Anthony, Viscount Bridgerton ♡ Kate, Viscountess Bridgerton

my favorite people in dragon age are zevran and isabela because every time they see each other they're like "heeeeeeeyyyy!!! ;D" "heeeeeeeyyyyyy!!!!!! ;D ;D" "hey remember that time you killed my husband hahah" "hahahhahah yeah!!!!!!"

I love them so much

Ruhn with “that Night Court dude” HE DOESN'T GIVE A FUCK ABT RHYSAND HE'S ONE OF US THAT'S WHY I LOVE HIM

a sketch of ellie williams from chapter 13 of my series “nobody compares to you” made by a professional artist (aka my little sister) ♥︎

just a fun little sketch i commissioned from my little sister of modern day ellie playing “i think i love you again” by aaron taylor on the electric guitar!

good luck, nancy wheeler

...okay, so I'm probably not the first person to notice this.

But gear's earing that he points towards when he says that he did the same ritual he wanted to help kuro with already on himself before:

actually looks pretty similar to the pieces of the necklace the count used to create the servamps:

The different pieces of the necklace seem to contain one demon each and the count used them to create the servamps.

So...did the count either learn this technique from the werewolves or is he possible even originally a werewolf himself? It would explain why he's immortal, that's why I'm wondering about this.

Gear says that the ritual is used to remove spirits, could it be that the count removed his own sins using the werewolf ritual and created the demons this way? But he went too far and removed too much unlike gear who only removed one part of himself? Him removing the sins from himself would also explain why he's so weird and doesn't understand other beings. As the sin demons say, they are a natural part of being a human and we have seen multiple times that denying their existence is harmful, removing them all from you would probably lead to you not being able to relate to other people anymore.

Maybe removing all these parts of himself is also why he has no appearance. Without his demons he's not a person anymore.

The count originally being a werewolf would also explain why he has magical abilities (gear can also use magic) before other magicians existed and why he's so anxious about certain people dying. Gear talks about how his immortality makes him sad because human friends do die, but unlike the count gear seems to accept death, grieves in a heathier way than the count and is able to move on and make new friends. Could also explain why his magic and creations are all strongly tied to the (full) moon.

Another similarity is that while werewolves apparently can't reproduce gear was able to have descendants by sharing his life force (it's mentioned in chapter 135 which isn't translated yet) with a woman and through her human children tsurugi is related to gear. Sigurd explained to nicco that the magicians came to be because the count let humans drink his blood, three survived, got magical ablities and became the ancestors of all human magicians:

Maybe the count is more of a werecat though. He and the sloth demon do seem to have a closer connection, even though the count's appearance changes depending on the person looking at him he does usually keep his tail and the tip looks exactly like the one of kuro's cat/lion form and similar to the the one of inner sloth's non-human form.

It was also stated multiple times that the sloth demon is the strongest. I wonder why that is. Servamp comments on the fact that being lazy is often actually a sign of depression/anxiety through kuro's arc, so maybe the count was depressed and that's why the sloth demon is the strongest? Basically the demons strength depends on how much the count suffered from the different sins? It would also explain why melancholy is so strong, I assume kuro refusing to see him no matter how many siblings he sent his way to tell him to come looking for the count made him extremely sad and probably even made him come up with the plan to have himself be killed and then put in the same body as kuro through the ritual.

I assume he was behind C3 ordering the servamps to kill him because he's the one who created the magicians and thus C3 and lily who is kind of working for him was probably the one who put the idea that the count needed to be killed into the head of his eve (aka a member of the alicein family who hold a lot of power in C3 basically since the beginning. I explained this in more detail in another post). The people from C3 even said that the count can only be killed if he wants to and yeah, kuro didn't truly kill him, but he did destroy his body and kuro seems to have met little resistance when he attacked the count. Which probably means the count wanted this to happen.

something i really wanna see explored more in TTCC lore overtime is how Cogs. Inc affects the cogs themselves. the individual workers and the company are not one in the same, and i think thats smth that never gets discussed.

while i think the toons are obviously in the right for protecting their lands, i think there are many cases in some of the individual managers where it is clear that this is not a black and white, good and evil issue.

Misty is probably the most obvious case here, being that they dont even have any desire to fight the toons and instead wants to be friends with them. Misty is probably one of the most controversial characters due to this, being that fandom looooves to take morally grey/complex characters and devolve them to either "perfect innocent wittle angel" or "demonic demon from hell", completely erasing the original character's complexities and flaws. the things that makes them..them. the things that make them interesting. and it sucks to watch ppl erase characters like this. (I could do a full analysis on her and probably will but it would be some time i have to refresh myself a bit on her)

That "good vs evil" view that toontown originally built itself on was challenged by TTCC's manager cogs when they were given more depth. and a lot of people who loveee to see things in black and white dont like characters such as misty challenging their point of view. and its saddening.

i personally love to see this built and expanded upon. i LOVE that TTCC focuses on the individual cogs and makes them. well. individuals. rather than focusing on the big bad company as a whole. theres no doubt Cogs Inc is terrible. so imagine how terrible it is for the workers serving said company.

"they applied for the position" yea so like theres a fancy thing called rent. in a world of capitalism like this, cogs need jobs and money to support themselves. (some proof of this being an issue for the cogs is graham freaking out at the end of MOTM when his chances of getting the job are threatened and he says his "life is in jeopardy". NO ONE talks abt this btw.) i think once again this excuse drives from people focusing on the big bad company rather than the individuals. so lets talk about the individuals.

Mary Anna. She applied for the position because she believes toons are the issue, they are the ones polluting the waters and environment, and she has good intentions joining this company and trying to put a stop to them. How he came to this conclusion is unknown, but does Cogs Inc give a shit? No. they care abt hiring employees so they can make money and function as a business. so, knowing mary is wrong, they do nothing to change it and simply use her beliefs to their advantage to keep her hired and doing her job.

You know whats funny? Most of the fandom either flat out ignores him or makes him out to be a complete idiot for thinking toons pollute the environment. Mary may be wrong, but his intentions are proof that cogs are not just. blank slates. And people HATE thinking deeper than just black and white. So they hate cogs like Misty and Mary and put them down for challenging their view.

You could go on and on, case by case. TTCC PURPOSEFULLY builds on these characters so you AVOID that boring black and white view of "toons good, cogs bad". I think the situation is more like "toons good, Cogs Inc. bad".

Companies like this destroy both outsiders and the people within the company. And so far, TTCC has done a good job displaying that. and people choose to ignore it. and it saddens me.

had a really incredible moment this evening. went to my campus art market where one of my friends was selling the tank top i'm wearing - another friend bought it for me and i'm so overjoyed to have it. usually a fit that leans more Traditionally Masculine feels like a costume but tonight it just felt deeply correct and honest and warm. took the opportunity to take some indulgent little pictures because i do not think i have Ever looked more like myself. so happy.

I think Amber was genuinely so good for Wilson. She understood him more than most people, and she encouraged his independence. She genuinely wanted him to put himself first and do things he wanted instead of just doing things he thought others wanted. And a lot of that was able to happen because she herself was incredibly independent. She wasn't the stereotypically "needy" person Wilson had been drawn to before, so she wouldn't stand for his attempts at being a martyr. She stood up to House, too, but she also cared about him in her own way because Wilson cared about him. She appreciated their relationship and went out of her way to work things out with House for Wilsons sake. I have a lot to say about why I think all of Wilson's female relationships failed and why I think that was caused by his internalized struggle with his sexuality, but I stand by the fact that I think Amber was actually good for him and one of, if not the most, healthy relationship he had in the show.

Rent free

I got these shoes from someone recently but thought they were way too plain looking, so I set out on a quest to customize them with some sharpies and charms and miscellaneous ribbon I had in my craft drawers. Mostly sky themed (clouds, rainbows, rain, stars, etc.) because that's my favorite aesthetic, but I had to include some cat imagery as well, of course lol.

hfr indulgence weekend

the thing is I do quite like individual stephen moffat episodes, I think they're good episodes. they get less good when you start to see patterns of writing and how he has a tendency of beating a dead horse + ongoing sexism which may be missed in one episode, but becomes very clear through repetition, but if one considers them as one-offs they're Neat bits of writing. it's when he tries to make it longform that it all falls to pieces for me and reverberates back. his lore is a mess and consequently so are his characters if one spends more than an episode or two with them.

its quite shrimple actually