PALESTINE LINKS
in honor of the media blackout this week, i wanted to compile a list of links and resources regarding what’s going on in gaza. i advise all of you to give these links a look at, or to at least reblog them. the people in gaza need the bare minimum from us in that sense. &, well, if you can’t take enough time out of your day to give these links at least a look, a like, or share, then, bye !
& for all the the last of us fans out there, you need to see this. it’s genuinely a must. not to call anyone out, but i see a lot of people who have not spoken out about this at all, who, for example, keep publishing or reblogging fics etc during the blackout. i love a good fic as much as anyone else, but you can wait a week. there’s really no excuses here. if you didn’t know about the previous blackout, then now is your chance. don’t turn a blind eye to this.
at the end of this post are links specifically for those engaged in the last of us tumblr. if you aren’t going to look at the links before that, then at least look at those.
oh, & for the dumbasses who are unfollowing me for spending a week to post about a fucking genocide? fuck you, & good fucking riddance. you are not and never were welcome on my page. i don’t want you here anyways!
PALESTINE LINKS
SEVERAL ways you can help the people in gaza. some of which are fully free.
SEVERAL links regarding info around this genocide, such as places to boycott, and ways to learn more about the nature of it all.
SEVERAL ways you can help, including ways to donate, petitions you can sign, and campaigns you can join.
places you NEED to boycott. don’t buy from them, regardless of if they really fund israel or not. if they support them, that is more than enough. boycotting is a way to resist, so do it. at the end of this post are also places that are helping those who are in gaza, and families you can help escape by donating.
know that this issue did NOT begin oct. 7th. this is so much deeper than you know, and has been going on for 70+ years. click the above link to educate yourself on that front.
CLICK HERE TO HELP PALESTINE! this site has already been debunked on if it really helps the people in gaza or not, and it does. just one click is all you need. one button, once per day. you can even do it on different devices or browsers so you get more than one click in. click it daily!
CALL YOUR REPRESENTATIVES using this link, and this link (this will help you find ways to call or email them depending on where you live). also, urge biden and congress to do right by the people in gaza. the U.S. sends billions of dollars to israel every year, funding the genocide that’s ensuing as we watch on from the comfort our homes. do the bare minimum, & hold them accountable. please.
HERE ARE WAYS YOU CAN DONATE or find a PROTEST near you! not everyone is readily available to do these things, i know that. but looking into them could never hurt, or at least sharing it elsewhere so there is more awareness surrounding it.
LEARN OF AFRO-PALESTINIAN EXPERIENCES, & the efforts they have made over the years. i think it’s so, so crucial that we hear their voices, &, god, learning of all that they’ve been through, & all that they’ve done, is so inspiring.
here is some more info regarding BOYCOTTING. boycotting does, and has been proven to work. this post explains the subject a bit more in case it happens to confuse anybody, along w/companies and such that need to be boycotted, & why. as i said before, boycotting is a way to resist. so do it!
HERE IS A 🇵🇸 MASTERLIST including ways to educate yourself, donate, books you can read, & films you can watch. this is one of the best links i have regarding this genocide, and i highly recommend you look at it!
SOUTH AFRICA took israel to court for this genocide! read about it in the above link.
FOR THE LAST OF US FANS
do not remain in the dark about the last of us’s link to the ongoing conflict in gaza. neil druckmann, the director of the game, is a ZIONIST. he grew up in israel, and TLOU2 is rooted in israeli themes. now, no one is saying you have to quit playing the game, or dislike it, for all you dense ones out there. but i ask that you remain aware of this aspect of it, especially if you are regularly engaged in the last of us tumblr.
this is a link that i highly, highly recommend you read through. it discusses the HEAVILY ISRAELI THEMES TLOU2 displays. click the following link to learn more on TLOU2 & NEIL DRUCKMANN.
DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.
if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.
it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.
boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist.
i understand that not everyone is educated on this subject, and that not everyone knew of the previous media blackout. for the last of us fans, i understand that not everyone knew about the game or show’s israeli nature. but it is never too late to take part. it is never too late to care. i promise you that. if you purchased the game, at least donate to one of the sources above. that’s just bare minimum.
get educated, get loud, & GET PROUD! these are innocent people who are dying as you read this from your bed, couch, whatever. the least you can do is like & reblog so this reaches more people. your voice matters, big account or small.
FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉
833 notes
·
View notes
"The cycle of violence in The Last of Us Part II appears to be largely modelled after the Israeli-Palestinian conflict. I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes the Palestinian experience in a manner that perpetuates a horrific status quo.
The game's co-director and co-writer Neil Druckmann, an Israeli who was born and raised in the West Bank before his family moved to the U.S., told the Washington Post that the game's themes of revenge can be traced back to the 2000 killing of two Israeli soldiers by a mob in Ramallah. Some of the gruesome details of the incident were captured on video, which Druckmann viewed. In his interview, he recounted the anger and desire for vengeance he felt when he saw the video—and how he later reconsidered and regretted those impulses, saying they made him feel “gross and guilty.” But it gave him the kernel of a story.
“I landed on this emotional idea of, can we, over the course of the game, make you feel this intense hate that is universal in the same way that unconditional love is universal?” Druckmann told the Post. “This hate that people feel has the same kind of universality. You hate someone so much that you want them to suffer in the way they’ve made someone you love suffer.”
"That's what this story is about, do the ends justify the means, and it's so much about perspective. If it was to save a strange kid maybe Joel would have made a very different decision, but when it was his tribe, his daughter, there was no question about what he was going to do," Druckmann said.
In the game, most of the Wolves regime's restrictions are directed at a post-apocalyptic religious sect called the Seraphites (the Wolves call them "Scars" after the ritualistic scarring of their faces). These Scars vexed FEDRA as well when it was in control. The dynamic in the city when the game begins is one of conflict, escalation, and a broken truce. The Wolves, like FEDRA, leverage more resources and raw power, while the Scars rely on surprise strikes against Wolf patrols, and a zealous willingness to die for the cause.
To run through just a few key ways in which the Scars uncomfortably reflect some Israeli stereotypes about Palestinians: Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture. The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.
In The Last of Us Part II's Seattle, Scars and Wolves hurt each other terribly, and the same can be said about Israel and Palestine. The difference is that when flashes of violence abate and the smoke clears, one side continues to live freely and prosper, while the other goes back to a life of occupation and humiliation. One side continues to expand while the other continues to lose the land it needs to live. Imagining this process as some kind of symmetric cycle benefits one side more than the other, and allows it to continue.
Ellie's journey of revenge seems especially cruel, even idiotic, because we are never given a good reason for why she keeps recommitting to it. Acts of cruelty along the way, like Ellie's torturing another character to get information, are presented as inevitable. This seems to be The Last of Us Part II's thesis: humans experience a kind of "intense hate that is universal," as Druckmann told The Post, which keep us trapped in these cycles. This is not a universal feeling as much as it's a learned way of seeing the world.
The Last of Us Part II is an incredible journey that provides not only one of the most mesmerizing spectacles that we've seen from big budget video games, but one that manages to ask difficult questions along the way. It's clearly coming from an emotionally authentic and self-examining place. The trouble with it, and the reason that Ellie's journey ultimately feels nonsensical, is that it begins from a place that accepts "intense hate that is universal" as a fact of life, rather than examining where and why this behaviour is learned."
The Not So Hidden Israeli Politics of 'The Last of Us Part II' by Emanuel Maiberg
1K notes
·
View notes