Who would imagine the character I hated the most in the beginning of the season, is now the one I hold close to my heart and appreciate the most

When I was introduced to Daemon for the first time I thought of him as the most basic, stereotypical villain the show will have. I never read the book before, let alone knowing the whole lore of GOT. Seeing him in the throne, just so full of himself, and his weird interaction with Rhaenyra just made me believe he was going to be another jealous brother trying to steal everything from his family. Without any morals, without following rules. A pure bastard.

However, after his story plot fighting in the narrow sea, witch such impressive action scene of him going against a whole army all by himself, made me become interested in his character. He became, from a villain, to a gray character. And a badass. He gained all my respect when he won against the triarchy: Full of blood and mud. A true warrior leading the battle from the front line. He was, indeed, an epic character.

And then we had him coming back from his exile. His armor bright, his hair short and adorned with an improved crown. Daemon comes back with a different energy, a new aura. He’s not the stereotypical villain as before. He returns as something more complex. And sweeter. Chapter 4 shows us how close his bond was to Nyra and how they gravitated always back to the other.

He was listening to her, giving her advice. The little stares, the shared cup, the gentle treatment made one wonder what were his intentions.

And finally, the brothel scene. The pinnacle, of what I can define from a personal perspective, of the feminine dream made man. The female perspective only accentuates that and we finally have this, gorgeous character giving in for the one who should be his enemy. In such a sinful place, in secret, with everyone watching but they both lost in themselves. (And who doesn’t want a bad guy losing himself all for you?)

Daemon got me completely in that chapter. And since then he made me a fangirl for him too. What a wonderful and well written character, full of layers and complexity. Now I do know who’s Daemon: A loyal brother, a loving husband, a pure chaotic energy turned into a human, a wise and skilled warrior, a gentle lover, a quick assassin, a charming prince. But even if he’s a loyal character to his own ways, he’s still unpredictable and intriguing. Meanwhile, Matt Smith owns the scene the moment he appears on camera.

A very lovely character indeed. I adore Daemon a lot.

I finally finished yippieeee~ the template is by @amoexii (thank you!) ((updated?))

Riley is willing to break rules to keep his friends safe, gain an advantage or just for fun. He shows his affection through teasing and tends to be generally playful. Most of all Riley likes caring for his appearance and coordinating outfits together! Huge romantic at heart and unafraid to show affection platonically and romantically! He feels validated being able to express his love by being allowed to be affectionate. He DOES respect and understand boundaries of course!! If Riley notices the person is reserved and dislikes being touched, he shows affection in others ways like praises and gift giving. He’s a very passionate person! Riley is a very tricky person when it comes to his emotions. He is easily upset and quick to lose temper if he feels like he’s being mocked or humiliated. He holds grudges and he WILL let you know. Sneers, roll of eyes, sarcastic comments and nasty side eyes. Riley is actually quite a considerate person and tries to be patient but he is still young and immature. When Riley gets older he starts to slowly heal from past bad experiences and starts to be much more relaxed and less quick to anger. He feels his emotions intensely and it manifests in his magic control. When he loses control sometimes his spells won’t cast from lack of concentration or he accidentally casts destructive bursts of magic around him. Glass and objects flown around are typically at the scene after a really bad temper episode. But these are rare. Riley feels shame immediately after these. They were what started ‘the rumors and the whispers’ around him before he started attending hogwarts.

Slytherin traits(cunning, ambitious and a drive for success)-

Riley could have easily been placed in gryffindor due to his bold personality and decision making. But he best fit slytherin because of his unashamed ability to resort to manipulation and deception in order to get ahead of others or get what he wants. He’s aware of how important it is to make connections in order to get ahead in life. He keeps in mind everyone’s secrets that he discovers and information he gathers for future use(Just in case…). He’s not above blackmailing either. When he has his mind set on something he will see it to the end no matter how long it takes. He hates failing but he hates not taking initiative more. ‘What ifs’ and ‘but’ are things he tries actively to ignore.

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.

hey can there be more content of gordon being a morally grey character. like yes i love it when hes a cool dad and great person and All Of That. but i feel like some of us didnt watch the same videos? that guy killed so many people and shot his friends so many times etc etc etc. he is Not a good person and i love him like that. if we were to take the whole 'it wasnt a videogame and these characters have a life beyond them and live in a world with morals' view of it all that is. gordon in canon it was a videogame world is a bit more complicated but i still love him like that.

a little doodle of my favourite fire emblem guys (modern au!)

Most characters in the Silmarillion aren't bad people and neither is everyone morally grey. It's not the war crimes fandom. It's pretty black and white, actually!

Come on. Just kill me… THE FOLLOWING 1.09

Kind constant loyal caring characters are sooo interesting y'all are just mean

why are they all not human but human shaped and in love with a humans and are kinda angelic but not really...

☆ lost in orbit

{☆} characters tsaritsa {☆} notes cult au, drabble, gender neutral reader {☆} warnings violence [ implied ], unhealthy relationship {☆} word count 0.6k

She had resigned herself to apathy – to burying her love beneath the cold, hard soil and letting it rot amongst the graves of a long dead civilization, burned to ash in only a day. Yet how quickly it all fell apart in her hands, slipping through her fingers like sand, no matter how desperately she tried to cling to it.

Was she not diligent enough? Was she so weak that she faltered at the first person who showed her genuine trust and affection? Had all her work been for naught?

A part of her revolts – the same woman who watched the sky burn and the ground beneath her feet crumble into ash. It would be so easy to wrap her hands around your delicate throat, to squeeze until you finally saw her as the monster she knew she has always been.

Yet she doesn't think she could. The look of betrayal, of fear..oh, it would ruin her, she knows.

Perhaps that makes her weak. Perhaps you have made her weak.

Perhaps she does not mind as much as she should.

You trust her, after all – enough to sleep in her bed like she couldn't just kill you before you ever knew what was happening to you. Your body was so..fragile, in this mortal shell you descended in. How easy it would be to snuff out your life, here and now.

Yet she doesn't.

Instead, she looks at you like an old lover – with all the love of a woman who had died in the ashes of a dying civilization, of a woman who thought she could love no longer. Emotions she fought so hard to suppress well up in her chest and fill the empty space where she knows her heart should beat. Try as she might – and oh, how she tries – she can never quite stem the affection that consumes her every waking moment when she sees you.

It is like an addiction that she cannot rid herself of, no matter how she tries. She always finds herself back at square one – back to you.

Her hand lingers against your cheek, undue affection filling the empty spaces in her chest until she feels like cannot breathe. She traces her hand along your jaw, her vision narrowed on the softness of your lips.

Yet that same thought rises unbidden to the forefront of her thoughts. Love was a dangerous thing – you both knew that. To let it fester and rot her from within..she would be throwing her plans out the window, and for what?

Because she was too weak? Because the affection and trust in your eyes whenever your looked at her made her feel whole, like she was more then just an Archon playing God with the fate of the world?

You do not even stir as her thoughts toil like a brewing storm. She swallows the lump in her throat, removing her hand like she'd just touched a piece of hot metal. A part of her still screams that it's for the best, that you've corrupted her enough, torn apart her plans in the span of a week, a mere blink in time..

But it goes silent as she leans in, pressing her lips to your cheek. She will not let the thought fester, tonight – she will let herself be weak, if only for another day. If only to covet the affection that she finds herself drowning in for just another day.

And when you stir, she pretends that she had never thought of it at all, that she has only ever known love with you. Even if her heart that does not beat leaves a stabbing pain in her chest in the agony of knowing that even this is futile..

She lets you wake, let's the recognition and the affection fill your vision until she is all you see – two stars locked in orbit, unable to break away.

And when the day comes that you collide, she will be holding the blade that drives into your chest, and she will know nothing but love when she does.

Thinking about Angeal in DFFOO apparently throwing himself in front of a sword to protect Sephiroth, even knowing that he's unrepentantly evil at that point and has no goal except to hurt people and fuck with Cloud, because he just cares about him so much—

But in CC, Angeal is only upset about Genesis' alleged death because he didn't manage to kill him before Zack did. Even though he's completely aware that Genesis is doing all this in an attempt to either 1. not literally rot to death, or 2. take the company down with him in recompense for ruining all their lives from conception.

The only point that he gets genuinely upset after Genesis "dies" is when Hollander calls Gillian by name. That is more upsetting to him than the death of someone who he's known basically since birth. The only issue with his oldest childhood friend being dead is that Angeal didn't get to kill him.

But Sephiroth, openly malicious, violent, abusive—he is worth defending. He's worth protecting. He deserves every possible chance to prove that he's better than he was made, even when he's stated outright that he made his choice and doesn't intend to change.

Absolutely mindboggling that so few people seem to realize the extreme difference in how he feels about them, even when it's on full display.

(Also, I feel like it's more proof for my theory that Angeal is in love with Sephiroth too and the reason he treated Genesis the way he did is because if he wasn't good enough, then Genesis certainly wasn't, and couldn't be allowed to think otherwise. I don't think this was intentionally malicious, but I think Angeal was actually extremely immature and so self-righteous he'd rather they all be miserable than see someone he loved find support from someone he found unworthy.)

Reminder that if c!Dream didn’t manipulate c!Punz into manipulating c!Purpled into brainwashing c!Slime nothing bad would’ve ever happened to c!Quackity!!! It is all c!Dream’s fault

Never mind the fact that Slime point blank says he’s doing this because of the things Quackity actually did say and do to him

Also ignore the fact that saying Slime was tricked or manipulated into killing Quackity (even though he’d killed Purpled already) completely undermines his speech about how everyone, beginning with Quackity, had been trying to mold him to do what they wanted, and that this was Slime taking back his autonomy and personhood

Dream is to blame for everything negative that happens even if it cheapens or outright breaks established lore and characterization

something about the same actor playing bolkonsky AND andrey. it makes the audience question how much of andrey’s cruelty is inherited from his father, and how much of it is a result from the war.

both are mentioned in the only song andrey physically appears in: ‘there’s a war going on’ andrey says, a callback to the prologue. in that song, the characters sing ‘the war can’t touch us here’ — an ironic statement, now. and pierre says that andrey ‘smiled just like his father / coldly, maliciously.’

andrey is malicious, and wary, and exhausted. there’s a war going on. his cruelty is echoed in the way the son is playing his father. his father is playing his son. words and notes are sung with similar cadence and emphasis. how justified is andrey? how much did the war change him, or how much can the war excuse his maliciousness? andrey does not break the cycle of his father’s cruelty, but how much of it is his fault? there’s a war going on, after all.

'i want more morally grey female characters' you fuckers could barely handle sayaka maizono and celestia ludenberg

I’m just going say it although the book of death/Shinigami’s powers is cool also the big idea of the gameplay;in a way is kinda useless mostly on the fact the culprit dies,i mean HOW ARE YOU GONNA GET A CLEAR TRUTH WITHOUT A CLEAR CONFESSION!!!,also it just made it worse now that there now a person mysteriously dies out of nowhere,but they managed to put it in storyline sooooooo

Yeah something to think about

I think maybe it has to do with since Shinigami is the God of Death, her power is going to have a connection over on death. But you bring up a good point that it isn’t exactly useful considering it makes exposing the criminals harder.

Until I remember in Chapter 0 after the first Mystery Labyrinth from a YouTube gameplay I watched, where Shinigami comments how Yuma is now free since the culprit is dead, which the YouTuber comments that wasn’t going to work because Zilch was meant to be dead from the start and they only ended up reaffirming that narrative the Peacekeepers were painting to begin with. And I was thinking to myself, ‘didn’t they already figured out that the Peacekeepers were in on the plan in the Mystery Labyrinth? So why did she think the Peacekeepers would let him go if they were planning to frame him anyway?’ And that led me to think really hard about this.

We know Shinigami has the flaws of lacking empathy and not understanding humans at times, since she is an immortal god. I think in her mind, since the culprit is gone, there would be no reason for the Peacekeepers to keep framing him. Plus, again thinking into Shinigami’s mind, I think she believed since the culprit was a murderer would mean they would probably kill more people in the future, so the real goal was to stop a growing threat from claiming more victims like before.

And the killing thing? I think it’s a way to deal the justice in the holder’s own hands, to off the culprits so they don’t keep harming people from the mysteries they made, or claiming anymore victims from their deeds. In Chapter 1, one of the culprit was a serial killer, who would have gone off to kill more people. And the other culprit could have technically become a serial killer himself since he admired the Nail Man so much. Plus, an innocent man was going to get framed and executed for the Nail Man’s crimes to keep up appearances, and seeing how the Priest was going along with the lie, basically implied he was okay letting an actual, innocent man die in his place. Then in Chapter 2, Kurumi gets framed for the crime, and since execution seems to be a thing, she could have been executed herself, all so the Peacekeepers can keep their lies and appearance in place.

Plus, we have seen that the Peacekeepers don’t necessarily care about justice unless it serves them (or the higher-ups like Yomi in this case). They are willing to cover up the mysteries to convenient themselves and get what they want. And considering they are the police force, therefore the handlers of justice in Kanai Ward, they are the only ones in power that can lock away the criminals in hand and bring justice. But because they are so corrupt and self-indulgent, they are more willing to let criminals go or turn a blind eye or fail to solve the case thoroughly. So the Book of Death is the only way to ensure not only are the criminals are properly dealt with, but also cut away the Mystery Labyrinths as well. Since Shinigami has noted that if the Mystery Labyrinth grew and remain, they would influence other people into becoming murderers or criminals that would create more Mystery Labyrinths as well. As it was theorized by Yakool-Foolio that Kanai Ward’s Ultimate Secret’s own Mystery Labyrinth is what most likely led to the city becoming more crime-filled and creating their own Mystery Labyrinths as well.

It’s also important to note that there are other corrupt officials out in the world like the Unified Government who wants to keep their own secrets hidden away to keep up appearances. So it wouldn’t be far-fetched if there were other corrupt forces like the Unified Government and the Peacekeepers who would keep things secrets for their own benefits. Plus, we learned in chapter five that Number One of the World Detective Organization that he is actually in charge of issuing criminals to be sent to the death penalties, as noted here by Shiut, so I think executions and death penalties are uncommon in the Master Detective Archives world. So it wouldn’t be such a big deal for criminals to just die, even if it is inhumane and cruel.

In conclusion, I think the Book of Death is really a tool used in order to bring about the end of the criminals that threatens peace for everybody and could potentially hurt people (people getting framed, the killers killing future victims, exploiting people, etc). Since there is the chance of corrupt police forces not willing to indulge justice as they should and will let the mysteries remain and therefore the criminals free, the Book of Death is a mean to make sure the criminals and mysteries are gone. It’s a morally grey story where it may not be morally right, but it is not morally wrong either with the circumstances at hand. I think that’s what the Book of Death’s intention are, and why Shinigami thinks the way she thinks.

So my brother and I started fanficing how we'd fix the Bayverse Transformers movies, and along the way we came up with the idea of Organic Transformers that act exactly like normal Transformers but with flesh and bones and the transformers sound is it's bones breaking and reshaping and it's genuinely one of the most horrific ideas I think we've ever had.