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#mythic quest trailer
roman-roy-apologist · 2 years
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this picture is the cover of breaking brad (😭😭😭)
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AND THIS IS A SCREENSHOT FROM THE MQ TRAILER!!!
ITS THE SAME FACE HE’S MAKING THE SAME FACE SEGJBRUBUIRTWBHW
H E L P
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coolabed-films · 2 years
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she is the most important girl in the world. to me
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appletvsource · 2 years
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Mythic Quest | Season 3 Official Trailer | Apple TV+ | Nov 11, 2022
Ian and Poppy are working on a brand new game at GrimPop. Back at Mythic Quest, chaos ensues under David’s leadership. Oh, and Brad's out of jail. Watch the new season of Mythic Quest coming to Apple TV+ November 11
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kaitcake1289 · 2 years
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hello mythic quest nation are y’all ready for me to be the most annoying bitch on your dashboard
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randompastacat · 2 years
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With the Mythic Quest teaser trailer for season 3 out, maybe it is time I shared this shitty fan comic I gave up on. Maybe someone will like it? Idk it's confusing to read my bad and not as funny as I thought it was
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what if brads Big Evil Mysterious Wrongdoing in s3 was just,, like,,,, liking the colour blue
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queenhawke · 2 years
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mythic quest panel at sdcc y’all
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lunadove · 2 years
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Predictions for Season 3
- Jo is secretly ruling behind the scenes at MQ while letting David think he’s in charge
- Brad catches on and eventually helps out Jo in order to make MQ even more money
- Poppy’s devotion to Hera and Ian’s devotion to MQ (the projects that are their “babies”) eventually culminates in a massive fight between them that actually ISN’T resolved at the season’s end, but instead has the companies going to war with each other. Ian goes back to MQ and has Jo as his second in command.
- The season ends with the gut punch of showing how Ian and Poppy first met…and how far apart they are now.
- The show sets season 4 up as a massive war between Ian and Poppy, which can only end badly for both of them.
(-Alternate theory: Zach buys out Hera at the end of the season, sending Ian and Poppy back to MQ.
- Zach’s involement snaps Brad out of his post prison funk.
- Everyone at MQ gets ready to go to war with Hera, with it being personal for most of the staff.
- An emotionally destroyed Poppy, devestated that her game was taken from her, is brought out of her depression by Ian reminding her how they met.)
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fusdbcom · 2 years
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Der Trailer zur 3. Staffel von „Mythic Quest“ verspricht jede Menge Lacher und Drama
Der Trailer zur 3. Staffel von „Mythic Quest“ verspricht jede Menge Lacher und Drama
Von den brutal urkomischen Köpfen von Rob McElhenny und Charlie Day, Mythische Suche kehrt für eine dritte Staffel zurück! Die Büroarbeitsplatz-Komödie, die das turbulente Leben von Spieleentwicklern verfolgt, kommt zum ultimativen Wettbewerb. Ian, gespielt von McElhenny, und seine Partnerin Poppy (Charlotte Nicdao) ringen im Rahmen ihrer neuen Partnerschaft in den Grimpop Studios, wobei Dana…
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vinylattes · 2 years
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You know, as janitor, I see a lot of things... But you have nothing to worry about.
DANNY PUDI as BRAD BAKSHI in Mythic Quest (Season 3 Trailer)
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roman-roy-apologist · 2 years
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YALL WHAT R WE DOING NEW MYTHIC QUEST TRAILER
WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK SJDBWIENRHRJEIWJSJD
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best-underrated-anime · 6 months
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Best Underrated Anime Group E Round 1: #E4 vs #E5
#E4: Gay found family criminals versus corrupt nobility
During the late 19th century, Great Britain has become the greatest empire the world has ever known. Hidden within its success, the nation's rigid economic hierarchy dictates the value of one's life solely on status and wealth. To no surprise, the system favors the aristocracy at the top and renders it impossible for the working class to ascend the ranks.
William James Moriarty, the second son of the Moriarty household, lives as a regular noble while also being a consultant for the common folk to give them a hand and solve their problems. However, deep inside him lies a desire to destroy the current structure that dominates British society and those who benefit from it.
Alongside his brothers Albert and Louis, William will do anything it takes to change the filthy world he lives in—even if blood must be spilled.
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#E5: Magic kid travels in a quest to end all “evil”
Nemeses—powerful and mysterious demonic entities that fall from the sky and vaporize anything they touch. The only ones who can combat these creatures are Sorcerers, those who have survived an encounter with a Nemesis but were infected in the process.
Seth, a Sorcerer from Pompo Hills, sets out on an adventure to exterminate all these Nemeses. Accompanying him are Doc and Mélie, fellow Sorcerers who share his ideal. Their main objective is to bring about a world where Sorcerers are no longer persecuted for being infected, and to that end, desire to destroy the source of the Nemeses themselves: the mythical Radiant.
Titles, propagandas, trailers, and poll under the cut!
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#E4: Moriarty the Patriot (Yuukoku no Moriarty)
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Propaganda:
The story isn’t quite on par with the manga (solely due to there being not enough episodes to cover full character arcs), but the ‘eat the rich’ vibes are immaculate, the plot is complex and interesting, the queercoding and subtext are both wonderfully done, AND there is a CANON TRANS CHARACTER !!!!
Trigger Warnings: Child Abuse, Gender Identity/Sexuality Discrimination, Graphic Depictions of Cruelty/Violence/Gore, Rape/Non-Con, Self-Harm, Suicide
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#E5: Radiant
Propaganda:
Radiant is adorable: the main duo are a perfect combination of airheads with good intentions.
The story is a pretty clear stand against notions of prejudice / racism / xenophobia, and since the original comic is French, you know it’s not just fiction.
Aside from that, the series is a delight to watch: it’s colorful, soft, the designs are fantastical. Still surprised Tumblr didn’t find Grimm and turned him into a sexyman.
Trigger Warnings: Animal Cruelty or Death, Child Abuse, Racism.
Magicians suffer prejudice and sometimes are physically and verbally assaulted. Nemeses are animal-like creatures and are hunted.
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If you’re reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.
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kaitcake1289 · 2 years
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IDK HOW IT TOOK ME SO LONG TO REALISE RACHELS THE OTHER PERSON IN THE TANK W POPPY 😭😭
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also pretty sure that will be the same ep as rachel jo poppy brunch since they’re wearing the same outfits hghhh
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venticuliao · 10 months
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why ayaka’s role in inazuma matters
this is only in terms of the narrative of the chapter, not in her literal involvement in the storyline, but there’s a reason why she‘s the featured character in the Teyvat chapter trailer.
you can consider her an abstract parallel of Ei’s own role, she‘s the character who gives you insight into Ei’s motivations and basically what’s upholding the narrative of the chapter.
in Ayaka’s story quest, we learn about her fantasies of a regular life and how isolated she feels because of her noble position in society. people admire her and respect her from a distance, but they don’t allow themselves to get close. she‘s split between her loyalty towards her remaining family, her brother Ayato, and her own (rightfully) selfish desires.
in the quest she finds out that her mother also hid similar desires under the imaginary identity of “Tsubaki”, and never got to fulfill something as simple as attending a festival, which Ayaka decides to do herself alongside the traveler.
as this really cool analysis puts it, traveler acts as the embodiment of Ayaka’s own “Tsubaki”: they’re adventurous, unbounded by responsibilities, free. yet when Ayaka asks them, traveler chooses their sibling as the priority, something she knows she herself has to do as well.
the Farewell Dance she performs is for the desires she has to give up in order to fulfill her duty, both of filial piety and towards Inazuma as a noble part of the political class. she goes back alone afterwards, at peace with her choice.
power comes with duty, and duty comes with a sacrifice of desires.
Ayato was in a similar position when he took over the clan: he never felt genuine loyalty towards the Raiden Shogun, instead, he thought his family should only look out for themselves. however, his family was saved by Yae Miko during the Raiden Gokaden disaster, and she asked for absolute loyalty towards the archon in return, a vow Ayato himself upholds as the current clan leader to honor his family.
both Ayaka and Ayato fulfill their duty through artificial personas, a side of themselves they carefully crafted to show to the public (and the other members of the Tri Comission). Yae Miko does the same to different degrees, sometimes preseting herself as a terrifying yokai that will eat her employees at Yae publishing house if they fail to meet a deadline, sometimes as cold and distant to the shrine maidens and the people who seek her help; but she says they’re all parts of herself.
Ayaka’s Shirasagi Himegimi identity is thus a smaller projection of the allegory of Ei’s Raiden Shogun puppet: to rule, one must abandon personal desires and separate themselves from the role.
Ei’s motivations aren’t based on a personal goal, nor are they a dogmatic pursuit of an ideal; she‘s fulfilling a duty.
“character details”, the first section in a playable character’s profile, usually introduces the character —who they are, what they do, their personality, etc— but Ei’s says nothing about her as an individual. instead, it describes the identity of the people of Inazuma and their worldview in relation to their archon, an entity that comes across more as an idealized concept of a god, almost mythical in nature.
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it specifically compares the figure of their archon to natural phenomena, a primordial and permanent fact of life, and specifically to things that are necessary for survival like rain or the sea.
this figure is not Ei, and it was never Makoto either. “Raiden Shogun” is only a role they fulfill, a collective set of expectations and ideals that has taken the title of Inazuma’s god. the people of Inazuma didn’t even know Makoto existed, let alone that she died, but their beliefs of what and who their archon is remains the same whether those behind it change or not.
everything that the Inazuma people believe the Almighty Raiden Shogun to be, is what Makoto and Ei tried to be for them.
the character in question is named “Raiden Shogun”, after all, not "Raiden Ei", so naturally the character details in her profile describe this figure, and not Ei herself.
the figure of the Almighty Raiden Shogun is, in this way, a duty shaped by the beliefs of the people of Inazuma. And Ei defines herself through this duty.
in Ei's second story quest, we meet the memory of some soldiers who fought against the abyssal creatures during Ei and Makoto's absence. They trust their archon will come back to aid them, and the mere sight of her before them is a reassurance that the nation will be saved.
as long as their Almighty Raiden Shogun is by their side, the people have hope for a better future.
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if they were ever to find out this symbol of hope was gone, how could they keep fighting? Ei herself felt her world crumble, anguished by the threat of what time would do to her nation, and she's an all powerful god.
she didn’t lock herself in the Plane of Euthymia to mourn the death of her sister or to avoid the reality of it, she did it to ensure Inazuma would never have to confront the death of their archon, like she had to do, and to protect them from the dangers of defying the Heavenly Principles indefinitely.
to uphold the belief of the Almighty Raiden Shogun, Ei gave up everything that made her an individual: her name, her physical body, her relationships, and the possibility to experience anything outside the Plane of Euthymia.
she gives up not just her desires, but everything that makes her a person. Ei is a ruler who has become her artificial persona, sacrificing her own sense of self.
which is why Yae Miko tells her:
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Ei is not the idealized concept of a god her people believe their god to be, and condemning herself to eternal suffering isn’t worth preserving Inazuma’s physical permanence.
the change in the nation has to come both ways: ruling is a collaborative effort where both the ruler and the ruled need to intervene to make a better society, and if either party refrains from collaborating they will be stuck.
i think what this chapter explores successfully is precisely authority and power, and how they have to be handled to rule.
we know it’s a necessary means for survival and justice, least someone like Kujou Takayuki use it for their own interests; and we also witness Lady Hiragi in Ayato’s story quest create her own artificial persona to put order in her clan (at the same time desisting on her marriage to Kujou Kamaji). duty should also be left behind when it becomes a burden, like we saw Kazuha do with his clan when he started his life of wandering, or else it might turn into a fruitless pursuit, like the cursed sword from his story quest. characters must find the right balance.
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a-dotrivenitupontop · 2 years
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what i think would be really cool in s3 is a backstory episode on how mq began. like it would be so interesting to see early poppy and ian’s dynamic and maybe how everyone else got hired (i wanna know what the HELL was on jos cv). and then the little ‘how this relates to present’ scene could be poppy and ian pitching their new project to people or something like that. essentially what im trying to say is i want to cry.
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The Last Wish: Spoiler-Free Review
Okay. so as none of you know, I'm a HUGE fan of the original Puss In Boots, and as such I bought a ticket for The Last Wish the day tickets went on sale. I waited impatiently for months for that movie to come out, and watched it on Christmas Eve, and I'm finally getting around to writing about it
For context, I believe the original Puss In Boots is better than any of the Shrek movies. Shrek 2 and Puss In Boots both hold up really well to this day, but Puss In Boots is better at capturing the magic of fairy tale stories than Shrek 2 was; Shrek 2 modernized too much for it to contain that same magic. And as such, I argue to this day that the best Shrekverse movie is Puss In Boots. The only thing holding Puss In Boots was just the spontaneous humor and the way they downplayed the central antagonist with humor
The Last Wish fixes those mistakes
If you go in expecting a movie similar to the original, the first, like, 5 minutes will be your cup of tea. It has the same spontaneous humor, the villain is basically just there for laughs, and Puss is this high-and-mighty outlaw. The leadup to the giant and the battle against the giant both showcase who Puss is: he's a rebel against the rich and a protector of the poor. He cares not for people with power, and instead uses his own skills and power to defend the common folk through his heroic antics. But, as the trailer shows, he carelessly gets crushed, and he's now on his last life
This is where the story takes a turn. We have several minutes of denial. "Retire? I am Puss in Boots!" But that's when the story's driving villain shows up. They weren't really highlighted in the trailers, so I'll be very secretive about who the villain is, but the moment they appear on screen, I had chills. This villain was not like the ones who had come before. This villain was not something to laugh about. And Puss realizes this. Puss is scared into retirement- I mean, into hiding, and gets used to the undignified way of life that is a housecat, until Goldilocks and the Three Bears show up: bounty hunters seeking Puss' help with reaching the mythical Wishing Star
Puss outsmarts them and decides to pursue this Wishing Star alone...
Well. Alone plus his emotional support dog. Short story, but a weird one to tell
And off he goes on his quest to find the Wishing Star and restore his lives
And that's the introduction to the story and most of the central characters, so I can't really progress further without spoiling major parts of the story
Downsides of the story:
The central villain is beaten in an unsatisfying way, and deserved a better conclusion
The secondary villain was mediocre at best, and falls into the trap of Laughable Villain Syndrome
Ofc they're going to end the movie with a tie-in to the upcoming Shrek 5
Upsides of the story:
Very deep story
Legitimately terrifying central villain
Tertiary villains are masterfully done, start to finish
My Personal Rating: 10/10
This movie has flaws, don't get me wrong, but this movie is also the best blend of nostalgia and storytelling that I've ever seen before. While most of the characters were well done, there are three particular characters that shine through every moment they are on screen: Puss, Goldilocks, and the central antagonist; especially the latter two. I'll also take the moment to point out that Goldilocks was voiced by Florence Pugh, so there's that :D
And yeah. This is 100% a recommendation! There's honestly no real theory fodder available in this movie. Like sure, maybe some minor theories, but nothing about the future of Puss, Kitty, and Perrito. There might be a spin-off for Goldilocks, but we don't know enough specifics about her past to guess where in her life a story might take place, let alone what it would be about. It closed pretty much every loose thread it had, except one, but I can't talk about that yet...not until I'm ready to discuss the most terrifying PG villain I've ever seen
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