#my fave composite placements | Explore Tumblr Posts and Blogs

the-moon-devi · 1 year

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✩░▒▓▆𝐂𝐎𝐌𝐏𝐎𝐒𝐈𝐓𝐄 𝐎𝐁𝐒𝐄𝐑𝐕𝐀𝐓𝐈𝐎𝐍𝐒: 𝐁𝐄𝐀𝐔𝐓𝐈𝐅𝐔𝐋 𝐏𝐋𝐀𝐂𝐄𝐌𝐄𝐍𝐓𝐒! 𝐏𝐓. 𝟏▆▓▒░✩

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(I mentioned a few of these in one of my asks but this post was already written before that ask came in.... with that being said.. Enjoy!) These observations are based on placements I think are beautiful!

💞 ᴍᴏᴏɴ ɪɴ ᴠɪʀɢᴏ/6ᴛʜ- ᴛʜɪꜱ ɪꜱ ᴇᴍᴏᴛɪᴏɴᴀʟ ꜱᴛᴀʙɪʟɪᴛʏ ɪɴ ᴇᴠᴇʀʏᴅᴀʏ ʟɪꜰᴇ. ᴅᴏɪɴɢ ᴛᴀꜱᴋꜱ ꜰᴏʀ ᴇᴀᴄʜ ᴏᴛʜᴇʀ ᴡɪᴛʜ ᴄᴀʀᴇ. ᴍᴀᴋɪɴɢ ꜱᴜʀᴇ ʏᴏᴜ ᴅɪᴅ ʏᴏᴜʀ ꜱᴇʟꜰ ᴄᴀʀᴇ/ ʏᴏᴜʀ ᴊᴜꜱᴛ ᴛᴀᴋɪɴɢ ᴄᴀʀᴇ ᴏꜰ ʏᴏᴜʀꜱᴇʟꜰ ɪɴ ɢᴇɴᴇʀᴀʟ ʙᴇᴄᴀᴜꜱᴇ ᴛʜᴇ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ ᴘᴜꜱʜᴇꜱ ʏᴏᴜ ᴛᴏ ᴅᴏ ꜱᴏ. ᴛʜɪꜱ ɪꜱ ꜱᴏᴍᴇᴛʜɪɴɢ ʏᴏᴜ ɴᴇᴇᴅ ᴀɴᴅ ʏᴏᴜ ɢᴇᴛ ɪᴛ. ʙᴏᴛʜ ᴀʀᴇ ᴘᴜᴛᴛɪɴɢ ɪɴ ᴇꜰꜰᴏʀᴛ ᴀɴᴅ ꜱᴇʀᴠɪɴɢ ᴇᴀᴄʜ ᴏᴛʜᴇʀ ᴄᴏɴꜱɪꜱᴛᴇɴᴛʟʏ. ꜱᴏ ꜱᴜʙᴛʟᴇ ʙᴜᴛ ᴇxQᴜɪꜱɪᴛᴇ. ᴛʜɪꜱ ᴄᴀɴ ᴀʟꜱᴏ ᴇɴᴅ ᴜᴘ ʙᴇɪɴɢ ᴀ ᴡᴏʀᴋ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ ʙᴜᴛ ɪ ꜰᴇᴇʟ ʟɪᴋᴇ ᴍᴏᴏɴ ɪɴ ᴠɪʀɢᴏ ꜱᴄʀᴇᴀᴍꜱ ꜱᴇʟꜰ ᴄᴀʀᴇ. ʙᴇᴄᴀᴜꜱᴇ ᴀ ʟᴏᴛ ᴏꜰ ᴘᴇᴏᴘʟᴇ ᴅᴏɴ'ᴛ ʀᴇᴀʟɪᴢᴇ ᴛʜat ᴠɪʀɢᴏ is a ɴᴜʀᴛᴜʀɪɴɢ ꜱɪɢɴ. ᴀɴᴀʟʏᴛɪᴄᴀʟ ᴀꜱ ᴡᴇʟʟ ꜱᴏ ᴀʟᴡᴀʏꜱ ᴛʜɪɴᴋɪɴɢ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴏᴛʜᴇʀ.

😇ᴍᴏᴏɴ ɪɴ 7ᴛʜ- ᴇᴍᴏᴛɪᴏɴᴀʟ ᴜɴᴅᴇʀꜱᴛᴀɴᴅɪɴɢ, ᴀɴᴅ ᴛʜᴇʀᴇ'ꜱ ᴀ ꜰᴏᴄᴜꜱ ᴏɴ ᴍᴀᴋɪɴɢ ꜱᴜʀᴇ ᴛʜᴇ ᴏᴛʜᴇʀ ɪꜱ ᴏᴋ. ɪ ꜰᴇᴇʟ ʟɪᴋᴇ ᴛʜᴇʏ ᴄᴀɴ ᴀʟꜱᴏ ᴀʟᴡᴀʏꜱ ʀᴇᴀᴅ ᴛʜᴇ ᴏᴛʜᴇʀꜱ ᴇᴍᴏᴛɪᴏɴꜱ. ʙᴇᴀᴜᴛɪꜰᴜʟ ᴘʟᴀᴄᴇᴍᴇɴᴛ! ʏᴏᴜ ꜰᴇᴇʟ ʟɪᴋᴇ ʏᴏᴜ ᴡᴀɴɴᴀ ᴍᴀʀʀʏ ᴛʜᴇᴍ!

🦁 sun ɪɴ ʟᴇᴏ- ʏᴏᴜᴛʜꜰᴜʟ ᴇɴᴇʀɢʏ, ꜱᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ɴᴇᴠᴇʀ ᴅɪᴇꜱ ᴛʜᴀᴛ ꜱᴘᴀʀᴋ ɪꜱ ꜱᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ᴊᴜꜱᴛ ꜱᴛᴀʏꜱ. ᴛʜᴇʏ ꜱʜɪɴᴇ ᴡʜᴇɴ ɪɴ ᴇᴀᴄʜ ᴏᴛʜᴇʀs ᴘʀᴇꜱᴇɴᴄᴇ.

💞ꜱᴜɴ ɪɴ 10ᴛʜ ʜᴏᴜꜱᴇ- ᴘᴏᴡᴇʀ ᴄᴏᴜᴘʟᴇ ᴠɪʙᴇꜱ, ʀᴇᴀʟʟʏ ᴛʜᴇꜱᴇ ᴛᴡᴏ ᴀʀᴇ ꜱᴛʀᴏɴɢᴇʀ ᴛᴏɢᴇᴛʜᴇʀ. ᴛʜᴇʏ ᴄᴏᴜʟᴅ ᴀᴄʜɪᴇᴠᴇ ᴘᴜʙʟɪᴄ ʀᴇᴄᴏɢɴɪᴛɪᴏɴ ᴛᴏɢᴇᴛʜᴇʀ. ʏᴏᴜ ɢᴜʏꜱ ᴍᴀʏ ᴡᴏʀᴋ ᴛᴏɢᴇᴛʜᴇʀ ᴏʀ ᴛʜᴇ ᴏᴛʜᴇʀ ʀᴇᴀʟʟʏ ɪᴍᴘᴀᴄᴛꜱ ᴏʀ ᴇᴠᴇɴ ʙᴏᴏꜱᴛ ʏᴏᴜʀ ᴘᴜʙʟɪᴄ ꜱᴛᴀɴᴅɪɴɢ. ᴀʟꜱᴏ ɢʀᴇᴀᴛ ꜰᴏʀ ʟᴇᴀʀɴɪɴɢ ꜰʀᴏᴍ ᴇᴀᴄʜ ᴏᴛʜᴇʀ! ᴛʜɪꜱ ɪꜱ ᴛʜᴇ ᴘᴀɪʀ ᴛʜᴀᴛ ᴄᴀɴ ʟᴏᴏᴋ ᴜɴᴛᴏᴜᴄʜᴀʙʟᴇ ᴀɴᴅ ᴘʀᴏɴᴇ ᴛᴏ ʟᴇᴀᴠɪɴɢ ᴀ ʟᴇɢᴀᴄʏ. ᴛʜᴇʏ ᴡᴀɴᴛ ᴛᴏ ʙᴜɪʟᴅ!

💞 sun ɪɴ ᴀQᴀᴜʀɪᴜꜱ/11ᴛʜ ʜᴏᴜꜱᴇ- ɴᴏ ᴍᴀᴛᴛᴇʀ ɪꜰ ʏᴏᴜʀ ꜰʀɪᴇɴᴅꜱ ᴏʀ ɴᴏᴛ, ᴛʜɪꜱ ᴘʟᴀᴄᴇᴍᴇɴᴛ ᴄᴀɴ ᴍᴀᴋᴇ ʏᴏᴜ ʜᴀᴠᴇ ᴀɴ ᴀᴍᴀᴢɪɴɢ ꜰᴏᴜɴᴅᴀᴛɪᴏɴ ᴏꜰ ꜰʀɪᴇɴᴅꜱʜɪᴘ. ᴜꜱᴜᴀʟʟʏ ꜰʀɪᴇɴᴅꜱʜɪᴘ ᴛᴏ ʟᴏᴠᴇʀꜱ. ɪ ʟᴏᴠᴇ ᴛʜɪꜱ ʙᴇᴄᴀᴜꜱᴇ ʏᴏᴜ ɢᴇᴛ ᴛᴏ ᴋɴᴏᴡ ᴛʜᴇ ᴘᴇʀꜱᴏɴ ʙᴇꜰᴏʀᴇ ɢᴇᴛᴛɪɴɢ ɪɴᴠᴏʟᴠᴇᴅ ʀᴏᴍᴀɴᴛɪᴄᴀʟʟʏ, ᴀɴᴅ ɪᴛ'ꜱ ᴜꜱᴜᴀʟʟʏ ᴡɪᴇʀᴅ ʜᴏᴡ ʏᴏᴜ ɢᴜʏꜱ ɢᴏᴛ ᴛᴏɢᴇᴛʜᴇʀ. ᴛʜɪꜱ ᴘʟᴀᴄᴇᴍᴇɴᴛ ᴄᴀɴ ᴀʟꜱᴏ ɪɴᴅɪᴄᴀᴛᴇ ᴛʜᴀᴛ ʏᴏᴜ ɢᴜʏꜱ ᴀᴄᴄᴏᴍᴘʟɪꜱʜ ʏᴏᴜʀ ɢᴏᴀʟꜱ ᴀɴᴅ ᴡɪꜱʜᴇꜱ ᴛᴏɢᴇᴛʜᴇʀ! ꜱᴏ ᴄᴜᴛᴇ ɪ ʟᴏᴠᴇ ɪᴛ 💗🥺😊

💞 ᴍᴏᴏɴ ɪɴ ᴛᴀᴜʀᴜꜱ‐ ᴏᴍɢ ᴡʜᴇʀᴇ ᴅᴏ ɪ ꜱᴛᴀʀᴛ. ɪᴛ'ꜱ ᴛʜᴇ ᴄᴀʀɪɴɢ ꜰᴏʀ ᴍᴇ. ꜱᴏ ᴍᴜᴄʜ ꜱᴇɴꜱᴜᴀʟɪᴛʏ ᴀɴᴅ ᴍᴀᴋɪɴɢ ꜱᴜʀᴇ ʏᴏᴜʀ ᴏᴋ. ʀᴇʟɪᴀʙʟᴇ & ꜱᴇᴄᴜʀɪᴛʏ 🤤 ᴛʜɪꜱ ɪꜱ ᴡʜʏ ɪ ᴛʜɪɴᴋ ᴛʜɪꜱ ᴘʟᴀᴄᴇᴍᴇɴᴛ ɪꜱ ᴀʙꜱᴏʟᴜᴛᴇʟʏ ʙᴇᴀᴜᴛɪꜰᴜʟ!! ᴛʜᴇʏ ᴍᴀʏ ʙᴇ ᴀ ʟɪᴛᴛʟᴇ ᴘᴏꜱꜱᴇꜱꜱɪᴠᴇ ᴛᴏᴡᴀʀᴅꜱ ᴇᴀᴄʜ ᴏᴛʜᴇʀ ʙᴜᴛ ᴏᴠᴇʀᴀʟʟ ɪᴛ'ꜱ ꜱᴏ ᴄᴜᴛᴇ ʜᴏᴡ ᴛʜᴇ ᴄᴏᴜᴘʟᴇ ᴛʀᴇᴀᴛꜱ ᴇᴀᴄʜ ᴏᴛʜᴇʀ!

💞 ᴊᴜᴘɪᴛᴇʀ ɪɴ 5ᴛʜ- ᴛʜᴇ ꜰᴜɴ ɴᴇᴠᴇʀ ᴇɴᴅꜱ ʙᴜᴛᴛᴛᴛ.... ʙᴇ ᴄᴀʀᴇꜰᴜʟ because the 5th house rules fun & children... ᴛʜɪꜱ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ ᴡɪʟʟ ᴀʟꜱᴏ ᴇxᴘᴀɴᴅ ʏᴏᴜʀ ᴄʀᴇᴀᴛɪᴠɪᴛʏ ᴀɴᴅ ɪ ᴊᴜꜱᴛ ᴛʜɪɴᴋ ᴛʜᴀᴛ'ꜱ ꜱᴏ ᴘᴏᴇᴛɪᴄ.

💞 ᴍᴀʀꜱ ɪɴ 1ꜱᴛ- ꜱᴘɪᴄʏʏʏʏʏʏʏ..... ᴛʜᴇ ᴀᴛᴛʀᴀᴄᴛɪᴏɴ ᴏᴜᴛ ᴏꜰ ᴛʜɪꜱ ᴡᴏʀʟᴅᴅᴅ!!!

💞 ɴɴ ɪn 2ɴᴅ, 4ᴛʜ, 7ᴛʜ: ꜱᴛᴀʙɪʟɪᴛʏ, ꜱᴇᴄᴜʀɪᴛʏ ɪꜰ ʏᴏᴜʀ ʟᴏᴏᴋɪɴɢ ꜰᴏʀ ʟᴀꜱᴛɪɴɢ ᴄᴏɴɴᴇᴄᴛɪᴏɴꜱ ᴀɴᴅ ᴛʜɪꜱ ɢʀᴏᴡꜱ ᴛᴏ ʟᴏᴠᴇ ᴀɴᴅ ᴅᴇᴇᴘ ᴄᴏɴɴᴇᴄᴛɪᴏɴ.

💞 ɴᴇᴘᴛᴜɴᴇ ɪɴ 7ᴛʜ- ᴅʀᴇᴀᴍʏ & ᴇᴛʜᴇʀᴇᴀʟ. ʙᴏᴛʜ ᴘᴀʀᴛɪᴇꜱ ᴍᴀʏ ꜰᴇᴇʟ ᴀ ꜱᴘɪʀɪᴛᴜᴀʟ ᴄᴏɴɴᴇᴄᴛɪᴏɴ.

💞 ᴠᴇɴᴜꜱ ɪɴ 12ᴛʜ/ᴘɪꜱᴄᴇꜱ: ᴜɴᴄᴏɴᴅɪᴛɪᴏɴᴀʟ ʟᴏᴠᴇ, ᴀ ᴅᴇᴇᴘ ᴄᴏɴɴᴇᴄᴛɪᴏɴ. ᴛʜᴀᴛ'ꜱ ᴀʟʟ ɪ ᴄᴀɴ ꜱᴀʏ, ʏᴏᴜ'ʟʟ ᴀʟᴡᴀʏꜱ ʟᴏᴠᴇ ᴛʜɪꜱ ᴘᴇʀꜱᴏɴ ᴀɴᴅ ɪᴛ'ʟʟ ʜɪᴛ ʏᴏᴜ ʜᴀʀᴅ ʟɪᴋᴇ ᴏᴜᴛ ᴏꜰ ɴᴏ ᴡʜᴇʀᴇ. ꜱᴀᴄʀɪꜰɪᴄᴇꜱ ᴀʀᴇ ᴍᴀᴅᴇ ᴀꜱ ᴡᴇʟʟ.

ᴠᴇɴᴜꜱ ɪɴ 11ᴛʜ: ʜᴇʜᴇ..... ꜰʀɪᴇɴᴅꜱ ᴛᴏ ʟᴏᴠᴇʀꜱ ᴀɴᴅ ʏᴏᴜ ʜᴀᴠᴇ ᴀ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴛʏᴘᴇ ᴏꜰ ��ᴏᴠᴇ ꜰᴏʀ ᴇᴀᴄʜ ᴏᴛʜᴇʀ.

💞 ᴍᴇʀᴄᴜʀʏ ɪɴ ᴘɪꜱᴄᴇꜱ: ᴘᴏᴇᴛɪᴄᴄᴄᴄᴄ & ʙᴇᴀᴜᴛɪꜰᴜʟ. ʏᴏᴜ ᴀʟꜱᴏ ᴜꜱᴜᴀʟʟʏ ᴀʀᴇ ᴛᴀʟᴋɪɴɢ ᴀʙᴏᴜᴛ ꜱᴘɪʀɪᴛᴜᴀʟ ᴛʜɪɴɢꜱ. ᴛʜɪꜱ ɪꜱ ᴛʜᴇ ᴘʟᴀᴄᴇᴍᴇɴᴛ ꜰᴏʀ ʏᴏᴜ ɪꜰ ʏᴏᴜʀ ɪɴᴛᴏ ꜱᴘɪʀɪᴛᴜᴀʟɪᴛʏ. ᴊᴜꜱᴛ ᴀʜʜʜʜ.....ᴅʀᴇᴀᴍʏ. ɴᴏᴡ ʏᴀ'ʟʟ ᴍɪɢʜᴛ ʙᴇ ᴀ ʟɪᴛᴛʟᴇ ꜱʜʏ ᴀᴛ ꜰɪʀꜱᴛ ʙᴜᴛ ᴏɴᴄᴇ ʏᴏᴜ ɢᴇᴛ ᴄᴏᴍꜰᴏʀᴛᴀʙʟᴇ ᴛᴀʟᴋɪɴɢ ᴀʟᴏɴᴇ ᴡɪᴛʜ ᴇᴀᴄʜ ᴏᴛʜᴇʀ. ʏᴏᴜ ɢᴇᴛ ᴛʜᴇᴍ ᴏɴ ᴀ ᴅᴇᴇᴘᴇʀ ʟᴇᴠᴇʟ & ᴇᴍᴏᴛɪᴏɴꜱ ᴀʀᴇ ᴇxᴘʀᴇꜱꜱᴇᴅ.

💞 ᴄᴀɴᴄᴇʀ ᴀꜱᴄ- ɴᴜʀᴛᴜʀᴇ, ꜰᴀᴍɪʟʏ, ᴅᴇᴇᴘ ᴄᴏɴɴᴇᴄᴛɪᴏɴ ᴏꜰ ꜰᴇᴇʟɪɴɢ ꜱᴀꜰᴇ & ꜰᴀᴍɪʟɪᴀʀ ᴀʀᴏᴜɴᴅ ᴇᴀᴄʜ ᴏᴛʜᴇʀ.

💞 ᴀʀɪᴇꜱ ᴀꜱᴄ- ꜰɪʀꜱᴛ ʟᴏᴠᴇ ᴠɪʙᴇꜱ, ʏᴏᴜɴɢ & ꜰʀᴇᴇ, ꜱᴘᴀʀᴋ ᴡɪʟʟ ɴᴇᴠᴇʀ ʟᴇᴀᴠᴇ, ᴡɪʟʟ ᴀʟᴡᴀʏꜱ ꜰɪɴᴅ ᴇᴀᴄʜ ᴏᴛʜᴇʀ ᴛᴏ ʙᴇ ᴇxᴛʀᴇᴍᴇʟʏ ᴀᴛᴛʀᴀᴄᴛɪᴠᴇ, ᴛʜᴇʏ ᴄᴏᴍᴇ ᴏꜰꜰ ᴀꜱ ᴘᴏᴡᴇʀꜰᴜʟ

💞 ᴄᴀᴘʀɪᴄᴏʀɴ ᴀꜱᴄ- ᴘᴏᴡᴇʀ ᴄᴏᴜᴘʟᴇ, ꜱᴏʟɪᴅ ꜰᴏᴜɴᴅᴀᴛɪᴏɴ,ᴛʜɪꜱ ɪꜱ ʟᴏᴠᴇ ᴛʜᴀᴛ ᴛᴀᴋᴇꜱ ᴛɪᴍᴇ & ɪꜱ ᴘᴀᴛɪᴇɴᴛ, ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ

💞 ʟɪʙʀᴀ ᴀꜱᴄ- ʀᴏᴍᴀɴᴛɪᴄ, ᴄʜᴀʀɪꜱᴍᴀᴛɪᴄ, ʙᴇᴀᴜᴛɪꜰᴜʟ ᴛᴏɢᴇᴛʜᴇʀ, cute ɪɴꜱᴛᴀ ᴄᴏᴜᴘʟᴇ

💞 ᴛᴀᴜʀᴜꜱ ᴀꜱᴄ- ꜱᴛᴀʙɪʟɪᴛʏ, ᴍᴏɴᴇʏ, ꜱᴇɴꜱᴜᴀʟɪᴛʏ, ᴄᴀʀɪɴɢ, ᴊᴜꜱᴛ ʙᴇᴀᴜᴛɪꜰᴜʟ ɪ ʟᴏᴠᴇ ᴛᴀᴜʀᴜꜱ ᴘʟᴀᴄᴇᴍᴇɴᴛꜱ ᴛʜᴇʏ ᴀʀᴇ ꜱᴏ ɢᴇɴᴛʟᴇ ᴛᴏ ᴍᴇ...💓

ʜᴏɴᴏʀᴀʙʟᴇ ᴍᴇɴᴛɪᴏɴꜱ:

ᴄᴀᴘʀɪᴄᴏʀɴ ᴍᴏᴏɴ- ᴛʜɪꜱ ᴏɴᴇ ɪꜱ ᴅᴇʙᴀᴛᴀʙʟᴇ ʙᴜᴛ.... ᴛʜɪꜱ ᴄᴀɴ ʙᴇ ʙᴇᴀᴜᴛɪꜰᴜʟ ʙᴇᴄᴀᴜꜱᴇ ᴛʜᴇ ᴄᴏᴜᴘʟᴇ ᴡɪʟʟ ʙᴇ ᴠᴇʀʏ ᴄᴏᴍꜰᴏʀᴛᴀʙʟᴇ ᴡɪᴛʜ ᴇᴀᴄʜ ᴏᴛʜᴇʀ with time & trust. ʟᴏɴɢ ʟᴀꜱᴛɪɴɢ emotions for one another..

ʟᴇᴏ ᴀꜱᴄ-ʙᴇᴀᴜᴛɪꜰᴜʟ ᴊᴜꜱᴛ ʙᴇᴄᴀᴜꜱᴇ ᴛʜᴇʏ ꜱʜɪɴᴇ. ᴄᴀɴ ʙᴇ ᴠᴇʀʏ ʟᴏʏᴀʟ ᴛᴏ ᴇᴀᴄʜ ᴏᴛʜᴇʀ. ʀᴏʏᴀʟ ᴠɪʙᴇꜱ ᴀꜱ ᴡᴇʟʟ similar to libra! 🦁

ᴜʀᴀɴᴜꜱ ɪɴ 9ᴛʜ- ᴛʜᴇ ꜰᴜɴ ʙᴇɢɪɴꜱ, ɴᴏ ᴊᴏᴜʀɴᴇʏ ɪꜱ ᴛᴏᴏ ᴍᴜᴄʜ & ɴᴏ ᴊᴏᴜʀɴᴇʏ ɪꜱ ᴛᴏᴏ ʟᴀᴛᴇ ᴏʀ ꜱᴏᴏɴ. ɪ ʟᴏᴠᴇ ɪᴛ! ᴄᴏᴜᴘʟᴇꜱ ᴡʜᴏ ᴇxᴘʟᴏʀᴇ & ʟᴇᴀʀɴ ᴛᴏɢᴇᴛʜᴇʀ ᴀʀᴇ ᴘʀᴏɴᴇ ᴛᴏ ɢʀᴏᴡᴛʜ. ᴛʜᴇꜱᴇ ᴄᴏᴜᴘʟᴇꜱ ᴅᴏ ɪᴛ ꜱᴘᴏɴᴛᴀɴᴇᴏᴜꜱʟʏ ᴛʜᴏ... ᴋᴇᴘᴇᴘꜱ ᴛʜᴇ ꜱᴘɪᴄᴇ ᴀʟɪᴠᴇ. ᴍᴀʏ ᴀʟꜱᴏ ʙᴇ ʟᴏɴɢ ᴅɪꜱᴛᴀɴᴄᴇ ᴛʜᴏ..💞👀

ᴍᴇʀᴄᴜʀʏ ɪɴ ᴀQᴜᴀ- ɪ ɪᴍᴀɢɪɴᴇ ᴀ ʟᴏᴛ ᴏꜰ ʟᴀᴜɢʜᴛᴇʀ, ᴀɴᴅ ᴄᴏɴᴠᴇʀꜱᴀᴛɪᴏɴꜱ ᴏꜰ ᴏᴅᴅ ᴛᴏᴘɪᴄꜱ! 🤣🤣🤣

ᴍᴀʀꜱ ɪɴ ꜱᴄᴏʀᴘɪᴏ- ᴄ'ᴍᴏɴ ɴᴏᴡ ʀᴇᴀʟʟʏ........❤️‍🔥❤💥🌹🔥

ᴍᴀʀꜱ ɪɴ ᴀʀɪᴇꜱ-🎶"ɪ ɴᴇᴇᴅ ꜱᴏᴍᴇ ᴡᴀᴛᴀ.... ꜱᴏᴍᴇᴛʜɪɴɢ ᴄᴀᴍᴇ ᴏᴠᴇʀ ᴍᴇᴇᴇᴇᴇ. ᴡᴀʏ ᴛᴏᴏ ʜᴏᴛ ᴛᴏ ꜱᴇᴛᴛʟᴇ ᴅᴏᴡɴ ɪ ᴍɪɢʜᴛ ᴀꜱ ᴡᴇʟʟ ᴏᴠᴇʀʜᴇᴀᴛ" 🎶 ᴀɢᴀɪɴ ɪᴍᴍᴇɴꜱᴇ ᴀᴛᴛʀᴀᴄᴛɪᴏɴ 🔥🌹💥❤️💞

ᴍᴀʀꜱ ɪɴ ᴛᴀᴜʀᴜꜱ- ᴘʟᴇᴀꜱᴜʀᴀʙʟᴇ & ᴛʜᴇ ᴄᴏᴜᴘʟᴇ ꜱᴇᴇᴍꜱ ᴇᴀᴄʜ ᴏᴛʜᴇʀ ᴀꜱ ᴠᴇʀʏ ʙᴇᴀᴜᴛɪꜰᴜʟ. 💝ᴄᴏᴍꜰᴏʀᴛᴀʙʟᴇ ᴡɪᴛʜ ᴇᴀᴄʜ ᴏᴛʜᴇʀ. ʟᴏɴɢ ʟᴀꜱᴛɪɴg & steady attraction.

Saturn-venus/ jupiter/ sun

1st house lord in 1st house

1st house lord in 7th

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

Catch ya later lovelies! Til' next time!

~𝓒𝓪𝓻𝓪𝓶𝓮𝓵 𝓴𝓲𝓼𝓼𝓮𝓼 xx🤎💋

𝓕𝓻𝓸𝓶 𝓟𝓻𝓮𝓽𝓽𝔂 𝓒𝓪𝓻𝓪𝓶𝓮𝓵

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𝓓𝓲𝓿𝓲𝓷𝓮 𝓓𝓮'𝓛𝓾𝔁𝔁𝓮 (masterlist)

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©𝓟𝓻𝓮𝓽𝓽𝔂 𝓒𝓪𝓻𝓪𝓶𝓮𝓵 (Do not copy or steal my work)

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astrosky33 · 9 months

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𝐑𝐄𝐋𝐈𝐀𝐁𝐋𝐄 𝐀𝐒𝐓𝐑𝐎𝐋𝐎𝐆𝐘 𝐁𝐎𝐎𝐊𝐒 𝐈 𝐑𝐄𝐂𝐎𝐌𝐌𝐄𝐍𝐃 𝐀𝐒 𝐀 𝐏𝐑𝐎𝐅𝐄𝐒𝐒𝐈𝐎𝐍𝐀𝐋 𝐀𝐒𝐓𝐑𝐎𝐋𝐎𝐆𝐄𝐑

ABOUT ME

Hello! I’m Skylar if you’re new to my page and I got my diploma in astrology from Kepler College (the #1 best astrology school in the world)

I’ve been studying astrology for over a decade now as well and these are the books I recommend

☆ BEGINNER BOOKS ☆

The Only Astrology Book You’ll Ever Need by Joanna Woolfolk

Goes over all the basic information for beginners and has interpretations written in as well. In the beginning of the book it focuses a lot on Sun Signs but gives more insight on other placements later in the book don’t worry

Astrology for the Soul by Jan Spiller

Another great book for beginners. I like the interpretations

The Inner Sky by Steven Forrest

Written by a very renowned astrologer. He goes over signs, aspects, etc and breaks them all down really well

You were born for this by Chani Nicholas

I love how this book goes over how to use astrology in your daily life and isn’t just cookie cutter definitions of placements like many other books. It’s also interactive and you can write in some pages which is always fun. It’s one of my favorite books for beginners

Aspects in astrology by Sue Tompkins

This is a great book for people curious about what each aspect means and how they can manifest into your life

☆ INTERMEDIATE BOOKS ☆

Predictive Astrology by Michele Adler

This book is definitely worth the price. It gives lots of information on techniques you can use to make predictions in astrology. It’s based on Western Astrology

The Art of Predictive Astrology by Carol Rushmam

Another great predictive astro book that talks about how to make predictions based on transits in your chart

Medical Astrology by Judith Hill

This is a great book with information on body part astrology and medical information. Although I do want to note when reading this do not be afraid if you share one of the transits that the public figures mentioned had during their health issues arising as astrology is a polarity. Meaning you can take on positive traits rather than the challenging ones often

☆ ADVANCED BOOKS ☆

Asteroid Goddesses by Demetra George

Goes over all the major asteroids in astrology. This can help you a lot if you’re interested in learning basic information on asteroids

Planets in Composite by Robert Hand

There are not many books out there on Composite compatibility so out of all of them this is my favorite even though it’s very basic it’s still a good read if you’re learning about Composite charts

The Psychology of Astrocartography by Jim Lewis

This is the best book about astrocartography I’ve found so far and very informative. The only bad thing I have to say about this book is that the print is really small. It’s amazing other than that though

☆ OLD AGE ASTRO BOOKS ☆

Mastering Traditional Astrology by Mychal A. Brian

If you’re more interested in old age astrology then this is an amazing read. You can purchase it on Amazon

Astrology of the Tree by David Frawley

This is great for beginners in vedic astrology and goes over all the basics. Really anything by David Frolly is great if you want to learn about vedic

The Nakshatras; the Lunar Mansions of Vedic Astrology by Dennis Harness

It’s a short read and goes over all the meanings of all the nakshatras

Light on Relationships by Hart De

A very comprehensive read that goes over synastry in Indian astrology. It gives lots of interesting techniques that can give insight on future marriages as well

Mayan Calender Astrology by Kenneth Johnson

This is extremely hard to comprehend so don’t purchase if you’re new to astrology. Even I had to read it a few times to fully get it. It discusses the astrology that the egyptians wrote in their hieroglyphics

☆ BOOKS I STUDIED FOR MY DIPLOMA ☆ [these aren’t all of them just some of my faves]

Sky and Psyche; the relationship between cosmos and consciousness by Nicholas Campion and Patrick Curry

This is an extremely underrated book and one of my favorites by far. This book goes over not just meanings of the planets, houses, synastry aspects, etc but also why the planets manifest in certain ways

The planetarization of consciousness by Dane Rudhyar

This one isn’t a basic overview like the other books I’ve mentioned it’s more psychological type astrology which I found really interesting

History of western astrology volume 1 & 2 by Nicholas Campion

This goes over how astrology has been used throughout history and why it was used in the past

☆ OTHER ASTRO BOOKS ☆

Moonology by Yasmin Boland

This is a manifestation astrology book. It gives an amazing story about the authors life before using astrology and manifestation and how it impacted them. Great for learning how to manifest using the moon cycles and astrology

The Handbook of Chinese Horoscopes by Theodora Lau and Laura Lau

My favorite Chinese astrology book. There isn’t many good ones out there

Birth Time Rectification by Paul Manley

There are some things I would’ve added to this book that weren’t mentioned but other than that it’s pretty good in helping find the right birth times using vedic astrology

<- 𝗠𝗔𝗦𝗧𝗘𝗥𝗟𝗜𝗦𝗧

#astrology books #astro books #astrology help #astro community #astrology #zodiac #astro placements #astrology tumblr #astro chart #birth chart #asteroid astrology #mars #mars astrology #planets in astrology #houses in astrology

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pivsketch · 1 year

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we started a new type of morning art activity at work, which is "stream a movie and then pause every once in a while for everyone to do a 5 min composition study together". so far we are like 20 minutes into blade runner 2049 (one of my faves!) and will probably be doing these for the rest of the week and then some 'til we finish the movie

hardest part is managing level of detail w.r.t. the 5 min time constraint. second hardest part is trying to correctly eyeball the placement of everything in the still image. even though i specifically matched my canvas' aspect ratio to the movie's, i swear my canvas doesnt look wide enough. its like dealing with an optical illusion... very distracting

i also need to figure out a better solution for exporting and collating these frames. if i was using photoshop itd be trivial to export all the layers/groups out all at once by selecting them and doing a right click -> export layers, but im using clip. next time im gonna try and use the animation system so i can easily export out an image sequence, but im not looking forward to dealing with the animation timeline. as for arranging them onto one image, im not even gonna bother figuring out an independent solution and im just going to use photoshop's file -> automate -> contact sheet ii.

the toughest part about trying to remove photoshop from my workflow is that ive spent over 2 decades working in it so im extremely familiar with its many obscure features 😔 i dearly miss smart objects, layer comps (personally i use the frame timeline for this functionality), how it treats layer masks (a grayscale layer you can colorpick transparency from / step inside to edit in isolation and paste stuff), and probably like a zillion other small things i bump into. the layer mask thing i relied on soooo much it was such a huge loss for me when i moved to clip. but i simply did not want to continue paying to use photoshop on my home computer

#ref studies #wrt stands for ''with (respect/regards/reference) to'' btw. its one of those abbreviations that i cant help but use #but i dont know how many people are familiar with it.#big rambling under the cut but w/e. i feel like every other time i watch someone streaming doing art i have big workflow advice for them #but i simply cannot conjure this advice out of thin air i have to see someone doing something first #id be a terrible teacher (not organized enough) but a great TA i think.#just let me wander over peoples shoulders and go ''dont click that button all the time. use the hotkey instead''#huhwha what was this post about again. oh work art studies? oh yeah. bladerunner: good. developing composition skills: also good

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borisbubbles · 3 years

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ESC 2021 Preshow: 08. France

Barbara Pravi - “Voilà”

Autoqualifier

youtube

France going from 3rd last on my ranking / likely last place in the finale to 8th place in the ranking / probably top 3 in the Grand Final. 😍 WHAT A GLOW-UP.

So, “Voilà” is epic, obviously. Yeah I will skip the theatrics, each and every one of you know this song and we all know it’s probably the best French entry in ages.

Funnily enough, I didn’t care for “Voilà” when I first heard it lmfao. It felt similar to the song Patricia Kaas went to Eurovision with and while “Et s’il faillait le faire” has its fans, I was never one of them. Worse, the internet immediately resorted to refering to “Voilà” as a “masterpiece” which is probably the pretentious statement you can make about Eurovision songs. Guys, it’s an Edith Piaf-inspired tribute act. Calm the eff down. Still, even at this early a stage I was instantly charmed by Barbara’s introspection and pluck even if I didn’t care for the music at first. After all, Barbara was the mastermind behind jesc HITS “Bim bam toi” and “J’imagine” and if she wants to bring a song that puts HER SELF at the forefront, she’s perfectly entitled to do so. About fucking time. On top of that, I thought the ending was sublime, even in studio version. “Why can’t the entire song be like that”, I thought. And then, E:CVQD arrived and Barbara SERVED, OUTSOLD, SLAYED, etc every superlative under the sun.

So remember when I aired my critique regarding Gjon? “Tout l’Univers” is an “Objectively Strong” composition in that it employs music theory to conjure up a song that sounds impressive on first listen. But behind that academic skill lies virtually nothing of interest. I cannot connect with it beyond a base level because what does it tell me about Gjon or his story? Technique without a heart or a soul is merely pretense. But I suppose it can sound sophisticated to someone who doesn’t know what “sophistication” is.

Barbara, however. Her personality just SPRINGS FORWARD on an approachable level from the first note. “Voilà”s’s technical expertise and Barbara’s own perfomance talents carry this vibe, this SERVE of personality, through the full three minutes without ever getting boring or tedious and they leave me craving for another listen. ALL OF THESE ARE AMAZING TRAITS IN A EUROVISION SONG. And this is just from the studio version, the live stage show makes it even better.

So yeah, homeboy’s got his work cut out for him because if this is his competition he’ll have to graft hard for his victory.

NF Corner - C’est Vous Qui Décidez

In what would become a running theme amidst countries this year, France led the charge in a personal project called #OperationForget2020, in which every trace of last year would be subsequently memory-holed. To acheive this, they revived their NF, gave it a new name and pretended it was ~The First NF of Its Format~ (so basically doing what Lithuania did last year when they rebranded Atranka into PiN).

INCIDENTALLY, this would also wind up the best NF of the year, pretty much by default because France had the most to win. Even though Barbara was the obvious winner from the instant the songs were revealed, the French had some excellent back-up options in their arsenal. Let’s rummage through them shall we?

LMK - “Magique”

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R&B Trap wench <3 “Magique” starts off pretty and cute for fifteen seconds, before whiplashing hard into kick-ass tropical house territory. Her Slovene spirit mothers Raiven and Lea Sirk are so proud of her <3 She definitely deserved much better than the result she got (being NQ with the audience O_O), but lol it’s France, they ain’t NEVER crowning a sexually confident sassy woman, let’s not kid ourselves.

Céphaz - “On a mangé le soleil”

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This Hat God had me at that title. “We have eaten the sun” 😍😍😍😍. More songs should adopt a fatalistic environmental angle by using consumption-related metaphors à la “we’ve devoured out planet :burp:, MOAR”, and then set this suuuuper cynical and depressing text to an upbeat and optimistic soundtrack <3 The “Hey ya” tease of it all. 😍

Amui - “Maeva”

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So cheerful it turns a surly cretin such as myself into a blundering mass of uwu. It’s like a nillies Eurovision semi NQ’er suddenly wandered into the set, so derivative and repetitive and tacky but SO fun and happy-go-lucky <3 The entire premise of “Maeva” is basically like: “VISIT FRENCH POLYNESIA, WE ARE THE MOST HOSPITABLE PEOPLE ON THIS EARTH” <333 using this message in the middle of a worldwide viral pandemic <33333333 Normally fun-trash like this would be murdered at first sight by any jury, but whoops “Maeva” turned out a massive televote hit HEHEE 😛 and finished third in the televote despite being last or second last with the jury. Those Tahitian diasporia votes coming through <3

Adriamad - “Allélujah”

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TACKY EUROTRASH <3 Lol when I think of it, did I like this NF because it was good or because it was so fun-trash. Anyway, this display of diversity would normally be on my shitlist but it’s honestly SO OTT in its ~People Of The World Of All Colours Are Equal~ message it circles back into funny. The eye gimmick, the hammy choreography, the obnoxious fusion of several cultures into a nondescript ethnotrash hodgepodge, the fucking LYRICS everything is so funny and so entertaining it’s giving me LIFE. 😍 I’d say it deserved better but “Allélujah” stranding in the demifinal (not a typo) is honestly a much, much more satisfying result <3

Predicted Journey - France

Barbara is going on that Mahmood trajectory, I see. Early fave who gets near unanimous critical acclaim, rules solely on top until the other contenders show up and is then put on the backburner because she’s an autoqualifier and therefore isn’t a part of the “who will qualify?” discussions. Then, the rehearsals will happen and everyone will remember “hey, that French chick we almost forgot about is actually REALLY good” allowing her to pick up momentum again, catapulting her into the top five. So it is written, such it shall be.

The question is... Can she win?

The answer is: yeah, possibly? At this point we have three potential contenders: Gjon for Switzerland and Destiny for Malta are the main rivals and I’d say Barbara has one big advantage over Gjon and Destiny: She already has a great live performance to back up her potential winner status. In fact, Barbara is a fave to win because we know what she’s going to bring in Rotterdam. Gjon and Destiny could theoretically still bomb if their staging is off (and both are getting theirs done by Sasha Jean-Baptiste, soooooo) and their contenderness is based on things such as hype and expectation. Barbara meanwhile already had her baptism by fire when she competed in E:CQVD, which she handily won.

The problem though is Gjon Muharremaj. For the average eurofan, France and Switzerland have similar entries and it will result in a tug-of-war between which of them has the better song. Either could win this televote bout, and whoever does could beat Malta.. .but that would require Malta to have a disappointing televote result and with each passing day this is starting to look less likely. (Jury results matter less because they’re probably the top 3). Personally I don’t really have a preference between Barbara OR Destiny as a win for either would push Eurovision in a better direction (A Gjon win though... I am TERRIFIED that may result in a 2022 contest filled with Vincent Bueno’s and Vasils), but if these three are indeed the top three, Barbara’s position is the most secure although she’s probably also the least likely one to actually win. Pray that I’m wrong though and we can all meet at her flat in Montmartre for a covid-proof afterparty.

Projected placements:

> Grandfinal: 1st-5th (predicted Runner-up)

THE RANKING:

01. 02. 03. 04. 05. 06. 07. 08. FRANCE - Barbara Pravi - “Voilà” 09. BULGARIA - Victoria - “Growing up is getting old” 10. LATVIA - Samanta Tina - “The moon is rising” 11. GREECE - Stefania - “Last dance” 12. SWEDEN - Tusse - “Voices” 13. IRELAND - Leslie Roy - “Maps” 14. CROATIA - Albina - “Tick Tock” 15. MOLDOVA - Natalia Gordienko - “Sugar” 16. ITALY - Måneskin - “Zitti e buoni” 17. ALBANIA - Anxhela Peristeri - “Karma” 18. UNITED KINGDOM - James Newman - “Embers” 19. LITHUANIA - The Roop - “Discoteque” 20. ESTONIA - Uku Suviste - “The lucky one” 21. FINLAND - Blind Channel - “Dark side” 22. AZERBAIJAN - Efendi - “Mata Hari” 23. the NETHERLANDS - Jeangu Macrooy - “Birth of a new age” 24. CZECH REPUBLIC - Benny Christo - “Omaga” 25. DENMARK - Fyr og Flamme - “Øve os på hinanden” 26. SLOVENIA - Ana Soklič - “Amen” 27. SWITZERLAND - Gjon’s Tears - “Tout l’Univers” 28. ROMANIA - Roxen - “Amnesia” 29. SERBIA - Huricane - “Loco loco” 30. POLAND - Rafał - “The ride” 31. ISRAEL - Eden Alene - “Set me free” 32. GEORGIA - Tornike Kipiani - “You” 33. PORTUGAL - The Black Mamba - “Love is on my side” 34. SPAIN - Blas Cantó - “Voy a quedarme” 35. NORWAY - Tix - “Fallen Angel” 36. CYPRUS - Elena Tsagrinou - “El Diablo” 37. AUSTRIA - Vincent Bueno - “Amen” 38. NORTH MACEDONIA - Vasil - “Here I stand” 39. GERMANY - Jendrik - “I don’t feel hate”

#Eurovision #Eurovision Song Contest #Eurovision 2021 #ESC 2021 #ESC2021 #France #Barbara Pravi #Voilà

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untamed-wolfenm · 4 years

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In honor of the "birthday" of my current fave character, Wei Wuxian (in the mask, played by Xiao Zhan) and his zhiji, Lan Wangji (played by Wang Yibo), of the Chinese wuxia / xianxia drama The Untamed / Chen Qing Ling. This being Hallowe'en / Samhain, I thought doing art of him in the mask he wears when pretending to be Mo Xuanyu was the best choice for the composition.

In this moment, Lan Wangji is insisting on helping WWX walk, because WWX has a curse in his leg. WWX is utterly shocked when LWJ grabs WWX's arm and puts it over LWJ's shoulder. There's a split second in the show where WWX seems to be looking right into the camera, as if to break the fourth wall and say, "Can you believe this?" (I think he's actually looking at the sword, Bichen, in LWJ's hand, but it's more fun to think he's looking at us.)

I used my screen as a lightbox and loosely traced, to get the proportions / placements more accurate, then went back over the lines with a coloured pencil to refine them, then painted it all with watercolour and black india ink. Drawn on watercolour paper. (Note that I ended up painting it as if I were using acrylic, my usual medium, LOL!)

Please don't repost, only "share" the link.

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dotzines · 5 years

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Artist spotlight: Colors of Doom!

Commissions ✿ Ko-fi Tumblr ✿ Instagram ✿ Twitter

Header source: [X]

Introduce yourself Hello hello! My name is Colors, i'm a Colombian collage student studying animation in the US. I live for art and have multiple skills in digital and traditional mediums and my favorite thing to draw is monsters and comedy with of dumb fictional characters. When did you start drawing? Are you a digital or traditional artist? I used to watch a lot of Disney movies when i was a tiny child and i always wanted to have toys of the characters to play with, but because i couldn't have them, i would draw and make paper cutouts of them to play with instead lol

Do you use any traditional mediums? If so, which are your favorites? Though I'm mostly a digital artist these days, I know and enjoy a lot of traditional mediums. I can do pencil, colors pencils, inks, watercolor, and acrylics. Sculpting with polymer clay is also fun! Why do you prefer traditional over digital? (or viceversa) One of the reasons I tend to use more digital over traditional these days is because it's much more convenient and easy to do something on the go. For paints you gotta get out a whole set up and then cleaning up, and my pens and markers need to be replaced every now and then. As a busy collage student I can get more things done nicely in digital. What do you think is the most challenging part about being a traditional/digital artist? Composition. Both in digital and traditional. I know I can do nice composition, but sometimes i start drawing characters without thinking about and forget about their placement on the canvas or paper and when im done i either can change it or have to toy with it in digital for a while to get it to look okay. What inspires your pieces? moslty doing fanart! Some characters I like tend to have really wild personalities that inspire me to create funny comics or images of them just doing something wild.

image source: [X] Explain your "everyday" drawing process I always have a lot of ideas in mind, the hardest part of stating a piece is trying to decide which to do on a given day. From then its all abut sketching it out to get a good idea of the poses i want Do you have an artist you admire (or more than one)?

So many! Though i really have to mention @Psshaw on twitter because of her really dynamic and over the top expressions of her characters. Another I love is @Apselene, her style and character design is just amazing, and you absolutely gotta check out her youtube channel for the animations she makes!! There's a lot of amazing artists out there, I could stay here all day talking about it.... Is there an artwork you are most proud of? Why? My recent piece for last Homestuck 4/13! Most of my art recently is made in rush in between classes and homework, so i don't get to do super elaborate pieces like that too often.

Do you listen to music (or tv shows/films/anything else) when drawing? Always music! I gotta have something playing or i can't work right, which is unfortunate because I have a hearing problem for which i can't use headphones. Usually i just put on youtube and let it take me wherever, recently i've been listening to a lot of Glass Animals, Black Mambo, Exxus, and Life Itself are my faves.

image source: [X] What makes art interesting for you? Almost every stage of art really, I find most of the creating process to be fun, and recently I've noticed getting really focused in creating something makes calms me down when I've had a bad day. But the end result and sharing it is also super fun, especially since I make a lot of comedy, i love to see people react to and enjoy what i put effort into. What do you do when art block strikes? I don't get art blocks often, but sometimes what happens instead is i have to many ideas and end up doing nothing all day instead. But that is alright, I have to constantly remind myself that sometimes i have to take a rest and that it is okay to not be working 24/7. What’s the most valuable art advice you’ve ever received?

Don't focus too much in things being perfect! A lot of beginner artists are very concerned with making their pieces perfect on the first go but you gotta let them go. Looks at the mistakes you made that you didn't like and move on to the next one!

#Colors of Doom #artist spotlight #red zone artists #red zone

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eurovosion · 5 years

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some thoughts on this year’s entries

or i guess just a ranking with comments tacked on

albania - this year’s nf season was a let down for me, partly because a lot of the winning songs weren’t the best on offer, and partly because albania picked first and nothing could live up to it. i love the depth this has, the dark, almost tribal vibes, and most of all i love how they didn’t fuck up the revamp like they usually do. if this is staged correctly, i think this could do really well. 10/10

greece - i feel like this has been overlooked in the wider fandom, which is odd because greek entries are usually pretty polarising, for better or for worse. regardless, i really like this. it’s atmospheric, powerful as hell, and katerine is more than capable of nailing it live. don’t count greece out just yet! 9.5/10

portugal - festival da canção was easily the best nf this year and the portuguese public picked wisely. telemóveis is such an intriguing song with a really curious sound, so traditional yet so modern at the same time. i’m not 100% on the staging, but they have time to figure it out. 9.5/10

spain - la venda wasn’t the song i was rooting for in the selection (rip todo bien, never forgotten) but i’m fully on board with it now. this works so well with a big audience, and you just know that the crowd will be on his side. if this doesn’t go top 10 at the very least i’ll be stunned. 9/10

cyprus - this is just as instant as fuego for me. not sure if tamta will do as well as eleni, but the cypriot delegation has definitely found their winning formula. 9/10

malta - malta is not fucking around this year. this is a verified banger, and their best entry in years, perhaps their best ever. take as many youtube ads as you want, michela, you deserve them. 8.5/10

azerbaijan - without a doubt, azerbaijan is back with a vengeance. you can tell they’re determined to set the record straight and prove that last year was just a blip, because this is great and hopefully the live performance reflects that. 8.5/10

denmark - i really should hate this, but i can’t. it’s so innocent and cheerily optimistic in a way that i can only be jealous of whilst humming along to the chorus. this deserves to do well. 8/10

italy - it took me a little while to warm up to soldi, but once i finally got there i really started to appreciate it. i don’t think it’s a winner, but it’s a very good song, and in the end that’s all that matters. 8/10

san marino - yes, serhat is in my top 10, and what of it? you only wish your fave could write a song in ten minutes and have it go off like this. and yes, if he doesn’t qualify you’ll catch me openly sobbing in the streets for weeks. 8/10

switzerland - an unabashed bop with some actual choreography, but lacking lyrically. then again, so was fuego and that popped off live. he’s also working with the same stage director as eleni, which can only be good news for him. 7.5/10

the netherlands - don’t get me wrong, it’s a very polished song and i’m sure duncan’s great but like... is that it? this is the big fan favourite? i’m very whelmed. 7.5/10

armenia - i was expecting something like yete karogh es from srbuk, so this came completely out of left field in the best way possible. i thought we’d lost our token edgy pop song when ukraine dropped out, but armenia saved us at the last minute. the only thing i’m worried about are her vocals, because, from what i’ve seen, she isn’t the most confident performer. 7/10

serbia - another respectable but ultimately pretty safe pick from serbia this year. nevena has a really strong voice and she sells the song well, so i think she’ll avoid another moje 3 style placement. 7/10

germany - first of all, aly ryan was robbed. secondly, thank god the surprise song didn’t win. thirdly, this is alright. nothing spectacular, but it’s cute and the spinning stage was a great stylistic choice. 7/10

latvia - thank you latvia for letting this win and rejecting markus riva’s basic ass for the sixth year in a row WHEW i really love the whole atmosphere that surrounds this. barring a miracle, however, i don’t think it’ll qualify, but it’s still a good attempt. 6.5/10

sweden - i don’t think it’s john’s most solid composition, but it’s a decent entry nevertheless and it’s nice to see sweden picking an entry that isn’t generic pop again. 6.5/10

united kingdom - my only faint glimmer of national pride so far this year is that we managed to pick the only good song from the flaming garbage pile that was our nf. yeah, the lyrics are redundant and it’s a ballad by numbers, but michael gives it his all and it really pays off. 6.5/10

ireland - this will absolutely not do well but who cares, it’s fun and harmless. super chill and easy to listen, and i think sarah’s a big eurovision fan already which is nice. also i’d just like to take this opportunity to thank her for ditching the ylva and linda song she originally applied with. 6.5/10

iceland - hm. this is one where you need to listen a few times to get a full impression of what the fuck you’re hearing/seeing. i really did not like this when i first heard it alongside all the other söngvakeppnin songs (and most of them sucked lbr), but now i’m kind of ambivalent towards it. i still don’t like the screaming or the key change, but it’s something different and i can admire that. 6/10

slovenia - fine, but forgettable. she has a nice voice, but there’s a distinct lack of stage presence from the two of them and i fear that this might get lost in the semi final. 6/10

israel - i’m conflicted here. i definitely don’t think home is as bad as the fan polls and reviews imply, but it’s not great either. a verse or two in hebrew would have really elevated this and i’m a little baffled as to why the writers didn’t include even a little bit considering the contest is on home turf this year. still, kobi’s a very convincing performer and israel probably didn’t want to win again anyway. 6/10

poland - this is an odd one, which isn’t a bad thing at all in a year full of safe entries. not sure if using the bilingual version was the best shout, but it’s clearly still very polish and i’m glad to hear that they’ll be wearing the traditional clothing on stage in tel aviv. 6/10

czech republic - the chorus absolutely slaps, and if i was judging by music alone this’d probably be in my top ten. unfortunately, though, the rest of the song exists. the lyrics are truly abysmal, with some of the lines ending awkwardly and without proper rhymes where they’re needed, and the spoken-word section is genuinely unbearable. 5.5/10

austria - i honestly don’t know where to place this one. very underwhelming when it was first released, but now i feel like there’s potential here. most of austria’s recent entries have been very under the radar only to end up doing quite well. i’m not as optimistic about this as some of those, but only time will tell. 5.5/10

hungary - not a patch on his previous entry, but pleasant enough. he’s a good performer and unless the staging really sucks, he’ll do fine. 5.5/10

north macedonia - it’s a nice ballad? i guess? and, unlike a lot of their recent entrants, tamara is an established singer who we all know can sing live. there are also rumours that the delegation has been planning the performance for a while, so who knows, perhaps this’ll qualify. 5/10

georgia - this has been growing on me lately. the song itself is a bit of a bust, although the revamp helped, but oto really brings it to life on stage. even if you don’t understand what he’s saying, you can tell by the emotion in his voice that he really means it. 5/10

russia - the nightmare dream team hasn’t produced a good song in over a decade at this point, this included. kirkorov needs to quit fooling himself and let someone else have a go. 4.5/10

belgium - belgium’s had quite the glow up since 2014, but i fear they’ve gone for style over substance this year. wake up is very polished, but it doesn’t go anywhere and eliot’s live performances haven’t been convincing as of yet. 4/10

lithuania - i don’t know what was more shocking, him winning the selection or me finding out that he was lolita zero’s real voice in 2017. this isn’t awful, just very repetitive and strangely put together. 3.5/10

norway - sue me, i don’t like this. the bald guy feels out of place and out of tune, it sounds like it was written by a child, and oh my god it’s so unbearably cheap. 3/10

estonia - eesti laul was such a let down this year. usually there’s a good mix of mainstream and alternative genres, but the new producer doesn’t seem to give a shit about variety, which is a real shame. anyway, victor’s performance is slick, but he can barely sing and the song itself is nothing to write home about. 3/10

romania - when this was first selected i didn’t mind it, probably because i just really didn’t want laura bretan to win, but as the season drags on i’ve really soured to it. it feels like it lasts for a minute longer than it actually does, and the whole ay-ay-ay part was not a good choice. 2.5/10

australia - as someone who was a big fan of estonia last year, this is honestly the furthest thing from that. it comes across as quite cheap (even without the questionable staging), and the chorus really grates on me. 2.5/10

belarus - i didn’t watch the entirety of the belarusian auditions for them to reject the potato monks in favour of lidl’s own brand zara larsson. 2/10

france - this is why delegations should be wary of selecting social media stars for their national selections. yes, they might get the viewing figures up a little, but they’ll probably win and the song will be Bad. i respect his message, but holy shit is this hamfisted as hell. 1/10

finland - if anyone was wondering how darude only ever had one hit two decades ago, here is your answer. 1/10

moldova - they really don’t want to qualify this year, huh. could’ve had ca adriano celentano, but nope. basic tune, painfully simple lyrics, but i guess her voice is nice enough 1/10

croatia - this... is awful. upsettingly so. at least jacques’ last entry had a novelty factor, but he’s doomed this poor kid to failure. 0.5/10

montenegro - i have absolutely nothing positive to say here. honest to god one of the worst songs i’ve ever heard, and no amount of clumsily shoehorned in folk instrumentation was ever going to save this. i can only pray that they’re spending their preparation time wisely and taking singing lessons, but considering that they probably blew half the budget on the music video, it’s unlikely. 0/10

as for potential winners, ¯\_(ツ)_/¯

a lot of the big fan favourites don’t have a winning vibe about them, so we might be in for a shock this year. please let it be albania or greece

also feel free to drop me an ask if you want to chat about last year’s entries since i kind of ditched tumblr for a year or two lmao

#god that's a straight up wall of text i'm sorry #i tried to format it as best i could i promise #but i am Very rusty #eurovision

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grigori77 · 5 years

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2018 in Movies - My Top 30 Fave Movies (Part 1)

30. MANDY – easily the weirdest shit I saw in 2018, this 2-hour-plus fever dream fantasy horror is essentially an extended prog-rock video with added “plot” from Beyond the Black Rainbow director Panos Cosmatos. Saying that by the end of it I was left feeling exhausted, brain-fried and more than a little weirded-out might not seem like much of a recommendation, but this is, in fact, a truly transformative viewing experience, a film destined for MASSIVE future cult status. Playing like the twisted love-child of David Lynch and Don Coscarelli, it (sort of) tells the story of lumberjack Red Miller (Nicolas Cage) and his illustrator girlfriend Mandy Bloom (Andrea Riseborough), who have an idyllic life in the fantastically fictional Shadow Mountains circa 1983 … at least until Mandy catches the eye of Jeremiah Sand (Linus Roache), the thoroughly insane leader of twisted doomsday cult the Children of the New Dawn, who employs nefarious, supernatural means to acquire her. But Mandy spurns his advances, leading to a horrific retribution that spurs Red, a traumatised war veteran, to embark on a genuine roaring rampage of revenge. Largely abandoning plot and motivation for mood, emotion and some seriously trippy visuals, this is an elemental, transcendental film, a series of deeply weird encounters and nightmarish set-pieces that fuel a harrowing descent into a particularly alien, Lovecraftian kind of hell, Cosmatos shepherding in one breathtaking sequence after another with the aid of skilled cinematographer Benjamin Loeb, a deeply inventive design team (clearly drawing inspiration from the artwork of late-70s/early 80s heavy metal albums) and a thoroughly tricked-out epic tone-poem of a score from the late Jôhan Jôhannsson (Sicario, Arrival, Mother!), as well as one seriously game cast. Cage is definitely on crazy-mode here, initially playing things cool and internalised until the savage beast within is set loose by tragedy, chewing scenery to shreds like there’s no tomorrow, while Riseborough is sweet, gentle and inescapably DOOMED; Roach, meanwhile, is a thoroughly nasty piece of work, an entitled, delusional narcissist thoroughly convinced of his own massive cosmic importance, and there’s interesting support from a raft of talented character actors such as Richard Brake, Ned Dennehy and Bill Duke. This is some brave, ambitious filmmaking, and a stunning breakthrough for one of the weirdest and most unique talents I’ve stumbled across a good while. Cosmatos is definitely one to watch.

29. THE GIRL IN THE SPIDER’S WEB – back in 2011, David Fincher’s adaptation of Stieg Larsson’s runaway bestseller The Girl With the Dragon Tattoo became one of my very favourite screen thrillers EVER, a stone-cold masterpiece and, in my opinion, the superior version of the story even though a very impression Swedish version had broken out in a major way the year before. My love for the film was coloured, however, by frustration at its cinematic underperformance, which meant that Fincher’s planned continuation of the series with Millennium Trilogy sequels The Girl Who Played With Fire and The Girl Who Kicked the Hornet’s Nest would likely never see the light of day. Even so, the fan in me held out hope, however fragile, that we might just get lucky. Seven years later, we have FINALLY been rewarded for our patience, but not exactly in the fashion we’ve been hoping for … Fincher’s out, Evil Dead-remake and Don’t Breathe writer-director Fede Alvarez is in, and instead of continuing the saga in the logical place the makers of this new film chose the baffling route of a “soft reboot” via adapting the FOURTH Millennium book, notable for being the one released AFTER Larsson’s death, penned by David Lagercrantz, which is set AFTER the original Trilogy. Thing is, the actually end result, contrary to many opinions, is actually pretty impressive – this is a leaner, more fast-paced affair than its predecessor, a breathless suspense thriller that rattles along at quite a clip as we’re drawn deeper into Larsson’s dark, dangerous and deeply duplicitous world and treating fans to some top-notch action sequences, from a knuckle-whitening tech-savvy car chase to a desperate, bone-crunching fight in a gas-filled room. Frustratingly, the “original” Lisbeth Salander, Rooney Mara, is absent (despite remaining VERY enthusiastic about returning to the role), but The Crown’s Claire Foy is almost as good – the spiky, acerbic and FIERCELY independent prodigious super-hacker remains as brooding, socially-awkward, emotionally complex and undeniably compelling as ever, the same queen of screen badasses I fell in love with nearly a decade ago. Her investigative journalist friend/occasional lover Mikael Blomkvist is, annoyingly, less well served – Borg Vs McEnroe star Sverrir Gudnasson is charismatic and certainly easy on the eyes, but he’s FAR too young for the role (seriously, he’s only a week older than I am) and at times winds up getting relegated to passive observer status when he’s not there simply to guide the plot forward; we’re better served by the supporting cast, from Lakeith Stanfield (Get Out, Sorry to Bother You) as a mysterious NSA security expert (I know!) to another surprisingly serious turn (after Logan) from The Office’s Stephen Merchant as the reclusive software designer who created the world-changing computer program that spearheads the film’s convoluted plot, and there’s a fantastically icy performance from Blade Runner 2049’s Sylvia Hoeks as Camilla Salander, Lisbeth’s estranged twin sister and psychopathic head of the Spiders, the powerful criminal network once controlled by their monstrous father (The Hobbit’s Mikael Persbrandt). The film is far from perfect – the plot kind runs away with the story at times, while several supposedly key characters are given frustratingly little development or screen-time – but Alvarez keeps things moving along with typical skill and precision and maintains a tense, unsettling atmosphere throughout, while there are frequently moments of pure genius on display in the script by Alvarez, his regular collaborator Jay Basu and acclaimed screenwriter Steven Knight (Dirty Pretty Things, Locke) – the original novel wasn’t really all that great, but by just taking the bare bones of the plot and crafting something new and original they’ve improved things considerably. The finished product thrills and rewards far more than it frustrates, and leaves the series in good shape for continuation. With a bit of luck this time it might do well enough that we’ll finally get those other two movies to plug the gap between this and Fincher’s “original” …

28. ISLE OF DOGS – I am a MASSIVE fan of the films of Wes Anderson. Three share placement in my all-time favourite screen comedies list – Grand Budapest Hotel, The Life Aquatic With Steve Zissou and, of course, The Royal Tenebaums (which perches high up in my TOP TEN) – and it’s always a pleasure when a new one comes out. 2009’s singular stop-motion gem Fantastic Mr Fox showed just how much fun his uniquely quirky sense of humour and pleasingly skewed world-view could be when transferred into an animated family film setting, so it’s interesting that it took him nearly a decade to repeat the exercise, but the labour of love is writ large upon this dark and delicious fable of dystopian future Japanese city Megasaki, where an epidemic of “dog flu” prompts totalitarian Mayor Kobayashi (voiced by Kunichi Nomura) to issue an edict banishing all of the city’s canine residents to nearby Trash Island. Six months later, Kobayashi’s nephew Atari (newcomer Koyu Rankin) steals a ridiculously tiny plane and crash-lands on Trash Island, intent on rescuing his exiled bodyguard-dog Spots (Liev Schreiber); needless to say this is easier said than done, unforeseen circumstances leading a wounded Atari to enlist the help of a pack of badass “alpha dogs” voiced by Anderson regulars – Rex (Edward Norton), King (Bob Balaban), Boss (Bill Murray) and Duke (Jeff Goldblum) – and nominally led by crabby, unrepentantly bitey stray Chief (Bryan Cranston), to help him find his lost dog in the dangerous wilds of the island. Needless to say this is as brilliantly odd as we’ve come to expect from Anderson, a perfectly pitched, richly flavoured concoction of razor sharp wit, meticulously crafted characters and immersive beauty. The cast are, as always, excellent, from additional regulars such as Frances McDormand, Harvey Keitel and F. Murray Abraham to new voices like Greta Gerwig, Scarlett Johansson, Ken Watanabe and Courtney B. Vance, but the film’s true driving force is Cranston and Rankin, the reluctant but honest relationship that forms between Chief and Atari providing the story with a deep, resonant emotional core. The first rate animation really helps – the exemplary stop-motion makes the already impressive art of Mr Fox seem clunky and rudimentary (think the first Wallace & Gromit short A Grand Day Out compared to their movie Curse of the Were-Rabbit), each character rendered with such skill they seem to be breathing on their own, and Anderson’s characteristic visual flair is on full display, the Japanese setting lending a rich, exotic tang to the compositions, especially in the deeply inventive environs of Trash Island. Funny, evocative, heartfelt and fiendishly clever, this is one of those rare screen gems that deserves to be returned to again and again, and it’s definitely another masterpiece from one of the most unique filmmakers working today.

27. VENOM – when Sam Raimi’s Spider-Man saga came to a rather clunky end back in 2007, it felt like a case of too many villains spoiling the rumble, and it was pretty clear that the inclusion of bad-boy reporter Eddie Brock and his dark alter ego was the straw that broke that particular camel’s back. Venom didn’t even show up proper until almost three quarters of the way through the movie, by which time it was very much a case of too-little-too-late, and many fans (myself included) resented the decidedly Darth Maul-esque treatment of one of the most iconic members of Marvel’s rogues’ gallery. It’s taken more than a decade for Marvel to redress the balance, even longer than with Deadpool, and, like with the Merc With a Mouth, they decided the only way was a no-holds-barred, R-rated take that could really let the beast loose. Has it worked? Well … SORT OF. In truth, the finished article feels like a bit of a throwback, recalling the pre-MCU days when superhero movies were more about pure entertainment without making us think too much, just good old-fashioned popcorn fodder, but in this case that’s not a bad thing. It’s big, loud, dumb fun, hardly a masterpiece but it does its job admirably well, and it has one hell of a secret weapon at its disposal – Tom Hardy. PERFECTLY cast as morally ambiguous underdog investigative journalist Eddie Brock, he deploys the kind of endearingly sleazy, shit-eating charm that makes you root for him even when he acts like a monumental prick, while really letting rip with some seriously twitchy, sometimes downright FEROCIOUS unhinged craziness once he becomes the unwilling host for a sentient parasitic alien symbiote with a hunger for living flesh and a seriously bad attitude. This is EASILY one of the best performances Hardy’s ever delivered, and he entrances us in every scene, whether understated or explosive, making even the most outlandish moments of Brock’s unconventional relationship with Venom seem, if not perfectly acceptable, then at least believable. He’s ably supported by Michelle Williams as San Francisco district attorney Anne Weying, his increasingly exasperated ex-fiancée, Rogue One’s Riz Ahmed as Carlton Drake, the seemingly idealistic space-exploration-funding philanthropist whose darker ambitions have brought a lethal alien threat to Earth, and Parks & Recreation’s Jenny Slate as Drake’s conflicted head scientist Nora Skirth, while there’s a very fun cameo from a particularly famous face in the now ubiquitous mid-credits sting that promises great things in the future. Director Ruben Fleischer brought us Zombieland and 30 Minutes Or Less, so he certainly knows how to deliver plenty of blackly comic belly laughs, and he brings plenty of seriously dark humour to the fore, the rating meaning the comedy can get particularly edgy once Venom starts to tear up the town; it also fulfils the Marvel prerequisite of taking its action quota seriously, delivering a series of robust set-pieces (the standout being a spectacular bike chase through the streets of San Fran, made even more memorable by the symbiote’s handy powers). Best of all, the film isn’t afraid to get genuinely scary with some seriously nasty alien-induced moments of icky body horror, captured by some strangely beautiful effects works that brings Venom and his ilk to vivid, terrifying life. Flawed as it is, this is still HUGE fun, definitely one of the year’s biggest cinematic guilty pleasures, and I for one can’t wait to see more from the character in the near future, which, given what a massive success the film has already proven at the box office, seems an ironclad certainty.

26. SOLO: A STAR WARS STORY – the second of Disney’s new phase of Star Wars movies to feature in the non-trilogy-based spinoff series had a rough time after its release – despite easily recouping its production budget, it still lost the $100-million+ it spent on advertising, while it was met with extremely mixed reviews and shunned by many hardcore fans. I’ll admit that I too was initially disappointed with this second quasi prequel to A New Hope (after the MUCH more impressive Rogue One), but a second, more open-minded viewing after a few months to ruminate mellowed my experience considerably, the film significantly growing on me. An origin story for the Galaxy’s most lovable rogue was always going to be a hard sell – Han Solo is an enjoyable enigma in The Original Trilogy, someone who lives very much in the present, his origins best revealed in the little details we glean about him in passing – but while it’s a flawed creation, this interstellar heist adventure mostly pulls off what was intended. Like many fans of The Lego Movie, I remain deeply curious about what original director duo Phil Lord and Chris Miller could have achieved with the material, but I wholeheartedly approved Disney’s replacement choice when he was announced – Ron Howard is one of my favourite “hit-and-miss” directors, someone who’s made some clunkers in his time (The Da Vinci Code, we’re looking at you) but can, on a good day, be relied on to deliver something truly special (Willow is one of my VERY FAVOURITE movies from my childhood, one that’s stood up well to the test of time, and a strong comparison point for this; Apollo 13 and Rush, meanwhile, are undeniable MASTERPIECES), and in spite of its shortcomings I’m ultimately willing to consider this one of his successes. Another big step in the right direction was casting Hail, Caesar! star Alden Ehrenreich in the title role – Harrison Ford’s are seriously huge shoes to fill, but this talented young man has largely succeeded. He may not quite capture that wonderful growling drawl but he definitely got Han’s cocky go-getter swagger right, he’s particularly strong in the film’s more humorous moments, and he has charisma to burn, so he sure makes entertaining viewing. It also helps that the film has such a strong supporting cast – with original Chewbacca Peter Mayhew getting too old for all this derring-do nonsense, former pro basketball-player Joonas Suotamo gets a little more comfortable in his second gig (after The Last Jedi) in the “walking carpet” suit, while Woody Harrelson adds major star power as Tobias Beckett, Han’s likeably slippery mentor in all things criminal in the Star Wars Universe, and Game of Thrones’ Emilia Clarke is typically excellent as Han’s first love Qi’ra, a fellow Corellian street orphan who’s grown up into a sophisticated thief of MUCH higher calibre than her compatriots. The film is dominated, however, by two particularly potent scene-stealing turns which make you wonder if it’s really focused on the right rogue’s story – Community star Donald Glover exceeds all expectations as Han’s old “friend” Lando Calrissian, every bit the laconic smoothie he was when he was played by Billy Dee Williams back in the day, while his droid companion L3-37 (voiced with flawless comic skill by British stage and sitcom actress Phoebe Waller-Bridge) frequently walks away with the film entirely, a weirdly flirty and lovably militant campaigner for droid rights whose antics cause a whole heap of trouble. The main thing the film REALLY lacks is a decent villain – Paul Bettany’s oily kingpin Dryden Voss is distinctive enough to linger in the memory, but has criminally short screen-time and adds little real impact or threat to the main story, only emphasising the film’s gaping, Empire-shaped hole. Even so, it’s still a ripping yarn, a breathlessly exciting and frequently VERY funny space-hopping crime caper that relishes that wonderful gritty, battered old tech vibe we’ve come to love throughout the series as a whole and certainly delivers on the action stakes – the vertigo-inducing train heist sequence is easily the film’s standout set-piece, but the opening chase and the long-touted Kessel Run impress too – it only flags in the frustrating and surprisingly sombre final act. The end result still has the MAKINGS of a classic, and there’s no denying it’s also more enjoyable and deep-down SATISFYING than the first two films in George Lucas’ far more clunky Prequel Trilogy. Rogue One remains the best of the new Star Wars movies so far, but this is nothing like the disappointment it’s been made out to be.

25. AQUAMAN – the fortunes of the DC Extended Universe cinematic franchise continue to fluctuate – these films may be consistently successful at the box office, but they’re a decidedly mixed bag when it comes to their quality and critical opinion, and the misses still outweigh the hits. Still, you can’t deny that when they DO do things right, they do them VERY right – 2017’s acclaimed Wonder Woman was a long-overdue validation for the studio, and they’ve got another winner on their hands with this bold, brash, VERY ballsy solo vehicle for one of the things that genuinely WORKED in the so-so Justice League movie. Jason Momoa isn’t just muscular in the physical sense, once again proving seriously ripped in the performance capacity as he delivers rough, grizzled charm and earthy charisma as half-Atlantean Arthur Curry, called upon to try and win back the royal birthright he once gave up when his half-brother Prince Orm (Watchmen’s Patrick Wilson), ruler of Atlantis, embarks on a brutal quest to unite the seven underwater kingdoms under his command in order to wage war on the surface world. Aquaman has long been something of an embarrassment for DC Comics, an unintentional “gay joke” endlessly derided by geeks (particularly cuttingly in the likes of The Big Bang Theory), but in Momoa’s capable hands that opinion has already started to shift, and the transition should be complete after this – Arthur Curry is now a swarthy, hard-drinking alpha male tempered with a compellingly relatable edge of deep-seeded vulnerability derived from the inherent tragedy of his origins and separation from the source of his immense superhuman strength, and he’s the perfect flawed action hero for this most epic of superhero blockbusters. Amber Heard is frequently as domineering a presence as Atlantean princess Mera, a powerful warrior in her own right and fully capable of heading her own standalone adventure someday, and Wilson makes for a very solid and decidedly sympathetic villain whose own motivations can frequently be surprisingly seductive, even if his methods are a good deal more nefarious, while The Get Down’s Yahya Abdul-Mateen II is more down-and-dirty BAD as David Kane, aka the Black Manta, a lethally tech-savvy pirate who has a major score to settle with the Aquaman; there’s also strong support from the likes of Willem Dafoe as Curry’s sage-like mentor Vulko, Dolph Lundgren as Mera’s father, King Nereus, the ever-reliable Temuera Morrison as Arthur’s father Thomas, and Nicole Kidman as his ill-fated mother Atlanna. Director James Wan is best known for establishing horror franchises (Saw, Insidious, The Conjuring), but he showed he could do blockbuster action cinema with Fast & Furious 7, and he’s improved significantly with this, delivering one gigantic action sequence after another with consummate skill and flair as well as performing some magnificent and extremely elegant world-building, unveiling dazzling, opulent and exotic undersea civilizations that are the equal to the forests of Pandora in Avatar, but he also gets to let some of his darker impulses show here and there, particularly in a genuinely scary visit to the hellish world of the Trench and its monstrous denizens. It may not be QUITE as impressive as Wonder Woman, and it still suffers (albeit only a little bit) from the seemingly inherent flaws of the DCEU franchise as a whole (particularly in yet another overblown CGI-cluttered climax), but this is still another big step back in the right direction, one which, once again, we can only hope they’ll continue to repeat. I’ll admit that the next offering, Shazam, doesn’t fill me with much confidence, but you never know, it could surprise us. And there’s still Flashpoint, The Batman and Birds of Prey to come …

24. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI – filmmaker brothers Martin and John Michael McDonagh have carved an impressive niche in cinematic comedy this past decade, from decidedly Irish breakout early works (In Bruges from Martin and The Guard and Calvary from John) to enjoyable outsider-looking-in American crim-coms (Martin’s Seven Psychopaths and John’s War On Everyone), and so far they’ve all had one thing in common – they’re all BRILLIANT. But Martin looks set to be the first brother to be truly accepted into Hollywood Proper, with his latest feature garnering universal acclaim, massive box office and heavyweight Awards recognition, snagging an impressive SEVEN Oscar nominations and taking home two, as well as landing a Golden Globe and BAFTA for Best Picture. It’s also the most thoroughly AMERICAN McDonagh film to date, and this is no bad thing, Martin shedding his decidedly Celtic flavours for an edgier Redneck charm that perfectly suits the material … but most important of all, from a purely critical point of view this could be the very BEST film either of the brothers has made to date. It’s as blackly comic and dark-of-soul as we’d expect from the creator of In Bruges, but there’s real heart and tenderness hidden amongst the expletive-riddled, barbed razor wit and mercilessly observed, frequently lamentable character beats. Frances McDormand thoroughly deserved her Oscar win for her magnificent performance as Mildred Hayes, a take-no-shit shopkeeper in the titular town whose unbridled grief over the brutal rape and murder of her daughter Angela (Kathryn Newton) has been exacerbated by the seeming inability of the local police force to solve the crime, leading her to hire the ongoing use of a trio of billboards laying the blame squarely at the feet of popular, long-standing local police Chief Bill Willoughby (Woody Harrelson). Needless to say this kicks up quite the shitstorm in the town, but Mildred stands resolute in the face of seemingly overwhelming odds, refusing to back down. McDormand has never been better – Mildred is a foul-mouthed, opinionated harpy who tells it like it is, no matter who she’s talking to, but there’s understandable pain driving her actions, and a surprisingly tender heart beating under all that thorniness; Harrelson, meanwhile, is by turns a gruff shit-kicker and a gentle, doting family man, silently suffering over his own helplessness with the dead end the case seems to have turned into. The film’s other Oscar-winner, Sam Rockwell, also delivers his finest performance to date as Officer Jason Dixon, a true disgrace of a cop whose permanent drunkenness has marred a career which, it turns out, began with some promise; he’s a thuggish force-of-nature, Mildred’s decidedly ineffectual nemesis whose own equally foul-mouthed honesty is set to dump him in trouble big time, but again there’s a deeply buried vein of well-meaning ambition under all the bigotry and pigheadedness we can’t help rooting for once it reveals itself. There’s strong support from some serious heavyweights, particularly John Hawkes, Caleb Landry Jones, Peter Dinklage, Abbie Cornish and Manchester By the Sea’s breakout star Lucas Hedges, while McDonagh deserves every lick of acclaim and recognition he’s received for his precision-engineered screenplay, peerless direction and crisp, biting dialogue, crafting a jet black comedy nonetheless packed with so much emotional heft that it’ll have you laughing your arse off but crying your eyes out just as hard. An honest, unapologetic winner, then.

23. RED SPARROW – just when you thought we’d seen the last of the powerhouse blockbuster team of director Francis Lawrence and star Jennifer Lawrence with the end of The Hunger Games, they reunite for this far more adult literary feature, bringing Jason Matthews’ labyrinthine spy novel to bloody life. Adapted by Revolutionary Road screenwriter Justin Haythe, it follows the journey of Russian star ballerina Dominika Egorova (Lawrence) into the shadowy world of post-Glasnost Russian Intelligence after an on-stage accident ruins her career. Trained to use her body and mind to seduce her targets, Dominika becomes a “Sparrow”, dispatched to Budapest to entrap disgraced CIA operative Nate Nash (Joel Edgerton) and discover the identity of the deep cover double agent in Moscow he was forced to burn his own cover to protect. But Dominika never wanted any of this, and she begins to plot her escape, no matter the risks … as we’ve come to expect, Jennifer Lawrence is magnificent, her glacial beauty concealing a fierce intelligence and deeply guarded desperation to get out, her innate sensuality rendered clinical by the raw, unflinching gratuity of her training and seduction scenes – this is a woman who uses ALL the weapons at her disposal to get what she needs, and it’s an icy professionalism that informs and somewhat forgives Lawrence’s relative lack of chemistry with Edgerton. Not that it’s his fault – Nate is nearly as compelling a protagonist as Dominika, a roguish chancer whose impulsiveness could prove his undoing, but also makes him likeable and charming enough for us to root for him too. Bullhead’s Matthias Schoenarts is on top form as the film’s nominal villain, Dominika’s uncle Ivan, the man who trapped her in this hell in the first place, Charlotte Rampling is beyond cold as the “Matron”, the cruel headmistress of the Sparrow School, Joely Richardson is probably the gentlest, purest ray of light in the film as Dominika’s ailing mother Nina, and Jeremy Irons radiates stately gravitas as high-ranking intelligence officer General Vladimir Andreievich Korchnoi. This is a tightly-paced, piano wire-taut thriller with a suitably twisty plot that constantly wrong-foots the viewer, Lawrence the director again showing consummate skill at weaving flawlessly effective narrative with scenes of such unbearable tension you’ll find yourself perched on the edge of your seat throughout. It’s a much less explosive film than we’re used to from him – most of the fireworks are of the acting variety – but there are moments when the tension snaps, always with bloody consequences, especially in the film’s standout sequence featuring a garrotte-driven interrogation that turns particularly messy. The end result is a dark thriller of almost unbearable potency that you can’t take your eyes off. Here’s hoping this isn’t the last time Lawrence & Lawrence work together …

22. WIDOWS – Steve McQueen is one of the most challenging writer-directors working in Hollywood today, having exploded onto the scene with hard-hitting IRA-prison-biopic Hunger and subsequently adding to his solid cache of acclaimed works with Shame and 12 Years a Slave, but there’s a strong argument to be made that THIS is his best film to date. Co-adapted from a cult TV-series from British thriller queen Lynda La Plante by Gone Girl and Sharp Objects-author Gillian Flynn, it follows a group of women forced to band together to plan and execute a robbery in order to pay off the perceived debt incurred by their late husbands, who died trying to steal $2 million from Jamal Manning (If Beale Street Could Talk’s Brian Tyree Henry), a Chicago crime boss with ambitions to go legit as alderman of the city’s South Side Precinct. Viola Davis dominates the film as Veronica Rawlings, the educated and fiercely independent wife of accomplished professional thief Harry (a small but potent turn from Liam Neeson), setting the screen alight with a barely restrained and searing portrayal of devastating grief and righteous anger, and is ably supported by a trio of equally overwhelming performances from Michelle Rodriguez as hard-pressed mother and small-businesswoman Linda Perelli, The Man From UNCLE’s Elizabeth Debicki as Alice Gunner, an abused widow struggling to find her place in the world now she’s been cut off from her only support-mechanism, and Bad Times At the El Royale’s Cynthia Eriyo as Belle, the tough, gutsy beautician/babysitter the trio enlist to help them once they realise they need a fourth member. Henry is a deceptively subtle, thoroughly threatening presence throughout the film as Manning, as is Get Out’s Daniel Kaluuya as his thuggish brother/lieutenant Jatemme, and Colin Farrell is seemingly decent but ultimately fatally flawed as his direct political rival, reigning alderman Jack Mulligan, while there are uniformly excellent supporting turns from the likes of Robert Duvall, Carrie Coon, Lukas Haas, Jon Bernthal and Kevin J. O’Connor. McQueen once again delivers an emotionally exhausting and effortlessly powerful tour-de-force, wringing out the maximum amount of feels from the loaded and deeply personal human interactions on display throughout, and once again proves just as effective at delivering on the emotional fireworks as he is in stirring our blood in some brutal set-pieces, while Flynn help to deliver another perfectly pitched, intricately crafted script packed with exquisite dialogue and shrewdly observed character work which is sure to net her some major wins come Awards season. Unflinching and devastating but thoroughly exhilarating, this is an extraordinary film (and if this was a purely critical list it would surely have placed A LOT higher), thoroughly deserving of every bit of praise, attention and success it has and will go on to garner. An absolute must-see.

21. JURASSIC WORLD: FALLEN KINGDOM – Colin Trevorrow’s long-awaited 2015 Jurassic Park sequel was a major shot in the arm for a killer blockbuster franchise that had been somewhat flagging since Steven Spielberg brought dinosaurs back to life for the second time, but (edgier tone aside) it was not quite the full-on game-changer some thought it would be. The fifth film, directed by J.A. Bayona (The Impossible, A Monster Calls) and written by Trevorrow and his regular script-partner Derek Connolly (Safety Not Guaranteed and JW, as well as Warner Bros’ recent “Monsterverse” landmark Kong: Skull Island), redresses the balance – while the first act of the film once again returns to the Costa Rican island of Isla Nublar, it’s become a very different environment from the one we’ve so far experienced, and a fiendish plot-twist means the film then takes a major swerve into MUCH darker territory than we’ve seen so far. Giving away anything more does a disservice to the series’ most interesting story to date, needless to say this is EASILY the franchise’s strongest feature since the first, and definitely the scariest. Hollywood’s most unusual everyman action hero, Chris Pratt, returns as raptor wrangler Owen Brady, enlisted to help rescue as many dinosaurs as possible from an impending, cataclysmic volcanic eruption, but in particular his deeply impressive trained raptor Blue, now the last of her kind; Bryce Dallas Howard is also back as former Jurassic World operations manager turned eco-campaigner Claire Dearing, and her His Girl Friday-style dynamic with Pratt’s Brady is brought to life with far greater success here, their chemistry far more convincing because Claire has become a much more well-rounded and believably tough lady, now pretty much his respective equal. There are also strong supporting turns from the likes of Rafe Spall, The Get Down’s Justice Smith, The Vampire Diaries/The Originals’ breakout star Daniella Pineda, the incomparable Ted Levine (particularly memorable as scummy mercenary Ken Wheatley) and genuine screen legend James Cromwell, but as usual the film’s true stars are the dinosaurs themselves – it’s a real pleasure seeing Blue return because the last velociraptor was an absolute treat in Jurassic World, but she’s clearly met her match in this film’s new Big Bad, the Indoraptor, a lethally monstrous hybrid cooked up in Ingen’s labs as a living weapon. Bayona cut his teeth on breakout feature The Orphanage, so he’s got major cred as an accomplished horror director, and he uses that impressive talent to great effect here, weaving an increasingly potent atmosphere of wire-taut dread and delivering some nerve-shredding set-pieces, particularly the intense and moody extended stalk-and-kill stretch that brings the final act to its knuckle-whitening climax. It’s not just scary, though – there’s still plenty of that good old fashioned wonder and savage beauty we’ve come to expect from the series, and another hefty dose of that characteristic Spielbergian humour (Pratt in particular shines in another goofy, self-deprecating turn, while Smith steals many of the film’s biggest laughs as twitchy, out-of-his-comfort-zone tech wizard Franklin). Throw in another stirring and epic John Williams-channelling score from Michael Giacchino and this is an all-round treat for the franchise faithful and blockbuster fans in general – EASILY the best shape the series has been in for some time, it shows HUGE promise for the future.

#mandy #the girl in the spider's web #isle of dogs #venom #solo a star wars story #aquaman #three billboards movie #red sparrow #widows #jurassic world fallen kingdom #2018 in movies

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the-moon-devi · 5 months

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My Fave Asteroids To Look At In Composite/Synastry Charts || +Observations PT.2

All of the placements listed below apply for synastry, composite, & Davidson charts!

𝐒𝐚𝐜𝐫𝐞𝐝 𝐀𝐬𝐭𝐞𝐫𝐨𝐢𝐝𝐬

𝐕𝐞𝐬𝐭𝐚 (𝟒) • 𝐓𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐭𝐡𝐞 𝐬𝐚𝐜𝐫𝐞𝐝 𝐟𝐥𝐚𝐦𝐞 𝐦𝐞𝐚𝐧𝐢𝐧𝐠 𝐝𝐞𝐯𝐨𝐭𝐢𝐨𝐧 𝐭𝐨 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠. 𝐈 𝐟𝐞𝐞𝐥 𝐥𝐢𝐤𝐞 𝐭𝐡𝐢𝐬 𝐜𝐚𝐧 𝐚𝐥𝐬𝐨 𝐚 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧 𝐰𝐢𝐭𝐡𝐢𝐧 𝐩𝐚𝐫𝐭𝐧𝐞𝐫 𝐜𝐡𝐚𝐫𝐭𝐬.

⚶ 𝐕𝐞𝐬𝐭𝐚- 𝐒𝐚𝐭𝐮𝐫𝐧 (☌ ⚹ △) 𝐝𝐞𝐯𝐨𝐭𝐢𝐨𝐧 𝐭𝐨 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐥𝐨𝐧𝐠 𝐭𝐞𝐫𝐦. 𝐖𝐡𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐨𝐫 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 𝐭𝐡𝐢𝐬 𝐜𝐚𝐧 𝐬𝐡𝐨𝐰 𝐚 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧 𝐭𝐨 𝐭𝐡𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩/ 𝐨𝐭𝐡𝐞𝐫 𝐩𝐞𝐫𝐬𝐨𝐧. 𝐈𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐲𝐨𝐮'𝐥𝐥 𝐬𝐞𝐞 𝐛𝐨𝐭𝐡 𝐰𝐢𝐥𝐥 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐝𝐞𝐯𝐨𝐭𝐞 𝐛𝐮𝐭, 𝐬𝐚𝐭𝐮𝐫𝐧 𝐦𝐚𝐲 𝐦𝐨𝐯𝐞 𝐬𝐥𝐨𝐰𝐥𝐲 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐡𝐢𝐬. 𝐕𝐞𝐬𝐭𝐚 𝐜𝐚𝐧 𝐭𝐞𝐚𝐜𝐡 𝐬𝐚𝐭𝐮𝐫𝐧 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐥𝐞𝐬𝐬𝐨𝐧𝐬/ 𝐤𝐧𝐨𝐰𝐥𝐞𝐝𝐠𝐞 𝐰𝐡𝐢𝐥𝐞 𝐬𝐚𝐭𝐮𝐫𝐧 𝐡𝐞𝐥𝐩𝐬 𝐭𝐨 𝐠𝐫𝐨𝐮𝐧𝐝 𝐕𝐞𝐬𝐭𝐚 & 𝐛𝐫𝐢𝐧𝐠 𝐢𝐧 𝐫𝐨𝐮𝐭𝐢𝐧𝐞 𝐭𝐨 𝐭𝐡𝐞𝐢𝐫 𝐩𝐫𝐚𝐜𝐭𝐢𝐜𝐞𝐬. 𝐕𝐞𝐬𝐭𝐚 & 𝐒𝐚𝐭𝐮𝐫𝐧 𝐠𝐨 𝐬𝐨 𝐰𝐞𝐥𝐥 𝐭𝐨 𝐦𝐞! 𝐓𝐡𝐢𝐬 𝐜𝐚𝐧 𝐚𝐥𝐬𝐨 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞 𝐚 𝐚𝐠𝐞 𝐠𝐚𝐩. 𝐁𝐞𝐜𝐚𝐮𝐬𝐞 𝐕𝐞𝐬𝐭𝐚 𝐢𝐬 𝐭𝐡𝐞 𝐯𝐢𝐫𝐠𝐢𝐧/𝐬𝐚𝐜𝐫𝐞𝐝 𝐨𝐧𝐞, 𝐰𝐡𝐢𝐥𝐞 𝐬𝐚𝐭𝐮𝐫𝐧 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐨𝐥𝐝 𝐚𝐠𝐞 𝐚𝐧𝐝 𝐦𝐚𝐭𝐮𝐫𝐢𝐭𝐲.

⚶ 𝐕𝐞𝐬𝐭𝐚- 𝐌𝐨𝐨𝐧 (☌ ⚹ △) 𝐒𝐭𝐫𝐨𝐧𝐠 𝐮𝐧𝐝𝐞𝐧𝐢𝐚𝐛𝐥𝐞 𝐢𝐧𝐮𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧. 𝐖𝐡𝐞𝐧 𝐭𝐡𝐞𝐬𝐞 𝐭𝐰𝐨 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐭𝐡𝐢𝐬 𝐜𝐚𝐧 𝐬𝐡𝐨𝐰 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧 𝐛𝐚𝐬𝐞𝐝 𝐨𝐧 𝐞𝐦𝐨𝐭𝐢𝐨𝐧𝐬. 𝐓𝐡𝐢𝐬 𝐜𝐚𝐧 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞 𝐚 𝐡𝐢𝐠𝐡𝐥𝐲 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧. 𝐓𝐡𝐞𝐬𝐞 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬 𝐡𝐚𝐯𝐞 𝐭𝐡𝐞 𝐚𝐛𝐢𝐥𝐢𝐭𝐲 𝐭𝐨 𝐫𝐞𝐚𝐝 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐬𝐚𝐲𝐢𝐧𝐠 𝐚 𝐰𝐨𝐫𝐝. 𝐓𝐡𝐢𝐬 𝐚𝐬𝐩𝐞𝐜𝐭 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞𝐬 𝐩𝐚𝐬𝐬𝐢𝐨𝐧𝐚𝐭𝐞 𝐞𝐦𝐨𝐭𝐢𝐨𝐧𝐬.

⚶ 𝐕𝐞𝐬𝐭𝐚 𝐢𝐧 𝟏𝐡/ ☌ 𝐀𝐬𝐜 ~ 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐨𝐧𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐨𝐬𝐭 𝐛𝐢𝐧𝐝𝐢𝐧𝐠 𝐚𝐬𝐩𝐞𝐜𝐭𝐬/𝐨𝐯𝐞𝐫𝐥𝐚𝐲𝐬 𝐢𝐧 𝐦𝐲 𝐨𝐩𝐢𝐧𝐢𝐨𝐧. 𝐈𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 (𝐬𝐩𝐞𝐚𝐤𝐢𝐧𝐠 𝐟𝐫𝐨𝐦 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞) 𝐕𝐞𝐬𝐭𝐚 𝐰𝐢𝐥𝐥 𝐟𝐞𝐞𝐥 𝐚 𝐝𝐞𝐯𝐨𝐭𝐢𝐨𝐧 𝐭𝐨 𝐚𝐬𝐜𝐞𝐧𝐝𝐚𝐧𝐭 𝐩𝐞𝐫𝐬𝐨𝐧. 𝟏𝐡 𝐩𝐞𝐫𝐬𝐨𝐧 𝐦𝐚𝐲 𝐬𝐞𝐞 𝐕𝐞𝐬𝐭𝐚 𝐚𝐬 𝐯𝐞𝐫𝐲 𝐢𝐧𝐧𝐨𝐜𝐞𝐧𝐭/𝐩𝐮𝐫𝐞. 𝐓𝐡𝐞𝐲 𝐜𝐚𝐧 𝐢𝐧𝐭𝐞𝐫𝐚𝐜𝐭 𝐢𝐧 𝐚 𝐥𝐨𝐭 𝐨𝐟 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐚𝐜𝐭𝐢𝐯𝐢𝐭𝐢𝐞𝐬 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫. 𝐓𝐡𝐢𝐧𝐠𝐬 𝐜𝐚𝐧 𝐠𝐞𝐭 𝐯𝐞𝐫𝐲 𝐭𝐚𝐧𝐭𝐫𝐢𝐜 𝐡𝐞𝐫𝐞, 𝐭𝐡𝐞𝐦𝐞𝐬 𝐨𝐟 𝐤𝐮𝐧𝐝𝐚𝐥𝐢𝐧𝐢, 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐚𝐰𝐚𝐤𝐞𝐧𝐢𝐧𝐠𝐬 𝐞𝐭𝐜 𝐚𝐫𝐞 𝐩𝐫𝐞𝐬𝐞𝐧𝐭. 𝐓𝐡𝐞𝐲 𝐜𝐚𝐧 𝐟𝐞𝐞𝐥 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐞𝐝 & 𝐭𝐢𝐞𝐝 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫. 𝐓𝐰𝐨 𝐟𝐥𝐚𝐦𝐞𝐬 𝐛𝐞𝐜𝐨𝐦𝐢𝐧𝐠 𝐨𝐧𝐞.

⚶ 𝐕𝐞𝐬𝐭𝐚 𝐢𝐧 𝟕𝐡/☌ 𝐃𝐬𝐜 - 𝐕𝐞𝐬𝐭𝐚 𝐢𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐝𝐞𝐧𝐨𝐭𝐞𝐬 𝐚 𝐯𝐞𝐫𝐲 𝐝𝐞𝐯𝐨𝐭𝐞𝐝 & 𝐜𝐨𝐦𝐢𝐭𝐭𝐞𝐝 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩. 𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐓𝐡𝐞𝐬𝐞 𝐭𝐰𝐨 𝐝𝐨𝐧'𝐭 𝐭𝐚𝐤𝐞 𝐟𝐨𝐫 𝐠𝐫𝐚𝐧𝐭𝐞𝐝. 𝐕𝐞𝐬𝐭𝐚 𝐢𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐕𝐞𝐬𝐭𝐚 𝐟𝐞𝐞𝐥𝐬 𝐚 𝐝𝐞𝐞𝐩 𝐝𝐞𝐯𝐨𝐭𝐢𝐨𝐧 & 𝐬𝐚𝐜𝐫𝐞𝐝𝐧𝐞𝐬𝐬 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐡𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝟕𝐡 𝐩𝐞𝐫𝐬𝐨𝐧. 𝐓𝐡𝐞𝐫𝐞'𝐬 𝐦𝐨𝐬𝐭 𝐥𝐢𝐤𝐥𝐞𝐲 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐭𝐡𝐞𝐦𝐞𝐬 𝐰𝐢𝐭𝐡𝐢𝐧 𝐭𝐡𝐢𝐬 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬𝐡𝐢𝐩. 𝐕𝐞𝐬𝐭𝐚 𝐢𝐧 𝟏𝐡/𝟕𝐡 𝐢𝐬 𝐚 𝐯𝐞𝐫𝐲 𝐬𝐚𝐜𝐫𝐞𝐝 𝐩𝐨𝐬𝐢𝐭𝐢𝐨𝐧 𝐢𝐧 𝐦𝐲 𝐨𝐩𝐢𝐧𝐢𝐨𝐧. 𝐕𝐞𝐬𝐭𝐚 𝐢𝐧 𝟕𝐡 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞/𝐝𝐚𝐯𝐢𝐝𝐬𝐨𝐧 𝐜𝐚𝐧 𝐬𝐡𝐨𝐰 𝐛𝐨𝐭𝐡 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬 𝐚𝐫𝐞 𝐝𝐞𝐯𝐨𝐭𝐞𝐝 𝐭𝐨 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫.

⚶ 𝐕𝐞𝐬𝐭𝐚 𝟒𝐡 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞/𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧- 𝐓𝐡𝐢𝐬 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐢𝐬 𝐛𝐚𝐬𝐞𝐝 𝐨𝐧 𝐛𝐮𝐢𝐥𝐝𝐢𝐧𝐠 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐬𝐞𝐜𝐮𝐫𝐞, 𝐚𝐧𝐝 𝐬𝐚𝐟𝐞. 𝐓𝐡𝐞 𝐜𝐨𝐮𝐩𝐥𝐞 𝐢𝐬 𝐮𝐬𝐮𝐚𝐥𝐥𝐲 𝐝𝐞𝐯𝐨𝐭𝐞𝐝 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐥𝐨𝐧𝐠 𝐭𝐞𝐫𝐦, 𝐚𝐧𝐝 𝐦𝐚𝐤𝐞 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐟𝐞𝐞𝐥 𝐜𝐨𝐦𝐟𝐨𝐫𝐭𝐚𝐛𝐥𝐞.

⚶ 𝐕𝐞𝐬𝐭𝐚 𝟏𝟐𝐡 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 - 𝐓𝐡𝐢𝐬 𝐩𝐥𝐚𝐜𝐞𝐦𝐞𝐧𝐭 𝐜𝐚𝐧 𝐛𝐞 𝐡𝐞𝐚𝐥𝐢𝐧𝐠, 𝐚𝐧𝐝 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥𝐥𝐲 𝐛𝐢𝐧𝐝𝐢𝐧𝐠.

⚶ 𝐕𝐞𝐬𝐭𝐚-𝐕��𝐧𝐮𝐬~ 𝐬𝐚𝐜𝐫𝐞𝐝 𝐥𝐨𝐯𝐞, 𝐭𝐡𝐞 𝐬𝐚𝐜𝐫𝐞𝐝 𝐟𝐥𝐚𝐦𝐞 𝐢𝐬 𝐢𝐠𝐧𝐢𝐭𝐞𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐥𝐨𝐯𝐢𝐧𝐠 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫.

𝐀𝐤𝐚𝐬𝐡𝐚 (𝟓𝟖𝟖𝟏) • 𝐓𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐭𝐡𝐞 𝐚𝐤𝐚𝐬𝐡𝐢𝐜 𝐫𝐞𝐜𝐨𝐫𝐝𝐬, 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐥𝐢𝐛𝐫𝐚𝐫𝐲 𝐨𝐟 𝐚𝐥𝐥 𝐞𝐯𝐞𝐧𝐭𝐬 𝐭𝐡𝐚𝐭 𝐡𝐚𝐯𝐞 𝐰𝐞𝐧𝐭 𝐝𝐨𝐰𝐧 𝐢𝐧 𝐡𝐢𝐬𝐭𝐨𝐫𝐲.

𝐀𝐤𝐚𝐬𝐡𝐚 𝟏𝐡/☌ 𝐀𝐒𝐂- 𝐭𝐡𝐢𝐬 𝐨𝐯𝐞𝐫𝐥𝐚𝐲 𝐜𝐚𝐧 𝐬𝐡𝐨𝐰 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞 𝐚𝐤𝐚𝐬𝐡𝐚 𝐩𝐞𝐫𝐬𝐨𝐧 𝐫𝐞𝐦𝐞𝐛𝐞𝐫𝐬 𝐭𝐡𝐞 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞 𝐩𝐞𝐫𝐬𝐨𝐧 𝐟𝐫𝐨𝐦 𝐬𝐨𝐦𝐰𝐡𝐞𝐫𝐞 𝐭𝐡𝐞𝐲 𝐦𝐨𝐬𝐭 𝐥𝐢𝐤𝐥𝐞𝐲 𝐡𝐚𝐝 𝐧𝐮𝐦𝐞𝐫𝐨𝐮𝐬 𝐩𝐚𝐬𝐭 𝐥𝐢𝐯𝐞𝐬 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫, 𝐚𝐧𝐝 𝐡𝐚𝐯𝐞 𝐚 𝐤𝐚𝐫𝐦𝐢𝐜 𝐜𝐨𝐧𝐭𝐫𝐚𝐜𝐭 𝐭𝐨 𝐟𝐮𝐥𝐟𝐢𝐥𝐥. 𝐈𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞/𝐝𝐚𝐯𝐢𝐝𝐬𝐨𝐧, 𝐭𝐡𝐞𝐬𝐞 𝐭𝐰𝐨 𝐛𝐨𝐭𝐡 𝐟𝐞𝐞𝐥 𝐯𝐞𝐫𝐲 𝐟𝐚𝐦𝐢𝐥𝐢𝐚𝐫 𝐚𝐫𝐨𝐮𝐧𝐝 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫.

𝐀𝐤𝐚𝐬𝐡𝐚 𝟕𝐡/☌ 𝐃𝐒𝐂- 𝐀 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩/𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 𝐭𝐡𝐚𝐭 𝐡𝐚𝐬 𝐡𝐚𝐩𝐩𝐞𝐧𝐞𝐝 𝐛𝐞𝐟𝐨𝐫𝐞. 𝐀𝐧𝐨𝐭𝐡𝐞𝐫 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐚 𝐟𝐚𝐭𝐞𝐝 𝐤𝐚𝐫𝐦𝐢𝐜 𝐜𝐨𝐧𝐭𝐫𝐚𝐜𝐭 𝐭𝐡𝐚𝐭 𝐡𝐚𝐬 𝐭𝐨 𝐛𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐞𝐝.

𝐃𝐞𝐯𝐢𝐧𝐞 (𝟑𝟓𝟔𝟏) • 𝐀𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐃𝐞𝐯𝐢𝐧𝐞 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐨𝐮𝐫 𝐝𝐢𝐯𝐢𝐧𝐞 𝐩𝐮𝐫𝐩𝐨𝐬𝐞, 𝐚 𝐡𝐢𝐠𝐡𝐞𝐫 𝐜𝐚𝐥𝐥𝐢𝐧𝐠 𝐭𝐡𝐚𝐭 𝐢𝐬 𝐨𝐫𝐝𝐚𝐢𝐧𝐞𝐝 𝐟𝐨𝐫 𝐮𝐬 𝐭𝐨 𝐟𝐨𝐥𝐨𝐰. 𝐖𝐡𝐞𝐫𝐞 𝐭𝐡𝐞 𝐝𝐢𝐯𝐢𝐧𝐞 𝐭𝐚𝐤𝐞𝐬 𝐜𝐨𝐧𝐭𝐫𝐨𝐥 𝐢𝐧 𝐨𝐮𝐫 𝐥𝐢𝐟𝐞. 𝐈𝐧 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐭𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐢𝐬 𝐬𝐢𝐦𝐢𝐥𝐚𝐫 𝐛𝐮𝐭 𝐬𝐡𝐨𝐰𝐬 𝐮𝐬 𝐰𝐡𝐞𝐫𝐞 𝐭𝐡𝐢𝐬 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐡𝐚𝐬 𝐚 𝐝𝐢𝐯𝐢𝐧𝐞 𝐩𝐮𝐫𝐩𝐨𝐬𝐞. 𝐇𝐨𝐰 𝐰𝐞 𝐚𝐰𝐚𝐤𝐞𝐧 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫, 𝐚𝐧𝐝 𝐰𝐡𝐚𝐭 𝐠𝐢𝐟𝐭𝐬/𝐥𝐞𝐬𝐬𝐨𝐧𝐬 𝐰𝐞 𝐛𝐫𝐢𝐧𝐠 𝐚𝐧𝐝 𝐡𝐞𝐢𝐠𝐡𝐭𝐞𝐧 𝐢𝐧 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫. 𝐃𝐞𝐯𝐢𝐧𝐞 𝐬𝐡𝐨𝐰𝐬 𝐡𝐨𝐰 𝐭𝐡𝐞 𝐝𝐢𝐯𝐢𝐧𝐞 𝐢𝐧𝐭𝐞𝐫𝐯𝐞𝐧𝐞𝐬 𝐰𝐢𝐭𝐡𝐢𝐧 𝐭𝐡𝐢𝐬 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐚𝐧𝐝 𝐢𝐟 𝐭𝐡𝐞𝐫𝐞 𝐢𝐬 𝐚 𝐬𝐭𝐫𝐨𝐧𝐠 𝐝𝐢𝐯𝐢𝐧𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧.

𝐃𝐞𝐯𝐢𝐧𝐞 𝟏𝐡/𝟕𝐡 - 𝐓𝐡𝐞 𝐝𝐢𝐯𝐢𝐧𝐞 𝐡𝐚𝐬 𝐨𝐜𝐡𝐞𝐫𝐬𝐭𝐫𝐚𝐭𝐚𝐭𝐞𝐝 𝐭𝐡𝐞𝐬𝐞 𝐭𝐰𝐨 𝐬𝐨𝐮𝐥𝐬 𝐭𝐨 𝐦𝐞𝐞𝐭, 𝐂𝐚𝐧 𝐫𝐞𝐚𝐥𝐥𝐲 𝐬𝐰𝐞𝐞𝐩 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐨𝐟𝐟 𝐭𝐡𝐞𝐢𝐫 𝐟𝐞𝐞𝐭𝐬

𝐃𝐞𝐯𝐢𝐧𝐞 ☌ 𝐍𝐨𝐝𝐞𝐬- 𝐓𝐡𝐢𝐬 𝐞𝐧𝐜𝐨𝐮𝐧𝐭𝐞𝐫 𝐛𝐫𝐢𝐧𝐠𝐬 𝐭𝐰𝐨 𝐬𝐨𝐮𝐥𝐬 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫, 𝐭𝐨 𝐫𝐞𝐚𝐜𝐡 𝐠𝐫𝐞𝐚𝐭 𝐡𝐞𝐢𝐠𝐡𝐭𝐬. 𝐀 𝐦𝐚𝐠𝐢𝐜𝐚𝐥 𝐚𝐧𝐝 𝐨𝐭𝐡𝐞𝐫𝐰𝐨𝐫𝐥𝐝𝐲 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧/𝐩𝐮𝐫𝐩𝐨𝐬𝐞. 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐝𝐞𝐟𝐢𝐧𝐢𝐭𝐞𝐥𝐲 𝐝𝐢𝐯𝐢𝐧𝐞𝐥𝐲 guided 𝐚𝐧𝐝 𝐦𝐨𝐬𝐭𝐥𝐲 𝐡𝐢𝐠𝐡 𝐯𝐢𝐛𝐫𝐚𝐭𝐢𝐨𝐧𝐚𝐥.

𝐃𝐞𝐯𝐢𝐧𝐞 𝟒𝐭𝐡- 𝐟𝐞𝐞𝐥𝐢𝐧𝐠 𝐬𝐚𝐟𝐞 𝐚𝐧𝐝 𝐩𝐫𝐨𝐭𝐞𝐜𝐭𝐞𝐝 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫. 𝐓𝐡𝐞 𝐝𝐢𝐯𝐢𝐧𝐞 𝐰𝐚𝐭𝐜𝐡𝐞𝐬 𝐨𝐯𝐞𝐫 𝐲𝐨𝐮. 𝐓𝐡𝐞 𝐡𝐨𝐦𝐞 𝐚𝐫𝐞𝐚 𝐦𝐚𝐲 𝐛𝐞 𝐯𝐞𝐫𝐲 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥, 𝐚𝐧𝐝 𝐢𝐧 𝐭𝐡𝐞𝐢𝐫 𝐩𝐫𝐢𝐯𝐚𝐭𝐞 𝐭𝐢𝐦𝐞 𝐭𝐡𝐞 𝐜𝐨𝐮𝐩𝐥𝐞 𝐦𝐚𝐲 𝐬𝐩𝐞𝐚𝐤 𝐨𝐮𝐭 𝐬𝐩𝐢𝐫𝐢𝐭𝐮𝐚𝐥 𝐭𝐡𝐢𝐧𝐠𝐬 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫. 𝐒𝐩𝐢𝐫𝐢𝐭 𝐢𝐬 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞𝐢𝐫 𝐡𝐨𝐦𝐞𝐬.

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𝐋𝐨𝐯𝐞 𝐀𝐬𝐭𝐞𝐫𝐨𝐢𝐝𝐬

𝐀𝐠𝐚𝐩𝐞𝐧𝐨𝐫 (𝟓𝟎𝟐𝟑) • 𝐔𝐧𝐜𝐨𝐧𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐋𝐨𝐯𝐞

𝐀𝐠𝐚𝐩𝐞𝐧𝐨𝐫 𝟕𝐡- 𝐚 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐟𝐢𝐥𝐥𝐞𝐝 𝐰𝐢𝐭𝐡 𝐮𝐧𝐜𝐨𝐧𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐥𝐨𝐯𝐞, 𝐚𝐛𝐥𝐞 𝐭𝐨 𝐨𝐯𝐞𝐫𝐜𝐨𝐦𝐞 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐥𝐨𝐯𝐢𝐧𝐠 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫.

𝐀𝐠𝐚𝐩𝐞𝐧𝐨𝐫 - 𝐃𝐞𝐯𝐢𝐧𝐞: 𝐚 𝐨𝐭𝐡𝐞𝐫𝐰𝐨𝐫𝐥𝐝𝐲 𝐥𝐨𝐯𝐞, 𝐈 𝐰𝐨𝐮𝐥𝐝 𝐞𝐯𝐞𝐧 𝐬𝐚𝐲 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐬𝐨𝐮𝐥𝐦𝐚𝐭𝐞 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐨𝐫. 𝐓𝐡𝐞 𝐥𝐨𝐯𝐞 𝐲𝐨𝐮 𝐠𝐫𝐨𝐰 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐟𝐨𝐫 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐦𝐚𝐲 𝐭𝐚𝐤𝐞 𝐭𝐡𝐞𝐦 𝐛𝐲 𝐬𝐮𝐩𝐫𝐢𝐬𝐞.

𝐕𝐞𝐧𝐮𝐬 - 𝐀𝐠𝐚𝐩𝐞𝐧𝐨𝐫: 𝐓𝐡𝐢𝐬 𝐣𝐮𝐬𝐭 𝐚𝐝𝐝𝐬 𝐭𝐨 𝐭𝐡𝐚𝐭 𝐮𝐧𝐜𝐨𝐧𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐥𝐨𝐯𝐞 𝐟𝐞𝐞𝐥𝐢𝐧𝐠. 𝐖𝐡𝐞𝐧 𝐚𝐠𝐚𝐩𝐞𝐧𝐨𝐫 𝐭𝐨𝐮𝐜𝐡𝐞𝐬 𝐭𝐡𝐞 𝐩𝐥𝐚𝐧𝐞𝐭 𝐨𝐟 𝐥𝐨𝐯𝐞 𝐭𝐡𝐢𝐬 𝐛𝐫𝐢𝐧𝐠𝐬 𝐡𝐚𝐫𝐦𝐨𝐧𝐲 𝐚𝐧𝐝 𝐛𝐥𝐢𝐬𝐬𝐟𝐮𝐥𝐧𝐞𝐬𝐬 𝐭𝐨 𝐭𝐡𝐞 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬𝐡𝐢𝐩.

𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 (𝟒𝟒𝟕) • 𝐒𝐚𝐜𝐫𝐢𝐟𝐢𝐜𝐢𝐚𝐥 𝐋𝐨𝐯𝐞

𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 𝟓𝐡- 𝐓𝐡𝐞 𝟓𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐨𝐮𝐬𝐞 𝐨𝐟 𝐟𝐥𝐢𝐧𝐠𝐬 & 𝐫𝐨𝐦𝐚𝐧𝐜𝐞. 𝐖𝐡𝐞𝐧 𝐯𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 𝐟𝐚𝐥𝐥𝐬 𝐢𝐧𝐭𝐨 𝐭𝐡𝐢𝐬 𝐡𝐨𝐮𝐬𝐞 𝐡𝐞𝐫𝐞; 𝐰𝐞 𝐟𝐢𝐧𝐝 𝐭𝐰𝐨 𝐩𝐞𝐨𝐩𝐥𝐞 𝐟𝐚𝐥𝐥𝐢𝐧𝐠 𝐢𝐧 𝐥𝐨𝐯𝐞 𝐫𝐞𝐚𝐥𝐥𝐲 𝐟𝐚𝐬𝐭 𝐣𝐮𝐬𝐭 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐢𝐧𝐢𝐭𝐢𝐚𝐥 𝐦𝐞𝐞𝐭𝐢𝐧𝐠. 𝐖𝐡𝐞𝐭𝐡𝐞𝐫 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐢𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐨𝐫 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞, 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐯𝐞𝐫𝐲 𝐬𝐭𝐫𝐨𝐧𝐠 𝐚𝐧𝐝 𝐚 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐩𝐡𝐲𝐬𝐢𝐜𝐚𝐥 𝐚𝐛𝐝 𝐬𝐞𝐱𝐮𝐚𝐥 𝐚𝐭𝐭𝐫𝐚𝐜𝐭𝐢𝐨𝐧.

𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 - 𝐕𝐞𝐧𝐮𝐬: 𝐨𝐧𝐞 𝐨𝐟 𝐦𝐲 𝐟𝐚𝐯𝐨𝐫𝐢𝐭𝐞 𝐚𝐬𝐩𝐞𝐜𝐭𝐬 𝐭𝐨 𝐬𝐞𝐞, 𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐚𝐥𝐥𝐲 𝐭𝐡𝐞 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭𝐢𝐨𝐧 𝐨𝐫 𝐭𝐫𝐢𝐧𝐞. 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐯𝐞𝐫𝐲 𝐬𝐭𝐫𝐨𝐧𝐠 𝐥𝐨𝐯𝐞.

𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 - 𝐌𝐨𝐨𝐧: 𝐌𝐨𝐬𝐭 𝐭𝐢𝐦𝐞 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞𝐬 𝐚 𝐜𝐥𝐨𝐬𝐞 𝐤𝐧𝐢𝐭 𝐞𝐦𝐨𝐭𝐢𝐨𝐧𝐚𝐥 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐲𝐨𝐮 𝐠𝐫𝐨𝐰 𝐭𝐨 𝐥𝐨𝐯𝐞 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫𝐬 𝐦𝐢𝐧𝐝, 𝐚𝐧𝐝 𝐭𝐡𝐞𝐫𝐞'𝐬 𝐚 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐚𝐥𝐦𝐨𝐬𝐭 𝐢𝐧𝐬𝐭𝐢𝐧𝐜𝐭𝐮𝐚𝐥 𝐮𝐧𝐝𝐞𝐫𝐬𝐭𝐚𝐧𝐝𝐢𝐧𝐠. 𝐜𝐨𝐦𝐟𝐨𝐫𝐭𝐢𝐧𝐠 & 𝐥𝐨𝐯𝐢𝐧𝐠.

𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 𝟏𝐡/𝟕𝐡- 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐠𝐫𝐞𝐚𝐭 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐥𝐨𝐯𝐞 𝐛𝐞𝐢𝐧𝐠 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐰𝐢𝐭𝐡𝐢𝐧 𝐭𝐡𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩, 𝐚𝐧𝐝 𝐡𝐚𝐯𝐢𝐧𝐠 𝐟𝐞𝐞𝐥𝐢𝐧𝐠𝐬 𝐟𝐨𝐫 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫.

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𝓕𝓸𝓻𝓫𝓲𝓭𝓭𝓮𝓷 𝓐𝓼𝓽𝓻𝓸𝓵𝓸𝓰𝔂

𝓟𝓻𝓮𝓿𝓲𝓸𝓾𝓼 𝓟𝓸𝓼𝓽

©𝓟𝓻𝓮𝓽𝓽𝔂 𝓒𝓪𝓻𝓪𝓶𝓮𝓵

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astrosky33 · 2 years

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𝐊𝐄𝐘 ❦

Reliable: ✓

Unreliable: ✗

A few things wrong: ±

𝐁𝐨𝐨𝐤𝐬 ✓

》 I get mine from either amazon, barnes and noble, or read e-books online

》 Make sure to check if they’re from a reliable astrologer

》 Example of a bad astrology book source

𝐀𝐬𝐭𝐫𝐨.𝐜𝐨𝐦 ✓

》 Although it’s hard to navigate at first this website is the most reliable and has the most options. Their calculation method is very precise and astronomically as well as mathematically correct unlike other sites/apps

𝐂𝐨-𝐒𝐭𝐚𝐫 ✗

》 Inaccuracy in the information and placements/aspects

》 The creators literally admitted to changing the horoscopes to random things just to mess with people so not a good source

》 They do not hire actual astrologers to run the app

𝐓𝐢𝐤𝐭𝐨𝐤 ✗

》 90% of astrology information on here is SO INCREDIBLY INACCURATE. It hurts my soul. It’s sad so many people trust Tiktok because I can genuinely only think of 4 astrologers on the app that know what they’re talking about

𝐓𝐢𝐦𝐞 𝐍𝐨𝐦𝐚𝐝 ✓

》 I love this app it has everything and is really accurate a lot like astro.com it’s probably my 3rd fave source next to astro.com and books. The only downside is for extra things like asteroids you must pay

𝐀𝐬𝐭𝐫𝐨-𝐬𝐞𝐞𝐤.𝐜𝐨𝐦 ±

》 The placements and aspects are accurate and I love how they are the only website who adds a lilith line in the astrocartography map

》 The Dominant planets, signs, and elements are not accurate! They use an incorrect calculation system. Astro Dienst is much better for checking your Dominants

》 Often the degrees are a few off of what they should be

𝐀𝐬𝐭𝐫𝐨 𝐆𝐨𝐥𝐝 𝐀𝐩𝐩 ✓

》 I really love this app it’s very professional and accurate

𝐂𝐚𝐟𝐞𝐚𝐬𝐭𝐫𝐨𝐥𝐨𝐠𝐲 ✗

》 The aspects and degrees are sometimes inaccurate

𝐓𝐢𝐦𝐞 𝐏𝐚𝐬𝐬𝐚𝐠𝐞𝐬 𝐀𝐩𝐩 ±

》 It has good explanations and the chart is completely accurate although sometimes the aspects are off

𝐍𝐞𝐛𝐮𝐥𝐚 𝐀𝐩𝐩 ✗

》 The degrees that are in the houses don’t stop at 29° (like they’re supposed to) on this app, they go further, so this may confuse newbies but also the compatibility section and placement explanations are inaccurate

𝐂𝐨𝐬𝐦𝐢𝐜 𝐈𝐧𝐬𝐢𝐠𝐡𝐭𝐬 𝐀𝐩𝐩 ✓

》 This is only an app for vedic astrology not other kinds of sidereal astrology or tropical astrology but it’s amazing

𝐀𝐬𝐭𝐫𝐨-𝐜𝐡𝐚𝐫𝐭𝐬.𝐜𝐨𝐦 ±

》 Sometimes they don’t show all the aspects or aspect orbs correctly but other than that it’s accurate and is easy to navigate just not the best but I like the feature where u can see what celebs have similar placements to u

𝐏𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭 ✗

》 It’s very rare that I ever see accurate information on Pinterest that’s not based on stereotypes that are untrue astrologically

𝐀𝐬𝐭𝐫𝐨 𝐌𝐚𝐭𝐫𝐢𝐱 𝐀𝐩𝐩 ✓

》 It has transits, solar return charts, accurate planets/aspects, the current chart, etc. It’s really good for beginners as well. The only downside is that there’s SO many ads and it gets a bit annoying

𝐂𝐡𝐚𝐧𝐢 𝐀𝐩𝐩 ✓

》 This was made by a popular tiktok astrologer. It has good interpretations of the placements in your chart

》 Doesn’t show degrees though which are really important in astrology

》 I’d only recommend for beginners

𝐓𝐡𝐞 𝐏𝐚𝐭𝐭𝐞𝐫𝐧 𝐀𝐩𝐩 ✗

》 I’m just confused about why everyone raves about this app because it barely has any correlations to your placements it shows transit type stuff but not even accurately

𝐀𝐬𝐭𝐫𝐨𝐟𝐮𝐭𝐮𝐫𝐞 𝐀𝐩𝐩 ✓

》 Everything is good except for the interpretations of your placements don’t trust those

𝐒𝐚𝐧𝐜𝐭𝐮𝐚𝐫𝐲 𝐀𝐩𝐩 ✗

》 Insanely generic. This is sun sign astrology type stuff. Would not recommend

𝐀𝐬𝐭𝐫𝐨𝐥𝐨𝐠𝐲 𝐌𝐚𝐬𝐭𝐞𝐫 ±

》 click here

◉ 𝐌𝐘 𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋 𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄

》 My go to is always ASTRO.COM because it has over 20K asteroids, composite charts, synastry charts, correct aspects/placements, accurate placement explanations, solar return charts, davison charts, astrocartography, fixed stars, etc. It’s crazy how many things you can see on there

》 This is the only website they use the correct calculations for your dominant planets, signs, modalities, and elements

》 When you make an account you can save up to 100 peoples birth charts/info

》 Unfortunately it’s hard to navigate but once u get used to how it works it’s amazing

◉ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

◉ 𝐌𝐎𝐑𝐄 𝐁𝐄𝐆𝐈𝐍𝐍𝐄𝐑 𝐀𝐒𝐓𝐑𝐎𝐋𝐎𝐆𝐘 𝐇𝐄𝐋𝐏

#astrology #astro community #zodiac #astrology help

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toridomi · 6 years

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What program do you use for animation and art in general? And would you recomment Pratt as a college? Its in my state and I'm considering it but I'm debating over Pratt and FIT. You're the only person I ever met ftom Pratt and your opinion would very much be appreciated. Thank you

i currently use krita almost exclusively for art and animation! Occassionally (usually for text formatting or if im being really particular about some final touches) ill use photoshop (CS5) but krita is free and does illustration and animation very well! its perfect for practicing, as it works more like photoshop or SAI than flash. Im trained in flash and toon boom, and while flash can handle some things better (and youd prob learn at school) I prefer to use krita when i can (which isn’t a lot these days as i dont do much animation). Flash is industry standard, but youd prob learn it wherever u go if you take any animation 1 and/or 2 class. Pratt is...strange. They were updating their animation program a bit while and after i was there, so i dont know how much better it is nowadays, but it was kind of a beuracratic mess, particularly with the animation major i was in. The head of the department is NOT a film a or animation professional (he was an ‘interactive’ silk screen printing fine artist or something???) and that made things Very Fine Artsy and difficult to communicate with him our needs as animation students. We kinda got shoved to the side bc we were part of the film department (and not COMD which houses Pratts faves; illustration & graphic design & industrial design). We didn’t get first dibs on a ton of electives (COMD got first picks) and thus missed out on a lot of good profs and classes. COMD also got more help (note: could still get more help but better than what we got which was: “We have an animation Program?”) from Pratt’s job placement resources, and had more options in terms of paid internships and opportunities within the city.Pratt isn’t bad, the facilities and location and people are amazing. Their professors are a mixed bag, but if you pay close attention to your scheduling and options it can be a really positive experience. I can’t wholeheartedly recommend the animation program - but there’s not many animation programs i know of outside of calarts (which has its own mess of issues) I’d wholly recommend either. SVA is slightly better than pratt’s program, as its been around longer and has a bit more clout, and allows/encourages students to collaborate for thesis (also it’s in manhattan), but has its own issues. Pratt strongly discourages collaboration (BAD BAD BAD) and that makes thesis/senior year kind of hellish.Pratt’s illustration program is very good, and honestly If i could do things over again, would probably major in illustration and take animation courses as electives, and be active in the animation club and make friends with the animation students through that. I think a lot of the things learned in their illustration program; composition, theming, technique, sequential art, etc; transfer EXTREMELY well to animation, and were nearly entirely absent from pratt’s animation program (which emphasized purely the technical ability to animate, which was exhausting, and completely impractical to finding work in animation after school, which is mostly storyboarding) Hope this helped at all! IDK much about FIT; my friend took some classes there and absolutely hated it, but i dont remember many specifics. I know a great deal of amazing folk who graduated from SVA and Pratt and are doing well! So even with my negative experience, it’s much more what you do with it than the programs themselves. Let me know if there’s anything else you’d like to know! And feel free to keep me updated or need anymore animation advice and junk! this goes for anyone:3!Here’s a post i made a couple years ago with some starting advice, sorry for allt he broken linkks but i dont have them anymore 8 A 8 but could help! Good luck!! https://toridomi.tumblr.com/post/148595109975/do-you-have-any-advice-for-people-who-want-to-get

#Anonymous

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dear-renae · 3 years

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R.E.N.A.E. speaks on it...ALL! (The Great Countertop Debate)

Ask me again and I’ll tell you the same. We have to get down to the bottom of this debate of all times! Quartz versus Natural Stones (Granite, Marble, Onyx, Quartzite, etc.) in regards to COUNTERTOPS!

LIKE HONESTLY, WHICH COUNTERTOP IS PERFECT FOR ME???

Help is on the way! So you ask, which is actually BETTER, and even more so, WHAT THE HECK IS THE DIFFERENCE? No worries, my friend, I will guide you through the big countertop debate regarding placement, durability, maintenance, and of course, the most important: COST of the world’s countertop options!

I will completely guide you through the differences between all the slabs and selecting the best countertop option for YOU and your family! Let’s talk this one out….Once I break it all down, you will choose your battle and see who reigns supreme in your household…well, kinda sorta.

Let’s start with my fave, Marble! Why is marble my favorite? Well let’s start with the obvious, marble is timeless, elegant, unique, and high-maintenance, which is why I love and admire her so! She is a true beauty, with the most exotic veining anyone could imagine. Marble is definitely a “refined taste” like no other. Soft yet durable, marble is the top choice for stone sculptures and almost always is the preference for countertops globally. Now with that prestige, nobility, and opulence comes a pretty price tag and lots of maintenance. Marble is a porous natural stone, made by God, yes God via Earth, or Earth via God, that is created by minerals in the Earth’s crust before crystallization of a limestone. You can travel the entire world and see marble at every turn. From Carrara to Calacatta to Bianco to Statuarietto , you will discover its cultural symbolism and tradition. It’s beauty and composition is unmatched, but the less veining you prefer triples or even quadruples the price point. Marble needs to be sealed twice a year at a minimum and once it is penetrated without proper sealing, it is there FOREVER. Yes, FOREVER! So if you are entertaining guests and a glass of red wine is set on your countertop, oh boy oh boy, you will have a forever red wine tattoo etched in your marble, and NO, it cannot be removed. So for those of you that prefer less maintenance or no maintenance at all, stay clear of marble! But for those of you who are extremely mollycoddle and indulgent, this stone is for YOU!

Which, brings me to Quartz. What is so special about Quartz? Well lemme break it down for you. Quartz is a non-porous material that is highly resistant to stain, scratches, and heat. Now one would automatically say, “well why would I not choose a quartz countertop?” That’s a good question and I will touch on that. Quartz is a man-engineered material that consists of natural material pieces, glass, etc. Quartz is extremely popular now with the high resemblance to natural stones, especially marble. Unlike marble, all quartz will be the exact same as it comes off the assembly line, well there is not really an assembly line, but you get the idea. Same quartz, same look, same everything. So when you are entertaining that same guest with the red wine, you are indeed in luck my dear, as quartz will stay in tact, without any stains and requires no sealing! That alone is why people pay $$$$ for quartz, absolutely no maintenance required. None. Zilch. Zero. Nada. Nothing…..you get the point!

Granite is a fan-favorite with one-of-a-kind speckling, movement, and variations, also produced by none other than the almighty God via Earth. It is a durable natural stone, that also requires sealing, but only once annually versus marble twice as much. Let’s face it, if it can develop from the Earth’s many crust layers with the amount of heat that comes with the layers itself, it can survive in your kitchen, hopefully. Granite is resistant to scratches, cuts, chipping, but you still need to maintain it for beauty not durability. Granite is also timeless, but the slabs we have seen in countertops of the past are making a COMEBACK. The more negative space of a granite, the more $$$ you will spend. No two are alike, and in fact, within the same family, you will still have a unique aesthetic that is unmatched. That is what one with a refined taste absolutely loves about natural stone. The unexpected, the unknown, God’s natural randomness. Granite is popular due to it being readily available all over the world. You can pretty much find granite in almost every region and corner of the earth, so it remains sought after for that purpose alone. Granite makes for a great countertop option for busy families, as it is the best of both worlds: unique beauty and heck yeah, lower maintenance. A win-win for sure! I’ve always laughed at how my kids would hide crumbs on our granite countertops, because in all honesty, it is extremely difficult to see dirt, which is another reason why it is so popular amongst active families. For those teenagers who try to finesse the chore of cleaning the kitchen properly, especially countertops, use the ever so clever “hand test” and swipe all the crumbs to the floor. Parents, you can thank me later!

Quartzite…not to be confused with quartz, is a natural stone that is exotic in nature and highly porous. Also created by God via Earth, quartzite is worth every single coin you will muster to come up with to pay that price. The richness and depth of colors and variations that this natural stone offers is second to none. Quartzite is harder and more resistant than most other natural stones, which makes it a fabulous option for a countertop, in my opinion. With all that beauty comes with high high high maintenance and the price tag to match it. The character of quartzite, alone, by far exceeds any aesthetic you will ever find, in other words, you WILL NOT be disappointed!

Onyx…well, it is typically not the best choice for a countertop, but when I tell you, eyes will pop….hunti, that is an understatement. Onyx is fragile. Onyx is rare. Onyx is soft. Onyx is EXPENSIVE, but that means not a thing to the client who loves its beauty and translucence, especially when making a statement. But, but, but she is a beauty! For sure! Great option for basements bars or as a cool backsplash…but I will continue to focus on countertops…

Do’s and Don’ts when it pertains to your countertops, especially all of the natural stone countertops!

Do clean up spills immediately with a wet cloth.

Do use trivets or mats under hot dishes and cookware, even though it can technically stand the heat, why would you burn your investment?.

Do use place mats under china, silver, and other objects that can scratch the stone’s surface.

Do use coasters under glasses, especially if they contain alcohol or citrus juices, get dem babies used to using coasters on a regular basis.

Do clean surfaces with mild soap and water.

Do seal your natural stones, at the minimum, twice a year for Marble, Onyx, Quartzite and once a year for Granite…none per year for Quartz.

Don’t use abrasive cleaners, like Bleach and Fabuloso. If you cannot use on your body, do not, and I repeat do not use on your countertops.

Don’t use scouring powders and abrasives because they will scratch the surface.

Don’t cut food directly on your countertop, use a cutting board.

Don’t use vinegar, ammonia or other general-purpose cleansers and if you do DILUTE with warm water.

Take good care of your countertops and I promise they will take good care of you! Routine cleaning, care and maintenance with sealing, and avoiding direct contact with food will ensure a beautiful countertop for years to come!

Sola Design’s team wants to wish you and your family a safe and abundant New Year! We have truly shown ourselves just how important life can be over the course of 2020 and we will continue to speak life, love, blessings, and abundance into our futures and within ourselves. As always, thanks for rocking with me, stay safe & chat soon!

Live..Love..Design!

xo Renae

#interiors #interior design #motivation #my story #Inspiration #countertops #marble #quartz #granite #quartzite #sealing natural stones #natural beauty #God's gift #FLYAF

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kassareo · 7 years

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hey hey i rly like your graphics so i was wondering how you get ur inspirations for them? how do u know what u want to try?

hello hi thank you! i decided to get a bit more into specifics so i cut it

hard question actually like if we’re talking about inspiration then i’m just gonna say - everywhere. literally. i see some nice color on the streets - i make a photo of it (of course it’s not the same on the phone but it’s a base for working further), i see some nice advertisements, photos, sometimes it’s just placement of things and they create some nice geometrical composition - i remember or sketch them somewhere. same goes to the tumblr gfx like - wow, that’s nice way of using frame or the text placement here’s outstanding or huh the contrast between the elements is fantastic. if i specifically take element from some gfx, i always mention the op but nowadays i try to use my own creativity and memory to shape ykow my own way of doing things rather than using other works as references.

i’m gonna show on the example so it would be easier for you to understand how my creative process works - my last gfx set. my first idea was i want yoongi and weeknd, but weeknd for me means neon so i have yoongi, weeknd and neon. then i started searching for the song and i chose ‘tears in the rain’ cause it was fitting and i like it. i see the lyrics and like ‘ok, i think i can go with some shade of tealish/turquoise cause reference to the water’.

the first pic - i remember seeing a nice exhibition which used the neon illumination underneath the canvas so i used this idea: i took some pic of canvas, disgustingly long was the process of making the illumination, practiced the neon typing and added yoongi. also made little shapes cause i wanted to put emphasize on neon and the title of the song even more (hah)

second - i though it would be cool to make a mix of little pics which will match words ‘die’ and ‘smile’ so i made screens from inu, found some old film texture, fixed the coloring - whoa interesting, now it has a bit of wes anderson’s vibe therefore i added the coloring to the typo that matches both the set and the mood

third - i was inspired by weeknd’s ‘the hills’ cover, which is basically a scan of little pieces of photo so i took two yoongi’s photos, matched them in approximate shading and made the cut effect. then to match this edit to the set i added a blue texture at the bottom, made neon typo. the worst here was the words placement and it’s sizes therefore i’ve spent hella lot of time just placing it around so it would look good and not ruin the composition.

the little texts - a little transitions in-between that keep the composition of the whole set and ‘unloading’ it a bit. nothing special about them, i’ve been using them for a while but they keep this thing more lively and match the idea of neon. probably the only thing i wanted additionally for them to showcase is a little difference in meaning of the lyrics - the fading word ‘don’t’ makes the phrase ‘show the world how alone you’ve become’ more about yoongi’s experience in regards of his mixtape.

you see, lots of ideas come from everywhere and when you do something you always think ‘ah, what if i do this a bit other way’ and that’s practicing for you - the best way to try new things. my own fave gfx was really an accident and i was dying over the text placement but after few hours of hell like a puzzle it emerged into one beautiful picture and i was so proud of myself (still think is was my best thing and one of the best text placement i’ve ever done).

#ask #it took so much time to write it out appreciate it fam #Anonymous

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the-moon-devi · 5 months

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My Favorite Asteroids To Look At In Composite/Synastry Charts || +Observations

𝐌𝐚𝐫𝐫𝐢𝐚𝐠𝐞 𝐀𝐬𝐭𝐞𝐫𝐨𝐢𝐝𝐬

(𝐈'𝐦 𝐬𝐮𝐫𝐞 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐨𝐧𝐞 𝐦𝐨𝐬𝐭 𝐨𝐟 𝐮𝐬 𝐠𝐢𝐫𝐥𝐬 𝐜𝐚𝐧 𝐚𝐠𝐫𝐞𝐞 𝐨𝐧. 🤭 𝐄𝐯𝐞𝐧 𝐢𝐟 𝐲𝐨𝐮 𝐝𝐨𝐧'𝐭 𝐛𝐞𝐥𝐢𝐞𝐯𝐞 𝐢𝐧 𝐜𝐨𝐧𝐯𝐞𝐧𝐭𝐢𝐨𝐧𝐚𝐥 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞. 𝐈𝐭'𝐬 𝐬𝐭𝐢𝐥𝐥 𝐠𝐫𝐞𝐚𝐭 𝐭𝐨 𝐥𝐨𝐨𝐤 𝐚𝐭, 𝐭𝐨 𝐬𝐞𝐞 𝐭𝐡𝐞 𝐬𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐜𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 & 𝐩𝐞𝐫𝐬𝐨𝐧 𝐚𝐭 𝐡𝐚𝐧𝐝. 𝐓𝐡𝐢𝐬 𝐜𝐚𝐧 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐟𝐞𝐞𝐥 𝐥𝐢𝐤𝐞 𝐲𝐨𝐮 𝐭𝐰𝐨 𝐚𝐫𝐞 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝐞𝐯𝐞𝐧 𝐢𝐟 𝐲𝐨𝐮 𝐭𝐰𝐨 𝐝𝐞𝐜𝐢𝐝𝐞 𝐧𝐨𝐭 𝐭𝐨!)

• 𝐁𝐨𝐝𝐚 (𝟏𝟒𝟖𝟕) •

𝐓𝐡𝐢𝐬 𝐢𝐬 𝐨𝐧𝐞 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐭𝐡𝐚𝐭 𝐈 𝐋𝐨𝐯𝐞𝐞𝐞𝐞 𝐭𝐨 𝐥𝐨𝐨𝐤 𝐚𝐭 𝐢𝐧 𝐠𝐞𝐧𝐞𝐫𝐚𝐥! 𝐈 𝐟𝐢𝐧𝐝 𝐭𝐡𝐢𝐬 𝐭𝐨 𝐛𝐞 𝐯𝐞𝐫𝐲𝐲𝐲𝐲𝐲𝐲 𝐚𝐜𝐜𝐮𝐫𝐚𝐭𝐞 𝐢𝐧 𝐭𝐡𝐞 𝐂𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 & 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐂𝐡𝐚𝐫𝐭𝐬 𝐨𝐟 𝐭𝐡𝐨𝐬𝐞 𝐰𝐡𝐨 𝐚𝐫𝐞 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝐨𝐫 𝐰𝐡𝐨 𝐰𝐞𝐫𝐞 𝐨𝐧𝐜𝐞 𝐦𝐚𝐫𝐫𝐢𝐞𝐝.

𝐁𝐨𝐝𝐚 𝟏𝐬𝐭/𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐨𝐯𝐞𝐫𝐥𝐚𝐲𝐬: 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐠𝐫𝐞𝐚𝐭 𝐟𝐨𝐫 𝐬𝐡𝐨𝐰𝐢𝐧𝐠 𝐚 𝐰𝐞𝐝𝐝𝐢𝐧𝐠 𝐰𝐢𝐥𝐥 𝐡𝐚𝐩𝐩𝐞𝐧. 𝐀𝐥𝐬𝐨 𝐠𝐨𝐨𝐝 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞/𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧 𝐜𝐡𝐚𝐫𝐭𝐬!

𝐄𝐱: 𝐁𝐥𝐚𝐤𝐞 𝐋𝐢𝐯𝐞𝐥𝐲 & 𝐑𝐲𝐚𝐧 𝐑𝐞𝐲𝐧𝐨𝐥𝐝𝐬 𝐇𝐚𝐯𝐞 𝐛𝐨𝐝𝐚 𝐢𝐧 𝐚 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐨𝐯𝐞𝐫𝐥𝐚𝐲 𝐢𝐧 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲.

𝐀𝐦𝐚𝐥 & 𝐆𝐞𝐨𝐫𝐠𝐞 𝐂𝐥𝐨𝐨𝐧𝐞𝐲 𝐡𝐚𝐯𝐞 𝐚 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐨𝐯𝐞𝐫𝐥𝐚𝐲 & 𝐁𝐨𝐝𝐚 ☌ 𝐁𝐨𝐝𝐚 𝐢𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲.

𝐉𝐨𝐚𝐧𝐧𝐞 𝐖𝐨𝐨𝐝𝐰𝐚𝐫𝐝 & 𝐏𝐚𝐮𝐥 𝐍𝐞𝐰𝐦𝐚𝐧 𝐡𝐚𝐯𝐞 𝐚 𝐛𝐨𝐝𝐚 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞 𝐨𝐯𝐞𝐫𝐥𝐚𝐲/ 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭𝐢𝐨𝐧 𝐭𝐨 𝐀𝐬𝐜𝐞𝐧𝐝𝐚𝐧𝐭 𝐢𝐧 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲.

𝐕𝐢𝐜𝐭𝐨𝐫𝐢𝐚 & 𝐃𝐚𝐯𝐢𝐝 𝐁𝐞𝐜𝐤𝐡𝐚𝐦 𝐡𝐚𝐯𝐞 𝐚 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐨𝐯𝐞𝐫𝐥𝐚𝐲/ 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭𝐢𝐨𝐧 𝐭𝐨 𝐃𝐞𝐬𝐜𝐞𝐧𝐝𝐚𝐧𝐭 𝐢𝐧 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲.

𝐁𝐨𝐝𝐚-𝐕𝐞𝐧𝐮𝐬/𝐉𝐮𝐧𝐨: 𝐭𝐡𝐢𝐬 𝐰𝐨𝐫𝐤𝐬 𝐛𝐨𝐭𝐡 𝐰𝐚𝐲𝐬 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 & 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲. 𝐎𝐛𝐯𝐢𝐨𝐮𝐬𝐥𝐲 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐯𝐞𝐧𝐮𝐬 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 & 𝐁𝐨𝐝𝐚 𝐢𝐬 𝐰𝐞𝐝𝐝𝐢𝐧𝐠𝐬. 𝐒𝐨 𝐭𝐡𝐞𝐬𝐞 𝐭𝐰𝐨 𝐜𝐨𝐦𝐢𝐧𝐠 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐜𝐚𝐧 𝐬𝐡𝐨𝐰 𝐚 𝐡𝐚𝐫𝐦𝐨𝐧𝐢𝐨𝐮𝐬 & 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥 𝐰𝐞𝐝𝐝𝐢𝐧𝐠 𝐛𝐚𝐬𝐞𝐝 𝐨𝐟𝐟 𝐨𝐟 𝐥𝐨𝐯𝐞.

𝐁𝐨𝐝𝐚 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭 𝐍𝐨𝐫𝐭𝐡 𝐍𝐨𝐝𝐞

𝐉𝐚𝐲-𝐳'𝐬 𝐛𝐨𝐝𝐚 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐢𝐬 𝐨𝐩𝐩𝐨𝐬𝐢𝐭𝐞 𝐁𝐞𝐲𝐨𝐧𝐜𝐞 𝐍𝐨𝐫𝐭𝐡 𝐍𝐨𝐝𝐞, 𝐚𝐧𝐝 𝐡𝐞𝐫 𝐁𝐨𝐝𝐚 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐢𝐬 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭 𝐢𝐬 𝐡𝐢𝐬 𝐍𝐨𝐫𝐭𝐡 𝐍𝐨𝐝𝐞. 𝐒𝐨 𝐭𝐡𝐢𝐬 𝐚 𝐝𝐨𝐮𝐛𝐥𝐞 𝐰𝐡𝐚𝐦𝐦𝐲, 𝐚𝐧𝐝 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝐍𝐨𝐫𝐭𝐡 𝐧𝐨𝐝𝐞 𝐡𝐞𝐫𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞𝐬 𝐭𝐡𝐚𝐭 𝐢𝐭 𝐰𝐚𝐬 𝐭𝐡𝐞 𝐠𝐨𝐚𝐥 𝐨𝐟 𝐭𝐡𝐞𝐬𝐞 𝐭𝐰𝐨 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐰𝐚𝐬 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐚 𝐰𝐞𝐝𝐝𝐢𝐧𝐠. 𝐓𝐡𝐞𝐲 𝐚𝐥𝐬𝐨 𝐡𝐚𝐯𝐞 𝐛𝐨𝐝𝐚 ☌ 𝐀𝐬𝐜𝐞𝐧𝐝𝐚𝐧𝐭, 𝐚𝐧𝐝 𝐛𝐨𝐝𝐚 𝟒𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐨𝐯𝐞𝐫𝐥𝐚𝐲. 𝐖𝐡𝐢𝐜𝐡 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐢𝐬 𝐩𝐫𝐞𝐭𝐭𝐲 𝐠𝐨𝐨𝐝!

𝐕𝐢𝐜𝐭𝐨𝐫𝐢𝐚 & 𝐃𝐚𝐯𝐢𝐝 𝐁𝐞𝐜𝐤𝐡𝐚𝐦 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 & 𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧 𝐚𝐬 𝐰𝐞𝐥𝐥.

𝐈'𝐯𝐞 𝐚𝐥𝐬𝐨 𝐧𝐨𝐭𝐢𝐜𝐞𝐝 𝐛𝐨𝐝𝐚 𝟓𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 𝐬𝐞𝐞𝐦𝐬 𝐭𝐨 𝐛𝐞 𝐟𝐚𝐢𝐫𝐥𝐲 𝐜𝐨𝐦𝐦𝐨𝐧 𝐟𝐨𝐫 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝐜𝐨𝐮𝐩𝐥𝐞𝐬. 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝟓𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐫𝐮𝐥𝐞𝐬 𝐩𝐚𝐫𝐭𝐢𝐞𝐬 & 𝐜𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐨𝐧𝐬. 𝐓𝐡𝐞 𝐰𝐞𝐝𝐝𝐢𝐧𝐠 𝐦𝐚𝐲 𝐛𝐞 𝐯𝐞𝐫𝐲 𝐭𝐚𝐥𝐤𝐞𝐝 𝐚𝐛𝐨𝐮𝐭 𝐨𝐫 𝐚𝐧𝐭𝐢𝐜𝐢𝐩𝐚𝐭𝐞𝐝. 𝐈𝐭 𝐜𝐨𝐮𝐥𝐝 𝐝𝐞𝐟𝐢𝐧𝐢𝐭𝐞𝐥𝐲 𝐛𝐞 𝐯𝐞𝐫𝐲 𝐟𝐮𝐧.

𝐄𝐱: 𝐁𝐞𝐲𝐨𝐧𝐜𝐞 & 𝐉𝐚𝐲-𝐳, 𝐀𝐦𝐚𝐥 & 𝐆𝐞𝐨𝐫𝐠𝐞 𝐂𝐥𝐨𝐨𝐧𝐞𝐲,

•𝐁𝐫𝐢𝐞𝐝𝐞 (𝟏𝟗𝟎𝟐𝟗) •

𝐅𝐫𝐨𝐦 𝐭𝐡𝐞 𝐧𝐚𝐦𝐞 𝐲𝐨𝐮 𝐜𝐚𝐧 𝐬𝐞𝐞 𝐭𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐭𝐡𝐞 𝐛𝐫𝐢𝐝𝐞! 𝐈𝐟 𝐲𝐨𝐮 𝐢𝐝𝐞𝐧𝐭𝐢𝐟𝐲 𝐚𝐬 𝐚 𝐰𝐨𝐦𝐚𝐧 𝐭𝐡𝐞𝐧 𝐥𝐨𝐨𝐤 𝐟𝐨𝐫 𝐲𝐨𝐮 𝐨𝐫 𝐲𝐨𝐮𝐫 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬 𝐛𝐫𝐢𝐞𝐝𝐞 𝐭𝐨 𝐬𝐞𝐞 𝐢𝐟 𝐢𝐭 𝐟𝐚𝐥𝐥𝐬 𝐢𝐧 𝐚𝐧𝐲 𝐚𝐧𝐠𝐮𝐥𝐚𝐫 𝐡𝐨𝐮𝐬𝐞𝐬!

𝐁𝐫𝐢𝐞𝐝𝐞 𝐢𝐧 𝟏𝐬𝐭/𝟕𝐭𝐡 𝐨𝐯𝐞𝐫𝐥𝐚𝐲𝐬 𝐈𝐧 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲, 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐢𝐭'𝐬 𝐠𝐨𝐨𝐝 𝐭𝐨 𝐬𝐞𝐞 𝐭𝐡𝐞 𝐦𝐚𝐧'𝐬 𝐛𝐫𝐢𝐞𝐝𝐞 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐨𝐦𝐚𝐧'𝐬 𝐚𝐧𝐠𝐮𝐥𝐚𝐫 𝐡𝐨𝐮𝐬𝐞𝐬 𝐨𝐫 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭 𝐭𝐡𝐨𝐬𝐞. 𝐓𝐡𝐢𝐬 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞𝐬 𝐭𝐡𝐚𝐭 𝐡𝐞 𝐬𝐞𝐞𝐬 𝐡𝐞𝐫 𝐚𝐬 𝐚 𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐛𝐫𝐢𝐝𝐞 𝐚𝐧𝐝 𝐬𝐡𝐨𝐰𝐬 𝐚 𝐠𝐫𝐞𝐞𝐧𝐥𝐢𝐠𝐡𝐭 𝐟𝐨𝐫 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞! 𝐁𝐮𝐭 𝐨𝐟 𝐜𝐨𝐮𝐫𝐬𝐞 𝐢𝐟 𝐢𝐭'𝐬 𝐭𝐡𝐞 𝐰𝐨𝐦𝐚𝐧'𝐬 𝐁𝐫𝐢𝐞𝐝𝐞 𝐢𝐧 𝐡𝐢𝐬 𝐚𝐧𝐠𝐮𝐥𝐚𝐫 𝐡𝐨𝐮𝐬𝐞𝐬 𝐭𝐡𝐚𝐭'𝐬 𝐠𝐫𝐞𝐚𝐭 𝐭𝐨𝐨!

𝐄𝐱: 𝐉𝐚𝐲-𝐳 𝐡𝐚𝐬 𝐡𝐢𝐬 𝐛𝐫𝐢𝐞𝐝𝐞 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭 𝐁𝐞𝐲𝐨𝐧𝐜é'𝐬 𝐈𝐂

𝐇𝐚𝐢𝐥𝐞𝐲 𝐁𝐢𝐞𝐛𝐞𝐫 𝐡𝐚𝐬 𝐡𝐞𝐫 𝐁𝐫𝐢𝐞𝐝𝐞 𝐢𝐧 𝐉𝐮𝐬𝐭𝐢𝐧'𝐬 𝟒𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 ☌ 𝐇𝐢𝐬 𝐈𝐂.

𝐁𝐥𝐚𝐤𝐞 𝐋𝐢𝐯𝐞𝐥𝐲 𝐡𝐚𝐬 𝐡𝐞𝐫 𝐁𝐫𝐢𝐞𝐝𝐞 𝐢𝐧 𝐑𝐲𝐚𝐧 𝐑𝐞𝐲𝐧𝐨𝐥𝐝𝐬 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞. 𝐇𝐞 𝐚𝐥𝐬𝐨 𝐡𝐚𝐬 𝐡𝐢𝐬 𝐁𝐫𝐢𝐞𝐝𝐞 𝐢𝐧 𝐡𝐞𝐫 𝟒𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

𝐋𝐢𝐧𝐝𝐚 𝐌𝐜𝐂𝐚𝐫𝐭𝐧𝐞𝐲 𝐡𝐚𝐬 𝐡𝐞𝐫 𝐁𝐨𝐝𝐚 𝐢𝐧 𝐏𝐚𝐮𝐥'𝐬 𝟏𝟎𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

𝐁𝐫𝐢𝐞𝐝𝐞 𝐢𝐧 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞 𝐨𝐟 𝐂𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞~ 𝐓𝐡𝐞 𝐁𝐫𝐢𝐝𝐞 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐭𝐡𝐞 𝐬𝐭𝐚𝐫 𝐨𝐟 𝐭𝐡𝐞 𝐬𝐡𝐨𝐰 𝐥𝐨𝐥. 𝐍𝐨 𝐛𝐮𝐭 𝐟𝐫, 𝐭𝐡𝐞𝐫𝐞 𝐦𝐚𝐲 𝐛𝐞 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐬𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐭 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐛𝐫𝐢𝐝𝐞 𝐨𝐫 𝐬𝐡𝐞 𝐜𝐨𝐮𝐥𝐝 𝐛𝐞 𝐯𝐞𝐫𝐲 𝐩𝐨𝐩𝐮𝐥𝐚𝐫, 𝐚𝐧𝐝 𝐬𝐡𝐞 𝐦𝐚𝐲 𝐬𝐭𝐚𝐧𝐝 𝐨𝐮𝐭 𝐬𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐭𝐥𝐲 𝐰𝐢𝐭𝐡𝐢𝐧 𝐭𝐡𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩. 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐛𝐢𝐠 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐨𝐫 𝐟𝐨𝐫 𝐡𝐚𝐯𝐢𝐧𝐠 𝐚 𝐰𝐞𝐝𝐝𝐢𝐧𝐠.

𝐁𝐫𝐢𝐞𝐝𝐞 ☌ 𝐕𝐞𝐧𝐮𝐬// 𝐓𝐚𝐮𝐫𝐮𝐬/𝐋𝐢𝐛𝐫𝐚~ 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥 𝐛𝐫𝐢𝐝𝐞, 𝐬𝐡𝐞 𝐦𝐚𝐲 𝐛𝐞 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞, 𝐚𝐧𝐝 𝐡𝐞𝐫 𝐝𝐫𝐞𝐬𝐬 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐯𝐞𝐫𝐲 𝐠𝐫𝐚𝐧𝐝 & 𝐥𝐮𝐱𝐮𝐫𝐢𝐨𝐮𝐬.

𝐄𝐱: 𝐏𝐚𝐮𝐥 & 𝐉𝐨𝐚𝐧𝐧𝐞 𝐡𝐚𝐯𝐞 𝐛𝐨𝐭𝐡 𝐨𝐟 𝐭𝐡𝐞𝐬𝐞 𝐢𝐧 𝐭𝐡𝐞𝐢𝐫 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 𝐜𝐡𝐚𝐫𝐭, 𝐚𝐧𝐝 𝐉𝐨𝐚𝐧𝐧𝐞 𝐰𝐚𝐬 𝐚 𝐬𝐭𝐚𝐫 𝐝𝐮𝐫𝐢𝐧𝐠 𝐭𝐡𝐞 𝐠𝐨𝐥𝐝𝐞𝐧 𝐚𝐠𝐞 𝐨𝐟 𝐇𝐨𝐥𝐥𝐲𝐰𝐨𝐨𝐝. 𝐒𝐡𝐞 𝐚𝐥𝐬𝐨 𝐡𝐚𝐬 𝐞𝐚𝐫𝐧𝐞𝐝 𝐦𝐚𝐧𝐲 𝐚𝐜𝐜𝐨𝐥𝐚𝐝𝐞𝐬.

𝐁𝐫𝐢𝐞𝐝𝐞 ☌ 𝐁𝐨𝐝𝐚~ 𝐈'𝐯𝐞 𝐬𝐞𝐞𝐧 𝐭𝐡𝐢𝐬 𝐬𝐨𝐨𝐨𝐨 𝐦𝐚𝐧𝐲 𝐭𝐢𝐦𝐞𝐬 𝐰𝐢𝐭𝐡𝐢𝐧 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝐜𝐨𝐮𝐩𝐥𝐞𝐬 𝐚𝐬 𝐰𝐞𝐥𝐥.

𝐆𝐫𝐨𝐨𝐦 (𝟓𝟏𝟐𝟗) ● 𝐬𝐚𝐦𝐞 𝐚𝐬 𝐚𝐛𝐨𝐯𝐞 ⤴, 𝐫𝐨𝐥𝐞𝐬 𝐚𝐫𝐞 𝐣𝐮𝐬𝐭 𝐬𝐰𝐢𝐭𝐜𝐡𝐞𝐝!

•𝐔𝐧𝐢𝐨𝐧 (𝟏𝟓𝟖𝟓) ●

𝐍𝐨𝐭 𝐧𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐢𝐥𝐲 𝐚 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐛𝐮𝐭 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐢𝐭 𝐜𝐚𝐧 𝐢𝐦𝐩𝐥𝐲 𝐭𝐡𝐢𝐬 𝐡𝐚𝐩𝐩𝐞𝐧𝐢𝐧𝐠. 𝐔𝐧𝐢𝐨𝐧 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐚𝐧 𝐨𝐫𝐝𝐚𝐢𝐧𝐞𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧.

𝐔𝐧𝐢𝐨𝐧 ☌ 𝐒𝐮𝐧

𝐄𝐱: 𝐀𝐦𝐚𝐥 & 𝐆𝐞𝐨𝐫𝐠𝐞 𝐂𝐥𝐨𝐨𝐧𝐞𝐲 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧 𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧 𝐜𝐡𝐚𝐫𝐭.

𝐔𝐧𝐢𝐨𝐧 𝟏𝐡/𝟕𝐡 𝐨𝐯𝐞𝐫𝐥𝐚𝐲𝐬- 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐭𝐨 𝐥𝐞𝐚𝐫𝐧 𝐚𝐛𝐨𝐮𝐭 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫, 𝐚𝐧𝐝 𝐮𝐧𝐢𝐨𝐧 𝐨𝐟 𝐬𝐨𝐮𝐥𝐬

𝐔𝐧𝐢𝐨𝐧 ☌ 𝐍𝐍/𝐒𝐍~ 𝐓𝐡𝐢𝐬 𝐚𝐩𝐩𝐥𝐢𝐞𝐬 𝐟𝐨𝐫 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 𝐚𝐬 𝐰𝐞𝐥𝐥. 𝐓𝐡𝐢𝐬 𝐬𝐡𝐨𝐰𝐬 𝐚 𝐟𝐚𝐭𝐞𝐝 𝐔𝐧𝐢𝐨𝐧. 𝐂𝐨𝐦𝐢𝐧𝐠 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐡𝐞𝐥𝐩𝐬 𝐭𝐡𝐞 𝐭𝐡𝐞 𝐛𝐨𝐭𝐡 𝐨𝐟 𝐲𝐨𝐮 𝐞𝐯𝐨𝐥𝐯𝐞 𝐚𝐧𝐝 𝐟𝐨𝐥𝐥𝐨𝐰 𝐲𝐨𝐮𝐫 𝐒𝐨𝐮𝐥𝐬 𝐩𝐮𝐫𝐩𝐨𝐬𝐞. 𝐕𝐞𝐫𝐲 𝐤𝐚𝐫𝐦𝐢𝐜 𝐛𝐨𝐧𝐝. 𝐏𝐨𝐰𝐞𝐫 𝐜𝐨𝐮𝐩𝐥𝐞 𝐯𝐢𝐛𝐞𝐬

𝐄𝐱: 𝐁𝐞𝐲𝐨𝐧𝐜é & 𝐉𝐚𝐲-𝐳 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧 𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧

𝐔𝐧𝐢𝐨𝐧 ☌ 𝐕𝐞𝐧𝐮𝐬~ 𝐜𝐨𝐦𝐢𝐧𝐠 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐦𝐚𝐤𝐞𝐬 𝐲𝐨𝐮 𝐭𝐰𝐨 𝐥𝐞𝐚𝐫𝐧 𝐚𝐛𝐨𝐮𝐭 𝐥𝐨𝐯𝐞, 𝐚𝐧𝐝 𝐟𝐚𝐥𝐥 𝐢𝐧 𝐥𝐨𝐯𝐞. 𝐓𝐡𝐢𝐬 𝐜𝐚𝐧 𝐟𝐞𝐞𝐥 𝐥𝐢𝐤𝐞 𝐚 𝐬𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐭 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 & ��𝐟𝐜 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞.

𝐄𝐱: 𝐁𝐥𝐚𝐤𝐞 𝐋𝐢𝐯𝐞𝐥𝐲 & 𝐑𝐲𝐚𝐧 𝐑𝐞𝐲𝐧𝐨𝐥𝐝𝐬 𝐇𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧 𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧.

𝐔𝐧𝐢𝐨𝐧 𝐐𝐮𝐢𝐧𝐭𝐢𝐥𝐞 𝐕𝐞𝐧𝐮𝐬~ 𝐓𝐡𝐫𝐨𝐮𝐠𝐡 𝐭𝐡𝐢𝐬 𝐔𝐧𝐢𝐨𝐧 𝐢𝐭𝐬 𝐞𝐚𝐬𝐲 𝐟𝐨𝐫 𝐛𝐨𝐭𝐡 𝐭𝐡𝐞𝐬𝐞 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬 𝐭𝐨 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐥𝐨𝐯𝐞 & 𝐩𝐥𝐞𝐚𝐬𝐮𝐫𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫. 𝐈𝐭'𝐬 𝐩𝐨𝐬𝐬𝐢𝐛𝐥𝐞 𝐭𝐡𝐞𝐲 𝐰𝐢𝐥𝐥 𝐟𝐞𝐞𝐥 𝐩𝐚𝐬𝐬𝐢𝐨𝐧𝐚𝐭𝐞𝐥𝐲 𝐚𝐛𝐨𝐮𝐭 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫. 𝐓𝐡𝐢𝐬 𝐢𝐬 𝐬𝐢𝐦𝐢𝐥𝐚𝐫 𝐭𝐨 𝐭𝐡𝐞 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭𝐢𝐨𝐧! ⤴

𝐂𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 𝐔𝐧𝐢𝐨𝐧 𝐢𝐧 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞/𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐢𝐬 𝐬𝐨 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥. 𝐓𝐨 𝐦𝐞 𝐭𝐡𝐢𝐬 𝐬𝐡𝐨𝐰𝐬 𝐭𝐰𝐨 𝐜𝐨𝐮𝐧𝐭𝐞𝐫𝐩𝐚𝐫𝐭𝐬 𝐰𝐡𝐨 𝐰𝐞𝐫𝐞 𝐦𝐞𝐚𝐧𝐭 𝐭𝐨 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐭𝐡𝐢𝐬 𝐥𝐢𝐟𝐞. 𝐔𝐧𝐢𝐨𝐧 𝐢𝐧 𝐭𝐡𝐞𝐬𝐞 𝐡𝐨𝐮𝐬𝐞 𝐬𝐡𝐨𝐰𝐬 𝐚 𝐟𝐚𝐭𝐞𝐝 𝐔𝐧𝐢𝐨𝐧 & 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩, 𝐚𝐧𝐝 𝐩𝐨𝐬𝐬𝐢𝐛𝐥𝐞 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 ⚭. 𝐓𝐡𝐢𝐬 𝐚𝐩𝐩𝐥𝐢𝐞𝐬 𝐟𝐨𝐫 𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧 𝐭𝐨𝐨!

𝐀𝐥𝐞𝐱𝐚 𝐩𝐥𝐚𝐲, "𝐌𝐚𝐭𝐫𝐢𝐦𝐨𝐧𝐲 𝐁𝐲 𝐖𝐚𝐥𝐞"

𝐄𝐱: 𝐁𝐥𝐚𝐤𝐞 𝐋𝐢𝐯𝐞𝐥𝐲 & 𝐑𝐲𝐚𝐧 𝐑𝐞𝐲𝐧𝐨𝐥𝐝𝐬 𝐇𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐢𝐧 𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧!

𝐀𝐧𝐠𝐞𝐥𝐢𝐧𝐚 𝐣𝐨𝐥𝐢𝐞 & 𝐁𝐫𝐚𝐝 𝐩𝐢𝐭𝐭 𝐡𝐚𝐯𝐞 𝐮𝐧𝐢𝐨𝐧 ☌ 𝐀𝐬𝐜𝐞𝐧𝐝𝐚𝐧𝐭 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞.

𝐆𝐞𝐨𝐫𝐠𝐞 & 𝐀𝐦𝐚𝐥 𝐂𝐥𝐨𝐨𝐧𝐞𝐲; 𝐂𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞

𝐔𝐧𝐢𝐨𝐧 𝐢𝐧 𝟏𝟎𝐭𝐡 𝐡𝐨𝐮𝐬𝐞~ 𝐛𝐞𝐢𝐧𝐠 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝐦𝐚𝐲 𝐢𝐦𝐩𝐚𝐜𝐭 𝐛𝐨𝐭𝐡 𝐨𝐟 𝐭𝐡𝐞 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬 𝐫𝐞𝐩𝐮𝐭𝐚𝐭𝐢𝐨𝐧 & 𝐜𝐚𝐫𝐞𝐞𝐫. 𝐓𝐡𝐞𝐲 𝐦𝐚𝐲 𝐰𝐨𝐫𝐤 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐨𝐫 𝐛𝐞 𝐩𝐮𝐛𝐥𝐢𝐜𝐥𝐲 𝐤𝐧𝐨𝐰𝐧 𝐚𝐬 𝐚 𝐜𝐨𝐮𝐩𝐥𝐞.

𝐔𝐧𝐢𝐨𝐧-𝐕𝐞𝐫𝐭𝐞𝐱 ~ 𝐜𝐚𝐧 𝐬𝐡𝐨𝐰 𝐟𝐚𝐭𝐞𝐝 𝐔𝐧𝐢𝐨𝐧 &/𝐨𝐫 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 ⚭ (𝐬𝐨𝐟𝐭 𝐚𝐬𝐩𝐞𝐜𝐭𝐬)

𝐔𝐧𝐢𝐨𝐧- 𝐉𝐮𝐧𝐨~ 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐟𝐨𝐫 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 ⚭ (𝐬𝐨𝐟𝐭 𝐚𝐬𝐩𝐞𝐜𝐭𝐬)

𝐂𝐨𝐩𝐲 & 𝐏𝐚𝐬𝐭𝐞 ⤵

1487,19029,5129,1585

𝐋𝐨𝐧𝐠𝐞𝐯𝐢𝐭𝐲 𝐀𝐬𝐭𝐞𝐫𝐨𝐢𝐝𝐬

𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 (𝟖𝟗𝟗𝟏) ● 𝐓𝐡𝐞 𝐦𝐞𝐚𝐧𝐢𝐧𝐠 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐢𝐬 𝐣𝐮𝐬𝐭 𝐡𝐨𝐰 𝐢𝐭 𝐬𝐨𝐮𝐧𝐝𝐬. 𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐬𝐭𝐢𝐜𝐤𝐢𝐧𝐠 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐚𝐧𝐝 𝐡𝐚𝐯𝐢𝐧𝐠 𝐚 𝐬𝐨𝐥𝐢𝐝 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩.

𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 𝟏𝐡/𝟕𝐡 ~ 𝐓𝐡𝐢𝐬 𝐚𝐩𝐩𝐥𝐢𝐞𝐬 𝐟𝐨𝐫 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐨𝐫 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞/𝐃𝐚𝐯𝐢𝐝𝐬𝐨𝐧. 𝐎𝐛𝐯𝐢𝐨𝐮𝐬𝐥𝐲 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞𝐬 𝐚 𝐥𝐨𝐧𝐠 & 𝐬𝐭𝐚𝐛𝐥𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩! 𝐈𝐭'𝐬 𝐡𝐚𝐫𝐝 𝐟𝐨𝐫 𝐲𝐨𝐮 𝐭𝐰𝐨 𝐭𝐨 𝐛𝐫𝐞𝐚𝐤 𝐚𝐩𝐚𝐫𝐭.

𝐄𝐱: 𝐉𝐚𝐲-𝐳 𝐡𝐚𝐬 𝐡𝐢𝐬 𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 𝐢𝐧 𝐁𝐞𝐲𝐨𝐧𝐜é 𝟏𝐡 𝐢𝐧 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲

𝐊𝐚𝐲𝐧𝐞 𝐡𝐚𝐬 𝐡𝐢𝐬 𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 ☌ 𝐊𝐢𝐦'𝐬 𝐃𝐞𝐬𝐜𝐞𝐧𝐝𝐚𝐧𝐭

𝐏𝐚𝐮𝐥 & 𝐋𝐢𝐧𝐝𝐚 𝐌𝐜𝐂𝐚𝐫𝐭𝐧𝐞𝐲 𝐛𝐨𝐭𝐡 𝐡𝐚𝐯𝐞 𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 𝐢𝐧 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫'𝐬 𝟏𝐡!

𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 𝟗𝐡~ (𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐚𝐥𝐥𝐲 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲) 𝐈'𝐯𝐞 𝐧𝐨𝐭𝐢𝐜𝐞𝐝 𝐭𝐡𝐢𝐬 𝐚 𝐜𝐨𝐮𝐩𝐥𝐞 𝐭𝐢𝐦𝐞𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲 𝐨𝐟 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝐜𝐨𝐮𝐩𝐥𝐞𝐬. 𝟗𝐡 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐰𝐞𝐝𝐝𝐢𝐧𝐠𝐬 𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐚𝐥𝐥𝐲, 𝐚𝐧𝐝 𝐥𝐚𝐰𝐬/𝐭𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧𝐬. 𝐓𝐡𝐞 𝐜𝐨𝐮𝐩𝐥𝐞𝐬 𝐰𝐡𝐨 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐨𝐯𝐞𝐫𝐥𝐚𝐲 𝐜𝐚𝐧 𝐛𝐞 𝐬𝐞𝐞𝐧 𝐚𝐬 𝐚 𝐥𝐨𝐧𝐠 𝐥𝐚𝐬𝐭𝐢𝐧𝐠 𝐜𝐨𝐮𝐩𝐥𝐞 & 𝐞𝐯𝐞𝐧 𝐜𝐫𝐞𝐚𝐭𝐞 𝐧𝐞𝐰 𝐭𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡𝐢𝐧 𝐭𝐡𝐞𝐢𝐫 𝐮𝐧𝐢𝐭.

𝐄𝐱: 𝐁𝐞𝐲𝐨𝐧𝐜é & 𝐉𝐚𝐲-𝐳, 𝐇𝐚𝐢𝐥𝐞𝐲 & 𝐉𝐮𝐬𝐭𝐢𝐧 𝐁𝐞𝐢𝐛𝐞𝐫,

𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 - 𝐍𝐨𝐫𝐭𝐡 𝐍𝐨𝐝𝐞 ~ 𝐎𝐧 𝐚 𝐣𝐨𝐮𝐫𝐧𝐞𝐲 𝐭𝐨 𝐬𝐭𝐚𝐛𝐢𝐥𝐢𝐭𝐲, 𝐚𝐧𝐝 𝐠𝐫𝐨𝐰𝐭𝐡. 𝐋𝐨𝐧𝐠𝐞𝐯𝐢𝐭𝐲 𝐢𝐬 𝐭𝐡𝐞 𝐠𝐨𝐚𝐥.

𝐄𝐱: 𝐌𝐲 𝐩𝐚𝐫𝐞𝐧𝐭𝐬 𝐡𝐚𝐯𝐞 𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 ☍ 𝐍𝐨𝐫𝐭𝐡 𝐍𝐨𝐝𝐞 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞, 𝐭𝐡𝐞𝐲'𝐯𝐞 𝐛𝐞𝐞𝐧 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐟𝐨𝐫 𝟏𝟗 𝐲𝐞𝐚𝐫𝐬.

𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 - 𝐕𝐞𝐧𝐮𝐬~ 𝐋𝐨𝐯𝐢𝐧𝐠 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐟𝐨𝐫 𝐚 𝐰𝐡𝐢𝐥𝐞𝐞𝐞𝐞𝐞𝐞𝐞𝐞……

𝐄𝐱: 𝐌𝐲 𝐩𝐚𝐫𝐞𝐧𝐭𝐬 𝐚𝐥𝐬𝐨 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐜𝐨𝐧𝐣𝐮𝐧𝐜𝐭!

𝐍𝐨𝐰 𝐨𝐧𝐭𝐨 𝐦𝐲 𝐟𝐚𝐯𝐨𝐫𝐢𝐭𝐞…….

𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 (𝟒𝟒𝟔) ● 𝐈 𝐣𝐮𝐬𝐭 𝐫𝐞𝐜𝐞𝐧𝐭𝐥𝐲 𝐜𝐚𝐦𝐞 𝐚𝐜𝐫𝐨𝐬𝐬 𝐭𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝, 𝐚𝐧𝐝 𝐈'𝐯𝐞 𝐛𝐞𝐞𝐧 𝐫𝐞𝐬𝐞𝐚𝐫𝐜𝐡𝐢𝐧𝐠 𝐢𝐭𝐬 𝐬𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐜𝐞 𝐢𝐧 𝐜𝐨𝐮𝐩𝐥𝐞𝐬 𝐜𝐡𝐚𝐫𝐭𝐬. 𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 𝐢𝐬 𝐚 𝐑𝐨𝐦𝐚𝐧 𝐆𝐨𝐝𝐝𝐞𝐬𝐬, 𝐬𝐡𝐞 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐲. 𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 𝐬𝐲𝐦𝐛𝐨𝐥𝐢𝐳𝐞𝐬 𝐥𝐨𝐧𝐠𝐞𝐯𝐢𝐭𝐲, 𝐚𝐧𝐝 𝐢𝐦𝐦𝐨𝐫𝐭𝐚𝐥𝐢𝐭𝐲.

𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 𝟕𝐡~ 𝐀𝐩𝐩𝐥𝐢𝐞𝐬 𝐟𝐨𝐫 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞/ 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲. 𝐒𝐢𝐧𝐜𝐞 𝐰𝐞 𝐤𝐧𝐨𝐰 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐑𝐨𝐦𝐚𝐧 𝐠𝐨𝐝𝐝𝐞𝐬𝐬 𝐨𝐟 𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐲. 𝐀𝐧𝐝 𝐭𝐡𝐢𝐬 𝐚𝐬𝐭𝐞𝐫𝐨𝐢𝐝 𝐢𝐬 𝐩𝐥𝐚𝐜𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝟕𝐡 𝐨𝐟 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩𝐬/𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞. 𝐓𝐡𝐢𝐬 𝐬𝐡𝐨𝐰𝐬 𝐚 𝐥𝐨𝐧𝐠 𝐥𝐚𝐬𝐭𝐢𝐧𝐠 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐩𝐨𝐬𝐬𝐢𝐛𝐥𝐲 𝐮𝐧𝐭𝐢𝐥 𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐲 𝐨𝐧 𝐞𝐚𝐫𝐭𝐡 𝐚𝐭 𝐥𝐞𝐚𝐬𝐭 𝐥𝐨𝐥. 𝐍𝐨𝐰𝐰𝐰𝐰𝐰….. 𝐈 𝐝𝐨𝐧'𝐭 𝐭𝐡𝐢𝐧𝐤 𝐢𝐭'𝐥𝐥 𝐚𝐥𝐰𝐚𝐲𝐬 𝐬𝐡𝐨𝐰 𝐛𝐞𝐢𝐧𝐠 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐩𝐞𝐫𝐬𝐨𝐧 𝟒𝐞𝐯𝐞𝐫 𝐛𝐮𝐭 𝐢𝐭 𝐜𝐨𝐮𝐥𝐝 𝐝𝐞𝐟𝐢𝐧𝐢𝐭𝐞𝐥𝐲 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐯𝐞𝐫𝐲 𝐤𝐚𝐫𝐦𝐢𝐜 𝐰𝐡𝐞𝐫𝐞 𝐲𝐨𝐮 𝐛𝐨𝐭𝐡 𝐤𝐞𝐞𝐩 𝐫𝐞𝐢𝐧𝐜𝐚𝐫𝐧𝐚𝐭𝐢𝐧𝐠 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫, 𝐚𝐧𝐝 𝐦𝐚𝐫𝐫𝐲𝐢𝐧𝐠 𝐨𝐫 𝐠𝐞𝐭𝐭𝐢𝐧𝐠 𝐢𝐧𝐭𝐨 𝐚 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩. 𝐓𝐡𝐢𝐬 𝐚𝐥𝐬𝐨 𝐬𝐡𝐨𝐰𝐬 𝐭𝐡𝐚𝐭 𝐞𝐯𝐞𝐧 𝐢𝐟 𝐲𝐨𝐮 𝐝𝐨𝐧'𝐭 𝐥𝐚𝐬𝐭 𝐢𝐧 𝐚 𝐦𝐚𝐫𝐫𝐢𝐚𝐠𝐞 𝐨𝐫 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐲𝐨𝐮'𝐥𝐥 𝐚𝐥𝐰𝐚𝐲𝐬 𝐡𝐚𝐯𝐞 𝐚 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧/𝐭𝐢𝐞. 𝐈 𝐛𝐞𝐥𝐢𝐞𝐯𝐞 𝐭𝐡𝐢𝐬 𝐜𝐨𝐮𝐥𝐝 𝐞𝐯𝐞𝐧 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞 𝐜𝐨𝐧𝐬𝐭𝐚𝐧𝐭𝐥𝐲 𝐛𝐮𝐦𝐩𝐢𝐧𝐠 𝐢𝐧𝐭𝐨 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫. 𝐈 𝐚𝐥𝐬𝐨 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐚𝐝𝐝 𝐭𝐡𝐚𝐭 𝐡𝐚𝐯𝐢𝐧𝐠 𝐨𝐭𝐡𝐞𝐫 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐨𝐫𝐬 𝐨𝐟 𝐥𝐨𝐧𝐠𝐞𝐯𝐢𝐭𝐲 𝐬𝐮𝐜𝐡 𝐚𝐬; 𝐬𝐚𝐭𝐮𝐫𝐧-𝐯𝐞𝐧𝐮𝐬, 𝐬𝐚𝐭𝐮𝐫𝐧-𝐣𝐮𝐩𝐢𝐭𝐞𝐫, 𝐚𝐧𝐝 𝐞𝐯𝐞𝐧 𝐬𝐚𝐭𝐮𝐫𝐧-𝐬𝐮𝐧/𝐦𝐨𝐨𝐧. 𝐓𝐡𝐞𝐬𝐞 𝐚𝐫𝐞 𝐚𝐬𝐩𝐞𝐜𝐭𝐬 𝐭𝐡𝐚𝐭 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐞𝐯𝐞𝐫 𝐟𝐚𝐢𝐥 𝐰𝐢𝐭𝐡𝐢𝐧 𝐥𝐨𝐧𝐠𝐭𝐞𝐫𝐦 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬𝐡𝐢𝐩𝐬.𝐈𝐟 𝐲𝐨𝐮 𝐝𝐨𝐧'𝐭 𝐥𝐚𝐬𝐭 𝐰𝐢𝐭𝐡 𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 𝐢𝐧 𝐭𝐡𝐞 𝟏𝐡/𝟕𝐡 𝐭𝐡𝐞𝐧, 𝐓𝐡𝐢𝐬 𝐬𝐡𝐨𝐰𝐬 𝐚 𝐥𝐨𝐭 𝐨𝐟 𝐩𝐞𝐨𝐩𝐥𝐞 𝐰𝐢𝐥𝐥 𝐦𝐨𝐬𝐭 𝐥𝐢𝐤𝐞𝐥𝐲 𝐚𝐥𝐰𝐚𝐲𝐬 𝐭𝐚𝐥𝐤 𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮𝐫 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩. 𝐢𝐭'𝐬 𝐚𝐥𝐬𝐨 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐭𝐡𝐚𝐭 𝐡𝐚𝐬 𝐚 𝐛𝐢𝐠 𝐢𝐦𝐩𝐚𝐜𝐭 𝐨𝐧 𝐛𝐨𝐭𝐡 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬.

𝐅𝐨𝐫 𝐄𝐱𝐚𝐦𝐩𝐥𝐞; 𝐀𝐧𝐠𝐞𝐥𝐢𝐧𝐚 & 𝐁𝐫𝐚𝐝 𝐩𝐢𝐭𝐭 𝐡𝐚𝐯𝐞 𝐚𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 𝐢𝐧 𝟕𝐡 𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞 & 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲. 𝐘𝐞𝐬, 𝐭𝐡𝐞𝐲 𝐝𝐢𝐝𝐧𝐭 𝐥𝐚𝐬𝐭 𝐛𝐮𝐭, 𝐭𝐡𝐞𝐲 𝐡𝐚𝐯𝐞 𝐜𝐡𝐢𝐥𝐝𝐫𝐞𝐧 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐭𝐡𝐞𝐫𝐞𝐟𝐨𝐫𝐞 𝐭𝐡𝐢𝐬 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐭𝐡𝐞𝐲 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐤𝐞𝐞𝐩 𝐬𝐞𝐞𝐢𝐧𝐠 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫. 𝐅𝐨𝐫𝐞𝐯𝐞𝐫 𝐭𝐢𝐞𝐝, 𝐚𝐧𝐝 𝐡𝐚𝐯𝐢𝐧𝐠 𝐚𝐧 𝐮𝐧𝐝𝐞𝐧𝐢𝐚𝐛𝐥𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧.

𝐁𝐞𝐲𝐨𝐧𝐜é & 𝐉𝐚𝐲-𝐳 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐰𝐢𝐭𝐡𝐢𝐧 𝐬𝐲𝐧𝐚𝐬𝐭𝐫𝐲.

𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 𝟏𝐡~𝐓𝐡𝐢𝐬 𝐩𝐥𝐚𝐜𝐞𝐦𝐞𝐧𝐭 𝐜𝐚𝐧 𝐢𝐧𝐝𝐢𝐜𝐚𝐭𝐞 𝐭𝐡𝐞 𝐬𝐚𝐦𝐞 𝐭𝐡𝐢𝐧𝐠. 𝐃𝐞𝐟𝐢𝐧𝐢𝐭𝐞𝐥𝐲 𝐚𝐥𝐰𝐚𝐲𝐬 𝐛𝐞𝐢𝐧𝐠 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐞𝐝 𝐬𝐨𝐦𝐞𝐡𝐨𝐰.

𝐄𝐱: 𝐊𝐢𝐦 & 𝐊𝐚𝐲𝐧𝐞 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝟏𝐡 𝐰𝐢𝐭𝐡𝐢𝐧 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞.

𝐇𝐚𝐢𝐥𝐞𝐲 & 𝐉𝐮𝐬𝐭𝐢𝐧 𝐁𝐢𝐞𝐛𝐞𝐫 (𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲)

𝐒𝐮𝐧 - 𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬

𝐒𝐚𝐭𝐮𝐫𝐧 - 𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬 ~ 𝐥𝐨𝐧𝐠𝐠𝐠𝐠𝐠𝐠𝐠𝐠𝐠 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩, 𝐬𝐚𝐭𝐮𝐫𝐧 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐝𝐞𝐜𝐚𝐝𝐞𝐬 & 𝐥𝐨𝐧𝐠𝐞𝐯𝐢𝐭𝐲. 𝐎𝐥𝐝 𝐚𝐠𝐞.

𝐄𝐱: 𝐏𝐚𝐮𝐥 & 𝐋𝐢𝐧𝐝𝐚 𝐌𝐜𝐂𝐚𝐫𝐭𝐧𝐞𝐲 ~ 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝟐𝟗 𝐲𝐞𝐚𝐫𝐬 (𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞)

𝐉𝐨𝐚𝐧𝐧𝐞 𝐖𝐨𝐨𝐝𝐰𝐚𝐫𝐝 & 𝐏𝐚𝐮𝐥 𝐍𝐞𝐰𝐦𝐚𝐧 ~ 𝐦𝐚𝐫𝐫𝐢𝐞𝐝 𝟓𝟎𝐲𝐫𝐬 (𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐞)

𝐏𝐬: 𝐀𝐞𝐭𝐞𝐫𝐧𝐢𝐭𝐚𝐬/𝐒𝐨𝐥𝐢𝐝𝐚𝐫𝐢𝐭𝐲 𝐢𝐧 𝐚𝐧𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐀𝐧𝐠𝐮𝐥𝐚𝐫 𝐡𝐨𝐮𝐬𝐞𝐬 𝐢𝐬 𝐰𝐨𝐧𝐝𝐞𝐫𝐟𝐮𝐥 𝐭𝐨 𝐬𝐞𝐞! 𝐄𝐬𝐩𝐢𝐜𝐚𝐥𝐥𝐲 𝟒/𝟏𝟎 𝐛𝐨𝐭𝐡 𝐭𝐡𝐞𝐬𝐞 𝐡𝐨𝐮𝐬𝐞𝐬 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐥𝐨𝐧𝐠𝐞𝐯𝐢𝐭𝐲 & 𝐬𝐭𝐚𝐛𝐢𝐥𝐢𝐭𝐲 𝐚𝐥𝐫𝐞𝐚𝐝𝐲!

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