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oceanwrath · 2 months
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🍃
🍃 LEAVES FLUTTERING IN WIND — what is/was your oc’s favorite subject in school?
bugs 101. bariyan loved bugs 101. well arthopods 101
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in arthopods 101 they teach you that you get bitten in the face when your vibes are bad and its your fault and also god doesnt love you
bariyan grew up in a niche sect where he was mostly educated by his eldest brother khista, and didn't have any formal education at the main temples. but khista did put him through a rigorous set of the sects' own lessons and from that array of subjects bariyan's favorite was the study of their sacred beasts, their religious significance, how to raise and care for them, their ritual uses, etc
he was most fond of the centipede, revered as a divine messenger/protector, and acted as the sect's primary centipede-keeper (centikeeper. keeper of the pedes) until he left. his lifelong pet project is/was breeding them for better sociability between themselves & with humans, a wildly unsuccessful endeavor that he nevertheless persists in
besides general reverence and fascination, bariyan also enjoyed these lessons b/c they were the only ones in which he passed muster in his brother's eyes. all his best memories of khista are of khista begrudgingly approving of bariyan's care & knowledge for their weird lil venomous monsters
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bnandwww · 3 months
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Nayaka Padams of Kshetrayya
So, the margazhi season has come to an end. I am sure there were moments in a performance that stuck with you! Do share with us. One of the performances that stuck with me was the rendition of Ososi or also known as Kasikipoyene, set in Mukhari Ragam and Chapu Talam. Listen to the rendition by T. Brinda and T. Mukta, and one does end up feeling pity for the nayaka. In her book “Aspects of…
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rohanbarwal · 9 months
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Sa Re Ga 🎼🎵🎶
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A raga (pronounced RAH-guh) is a collection of pitches, kind of like a scale or mode in Western music. Each raga is defined, however, not only by the pitches themselves, but also by specific formulas for using them.
📯🎙🎤🎧📻🎷🎺🎻🎹🎸🥁
🎼 There are five main Ragas used in classical music: Shree, Deepak, Hindol, Megh and Bhairavi. Lord Shiva is believed to have produced them from his five faces i.e Panchmukh.
📯🎙🎤🎧📻🎷🎺🎻🎹🎸🥁
The ragas with emotion labels of calm/happy were Hansdhwani, Tilak Kamod, Desh, Yaman, Ragesree, Jog while ragas with emotion labels of sad/longing/tensed were Malkauns, Shree, Marwa, Miyan ki Todi, Basant Mukhari, Lalit.
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afceuganda · 1 year
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Land Bank announces new CEO
by Carien Kruger The Land Bank’s new chief executive officer has 20 years of experience in the financial services sector during which he also held leadership positions in banks. Themba Rikhotso was appointed as the new chief executive officer (CEO) of the Land Bank, effective as of 1 April. Khensani Mukhari, who was appointed as the bank’s financial head early last year, served as acting CEO…
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anantradingpvtltd · 1 year
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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] 1Raga - Desh Karam Kara Dije 2Raga Yaman Kalyan - He Mana Kaise Gavoon - Khayal Vilambit in Ektaal 3Raga Miyan Ki Malhar 4Raga - Bairagi 5Raga Bhairav - Prabhu Data Saban Ke - Bandish 6Raga - Bageshri 7Raga - Chhayanat - Jhanana Jhanana Jhanana Baaje Bicchua 8Raga Ahir Bhairav - Paniya Bharan Chali - Bandish 9Raga - Pooriya 10Pyara Ri Mori Gnuiya - Piloo Dadra in Dadra Taal 11Raga - Malkauns - Shyam Sundar Nachat - Khayal Drut in Tritaal 12Raga Bhatiyar - Tarasa Rahee Ankhiya Piya - Bandish 13Raga - Basanti Kedar - Khayal Madhyalaya Teentaal 14Raga - Bhabkosh - Khayal Vilambit & Drut in Tritaal 15Raga - Yaman - Kaise Kaise Ki - Vilambit - Ektaal 16Raga - Yaman - Aeri Ali Piya Bina - Madhylaya - Tritaal 17Raga - Yaman - Tu Jag Mein Sharam Rakh - Tarana in Ektaal 18Raga Ramkeli - Una Sanga Lagee - Bandish 19Raga - Basant Mukhari 20Jhulni Pe Lagli Najaria - Chaiti in Deepchandi Taal 21Raga - Behag 22Raga Deshkar - Jag Jag Jag Keeno - Bandish 23Raga - Khammaj 24Raga Bilawal - More Ghar Aj Aye - Bandish 25Raga - Shuddha Kalyan 26Jage Sari Ryaina - Khamaj Thumri in Chanchr Taal 27Raga-Shudh Kalyan 28Lal Bal Joban - Bhairavi Tappa in Rupak Taal 29Raga - Ragesri 30Salone Sawan Aayore - Kajri in Rupak Taal 31Raga Desh 32Raga - Kafi Kanada - Khayal Mahyalaya in Teentaal 33Raga Yaman Kalyan - Matware Aaj - Khayal Drut in Ektaal 34Raga Malkauns - Mori Tori Preet - Khayal Madhyalya in Teentaal 35Raga Miyan Ki Malhar 36Raga Mishra Gara - Haan Re Chunaiya - Dadra 37Raga Deshkar - Karan Lage - Bandish 38Babul Mora Naihar Chhuto Jai - Bhairavi Thumri in Deepchandi Taal Package Dimensions ‏ : ‎ 12 x 12 x 5 cm Manufacturer ‏ : ‎ Inreco Entertainment Pvt Ltd Studio ‏ : ‎ Inreco Entertainment Pvt Ltd ASIN ‏ : ‎ B09JYZM2JC Country of Origin ‏ : ‎ India [ad_2]
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shadrack1970 · 2 years
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Full report on Tshwane horror crash that killed 15 people to be released on Friday
Full report on Tshwane horror crash that killed 15 people to be released on Friday
Minister of transport Fikile Mbalula on Sunday visited the scene of a horror head-on collision between a bus and a truck in Tshwane that left 15 people dead.  The crash happened just after 5am on Friday on the M17 in Patryshoek, near the Bundu Inn resort. Forty-two people were injured, 37 of whom were transported to the Dr George Mukhari, Steve Biko and Kalafong hospitals. Mbalula spoke to the…
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okelleok · 2 years
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a few more samples from the charity sketch drive!
so far I’ve done 55 unique pieces...the most i’ve ever done 
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adityabareilly-blog · 4 years
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Watch "Chapter : 35 - Raag Basant Mukhari" on YouTube
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Raag Basant Mukhari by Preety Gupta
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m-a-a-l-k-a-u-n-s · 7 years
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Raga Mukhari.
“..I seek but another way to know
Him who has no more a body
To offer, and whose blue face is
A phantom lotus on the waters of my dreams.”
-Kamala Das, Selected Poems.
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Last night at A Music and culture and Art ventre in Verona * * * * * ------------------- #sitarelettrico #electricsitar #sitar #raag #raaga #raga #basant #mukhari #pedalboard #instagram #instagood #sitarvala108 https://www.instagram.com/p/ByWCpZFnvra/?igshid=lxu6zcevuf9u
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oceanwrath · 11 months
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odishaphotos · 2 years
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Prahlad drama
Prahlad drama
A folk drama based in Ganjam district
Rahlad Natak or Prahallad Natak (also known as Raja Nat, Raja Natak) [1] is a traditional play performed in Ganjam district. It contains both classical and secular parts. In this play, Narasimha's story is conveyed through songwriting. Its main text is named after King Ramakrishna Chhotarai. Although the lyrics of Prahlad's play are based on the name of Ramakrishna, it has been accepted by researchers to be the poet Gaurahari Parichha. Later, other kings of Ganjam, such as Surangi Raja Kishore Chandra Harichandan Jagaddev Rai, Tarla Raja Ramchandra Shurdeo, Dharakot Raja Madan Mohan Singhdev and Padmanabh Narayan Dev of Paralakhemundi, wrote Prahladnatak.
The play features twenty male characters and five female characters. One of them, a character named Gahak, enters the stage and explains the event. This character is consistent with the formula found in Sanskrit and Greek dramas. Among the characters are Prahlad, Hiranyakashipu, Lilavati, Shukracharya, Mantri, Gahak, Chandmark, Ganesha, Saraswati, Brahma, Indra, Dwari, Charagan, Asuragan, Balakan, Narad, Gajakarna, Sapua, Mahuntas, etc.
Presentation--
Stage
It is well known for its special stage productions used in Prahlad's play. No theater is required for acting. The play is usually performed on the outskirts of the village or in an open area. A staircase with a staircase in front is installed. It has about 4 steps. In rural languages, the stage with this step is called the stage. The floor in front of the stage is used for dancing and acting. It is said that the seven saints of Hiranyakashipur are represented by the seven steps of the Adhipatya Manchar. The stage is mainly thought of as the court of Hiranyakashipur. The pottery minister, the queen, etc., sit on the top of the stage on either side of Hiranyakashipur. Musicians and drummers sit on either side of the stage.
Musical instrument--
The main instrument in Prahlad's play is the harp. It is a kind of air-conditioned musical instrument. The introductory song gives an early start to the song. At the same time, harmonies, guinea pigs, and harmonies are used today. There are usually two percussionists and some guinea and jazz musicians. The lead singer performs most of the songs, playing the harmonium, and the pianists assist him in the singing.
Music-- Many of the songs are composed in the Prahlad play written by King Ramakrishna Chhotarai. The rhythm and rhythm of each song are directed. The music method is entirely scriptural based on Utkaliya or Odissi music. Not all of Prahlad's plays are in the folk music category. The best proof of the classicality of Odissi music is the song of this Prahlad play. The ragas used are - Bhairavi, Sri, Kalyani, Saberi, Khamach, Jhinjoti, Anandbhairavi, Purikalyani, Marua, Shankaravaran, Nadaramakriya, Sehana, Nata, Pantavaradi, Todi, Ghantarab, Kamodi, Sroha, Arupu, Sreepha, Sreepta, Regu, Yamunakalyani, Kedargauda, ​​Desi Khamach, Mukhari, Desh, Nabaroj, Todi Punnag etc. The ropes used were - eight, one, etc. and figurines. Many of these rages and rhythms are not available in other forms than Odissi music.
Dance-- Prahlad's dance demeanor is mainly violent. Lasya dance is short. The dance back and forth on the Hiranyakashipur stage is especially popular. Prahlad also dances in the play with a quick footsteps, showing a cycle of zeroes. Prahladnatak's eminent researcher Vishwabihari Khadanga divides the violent dance into six parts and shows that it is mentioned in various plays. Folk dance styles such as Chandmark and Shabar Shabaruni are also part of it. Artist-- One of the oldest gurus is the Durga Das dynasty of Ichchapuram. He is followed by Laxman Shatapathi, Bankini Shatapathi, Raghunath Shatapathi, Trinath Pradhan, Ganga Dora, Simanchal Patra, Kalia Kamp, Krishna Kansari and Ram Badatya. Khali Behera and Simanchal Patra are known for their role in Hiranyakashipu. In the next generation, Vrindavan Jena, Rajendra Patra, Gokulananda Pradhan, Santosh Rana and others are famous. In Ganjam's Kukudakhandi, Kulad, Kabisuryanagar, Bhanjanagar, Padmanabhapur and other areas, there are still about 40 Rajanatak teams or capital.
Change-- During the performance of Prahlad's play, Nrsingh's body is worshiped with a venerated face, while Nrsingh's body is sometimes blackened. When it comes down to it, the actor's body radiates incredible energy, and it takes between ten and twenty people to maintain it. Failure to do so, he becomes an angry destroyer like Narsingh. It is alleged that the ambassador provided the information to the complainant. Iron or brass nails are no longer used in Prahlad's play since the incident. Previously, most of Prahlad's sixteen sentences were actually held. Prahlad's character was adept at all these arts and performed them. Snake bites, for example, were used to poison real snakes. In modern times that practice has been discontinued.
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urbanfusionmedia · 3 years
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Women opens rape case against a Doctor, George Mokhari
George Mokhari Doctor, who is accused of sexually raping a patient case was postpone to 30 November. This came after a case of rape was opened against him by a women On the 24th of July 2021 at 16:00 a Women was sexually harassed by a doctor while she was at George Mukhari hospital for treatment. This doctor came to our ward (ward39). The Women said "He came to my bed and went through my file then closed the curtains. After doing so he told me to lie flat on my stomach on the side of the bed, then he came directly on my buttocks where I could feel his erect penis. He rubbed my spine back and forth asking me If I felt any pain but I told him that I didn't feel any pain and he continued to rub my spine asking me if I felt any pain but I still told him that I didn't then he stopped. He then opened the curtains and told me that he would take me to the sonar to check if I still had mass in my stomach. Note: he only closed my curtains and not the other two patients curtains. He told me that he was too busy that day and had many wards to attend to but if he had the chance he would take me to the sonar. He then came back after an hour and asked me if I could walk and I told him that I could. He then told me to take my file and led me to the sonar room, which was very far and remote. When we got there it was very dark and the machines were off. So I sat on the sonar bed expecting him to switch on the machines but he never did. He told me to stand up and when I did, he took my hands as if examining them then started to rub them with his sexually. So I backed away from him, then he came close to me and forcefully grabbed my face to his and forcefully hugged me while my hands were behind my back. I pulled away from him then he came from behind grabbing my breast forcefully from behind. I thought about screaming but thought of how the area was so remote and since the were no security guards I was in fear for my life. I backed away from him and he forcefully hugged me from the front this time rubbing his penis on my thigh, and then I got the courage to confront him. I told him that I was not comfortable with the way he kept touching me. Then he stopped and told me that I am beautiful and look fresh, that he likes me very much and would like us to be good friends. I told him to take me to the ward. And on the way back to the ward he told me not to feel embarrassed about what had transpired in the sonar room. That if I wanted his WhatsApp number I should let him know, he would not pressure me. He wanted us to become good friends because one day we might need each other, I did not respond to his advances. By the time we got back to the ward I was so distraught and couldn't help but cry in front of the 2 other patients in the cubicle. I told them what transpired and they encouraged me to report it to my family. I did that and my father asked his lawyer friend for advice on how to deal with the matter. My father then reported it to the CEO of the hospital. I was then invited to a redress meeting whereby the staff of the hospital apologized to my parents and I about what had transpired. And assured me that they had suspended him pending his disciplinary hearing. But he is back at work working, still no disciplinary hearing date. As if nothing happened. Do I have to die first to be taken seriously? #JusticeforPaulinah when I'm dead?. It's sad that a woman must die first in order to be taken seriously in this country! Worse off I can't even get a hold of Sergeant Chauke who is the officer in charge of the investigation. Who do we run to if we can't run to the police for help?
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anantradingpvtltd · 1 year
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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] This book gives the details of the hindi songs (song name, movie name, year, singer and music director) based on more than 100 classical Indian classical raags including Abhogi Kanada, Adana, Ahir Bhairav, Alhiya Bilawal, Anandi Kalyan, Asavari, Bhinashadaj, Bageshri, Bahar, Barawa, Basant, Basant Bahar, Basant Mukhari, Bhairagi Bhairav, Bhairav, Bhairavi, Bhatiyar, Bhinashadaj, Bhimpalasi, Bhinashadaj, Bhupali, Bhupeshwari, Bihag, Bilaskhani Todi, Brindavani Sarang, Chandrakauns, Charukesi, Chayanat, Darbari Kanada, Desh, Desi, Devagandhari, Dhani, Durga, Gara, Gaur Malhar, Gaur Sarang, Gorakh Kalyan, Gujari Todi, Gunkali, Hamir, Hamsadhwani, Hamsakinkini, Hemant, Bhinashadaj, Jaijaivanti, Janasamohini, Jaunpuri, Jhinjhoti, Jog, Jogiya, Jogkauns, Kafi, Kalavati, Kalingada, Kalyan, Kalyan, Kamod, Kaushik Kanada, Bhinashadaj, Kedar, Khammaj, Kirwani, Lalit, Madhmati Sarang, Madhuvanti, Malgunji, Malkauns, Mand, Manj Khammaj, Maru Bihag, Marwa, Megh, Megh Malhar, Mian Ki Malhar, Mian Ki Todi, Multani, Nand, Nayaki Kanada, Pahadi, Palasi, Patdeep, Pilu, Puria Dhanashri, Purvi, Rageshri, Shankara, Shri, Shivaranjani, Shuddha Kalyan, Shyam Kalyan, Sindhura, Sohani, Sur Malhar, Tilak Kamod, Tilang, Todi and Vibhas Publisher ‏ : ‎ Createspace Independent Pub (30 April 2012) Language ‏ : ‎ English Paperback ‏ : ‎ 230 pages ISBN-10 ‏ : ‎ 1475276893 ISBN-13 ‏ : ‎ 978-1475276893 Item Weight ‏ : ‎ 231 g Dimensions ‏ : ‎ 12.7 x 1.22 x 20.32 cm [ad_2]
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Dr Leah Nkomo receives a Covid-19 vaccination at the Dr George Mukhari Academic Hospital in Tshwane. The Dr George Mukhari Academic Hospital is the latest site in Gauteng to administer the Covid-19 jab.Gauteng wants to vaccinate 8 520 healthcare workers this week. The J&J Phase 3b Implementation Study has, so far, seen 17 994 healthcare workers receiving the…
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