I'd say Lucy Boynton, but at this point my headcanon of her as Frankie Jones-née-Derwent is way too strong. Anya Taylor-Joy, Lord Peter Wimsey?
Oh, Lucy Boynton is great. I would watch an entire Tommy & Tuppence series with her and Will Poulter. If I were to cast her in Wimsey, it would be as Lady Mary.
Anya Taylor-Joy would be -- and now that I think of it, I'm quite taken with the idea -- Dian de Momerie. I think she could do really interesting things with the complexities and arc of the character.
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@idlesuperstar reminded me how much I love Murder Must Advertise, and also the wonderful and much missed AJ Hall's post about The Great Nutrax Row (The Mother of All Office Kerfuffles).
GNU legionseagle.
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On the subject of Lord Peter Wimsey screen adaptations: I just want more people to be aware of the fact that Shirley Cain, who played Miss Climpson in the 1987 Strong Poison miniseries, also played Miss Rossiter in the 1973 Murder Must Advertise, which I *think* makes her the only actor to appear with both Ian Carmichael and Edward Petherbridge as Wimsey.
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The ending of Murder Must Advertise by Dorothy L. Sayers
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He grinned with a wry mouth, and went out to keep his date with the one young woman who showed no signs of yielding to him, and what he said or did on that occasion is in no way related to this story.
Me the first time I read this: Huh, I wonder what the story is there.
Me now: HARRIET!!!!!! HELLO!!!!!!
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There is no argument for buying butter Kerrygold. It's natural human instinct.
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Sayers: here’s our new protagonist. we’re not going to mention his name. he is a totally unknown person whom we have never met before
me: it’s Wimsey isn’t it
Sayers: no, he has a beard. and his name is…uh…Death. yeah! Death Bredon.
me: you’re just listing Wimsey’s middle names
Sayers: I am not
me: tell me this: what does his nose look like
Sayers: ….I don’t think I shall
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thinking about the One Perfect Scene from have his carcase, and i need to ramble about it a little
in this scene harriet tells peter that he probably expects his chivalry to soften her, that all men do that and it's disgusting. which is a fair assumption to make, even though she clearly doesn't think peter's doing that and is just frustrated by the situation they're in. and then peter says this:
Why do you suppose I treat my own sincerest feelings like something out of a comic opera, if it isn’t to save myself the bitter humiliation of seeing you try not to be utterly nauseated by them? ouch. the reveal that peter's proposals, a fun little gag we've seen since strong poison, which seemed like just another part of peter's silliness, actually have so much weight and he feels this way about him... it's so good.
like to me any media that is episodic will end up suffering in terms of characterization. it feels inevitable. but sayers develops peter in such a fascinating way that i know he will keep surprising me until the very end of the series.
anyway, another thing i love about this scene is how much deeper the dynamic between peter and harriet feels when and after you read it. in this book they are so cute, so fun, i had no doubts they would be perfect together even though i wasn't sure how to feel about them in strong poison. but the emotions in this scene make so much sense for the time period they live in and for who they both are as people. it's just really good characterization, and very cleverly written.
later in this scene, due to dreariness and exhaustion, harriet starts to cry. and their little argument ends like this:
which again is so, so perfect. peter just talked about his frustrations regarding the comic opera he feels he needs to make of his proposals, but he immediately starts babbling and being silly to make harriet feel better.
in one single scene sayers shows us peter's true feelings, harriet's reasons for rejecting him, peter's very layered personality that is so easy to dismiss or forget about as you jump from witness to witness.
have his carcase is far from a perfect book. the mystery is too convoluted and it goes on for too long. but i'll keep thinking fondly of it for giving me so many wonderful peter/harriet moments, and this one scene that is one of my favourites i've read this year.
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honestly having a favorite peter wimsey book hasn't occurred to me before. i guess it's gaudy night because gaudy night is objectively the most genius literary work of them but beyond that i simply do not know
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