her dialogue after Lae'zel denounces Vlaakith speaks directly to this. It's seen repeatedly in her comments on other characters' personal quests such as Astarion, or Karlach, and with Lorroakan's intent on imprisoning Aylin in Act 3.
Once Shadowheart is pulled away from Shar's influence in the end of Act 2/early Act 3, she is... not a completely different person, but she is absolutely a calmer individual that also allows her emotions to surface more intensely. If you're romancing her by Act 2, she confesses that she wants to be with the PC (forever) IMMEDIATELY after being punished horrifically by Shar; she progresses the romance far faster once Shar is out of her brain; she cries, alone, in front of the PC if she chooses to listen to her parents and spare herself from Shar while also killing them. She's known this entire time that she's purposefully holding parts of herself back, and this is her immediate reaction to being set free.
Of course, it's a video game and things aren't always perfectly paced, especially considering the implementation of the Long Rest system. Much of this interpretation requires you to accept that.
After the small dialogue about Shar's intervention after the Gauntlet, the narrator comments that you're not sure if telling Shadowheart where her divine power now comes from will break her spirit forever. That's interesting, and it makes her almost manic change to "I have to be with this person forever" in the romance so utterly sad. Shadowheart is an almost textbook depiction of someone who struggles immensely with vulnerability and emotional openness due to childhood neglect and abuse. Even worse, she's been suffering that neglect and abuse for forty-plus years and she cannot remember what life was like before the time when she constantly yearned for the approval of her abuser. When she's set free and given the appropriate space to manage her feelings (all of the times she asks to be given space/asks the PC to respect her boundaries), support from friends and loved ones in the way Larian handled the camp crew's reactions to everyone's personal quests, and a purpose in life that extends beyond her abuser, she flourishes almost immediately.
To Selûne, Shadowheart is simply another person finding themselves in a world that's incredibly difficult to navigate. Under Shar's domination, Shadowheart will never be anything more than a useful puppet that dances happily whenever her goddess asks, pleased to be what she thinks is useful as she wears the false title of Dark Justiciar. With Selûne watching but not pushing, Shadowheart can be free of everything but her own choices, her own mistakes and victories. Her own person, freed from expectation.
P.S. "Breaking out of toxic thought patterns" is a common thread in the companion romances and quests. In a similar way to how Astarion uses sexuality to mask a part of himself in his romance, Shadowheart sees all this time she's spent holding herself back as an excuse to reverse course and accelerate ridiculously fast by comparison.
My point is, she is a U-Haul Lesbian.
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vigilskeep · 2 months
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ranking da love interests on a scale of how unhinged theyd be if their beloved was made tranquil (they would all be maximum unhinged its just a matter of deciding what flavour)
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inkskinned · 2 years
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one of the oddest arguments i've ever gotten into was like. i had agreed to give a dude a chance. we were on a first date. and he got. just. so mad. because i had told him i read about 2-5 books a week.
but he found out it was actually that i listen to 2-5 audiobooks. he was dead set on the idea - that's not reading, it's just listening. that i was lying, somehow, by implying i'd "read" the book.
language has a beautiful ability to adapt over time, particularly in the face of technology. when i "connect to the internet" i'm referencing the oldschool method of literally plugging into the internet - which i very rarely physically do. i roll down my window, which is a reference to the circular mechanical action it used to take. hell - the floppy disc remains our resolute save file icon. when i say i "ran to the store," nobody expects me to actually run - and what my version of running to the store looks like and your version are probably pretty different.
i told the guy, baffled: i look at things through glasses, that's still seeing. nobody complains i'm filtering the image.
he says: that's not the same and you know it.
i use audiobooks because i have adhd, and it makes it so i can actually focus. i am using it to help a medically diagnosed condition.
language also has a really cool ability: when we read something, our brains look at a word and make an image. when we hear a story, our brains hear a word and make an image. whether we hear it or read it - the word means the same thing, written or spoken. there is no quantifiable difference in the knowledge-encoding experience - i still happily hallucinate while i'm listening.
and i just kind of stared at him while he was telling me that "claiming" i had "actually read" a book that i had actually-listened-to was lying
and my only baffled response was like: "... are you gatekeeping the experience of... reading?"
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